Home Blog Page 884

Emmylou Harris – All I Intended To Be

0

Time is very much on Emmylou Harris’s mind. Now 61, for her follow-up to 2003’s Stumble Into Grace her themes are wasted years, love in vain, loss, death and, extraordinarily, what comes next. You could, as Bob Dylan did when discussing Time Out of Mind, define such concerns as "the dread realities of life". Or you could call it business as usual for a country record. Which, finally, is what All I Intended to Be turns out to be. Not insignificantly, Harris is working for the first time in 25 years with Brian Ahern, the producer behind her first 11 albums (and her ex-husband). Opening with a sound that recalls her recent work’s atmospherics, but then stripping back toward basics, the reunion heightens the sense of Harris looking back, considering the road she’s travelled. Split evenly between covers and originals, the album fuses the mature, potent songwriter who emerged on 2000’s Red Dirt Girl and Stumble… with the famously questing interpreter of other people’s work, shining her silver spotlight on neglected writers like Jack Wesley Routh, whose “Shores of White Sand” and “Beyond the Great Divide” bookend proceedings with an anthem and a spiritual. While Tracy Chapman (“All That You Have Is Your Soul”) and Merle Haggard (“Kern River”) may seem strange bedfellows, it's a collection as coherent as it is eclectic. On “How She Could Sing the Wildwood Flower”, meanwhile, a collaboration with Kate and Anna McGarrigle, she digs through the weeds into the real old, weird stuff. Strangest and most striking of all is another co-composition with the McGarrigles, “Sailing Round the Room," Harris singing out from the moment of death, her spirit lifting from her body, flying out the window to become part of nature. The remarkable thing is, there’s no trace of New-Age dippiness. A plain, mysterious, oddly happy little masterpiece, it’s the standout, but exemplifies the album. Harris is as proud, painful, and plaintive as ever here, dripping with life and dealing in dire certainties. But she never gets heavy about it, and in places sounds lighter than air. DAMIEN LOVE

Time is very much on Emmylou Harris’s mind. Now 61, for her follow-up to 2003’s Stumble Into Grace her themes are wasted years, love in vain, loss, death and, extraordinarily, what comes next.

You could, as Bob Dylan did when discussing Time Out of Mind, define such concerns as “the dread realities of life”. Or you could call it business as usual for a country record. Which, finally, is what All I Intended to Be turns out to be.

Not insignificantly, Harris is working for the first time in 25 years with Brian Ahern, the producer behind her first 11 albums (and her ex-husband).

Opening with a sound that recalls her recent work’s atmospherics, but then stripping back toward basics, the reunion heightens the sense of Harris looking back, considering the road she’s travelled.

Split evenly between covers and originals, the album fuses the mature, potent songwriter who emerged on 2000’s Red Dirt Girl and Stumble… with the famously questing interpreter of other people’s work, shining her silver spotlight on neglected writers like Jack Wesley Routh, whose “Shores of White Sand” and “Beyond the Great Divide” bookend proceedings with an anthem and a spiritual.

While Tracy Chapman (“All That You Have Is Your Soul”) and Merle Haggard (“Kern River”) may seem strange bedfellows, it’s a collection as coherent as it is eclectic. On “How She Could Sing the Wildwood Flower”, meanwhile, a collaboration with Kate and Anna McGarrigle, she digs through the weeds into the real old, weird stuff.

Strangest and most striking of all is another co-composition with the McGarrigles, “Sailing Round the Room,” Harris singing out from the moment of death, her spirit lifting from her body, flying out the window to become part of nature. The remarkable thing is, there’s no trace of New-Age dippiness. A plain, mysterious, oddly happy little masterpiece, it’s the standout, but exemplifies the album. Harris is as proud, painful, and plaintive as ever here, dripping with life and dealing in dire certainties. But she never gets heavy about it, and in places sounds lighter than air.

DAMIEN LOVE

My Morning Jacket – Evil Urges

0

Since Band Of Horses and Fleet Foxes gatecrashed their grain silo, source of that imperial reverb, My Morning Jacket have had little option but to move on. If 2005's Z flirted with cautiously with funk synths and a more direct pop sound, Evil Urges makes it a full-blown, messy tryst. The slightly ludicrous Rick Rubinisms of "Highly Suspicious" seem designed largely to unsettle the traditionalists in their audience, but the two-part "Touch Me I'm Going To Scream" is astonishing: slick, simmering and – dammit – sexy, in a way these new cosmic Americana bands rarely are. Sadly, this revelation has also coincided with some of the blandest songwriting of My Morning Jacket's career, the Nashville corn of "Two Halves" and "Librarian"'s soft-focus fantasy being the worst culprits. It whiffs a little of mid-life crisis. SAM RICHARDS

Since Band Of Horses and Fleet Foxes gatecrashed their grain silo, source of that imperial reverb, My Morning Jacket have had little option but to move on. If 2005’s Z flirted with cautiously with funk synths and a more direct pop sound, Evil Urges makes it a full-blown, messy tryst.

The slightly ludicrous Rick Rubinisms of “Highly Suspicious” seem designed largely to unsettle the traditionalists in their audience, but the two-part “Touch Me I’m Going To Scream” is astonishing: slick, simmering and – dammit – sexy, in a way these new cosmic Americana bands rarely are. Sadly, this revelation has also coincided with some of the blandest songwriting of My Morning Jacket’s career, the Nashville corn of “Two Halves” and “Librarian”‘s soft-focus fantasy being the worst culprits. It whiffs a little of mid-life crisis.

SAM RICHARDS

Fleet Foxes – Fleet Foxes

0

In the July issue of Uncut magazine, Sam Richards calls the new record by My Morning Jacket, "slick, simmering and – dammit – sexy". For some of us, though, Jim James’ noble experimental spirit is distracting him from the music that he makes best. Listening to “Highly Suspicious”- a needy, Robert Palmer-ish take on funk - it’s hard not to long for the time when My Morning Jacket were merely a cosmic Southern rock band. Of course, the pain of MMJ’s departure from some metaphysical backwoods has been mediated these past couple of years by the emergence of Band Of Horses. And now, even better, along comes the debut album by Fleet Foxes, a commendably hirsute five-piece from Seattle. Fleet Foxes don’t rock much, though the opening “Sun It Rises” does have a clanging guitar line that could well propel them into gutsier territory live. They have an echoing, sepulchral air: anyone who’s fixated on Jim James songs like “Golden” should find plenty of solace in “Ragged Wood” and “Your Protector”, for a start. It’s a highly aestheticised, mud-free treatment of folk, certainly – but then you could probably say the same of Crosby, Stills & Nash. At times, the massed voices that usher in a song like “White Winter Hymnal” are purposefully reminiscent of the Sacred Harp singing tradition that once flourished in white southern churches. But then, on a song like “Quiet Houses”, the pristine harmonies are closer to The Beach Boys: combined with firmly plonked piano, bells and what sounds like a six-string bass, it’s a glorious descendant of “Smile” ephemera like “Fall Breaks And Back To Winter”. Some Americana fans may find Fleet Foxes too precious and evanescent to be treated seriously. But like the equally rapturous “Sun Giant” EP which preceded it, Fleet Foxes’ debut album is a fastidious, sometimes overwhelmingly pretty evocation of the American wilderness; a dreamy companion piece to last month’s superb Bon Iver album. And an escapist fantasy, perhaps, to compare with the very best hymns - never mind My Morning Jacket. JOHN MULVEY Q&A with Robin Pecknold Do you come from a rural background, or are you city boys dreaming of one? We were all living in fairly bad environments during the recording of these things and that may have found its way into the songs, a feeling of wanting to be somewhere else. Are you, or have you ever been religious? Hymns seem to be a big influence on your music... Speaking for myself, I've never been religious. I think hymns and semi-religious music like Judee Sill or Trees Community are amazing in that the devotion of the singer is so powerful when they're addressing some higher power and it's not just a love song. I guess we wanted our singing to have that same spirit. Do you agree that you'll be seen as a godsend by old My Morning Jacket fans? We're not nearly as rock’n'roll as that band. I hope people listen to us for what we are - sorry about the reverb. INTERVIEW: JOHN MULVEY PIC CREDIT: DAVID BELISLE

In the July issue of Uncut magazine, Sam Richards calls the new record by My Morning Jacket, “slick, simmering and – dammit – sexy”. For some of us, though, Jim James’ noble experimental spirit is distracting him from the music that he makes best. Listening to “Highly Suspicious”- a needy, Robert Palmer-ish take on funk – it’s hard not to long for the time when My Morning Jacket were merely a cosmic Southern rock band.

Of course, the pain of MMJ’s departure from some metaphysical backwoods has been mediated these past couple of years by the emergence of Band Of Horses. And now, even better, along comes the debut album by Fleet Foxes, a commendably hirsute five-piece from Seattle. Fleet Foxes don’t rock much, though the opening “Sun It Rises” does have a clanging guitar line that could well propel them into gutsier territory live. They have an echoing, sepulchral air: anyone who’s fixated on Jim James songs like “Golden” should find plenty of solace in “Ragged Wood” and “Your Protector”, for a start.

It’s a highly aestheticised, mud-free treatment of folk, certainly – but then you could probably say the same of Crosby, Stills & Nash. At times, the massed voices that usher in a song like “White Winter Hymnal” are purposefully reminiscent of the Sacred Harp singing tradition that once flourished in white southern churches. But then, on a song like “Quiet Houses”, the pristine harmonies are closer to The Beach Boys: combined with firmly plonked piano, bells and what sounds like a six-string bass, it’s a glorious descendant of “Smile” ephemera like “Fall Breaks And Back To Winter”.

Some Americana fans may find Fleet Foxes too precious and evanescent to be treated seriously. But like the equally rapturous “Sun Giant” EP which preceded it, Fleet Foxes’ debut album is a fastidious, sometimes overwhelmingly pretty evocation of the American wilderness; a dreamy companion piece to last month’s superb Bon Iver album. And an escapist fantasy, perhaps, to compare with the very best hymns – never mind My Morning Jacket.

JOHN MULVEY

Q&A with Robin Pecknold

Do you come from a rural background, or are you city boys dreaming of one?

We were all living in fairly bad environments during the recording of these things and that may have found its way into the songs, a feeling of wanting to be somewhere else.

Are you, or have you ever been religious? Hymns seem to be a big influence on your music…

Speaking for myself, I’ve never been religious. I think hymns and semi-religious music like Judee Sill or Trees Community are amazing in that the devotion of the singer is so powerful when they’re addressing some higher power and it’s not just a love song. I guess we wanted our singing to have that same spirit.

Do you agree that you’ll be seen as a godsend by old My Morning Jacket fans?

We’re not nearly as rock’n’roll as that band. I hope people listen to us for what we are – sorry about the reverb.

INTERVIEW: JOHN MULVEY

PIC CREDIT: DAVID BELISLE

Latitude Update: BBC Introducing stage

0
The Wave Pictures, Errors and Cheeky Cheeky and the Nosebleeds will headline the Lake stage at this year’s Latitude festival, which will be curated by Radio 1 DJ Huw Stephens. Also appearing over the weekend will be Johnny Foreigner, Sky Larkin, The CocknBull Kid, Gideon Conn and Lovvers. The La...

The Wave Pictures, Errors and Cheeky Cheeky and the Nosebleeds will headline the Lake stage at this year’s Latitude festival, which will be curated by Radio 1 DJ Huw Stephens.

Also appearing over the weekend will be Johnny Foreigner, Sky Larkin, The CocknBull Kid, Gideon Conn and Lovvers.

The Lake Stage presents BBC Introducing… will host three days of brand spanking new acts who are tipped for great things. Last year’s line-up included Dan Le Sac and Scroobius Pip, Joe Lean and the Jing, Jang, Jong and Scouting for Girls, who went to number one with their debut album.

“Latitude, as well as being in an idyllic location with so many different things going on, has a huge emphasis on quality new music,” said Stephens. “The bands on the Lake Stage are like the first crop of new music, freshly squeezed playing a festival for the first time.”

Headlining this year’s event in the Obelisk Arena, Franz Ferdinand make their only English festival show, the Icelandic post-rock outfit Sigur Rós and New York titans, Interpol close the arena on the Sunday.

Throughout the rest of the weekend will see stunning performances from Nick Cave’s Grinderman, the beautiful poetry of Martha Wainwright, epic musicians The Mars Volta, the charming Death Cab for Cutie, the superb Elbow, legendary alt rockers The Breeders, legendary performer Julian Cope and grime, hip-hop, electro pop queen, MIA.

For all the up-to-date information see our Latitude blog.

Franz Ferdinand announce UK dates

0
Franz Ferdinand have announced they will play at seven tiny venues across the UK this month. The low-key tour will include stops at The Point in Cardiff, Thekla in Bristol and the Hull Adelphi, all venues similar in spirit to the band’s tour of the highlands and islands last year. The band will ...

Franz Ferdinand have announced they will play at seven tiny venues across the UK this month.

The low-key tour will include stops at The Point in Cardiff, Thekla in Bristol and the Hull Adelphi, all venues similar in spirit to the band’s tour of the highlands and islands last year.

The band will be previewing songs from their new album, which they are in the process of recording at their hideaway in Glasgow.

The dates are:

York Fibbers (June 21)

Hull Adelphi (22)

Bristol Thekla (24)

Bath Moles (25)

Yeovil The Orange Box (26)

Cardiff The Point (28)

Leeds Faversham (29)

Tickets for the shows are priced at £15 and will be available from the venues on Friday 6th June 2008 at 9am and will be limited to two per person.

More acts for Massive Attack festival

0
Tunng, Jim Noir and Fujiya & Muyagi are the latest editions to the line-up of Massive Attack’s Meltdown Festival. They join an amazing line-up that includes Grace Jones, George Clinton & Parliament/Funkadelic, Gang of Four and Uncut favourites, Fleet Foxes. Massive Attack will also be re...

Tunng, Jim Noir and Fujiya & Muyagi are the latest editions to the line-up of Massive Attack’s Meltdown Festival.

They join an amazing line-up that includes Grace Jones, George Clinton & Parliament/Funkadelic, Gang of Four and Uncut favourites, Fleet Foxes.

Massive Attack will also be remixing Vageli’s soundtrack to the cult film Bladerunner with the Heritage Orchestra.

Meltdown runs from June 14 to 22 at London’s Southbank Centre. See www.southbankcentre.co.uk for details.

Radiohead release back catalogue on iTunes

0
Radiohead's back catalogue, including classics such as OK Computer and The Bends, has finally become available to download on iTunes. Although their latest album, In Rainbows has been available on the site since its release, the band withheld their past albums because they wanted their albums to b...

Radiohead‘s back catalogue, including classics such as OK Computer and The Bends, has finally become available to download on iTunes.

Although their latest album, In Rainbows has been available on the site since its release, the band withheld their past albums because they wanted their albums to be listened to “as a whole”, rather than as individual tracks.

It is thought the groups move from EMI to new record label, XL prompted the change of heart. Their move means that The Beatles are the last major British band to deny iTunes their back catalogue.

Garth Brooks, who is just behind The Beatles in all-time US record sales, has also refused to let his music become available on iTunes.

Like Radiohead once thought, he believes fans should only be able to download full albums as that is how they were made to be heard.

He explained to BBC News: “There are a number of issues that need to be addressed in the digital downloading world before we introduce our music to it.”

In reference to songs from his 1990 album No Fences, he continued: “Friends in Low Places is not Friends in Low Places without Wolves or Wild Horses. And if people try to make it a money issue, I can get the full album to the consumer for much less than they can get it at 99 cents a song.”

Sir Paul McCartney invites fans to dinner

0
Sir Paul McCartney is hosting a ‘virtual dinner party’ in aid of the landmine charity, Adopt-a-Minefield. The online guests will also be able to download an exclusive new song. Fans are being invited to log on to Paulmccartney.com TODAY to register as guests for the event. Those who donate o...

Sir Paul McCartney is hosting a ‘virtual dinner party’ in aid of the landmine charity, Adopt-a-Minefield.

The online guests will also be able to download an exclusive new song.

Fans are being invited to log on to Paulmccartney.com TODAY to register as guests for the event.

Those who donate over $25 (£13) to the Adopt-a-Minefield campaign will be able to download a new song, ‘Lifelong Passion (Sail Away)’.

Recipes by chef Jamie Oliver will be available on the website. The event is being organised to raise money and awareness for the aforementioned Adopt-A-Minefield charity. McCartney became a patron of the charity in 2000 with his then wife, Heather Mills.

The charity clears arable land of minefields in poor countries to allow farmers to use the land for growing food.

Bloc Party announce Canadian tour dates

0
Bloc Party have announced a number of tour dates in Canada following on from their appearance at V festival in Toronto. The band will play shows in Edmonton, Calgary and Fredricton before heading for a show in Halifax and then Montreal. In addition to the short US run, they will hit up V Festival ...

Bloc Party have announced a number of tour dates in Canada following on from their appearance at V festival in Toronto.

The band will play shows in Edmonton, Calgary and Fredricton before heading for a show in Halifax and then Montreal.

In addition to the short US run, they will hit up V Festival in Toronto on September 6.

The band are currently working on the follow-up to 2007’s ‘A Weekend In The City’.

Bloc Party’s frontman, Kele Okereke will be answering questions from fans during a live web chat on Friday June 6 at 11am. See the Any Questions Answered website for details.

The tour dates are:

Pomona, CA Glass House (July 28)

Los Angeles, CA Mayan Theatre (29)

San Francisco, CA The Fillmore (30)

Chicago, IL Lollapalooza Festival (August 1)

Philadelphia, PA The Fillmore at TLA (5)

New York, NY Webster Hall (6,7)

V Festival Baltimore (August 9)

Highfield Festival, Hohenfelden (15)

Marlay Park, Dublin (21)

Reading Festival Reading (23)

Leeds Festival Leeds (24)

Toronto, Ontario V Festival (September 6)

Edmonton Events Centre, Edmonton (September 9)

MacEwan Hall, Calgary (10)

Harvest Jazz & Blues Festival, Fredricton (13)

The Marquee Club, Halifax (14)

Metropolis, Montreal (17)

See www.blocparty.com for details.

KISS to record their headline set

0
KISS are giving UK fans the chance to take home recordings of their first UK performance in almost a decade. Their live set at the Download festival will be recorded and burned onto CDs, which are available to buy from the merchandise stall straight after the gig. They plan to repeat the stunt at ...

KISS are giving UK fans the chance to take home recordings of their first UK performance in almost a decade.

Their live set at the Download festival will be recorded and burned onto CDs, which are available to buy from the merchandise stall straight after the gig.

They plan to repeat the stunt at other dates on the European tour – CDs will be £15 and also available to order online at www.concertlive.eu.

Spanning nineteen countries, the European KISS Alive/35 Tour marks the first time the band has appeared in Europe since their Psycho Circus Tour in 1999.

The tour dates:

Velodrom, Berlin (June 9)

Download Festival, Donington Park (13)

Arrow Rock Festival. Nijmegen (15)

Bercy, Paris (17)

Graspop Metal Meeting, Dessel (28)

Tindersticks added to End of The Road bill

0
Tindersticks will join Calexico as headliners for the last night of the End of the Road festival, it was announced today. Also added to the bill today are Brakes, Pete & the Pirates, Seabear, Hush the Many and The Accidental. Headlining on Friday night is the Bright Eye’s frontman, Coner Ob...

Tindersticks will join Calexico as headliners for the last night of the End of the Road festival, it was announced today.

Also added to the bill today are Brakes, Pete & the Pirates, Seabear, Hush the Many and The Accidental.

Headlining on Friday night is the Bright Eye’s frontman, Coner Oberst & the Mystic Valley Band teamed with the Dirty Three, and Mercury Rev will play Saturday.

The Festival takes place from 12 – 14 September at the Larmer Tree Gardens in North Dorset.

Adult tickets start at £105 see the website for details.

Joanna Newsom added to line-up!

0
Joanna Newsom and The Black Lips are the latest artists confirmed to play at this year’s Latitude festival. Meanwhile, we’re pleased to announce that The Coral and Wild Beasts will join The Mars Volta and Guillemots at the Uncut Arena. And there are five more brand-spanking new editions to ...

Joanna Newsom and The Black Lips are the latest artists confirmed to play at this year’s Latitude festival.

Joan Armatrading, Def Leppard and The Stereophonics to play Live from Abbey Road

0
Joan Armatrading, Def Leppard, and The Stereophonics, are three of the artists due to appear on the second series of Live from Abbey Road. The Channel 4 show combines intimate performances and revealing interviews from some of the greatest artists from around the globe; including Herbie Hancock, ...

Joan Armatrading, Def Leppard, and The Stereophonics, are three of the artists due to appear on the second series of Live from Abbey Road.

The Channel 4 show combines intimate performances and revealing interviews from some of the greatest artists from around the globe; including Herbie Hancock, Manu Chao and Bryan Adams as well as up and coming bands like The Hoosiers, The Kills and MGMT.

The first episode in the series, which will air on June 28th, features Mary J. Blige, Dashboard Confessional and James Blunt. Episode two will follow a week later with Sheryl Crow, Hard-Fi and Diana Krall.

For more information see www.livefromabbeyroad.com

Franz Ferdinand, Jarvis Cocker and Graham Coxon design one-off Collins record

0
Edwyn Collins and his label, Heavenly Records, have called on 25 of their closest acquaintances to design one-off record sleeves for his new single ‘Home Again’. Franz Ferdinand, Jarvis Cocker, Graham Coxon and ex-Buzzcocks frontman, Pete Shelley are amongst the names to have customised a 7" s...

Edwyn Collins and his label, Heavenly Records, have called on 25 of their closest acquaintances to design one-off record sleeves for his new single ‘Home Again’.

Franz Ferdinand, Jarvis Cocker, Graham Coxon and ex-Buzzcocks frontman, Pete Shelley are amongst the names to have customised a 7″ sleeve.

“Rather than just put out a download and bore ourselves to tears, we decided to ask friends of ours and Edwyn’s to customize the sleeves to 25 copies of the 7″ release of the single,” said a statement on Heavenly’s website.

“On the 23rd of June, those personalized sleeves will be sealed in bags and put into shops with all the other copies of the single. You go and buy one, pot luck says you might get one with exclusive artwork in. It’s been the most fun we’ve had with a record release since God knows when.”

All proceeds will be donated to Connect, a charity dedicated to support for stroke sufferers.

The full list of designers:

John Squire

Irvine Welsh

Jeremy Deller

Norman Blake

Samantha Morton

Paul Cook

Franz Ferdinand

Nicky Wire

Harry Hill

Pete Fowler

Pam Hogg

Billy Childish

Pete Shelley

Tracey Thorn

Jarvis Cocker

The Cribs

Bob London

Bernard Butler

Sebastian Lewsley

David Shrigley

Graham Coxon

Andrew Weatherall

Tim Burgess

Richard Hawley

To check out the designs and see where you can pick up a copy of the single go to edwyncollins.com.

Ozzy Osbourne and Slash collaborate with Alice Cooper

0
Ozzy Osbourne and Slash will make guest appearances on Alice Cooper’s new album, Along Came A Spider. Ozzy Osbourne plays harmonica on a track he co-wrote with Alice and ex-member of Guns’n’Roses, Slash plays guitar. He revealed details of his 25th studio album on his radio show, Nights With ...

Ozzy Osbourne and Slash will make guest appearances on Alice Cooper’s new album, Along Came A Spider.

Ozzy Osbourne plays harmonica on a track he co-wrote with Alice and ex-member of Guns’n’Roses, Slash plays guitar. He revealed details of his 25th studio album on his radio show, Nights With Alice Cooper: “It is a dark and menacing album for dark and menacing times”

The songs are told through the voice of a serial killer named Spider – one that Alice describes as “an arachnophobic psychopath”.

Alice told Billboard.biz that his forthcoming LP is “a real ‘Alice’ album. Conceptually, it’s going to be pretty interesting.”

The album is based on a fictional serial killer named Spider, who wraps his victims in a silk web. “Every song is sort of a letter to the police,” he explains. “They think they’re investigating it from the outside, but he’s actually woven them into the whole thing.”

“Along Came A Spider” track listing (in alphabetical order):

01. Catch Me

02. Hungry

03. I Am The Spider

04. I Know Where You Live

05. (In Touch With) Your Feminine Side

06. Killed By Love

07. Salvation

08. The One That Got Away

09. Vengeance Is Mine

10. Wake The Dead

11. Wrapped In Silk

Joanna Newsom to play at Latitude Festival

0
Joanna Newsom and The Black Lips are the latest artists confirmed to play at this year’s Latitude festival. Meanwhile, we’re pleased to announce that The Coral and Wild Beasts will join The Mars Volta and Guillemots at the Uncut Arena. And there are five more brand-spanking new editions to th...

Joanna Newsom and The Black Lips are the latest artists confirmed to play at this year’s Latitude festival.

Meanwhile, we’re pleased to announce that The Coral and Wild Beasts will join The Mars Volta and Guillemots at the Uncut Arena.

And there are five more brand-spanking new editions to the Sunrise Arena: Clinic, Johnny Flynn, Lykke Li, Animal Kingdom and Slow Club.

Check out the dedicated Uncut Latitude blog for full details of artists, performers, poets, authors and plays that have so far been confirmed for the all-encompassing arts and music three day festival.

Latitude takes place at Henham Park, Southwold, Sufflolk between July 17 and 20.

Tickets are selling fast, priced £130 for the weekend, or £55 for day tickets, all of which are available from the credit card hotline – 0871 231 0821. Or online at www.seetickets.com, www.festivalrepublic.com and at

www.latitudefestival.co.uk.

Keep your browsers pointed at www.uncut.co.uk – we’ll announce new additions there the minute we hear of them.

Yoko Ono loses Lennon song legal battle

0
Yoko Ono has lost a legal bid to stop the use of a clip from John Lennon's song Imagine in a film sympathetic to ‘intelligent design’. The theory states that the universe is too complex to be explained by the theory of evolution. Ono, her son Sean Ono Lennon, and Julian Lennon - Lennon's son f...

Yoko Ono has lost a legal bid to stop the use of a clip from John Lennon‘s song Imagine in a film sympathetic to ‘intelligent design’.

The theory states that the universe is too complex to be explained by the theory of evolution.

Ono, her son Sean Ono Lennon, and Julian Lennon – Lennon’s son from his first marriage – had sued the makers of Expelled: No Intelligence Allowed, claiming they used the song without permission.

But US District Judge Sidney Stein ruled in favour of the film-makers based on a “fair use” doctrine, saying that the defendants would probably win under copyright laws.

In a statement Ono said: “It is a pity that this decision weakens the rights of all copyright owners.”

The family plan to appeal against the decision.

BO DIDDLEY, 1928 – 2008

0
Bo Diddley, who has died of heart failure aged 79, was a rock’n’roll pioneer and creator of arguably the first great electric guitar riff. Taking a lead from African tribal music, his distinctive 4/4 time signature was a trademark of most of his songs – a sound he once boastfully described as ...

Bo Diddley, who has died of heart failure aged 79, was a rock’n’roll pioneer and creator of arguably the first great electric guitar riff. Taking a lead from African tribal music, his distinctive 4/4 time signature was a trademark of most of his songs – a sound he once boastfully described as “the rhythm that shook the world”.

It was a typical remark from a man whose tongue-in-cheek self-aggrandisement became a running motif throughout his career. In addition to the self-titled 1955 single that introduced his famous riff, he also cut records with titles like “Diddley Daddy”, “Hey! Bo Diddley”, “Bo Diddley Is Loose”, “Bo’s A Lumberjack” and “The Story Of Bo Diddley”.

Yet, despite such playful self-promotion, he never became a mainstream star on the level of his early Chess Records labelmate Chuck Berry, or other contemporaries like Little Richard or Fats Domino. Even his calling card, “Bo Diddley”, was only a major hit when covered by Buddy Holly.

It took the next generation of musicians to catapult Diddley into the spotlight – the then-upcoming British R’n’B acts like The Rolling Stones, The Yardbirds and The Animals. He was namechecked by Bob Dylan in “From A Buick 6” on Highway 61 Revisited, and found further recognition in his homeland by touring with Creedence Clearwater Revival.

Born Elias Bates on December 30, 1928, in McComb, Mississippi, he moved to Chicago aged seven, adding the surname McDaniel after the aunt who raised him. He spent his childhood listening to blues and jazz radio stations, but when he launched his musical career, he named himself after a one-string African guitar: the diddley bow. Lack of money led to him building his own instruments, one of which, fashioned from an over-sized cigar box, became the template for a succession of rectangular-shaped guitars with which he remained associated for decades to come.

Always playing second fiddle to Chuck Berry at Chess Records, Diddley was an all-but-forgotten figure until the Stones revived his fortunes, personally inviting him to open for them on a 1964 UK tour. His influence on their early records is undeniable, especially the adoption of the famed Diddley riff on their cover of Buddy Holly’s “Not Fade Away”.

Subsequently, 1950s singles like “I’m A Man” and “You Can’t Judge A Book By Its Cover” found a new lease of life in the ’60s, with Diddley becoming a major draw on the live circuit, initially on US college campuses and latterly rock’n’roll revival shows. He went on to tour with The Clash in the 1980s, and even appeared in a TV commercial for Nike.

But belated recognition didn’t always reap financial rewards. As late as 1994, he was embroiled in a court case with an ex-manager whom he claimed owed him more than $400,000. “A lot of bands covered my stuff, but where’s the money?” he asked. “It didn’t come to me.”

The Stones remained active supporters; Keith Richards was on hand to induct him into the Rock’N’Roll Hall Of Fame in 1987, and Diddley also joined the group on stage at a televised show in Miami during their 1994 Voodoo Lounge tour.

“Bo was fascinatingly on the edge,” Richards once said. “His style was outrageous, suggesting that the kind of music we loved didn’t just come from Mississippi. It was coming from somewhere else.”

TERRY STAUNTON

PIC CREDIT: Phil Wallis

N.E.R.D. and The Kooks to headline Isle of MTV

0
The Kooks and Pharrell’s rock band, N.E.R.D. have been announced as headliners for the Isle Of MTV festival, held on the Mediterranean island of Malta. They join One Republic, Lady GaGa and Enrique Iglesias on 25 June. Last summer, Akon and Maroon 5 played to 50,000 music fans at Il-Fosos Square...

The Kooks and Pharrell’s rock band, N.E.R.D. have been announced as headliners for the Isle Of MTV festival, held on the Mediterranean island of Malta.

They join One Republic, Lady GaGa and Enrique Iglesias on 25 June.

Last summer, Akon and Maroon 5 played to 50,000 music fans at Il-Fosos Square in Floriana, just outside Malta’s historic capital city of Valetta.

After netting the MTV festival for three years, the Maltese tourist board are planning to hold an island-wide fiesta for three days before the concert.

The open-air finale will be broadcast to 147 million viewers across 20 MTV countries, but stay tuned to www.uncut.co.uk – We’ll be giving you the chance to win a trip to the Isle of Malta Special!

Mick Jagger leads tributes to Bo Diddley

0
The Rolling Stones' frontman Mick Jagger has added his voice to the tributes to Bo Diddley, who died yesterday (June 2) after suffering heart failure. "He was a wonderful, original musician who was an enormous force in music and was a big influence on The Rolling Stones," said Jagger. "He was very ...

The Rolling Stones‘ frontman Mick Jagger has added his voice to the tributes to Bo Diddley, who died yesterday (June 2) after suffering heart failure.

“He was a wonderful, original musician who was an enormous force in music and was a big influence on The Rolling Stones,” said Jagger. “He was very generous to us in our early years and we learned a lot from him. We will never see his like again.”

Jagger joined the likes of US blues legend BB King, Franz Ferdinand and The Greatful Dead to honour Diddley. King said his legacy would “live on forever”.

Diddley died, aged 79, from heart failure at his home in Florida. He’d suffered a stroke in May, 2007, while on tour in Iowa, and then a heart attack in August.

Diddley was born Ellas Bates on December 30, 1928, in McComb, Mississippi. He began learning the guitar aged 10 and released his first record, “Bo Diddley” backed with “I’m A Man”, in 1955, on the Chess-Checkers label.

He then went on to release some of the great, formative rock’n’roll records that saw him develop as one of the key pioneers of the electric guitar.

His music proved hugely influential on the Rolling Stones, the Who, The Clash, Bruce Springsteen and Elvis Costello.

Read our full obitrary of a guitar hero remembered by clicking here.