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David Bowie’s estate strikes new album catalogue deal with Warner Music

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The estate of David Bowie has agreed to a new deal with Warner Music Group that will have the company overseeing his full back catalogue of albums. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue Warner Music previously held the worldwide rights to the music ...

The estate of David Bowie has agreed to a new deal with Warner Music Group that will have the company overseeing his full back catalogue of albums.

Warner Music previously held the worldwide rights to the music that was released by the late artist between 1968 and 1999 (up to his October 1999 album ‘hours…’) after they acquired the Parlophone Label Group in 2013.

This new licensing agreement with Bowie‘s estate now means that Warner Music also has the rights to the artist’s back catalogue of music between 2000 and 2016, the year of his death.

The Bowie albums Heathen, Reality, The Next Day and ★ (AKA ‘Blackstar’) are among the works that will come into the Warner Music fold in 2023. They were originally released via Sony Music.

Only Bowie‘s pre-1968 recordings – including his eponymous 1967 album and a string of singles – and a small number of stray tracks will not be housed under the Warner Music umbrella going forward.

David Bowie
David Bowie. Credit: Press

A press release announcing the new deal today (September 16) has also confirmed that the fifth instalment in the Bowie ‘Era’ box set series, ‘Brilliant Adventure (1992 – 2001)’, will be released in the autumn.

“It’s an incredible honour to have been chosen as the stewards of one of the most important and dynamic bodies of creative work in modern culture,” Max Lousada, CEO of Recorded Music at Warner Music Group, said in a statement.

“The impact of Bowie’s repeated reinvention and endless experimentation continues to resonate around the world – through the genres he transformed, the timeless songs and sounds he invented, and the immeasurable influence he’s had on music, art, and fashion.

“We’re excited that our expanded partnership with the Bowie estate will help us deliver innovative, career-spanning projects and attract new generations to his extraordinary musical universe.”

Bowie was among the artists who featured on a recently reissued series of compilation albums from War Child.

Kim Gordon announces new collaborative project with Aaron Dilloway

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Body/Head - the side project of Kim Gordon and avant-garde guitarist Bill Nace - have teamed up with Aaron Dilloway for a new collaborative album. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue Operating as Body/Dilloway/Head, the trio will release their thr...

Body/Head – the side project of Kim Gordon and avant-garde guitarist Bill Nace – have teamed up with Aaron Dilloway for a new collaborative album.

Operating as Body/Dilloway/Head, the trio will release their three-track self-titled debut album on November 19.

They’ve also shared a new song from the record called “Goin’ Down”, which you can listen to here.

The track marks the first new material from Body/Head since their 2018 second album, The Switch.

Gordon said in a statement (via Stereoboard): “One of the things I like most about playing improvised music and especially in Body/Head with Bill is the constantly exhilarating freedom and surprise about what is going to happen at any given moment.

“Making this record with Aaron Dilloway, who I have always admired so much, added in another layer of unknown and another way of giving up control. Aaron took our sounds/music as a source and had ‘his way with it’ so to speak, crushing whatever narrative that existed in order to enter into it and making something different than what we would have done as Body/Head.”

Gordon, who released her memoir, Girl In A Band, back in 2015, recently announced that she is co-editing a new book of essays about pioneering female artists, written by female writers.

This Woman’s Work: Essays On Music will be edited by the co-founding Sonic Youth member alongside former music journalist Sinéad Gibson, and is set to arrive in April 2022 via the publishing imprint White Rabbit. The book will feature contributions from Maggie Nelson, Ottessa Moshfegh, Margo Jefferson, Jenn Pelly, Juliana Huxtable and more.

According to its synopsis, the book is “for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music”.

Last year Gordon released No Icon, a “personally curated scrapbook” of writing, photographs, clippings, artworks and more.

Listen to The War On Drugs’ soaring new single “I Don’t Live Here Anymore”

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The War On Drugs have shared their brand new single "I Don’t Live Here Anymore" - you can listen to the track below. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue The song is the title track from the band's forthcoming new album, which is set for release ...

The War On Drugs have shared their brand new single “I Don’t Live Here Anymore” – you can listen to the track below.

The song is the title track from the band’s forthcoming new album, which is set for release on October 29 via Atlantic Records.

“I Don’t Live Here Anymore” follows on from the LP’s first single “Living Proof”, which came out back in July.

Co-produced by bandleader Adam Granduciel and Shawn Everett, the song also features backing vocals by the New York band Lucius.

You can hear “I Don’t Live Here Anymore” in the above Emmett Malloy-directed video, which was filmed in LA.

In a note accompanying the announcement of The War On Drugs‘ new album earlier this summer, the record was described as “an uncommon rock album about one of our most common but daunting processes — resilience in the face of despair”.

The War On Drugs – “I Don’t Live Here Anymore”

You can check out the tracklist for The War On DrugsI Don’t Live Here Anymore below.

1. “Living Proof”
2. “Harmonia’s Dream”
3. “Change”
4. “I Don’t Wanna Wait”
5. “Victim”
6. “I Don’t Live Here Anymore”
7. “Old Skin”
8. “Wasted”
9. “Rings Around My Father’s Eyes”
10. “Occasional Rain”

The War On Drugs will tour in the UK and Ireland in April 2022 – you can check out their forthcoming live dates below and find tickets here.

April 2022
11 – O2 Academy, Birmingham
12 – The O2, London
14 – 3Arena, Dublin
16 – First Direct Arena, Leeds
18 – Corn Exchange, Edinburgh

“Immersive” Queen pop-up shop to open in London

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An “immersive” pop-up shop dedicated to Queen is set to open in London later this month, running until early next year. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue READ MORE: Brian May says Freddie Mercury would still be playing with Queen if he was s...

An “immersive” pop-up shop dedicated to Queen is set to open in London later this month, running until early next year.

‘Queen The Greatest’ is described as a “dedicated experiential pop-up shop” and will feature a range of items from music, fashion and more.

The shop will be located on London’s Carnaby Street and will open its doors on September 28. It will remain open until January 2022. Each month will see the store change its theme, rotating through music, art and design, and magic.

Visual installations will let visitors explore Queen’s decades-long history, while each week will see new products released and events hosted in the space. Up for grabs will be limited edition music releases, fashion collaborations with the likes of Champion, Wrangler and Johnny Hoxton jewellery, and lifestyle products.

Freddie Mercury and Brian May of Queen
Freddie Mercury and Brian May of Queen perform live in 1985. Credit: Bob King/Redferns

In a press release, Queen said: “We are pleased to collaborate with Bravado on this project, which will be an exciting experience for everyone to come to London and enjoy. Carnaby Street was the perfect spot for the store to celebrate five decades.”

David Boyne, MD of merchandise company Bravado, added: “We are delighted to announce this innovative partnership with Queen. The project will add another cultural moment to their rich legacy and will be a destination for fans to immerse themselves in the music, style and spirit of one of the world’s most iconic and beloved bands.”

Meanwhile, Queen guitarist Brian May spoke recently about his potential plans for a new solo album. “I do think about it,” May told Goldmine of the possibility of making a new album. “And strangely enough, I think it probably would be instrumental this time. Because I have enough ideas. And I have lots of unfinished business.”

The star also revealed earlier this month that Queen have been in the studio working on new music – although it hasn’t “hit the button in the right way” yet.

Paul McCartney to discuss new book at London’s Southbank Centre

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Paul McCartney is set to appear in conversation at London's Southbank Centre later this year to discuss his new book. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue READ MORE: McCartney 3, 2, 1 review The Beatles legend's book, The Lyrics: 1956 to the Pre...

Paul McCartney is set to appear in conversation at London’s Southbank Centre later this year to discuss his new book.

The Beatles legend’s book, The Lyrics: 1956 to the Present, will recount the musician’s life through his earliest boyhood compositions, songs by The Beatles and Wings, and from his lengthy solo career.

It’s set to be published on November 2, and three days later on November 5, McCartney will appear at the Royal Festival Hall to discuss the book and his one-of-a-kind career.

The conversation will be an in-person event, but will also be livestreamed globally. Tickets for the Southbank event and livestream both go on sale from 10am BST on Friday (September 17) here.

The Lyrics will be presented with previously unseen drafts, letters and pictures from McCartney‘s personal archive.

Arranged alphabetically to provide a kaleidoscopic rather than chronological account, it establishes definitive texts of the songs’ lyrics for the first time and describes the circumstances in which they were written, the people and places that inspired them, and what McCartney thinks of them now.

In the foreword to The Lyrics, McCartney writes: “More often than I can count, I’ve been asked if I would write an autobiography, but the time has never been right.

“The one thing I’ve always managed to do, whether at home or on the road, is to write new songs. I know that some people, when they get to a certain age, like to go to a diary to recall day-to-day events from the past, but I have no such notebooks. What I do have are my songs, hundreds of them, which I’ve learned serve much the same purpose. And these songs span my entire life.”

Last month, McCartney revealed the 154 songs that are featured in his forthcoming career-spanning biography. To accompany the new book, the British Library has announced it will host a free display entitled Paul McCartney: The Lyrics between November 5, 2021 and March 13, 2022.

Earlier this summer, McCartney released the documentary miniseries McCartney 3, 2, 1, which saw the singer and producer Rick Rubin discuss highlights from McCartney‘s career.

Dear John: John Lennon tribute show set to be livestreamed next month

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Details of a new John Lennon tribute event, Dear John, have been announced. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue READ MORE: Hear three tracks from The Beatles’ new Let It Be special editions The online event will follow on from the release ear...

Details of a new John Lennon tribute event, Dear John, have been announced.

The online event will follow on from the release earlier this year of the Dear John tribute album, which featured Lennon covers by a range of artists and raised money for War Child.

A livestream tribute concert will now take place on October 9 to mark what would have been Lennon‘s 81st birthday, with the event benefitting War Child once again.

Organised by Blurred Vision frontman Sepp Osley with his partner/singer-songwriter Mollie Marriott, Dear John will be hosted by BBC presenter Bob Harris and feature a host of special guests who perform Lennon and Beatles covers, as well as providing “personal messages of peace and love throughout the night”.

Martin Freeman, Peter Frampton, Matt Lucas, Jack Savoretti, Fearne Cotton, Yola, Matt Sorum (Guns N’ Roses, Velvet Revolver), Irvine Welsh (Trainspotting), fashion designer Pam Hogg, Mark Williams (Harry Potter, Red Dwarf), Joe Brown, Sam Brown, Judie Tzuke, Scott Matthews, Chloe Foy, Baby Sol, Luke Friend, Minh, Jo Harman, Elles Bailey, Jasmine Rodgers, Scott McKeon, Gavin Conder, Laura Evans and more will all take part.

Dear John line-up poster. Credit: Press

Speaking about the 2021 Dear John concert, Osley – whose band Blurred Vision will provide backing on the night as the ‘house band’ – said: “Never in my wildest dreams could I have imagined the success that this humble event conjured in 2020 during the height of the pandemic. It all began with a simple concept of celebrating the legacy that John Lennon left behind.

“A legacy of peace and unity and love on a global scale, and now to be able to perform these timeless songs with so many heroes and contemporaries of the music world, while raising money for this incredible charity at such a crucial time, is something I could never have conceived or believed when I began my tumultuous journey on this planet.”

A one-off ticketed event, all donations and net proceeds raised from the show will go directly to the War Child charity. You can find tickets for Dear John here.

Noel Gallagher recently revealed that he intends to release his cover of John Lennon‘s “Mind Games”, which he recorded to mark the late Beatle‘s 80th birthday last year.

Todd Rundgren will not attend his Rock and Roll Hall of Fame induction next month

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Todd Rundgren will not be attending the Rock and Roll Hall of Fame ceremony in Cleveland next month, where he's set to be inducted alongside the likes of Foo Fighters, Jay-Z, Tina Turner and more. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue Rundgren – w...

Todd Rundgren will not be attending the Rock and Roll Hall of Fame ceremony in Cleveland next month, where he’s set to be inducted alongside the likes of Foo Fighters, Jay-Z, Tina Turner and more.

Rundgren – who has acknowledged in a new interview with Ultimate Classic Rock that his relationship with the Hall of Fame has been “obviously… not copacetic” – will instead be performing a show a few hours away in Cincinnati on the evening of October 30.

“I have offered to do something live for them from my venue. I will stop my show and acknowledge the award and mostly acknowledge my fans, because it’s for them,” Rundgren told Ultimate Classic Rock.

“They’re the ones who wanted it. And now they’ve got it. So it’s a celebration for them, not so much for me. I’ve been totally willing to do that. But for me to do something extraordinary for the Hall of Fame would just be hypocritical. You know, I’m too much on the record about my feelings.”

Rundgren has indeed been fairly vocal about his feelings towards the Hall of Fame, which run the gamut between broad indifference and labelling it a “scam” when speaking to Billboard in February.

Despite his personal feelings towards the Hall of Fame, Rundgren told Ultimate Classic Rock that he’s tried to stay relatively quiet since his nomination was announced earlier this year.

“A lot of artists take this seriously. Just because I don’t, doesn’t mean I should try and spoil it for them… I would just like it to elapse without any kind of bad vibes or anything being a result of it. I’d just like it to happen and be over with.”

Rundgren is far from the first to level criticism at the Hall of Fame. Back in 2018, Iron Maiden frontman Bruce Dickinson branded the institution “an utter and complete load of bollocks”.

“It’s run by a bunch of sanctimonious bloody Americans who wouldn’t know rock and roll if it hit them in the face,” Dickinson continued. “They need to stop taking Prozac and start drinking fucking beer.”

Rundgren is set to release a new album titled Space Force later this year, the follow-up to 2017’s White Knight.

Back in April, he reunited with Sparks some 50 years after producing the band’s eponymous debut album, with the two acts collaborating on Space Force single “Your Fandango”. Other collaborators set to appear on the album include Weezer frontman Rivers Cuomo

Amy Winehouse to be honoured in new Design Museum exhibition

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Amy Winehouse is set to be the subject of a new retrospective exhibition at the Design Museum in London. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue The late singer is being honoured to mark the recent 10-year anniversary of her death in July 2011 at the ...

Amy Winehouse is set to be the subject of a new retrospective exhibition at the Design Museum in London.

The late singer is being honoured to mark the recent 10-year anniversary of her death in July 2011 at the age of 27.

Amy: Beyond the Stage will open at the Design Museum on November 26 and aims to celebrate “a cultural icon that the world lost too soon”.

The collection will “explore the creative process, powerful music and unforgettable style of a musician whose work drew a unique line between genres such as jazz and R&B, through to artists such as The Ronettes and Mark Ronson, designers such as D&G, Moschino and more,” according to a press release.

Visitors to the exhibition will be able to view previously unseen personal items (including her teenage notebooks, photographs and handwritten lyrics) and a selection of Winehouse‘s outfits and fashion accessories, as well as experience a studio space inspired by Metropolis Studios, where part of her 2006 album Back To Black was recorded.

Amy Winehouse
Amy Winehouse performing live on stage in London, 2007. Credit: C Brandon/Redferns

Winehouse‘s family are collaborating with the curators of the exhibition, with Winehouse‘s close friend and stylist Naomi Parry set to advise the Design Museum “on this never-before-seen showcase of how [Winehouse] combined music and design to create her look, style and voice”.

“I was determined to make an exhibition about Amy happen because I had seen first-hand how she became a global icon,” Perry said in a statement. “When I approached the museum to realise this ambition they immediately understood that looking at Amy through her creative legacy would create an unforgettable exhibition experience.

“Often the portrayal of Amy is focused on the negative aspects of her life, while this exhibition will take visitors through all that she achieved and highlight the incredible mark that she left on the lives of her fans all around the world.”

Tickets for Amy: Beyond the Stage are on sale now from here.

Earlier this month Winehouse‘s father Mitch said that a planned new biopic about the late singer’s life is “not allowed”.

Jarvis Cocker announces new collaborative album with Wes Anderson for The French Dispatch

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Jarvis Cocker has collaborated with director Wes Anderson for a new companion album of French music to tie in with the latter's new film The French Dispatch. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue Anderson's latest movie is set for release on October...

Jarvis Cocker has collaborated with director Wes Anderson for a new companion album of French music to tie in with the latter’s new film The French Dispatch.

Anderson‘s latest movie is set for release on October 22, with the film’s accompanying soundtrack – which includes Alexandre Desplat’s original score – set to arrive on the same day.

The French Dispatch soundtrack LP also includes Cocker‘s cover of the French pop hit “Aline”, which was originally written and recorded by the singer Christophe in 1965.

Cocker and Anderson have collaborated further to curate a full companion album of French music, featuring covers of songs that were originally released during the era that the new film is set in.

Chansons d’Ennui Tip-Top includes renditions by Cocker and his solo band JARV IS… of tracks by the likes of Françoise Hardy (“Mon Ami La Rose”), Serge Gainsbourg (“Requiem Pour Un Con”), Brigitte Bardot (“Contact”) and Jacques Dutronc (“Les Gens Sont Fous, Les Temps Sont Flous”).

It is billed as “a tribute to French pop music and a musical extension of The French Dispatch”. You can see the tracklist for Jarvis Cocker‘s Chansons d’Ennui Tip-Top below.

Side One
1. “Dans Ma Chambre” – Written by Pedro Espinoza Prieto, originally performed by Dalida
2. “Contact” – Written by Serge Gainsbourg, originally performed by Brigitte Bardot
3. “La Tendresse” – Written by Hubert Yves Adrien Giraud, Noel Roux, originally performed by Marie LaFôret
4. “Amour, Je Te Cherche” – Written by Nino Ferrer, originally performed by Nino Ferrer & Radiah
5. “Les Gens Sont Fous, Les Temps Sont Flous” – Written by Jacques Lanzmann, Jacques Dutronc, originally performed by Jacques Dutronc
6. “Il Pleut Sur La Gare” – Written by Areski Belkacem, Brigitte Fontaine, originally performed by Brigitte Fontaine & Areski Belkacem

Side Two
1. “Paroles, Paroles” – Written by Matteo Chiosso, Giancarlo Del Re, Giovanni Ferrio, originally performed by Dalida & Alain Delon
2. “Requiem Pour Un Con” – Written by Serge Gainsbourg, Michel Jean Piette Colombier, originally performed by Serge Gainsbourg in the film Le Pacha
3. “Mon Ami La Rose” – Written by Cécille Caulier, Jacques Lacome D’Estalenx, originally performed by Françoise Hardy
4. “Mao Mao” – Written by Gérard Guégan, Gérard Hugé, originally performed by Claude Channes in the film La Chinoise
5. “Elle Et Moi” – Written by Pascal Jean Michel Valadon, Aaron Gilbert, Alex Payne, Jean Pierre Cerrone, originally performed by Max Berlin
6. “Aline” – Written by Daniel Georges Jacq Bevilacqua, originally performed by Christophe

You can pre-order Jarvis Cocker’s Chansons d’Ennui Tip-Top here and The French Dispatch soundtrack album here.

Last month it was announced that Scarlett Johansson had joined the cast of Wes Anderson’s next film.

St. Vincent shares cinematic The Nowhere Inn film title track

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Annie Clark, aka St. Vincent, has shared the title track from her new film with Sleater-Kinney's Carrie Brownstein, The Nowhere Inn. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue The cinematic song, which you can listen to in a video below, is helmed by t...

Annie Clark, aka St. Vincent, has shared the title track from her new film with Sleater-Kinney’Carrie Brownstein, The Nowhere Inn.

The cinematic song, which you can listen to in a video below, is helmed by the film’s director Bill Benz.

The mockumentary is released in cinemas and on Apple TV+ this Friday (September 17) and follows St. Vincent‘s most recent album Daddy’s Home, and Sleater-Kinney‘s Path of Wellness album.

It is described as “a metafictional account of two creative forces banding together to make a documentary about St. Vincent’s music, touring life, and on-stage persona. But they quickly discover unpredictable forces lurking within subject and filmmaker that threaten to detail the friendship, the project, and the duo’s creative lives”.

A trailer for the film was released last month with St. Vincent saying: “Me and my bestie made a bananas art film…it was supposed to be a music doc but somewhere along the way, things went terribly wrong.”

Co-written and produced by – and starring – the two musicians, the collaborative project was first announced in April 2019 after the pair joined forces on a series of mock interview segments in promotion of St. Vincent’s 2017 album, MASSEDUCTION.

Meanwhile, St. Vincent recently kicked off her live shows in support of Daddy’s Home in Portland, Maine.

The tour will hit the UK and Europe next year, in addition to previously announced festival appearances at Mad Cool in Madrid and NOS Alive in Lisbon.

Speaking to NME about what fans can expect from the shows, she said: “I’m thinking less in terms of digital and more in terms of practical – and I mean that in the theatre-craft sense.

“The band are so killer and at the end of a day it’s a show. In the past with what I’ve been it’s been like you might love it or might hate it but you won’t forget it. In this go-round, I want people to be like, ‘What the hell just happened to me?’ If people walk away going, ‘Oh, that was a nice show’ – then I’ve failed.”

Shoegaze – Ultimate Genre Guide

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Presenting Uncut's Ultimate Genre Guide to shoegaze. Classic archive interviews and heavily distorted new writing on the genre, including Cocteau Twins, The Jesus and Mary Chain, Spacemen 3, My Bloody Valentine, Pale Saints, Lush, Slowdive and more, which is a bonus. Buy a copy online here....

Presenting Uncut’s Ultimate Genre Guide to shoegaze. Classic archive interviews and heavily distorted new writing on the genre, including Cocteau Twins, The Jesus and Mary Chain, Spacemen 3, My Bloody Valentine, Pale Saints, Lush, Slowdive and more, which is a bonus.

Buy a copy online here.

Introducing the Ultimate Genre Guide to Shoegaze

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On the Rollercoaster tour of early 1992, it seemed that if Damon Albarn couldn’t get past My Bloody Valentine, he was going to try and get over them. Or possibly under. Such was his athleticism as Blur presented their opening act set of post-Baggy, pop-psychedelia, it seemed as though while the Je...

On the Rollercoaster tour of early 1992, it seemed that if Damon Albarn couldn’t get past My Bloody Valentine, he was going to try and get over them. Or possibly under. Such was his athleticism as Blur presented their opening act set of post-Baggy, pop-psychedelia, it seemed as though while the Jesus and Mary Chain, and Dinosaur Jr were there as musical diversions, Blur were partly there for sport.

On that night, as others on the tour, lots were drawn as to the order of the bill – as per the tour name, a band might ascend to dizzying heights one night, only to plummet alarmingly the next. Other tour lore which had filtered down to the audience concerned the PA system, a matter in which Blur seem not to have been consulted. Instead, the more sonically-mindful and established names on the bill (JAMC and My Bloody Valentine) were said to have reached a peaceable accord about the arrangements.

Peaceable accord, as the holocaust section of You Made Me Realise enters its tenth minute – I’m guessing tenth, my watch seems to have stopped – is, however, a long way from the state we’re in. Apparently JAMC have suggested the PA should be big. My Bloody Valentine have countered that it also needs to be clever. As the strobes fire and the noise pounds what remains of the crowd into a psychedelic submission – the revelation dawning is that something isn’t being destroyed here, but being magnificently created – you’d have to suggest they’d got the right tools for the job.

As you’ll read in this latest Uncut special, here to mark the 30th anniversary of MBV’s masterpiece Loveless album, among other Shoegaze landmarks of 1991, this state between song and abstraction was a place where many of our featured bands of this period made their home. We pay our respects the forebears – the architects, perhaps – of the scene, namely JAMC, Cocteau Twins, Spacemen 3 and MBV.

We also celebrate with deep writing and entertaining archive features the standard bearers of the “scene which celebrates itself”, who made Shoegaze (or “Shoegazing” as we called it then) what it was: Pale Saints, Lush, Slowdive, Moose, Ride, and Chapterhouse. We swim deep in the best albums, EPs, and ephemera. We’ve covered the ongoing Shoegaze revival in a curated playlist by Sonic Cathedral supremo Nat Cramp, and got some ‘gaze legends to make us a tape of what they were listening to at the time of their ascent to glory in the late 1980s. A particularly great honour is to have reconnected with Lord Tarquin, once NME’s Boswell of the scene within the scene. He now takes a trip down memory lane on the changes the years have wrought.

All round, we’re really quite pleased with what we’ve come up with here. If anyone else likes it, as musicians used to say 30 years ago, that’s a bonus.

Buy a copy of the magazine here. Missed one in the series? Bundles are available at the same location…

Friends, collaborators and fans remember Charlie Watts: “He was one of a kind”

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When The Rolling Stones take the stage at St Louis on September 26, they will be without their drummer – described by many as “their heartbeat” – for the first time since 1963. He had been ill – an unspecified “medical procedure” had kept him out of the Stones’ upcoming run of dates ...

When The Rolling Stones take the stage at St Louis on September 26, they will be without their drummer – described by many as “their heartbeat” – for the first time since 1963. He had been ill – an unspecified “medical procedure” had kept him out of the Stones’ upcoming run of dates – but at the time, Watts appeared to shrug off an inconvenient situation with typical understatement: “For once my timing has been a little off,” he said. “I am working hard to get fully fit but I have today accepted on the advice of the experts that this will take a while.” This was on August 5. Nineteen days later, on August 24, the news broke that Charlie Watts had died aged 80.

As a famously modest man, what would have struck Watts as preposterous was the outpouring of emotion from the public and his peers: “I’ve always loved you, beautiful man,” said Paul McCartney, encapsulating the tremendous depth of feeling many felt towards Watts. A steady hand, a crisp collar, the Wembley Whammer was meticulous in all aspects of his life – a stoic and unshowy counterpoint to the raucous rigmarole of the Stones, the calm centre of the hurricane.

Watts first played alongside Brian Jones, Mick Jagger and Keith Richards in Alexis Korner’s Blues Incorporated. He occasionally sat in with the nascent Stones, making such a difference to their sound that they begged him to join full-time; Keith Richards once claimed that one early motivation was to play enough shows to afford Watts’
£5 weekly salary. Watts officially joined the Stones in 1963, a few weeks after Bill Wyman. The final member of the band’s classic lineup to arrive, he outlasted Wyman, Jones and Ian Stewart, never once missing a show.

A couple of years older than his singer and lead guitarist, Watts spent those extra years learning his craft by playing to jazz records. Born in London in 1941 and raised in Wembley, he reached his teens before either Elvis or the skiffle revolution hit. Fascinated by drummers like Chico Hamilton, he got his first drum kit in 1955. He began playing in jazz bands, only making the switch to R&B when he joined Alexis Korner’s Blues Incorporated in 1962. He took with him some of jazz’s style – musical as well as sartorial – playing rather than pounding his drums, offering a different approach to the showmanship of fellow superstar drummers Keith Moon, John Bonham and Ginger Baker. His counter-rhythms and innovative use of the snare immediately changed the Stones’ sound from being mere R&B copyists into something more unusual and sophisticated – a rhythm that the band described as “shuffle and eighths” in reference to Watts’ shuffling beat and the fast eighths Wyman played alongside. Those jazz chops brought a groove and elegance to Watts’ playing that synched with his appearance – the debonair drummer who could finish a two-hour show without a hair out of place.

Cocteau Twins’ Elizabeth Fraser features on rework of Oneohtrix Point Never’s “Tales From The Trash Stratum”

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Oneohtrix Point Never has shared a new version of his track "Tales From The Trash Stratum", featuring Cocteau Twins' Elizabeth Fraser. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue The pair's reimagining of the track does away with the frantic, glitching sy...

Oneohtrix Point Never has shared a new version of his track “Tales From The Trash Stratum”, featuring Cocteau TwinsElizabeth Fraser.

The pair’s reimagining of the track does away with the frantic, glitching synths on the original and replaces them with plucked strings and keys, while Fraser‘s vocals are overlaid.

Listen to the track below:

 

The new rework of “Tales From The Trash Stratum” is one of four bonus tracks being released as part of a new Blu-ray edition of the producer’s ninth studio album, Magic Oneohtrix Point Never, which is due to arrive in October.

The expanded edition of the album will also contain the previously released reimagining of “Nothing’s Special” featuring Rosalía and two remixes of “Lost But Never Alone” from PC Music‘s A.G. Cook and Forced Smile.

Sixteen music videos from across OPN‘s career will be included on the Blu-ray disc, including his clip of “The Pure And The Damned” featuring Robert Pattinson, Benny Safdie and Iggy Pop.

Noel Gallagher concedes Liam is enjoying a more successful solo career than him

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Noel Gallagher has praised his brother Liam for carving out a successful solo career. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue READ MORE: Here’s a never-before-seen clip of Oasis playing “Live Forever” at Knebworth The former Oasis chief admit...

Noel Gallagher has praised his brother Liam for carving out a successful solo career.

The former Oasis chief admitted that his sibling is actually currently doing better than him in terms of concert ticket and album sales.

He told Chris Evans’ How to Wow podcast: “He’s doing massive gigs, he’s selling more records than I am and he’s selling more tickets than I am, if you can believe that.

“So he’s doing his thing and I’m doing mine and we’re both pretty happy doing that at the moment.”

Liam & Noel Gallagher
Oasis, 1995. Credit: Stefan De Batselier.

He continued: “Liam’s doing his thing, he’s responsible for the legacy being what it is, he’s keeping the flame alive and all that and good for him.”

Noel also gave an update on recording sessions for his next album, after working in his own “privately owned studio”.

He said: “It was opened in November last year so I’ve been writing a new record in there ever since.

“I had side one [of my new album] completed before the summer holidays and just started the first track of side two today. It went pretty well, actually.”

Primal Scream to play Screamadelica in full for new live shows

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Primal Scream have shared details of 'Screamadelica live', a selection of live dates where fans can hear them play their seminal 1991 album in full. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue READ MORE: Bobby Gillespie: “Where does this rage come from,...

Primal Scream have shared details of ‘Screamadelica live’, a selection of live dates where fans can hear them play their seminal 1991 album in full.

‘Screamadelica live’ coincides with the 30th anniversary of the Scottish band’s third album. A 12” singles box set and double-vinyl picture disc arrive this Friday (September 17), with Demodelica – an album of unreleased material including early demos and work-in-progress mixes – arriving on October 15.

The band will play Glasgow’s Queen’s Park, Manchester’s Castlefield Bowl and London’s Alexandra Palace Park for the special shows next July. Tickets go on general sale this Friday at 9am BST, and will be available to buy here and here.

Primal Scream‘s ‘Screamadelica live’ tour dates:

July 2022
Friday 1 – Glasgow, Queen’s Park
Saturday 9 – Manchester, Castlefield Bowl
Saturday 16 – London, Alexandra Palace Park

The news follows the group sharing a previously unreleased remix of their track “Shine Like Stars” by the late Andrew Weatherall.

Weatherall’s remix of “Shine Like Stars”, which features on the 10th disc of the upcoming Screamadelica 12” ‘Singles Box’, was released last month. It pays homage to the producer who helmed the band’s landmark 1991 album.

Fans can pre-order all three Screamadelica 30th anniversary releases here. The package is completed with new liner notes by Jon Savage.

The author and journalist is renowned for documenting British music culture with books including England’s Dreaming: Sex Pistols And Punk Rock and The Hacienda Must Be Built.

Primal Scream are set to headline the Big Top stage at this year’s Isle of Wight Festival this Friday.

Inside Rollin’ & Tumblin’, our latest free CD with 15 tracks of new-school Blues

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Blues has always been a vital channel of protest and nonconformity, and in recent years a powerful new group of artists have risen up to rail against the problems of the 21st century. There are plain-speaking singer-songwriters such as Buffalo Nichols, whose self-titled debut is our Album Of The Mon...

Blues has always been a vital channel of protest and nonconformity, and in recent years a powerful new group of artists have risen up to rail against the problems of the 21st century. There are plain-speaking singer-songwriters such as Buffalo Nichols, whose self-titled debut is our Album Of The Month, Tré Burt, Amythyst Kiah and Allison Russell; guitarists like Gwenifer Raymond and Cameron Knowler taking on the instrumental might of the blues; and those harnessing the raw, ragged power of the sound, from The Black Keys to Eight Point Star.

We’ve put together 15 tracks of the finest new-school blues on this month’s free CD – time to, as Burnside puts it, get down.

1 GWENIFER RAYMOND
Sweep It Up
This short instrumental slide blues is a highlight of the Welsh guitarist’s debut album, 2018’s You Never Were Much Of A Dancer, and a fine vignette with which to kick off the CD.

2 CEDRIC BURNSIDE
Get Down
Grandson of legendary blues auteur RL Burnside, Cedric can certainly kick up his own joyous racket. Here’s a ferocious piece from his most recent record, this year’s I Be Trying.

3 VALERIE JUNE
Shakedown
June’s latest record, The Moon And Stars: Prescriptions For Dreamers, was our Album Of The Month earlier this year, but here’s a selection from her bluesier 2017 offering, The Order Of Time, with June’s soulfulness in full flower.

4 RILEY DOWNING
Deep Breath
The debut solo album from the lynchpin of New Orleans’ The Deslondes is a down-home, dusty triumph, and this sun-baked, swooning 12-bar is one of its most ear-catching tracks.

5 ALLISON RUSSELL
All Of The Women
This Montreal-born songwriter has long been part of a swathe of strong rootsy groups, from Birds Of Chicago to Our Native Daughters. Outside Child is her first solo album, and this track’s a potent example of the treasures within.

6 BUFFALO NICHOLS
How To Love
Nichols’ sparse and serious debut LP is our Album Of The Month on page 18. As Stephen Deusner puts it in his review, this isn’t a blues-revival record, more a blues record, and all the better for it.

7 THE BLACK KEYS
Poor Boy A Long Way From Home (featuring Kenny Brown & Eric Deaton)
An RL Burnside song from their recent Delta Kream album, this cut shows off the Keys’ impressive way with a cover; even after all their success, they can harness the power of the blues like few of their rock contemporaries.

8 ODETTA HARTMAN
Widow’s Peak
Named after Odetta Holmes, ‘the voice of the civil rights movement’, Hartman put a modern, experimental spin on blues with her 2018 album, Old Rockhounds Never Die; deep, electronic kick drums and strings spice up this spectral ballad.

9 TRÉ BURT
Ransom Blues
Signed to John Prine’s Oh Boy label, Burt mixes traditional country blues with themes of modern protest. Second album You, Yeah, You serves as a fine introduction to this former mailman’s world.

10 AMYTHYST KIAH
Hangover Blues
Another member of Our Native Daughters, the Chattanooga, Tennessee, singer-songwriter enlisted the likes of guitarist Blake Mills for her new album Wary + Strange, a bold record in both sound and content.

11 JOACHIM COODER
Heartaching Blues
Last year’s Over That Road I’m Bound is a collection of Uncle Dave Macon songs, given a junkyard twist by percussionist Cooder. Heartaching Blues is a highlight, in all its clanking, wonky glory.

12 EIGHT POINT STAR
Brand New Shirt
This ‘cosmic Appalachian’ string band, clustered around Mike Gangloff of Pelt, Black Twig Pickers and more, tackle quite a few forms of American roots music on their self-titled album, but Brand New Shirt is most definitely rowdy, raucous blues.

13 ADIA VICTORIA
Carolina Bound
A Southern Gothic is the third album by this South Carolina singer-songwriter. The record’s been executive produced by T Bone Burnett, and Adia’s previously worked with Aaron Dessner – it’s not hard to hear what caught their ears.

14 SAM AMIDON
Light Rain Blues
A Taj Mahal cover from the multi-instrumentalist’s recent self-titled album, this mixes blues with the ambient Americana charted on our covermount CD from earlier in 2021. A floating, restorative delight.

15 CAMERON KNOWLER
Don Bishop A
Places Of Consequence
is the debut solo album from this solo acoustic picker. He grew up in southern Arizona and Texas, and the dust of the Mexican border can be heard in his plaintive, unhurried playing.

This issue of Uncut is available to buy by clicking here – with FREE delivery to the UK and reduced delivery charges for the rest of the world.

Tributes paid to prolific singer-songwriter Michael Chapman, who has died aged 80

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Folk singer-songwriter Michael Chapman has died at the age of 80. READ MORE: Watch Michael Chapman’s lockdown session for Uncut The announcement was made via Chapman’s Instagram page on Saturday (September 11). No cause of death was revealed, but the social media post stated that Chapman...

Folk singer-songwriter Michael Chapman has died at the age of 80.

The announcement was made via Chapman’s Instagram page on Saturday (September 11). No cause of death was revealed, but the social media post stated that Chapman died in his home.

“Please raise a glass or two to a gentleman, a musician, a husband, a force of nature, a legend and the most fully qualified survivor,” it reads.

His label Paradise of Bachelors also issued a statement on the platform.

Michael Chapman was a hero and friend to so many, including us,” they wrote, “moving with unmatched grace, vigor, and gruff humor within and beyond his songs and those he inspired from others. We are devastated to hear of his passing today.”

Born in Leeds in 1941, Chapman released his debut album, Rainmaker, in 1969. Since then, he has issued over 40 full-length albums. His final recorded effort, True North, was released in 2019 via Paradise of Bachelors.

In his work, Chapman explored roots music, such as blues and folk, through acoustic and electric instruments, issuing multiple instrumental efforts and collaborations over the decades. His work has also been influential to various artists ever since, including Sonic Youth‘s Thurston Moore.

In 2017, Chapman told The Guardian that he had dinner with Moore in 1998, who confessed to him that his 1973 album, Millstone Grit, helped spark the genesis of Sonic Youth. “He blames the feedback extravaganzas on there for them forming,” Chapman said.

On Instagram, Moore shared a clip from a fireside performance by Chapman via Ecstatic Peace Library. “And this is the last time we saw you by the fire,” he wrote. “We got to know England when (and because) we got to know you. Thank you hero.”

A 2012 compilation album, titled Oh Michael, Look What You’ve Done: Friends Play Michael Chapman, featured covers of his songs by Moore, Lucinda Williams, Hiss Golden Messenger, and William Tyler, among others.

Chapman also spent his time in recent decades touring with younger contemporaries such as Bill Callahan, Ryley Walker, Daniel Bachman, and the late Jack Rose.

Singer-songwriter Steve Gunn, who went on to produce True North for Chapman, told The Guardian that his 1970s albums “were so ahead of their time”. Upon news of his death, the musician tweeted pictures of Chapman, one taken with Gunn.

US label Light in the Attic, who reissued his first four albums in the 2010s, called Chapman “a rare human”.

“Immensely talented, honest, supportive, funny, and always zero bullshit,” they wrote.

See more tributes to Chapman below.

 

Watch Big Thief debut new song “Dragon” at Pitchfork Music Festival

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Big Thief debuted a brand new song called "Dragon" during their performance at Pitchfork Music Festival this weekend. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue The Chicago festival kicked off in Union Park Friday (September 10) and ran until Sunday (Sep...

Big Thief debuted a brand new song called “Dragon” during their performance at Pitchfork Music Festival this weekend.

The Chicago festival kicked off in Union Park Friday (September 10) and ran until Sunday (September 12). Artists on the line-up include Phoebe Bridgers, Erykah Badu, St. Vincent, Jay Electronica, Danny Brown, Thundercat, The Weather Station and more.

Big Thief have been busy as of late, having released the singles “Certainty”, “Little Things” and “Sparrow”. Now, the band have unveiled another new song, “Dragon”, during their set on the first night of Pitchfork Music Festival.

You can watch Big Thief perform “Dragon” below:

The four-piece – Adrianne Lenker, Buck Meek, James Krivchenia and Max Oleartchikwill tour in the UK and Europe early next year, with their UK dates kicking off in Manchester on February 24 and concluding with a trio of gigs in London from March 2-4.

In March, Meek gave an update on the status of the band’s new album, revealing that it’s “pretty much done”.

Speaking to Guitar.com, the band’s guitarist revealed that they’ve been quietly working on their fifth album over the past year.

“Lockdown was a well-needed respite, I needed a break,” he said. “And then Big Thief ended up making new music for nearly six months, which was really nice because we’ve been touring so hard we’ve had little chance to record in the last couple of years.”

Meek also revealed that he’s already been working on his new solo album, the follow-up to Two Saviors, which dropped in January this year.

The forthcoming Big Thief album will mark their first since the one-two punch of U.F.O.F. and Two Hands in 2019.

Watch Bruce Springsteen perform at 9/11 memorial ceremony

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Bruce Springsteen delivered a surprise performance at the 20th anniversary memorial ceremony for 9/11 in New York on the weekend – watch it below. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue Families of the victims of the terrorist attacks that killed n...

Bruce Springsteen delivered a surprise performance at the 20th anniversary memorial ceremony for 9/11 in New York on the weekend – watch it below.

Families of the victims of the terrorist attacks that killed nearly 3,000 people back in 2001 gathered at the 9/11 memorial plaza in Lower Manhattan on Saturday (September 11) to pay tribute.

The Boss performed an acoustic rendition of “I’ll See You in My Dreams”, a song taken from his 2020 album, Letter To You.

Appearing at the ceremony following a moment of silence, Springsteen before his performance said: “May God bless our fallen brothers and sisters, their families, their friends and their loved ones.”

US president Joe Biden was also in attendance, alongside former presidents Barack Obama and Bill Clinton as well as their respective spouses: Jill Biden, Michelle Obama and Hilary Clinton.

You can watch Springsteen‘s performance of “I’ll See You in My Dreams” below:

Following the terror attacks on September 11, 2001, Springsteen returned to the studio with the E Street Band for the first time in almost two decades. The result was his 12th studio album, The Rising, which was inspired by the events of 9/11.

Last month, Springsteen’s daughter, 29-year-old Jessica Springsteen, won a silver medal at the Tokyo Olympics.

Jessica – the daughter of The Boss and Patti Scialfa – competed as the youngest member of the US showjumping team at the Tokyo games. Jessica is ranked in the world’s top 15.

While she failed to advance in the individual equestrian competitions earlier this year, Jessica took home a silver medal in the team equestrian jumping on August 7.

Meanwhile, Bruce Springsteen and Barack Obama have announced an October release for Renegades: Born In The USA, a new book inspired by their titular podcast.