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The Verve Announce 2nd Set Of UK Dates

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The Verve have announced a second set of UK live dates, after their original series of shows, taking place next month sold out. The band comprising original band members Richard Ashcroft, Nick McCabe, Simon Jones and Pete Sailsbury will now play four shows in December - starting at London's 02 Arena on December 13. Tickets for the shows will go on sale this Friday, October 5 at 10am (BST). Fans who subscribe to The Verve's mailing list at www.theverve.tv will be able to purchase tickets a day earlier on the 4th, via a password link. The new dates are: London O2 Arena (December 13) Glasgow SECC (15) Belfast Odyssey Arena (17) Manchester Central (20) The band's November dates are: Glasgow Academy (November 2,3) Blackpool Empress Ballroom (5,6) London Roundhouse (8,9)

The Verve have announced a second set of UK live dates, after their original series of shows, taking place next month sold out.

The band comprising original band members Richard Ashcroft, Nick McCabe, Simon Jones and Pete Sailsbury will now play four shows in December – starting at London’s 02 Arena on December 13.

Tickets for the shows will go on sale this Friday, October 5 at 10am (BST).

Fans who subscribe to The Verve’s mailing list at www.theverve.tv will be able to purchase tickets a day earlier on the 4th, via a password link.

The new dates are:

London O2 Arena (December 13)

Glasgow SECC (15)

Belfast Odyssey Arena (17)

Manchester Central (20)

The band’s November dates are:

Glasgow Academy (November 2,3)

Blackpool Empress Ballroom (5,6)

London Roundhouse (8,9)

Hard-Fi and Robert Plant Kick Off New Series Of Later…

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Later... With Jools Holland returns to BBC2 for it's 30th series next month, and the artists taking part have been revealed. Hard-Fi will kick off proceedings appearing on the first of the seven shows - playing material from their second album 'Once Upon A Time In The West'. Other artists confirmed to play the weekly jamboree are Robert Plant with Alison Krauss, Arcade Fire Richard Hawley, PJ Harvey, Manu Chao and Richard Thompson. More artists are still to be confirmed for the show which airs from November 2 at 11.35pm.

Later… With Jools Holland returns to BBC2 for it’s 30th series next month, and the artists taking part have been revealed.

Hard-Fi will kick off proceedings appearing on the first of the seven shows – playing material from their second album ‘Once Upon A Time In The West’.

Other artists confirmed to play the weekly jamboree are Robert Plant with Alison Krauss, Arcade Fire Richard Hawley, PJ Harvey, Manu Chao and Richard Thompson.

More artists are still to be confirmed for the show which airs from November 2 at 11.35pm.

Uncut’s Worst Gigs! – Extra!

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In last month's UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs. Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen - including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie - with rare photos from the shows too. We're also going to publish one of the worst gigs every day, so feast your eyes on this, and be glad you weren’t there! ***** BLACK GRAPE The Forum, Livingston February, 1996 DAMIEN LOVE: For one reason and another, I saw Black Grape five times in 1996-97. Four times, they were fantastic, like Dylan fronting Sly and the Rolling Stones. This was the other time. The evening started badly, running late from Glasgow the only way to get to Livingston on time on a Sunday was to take a taxi from Edinburgh. Turned out the driver had less clue than we had where the place was. We drove increasingly lost around some desolate industrial estate for about 30 minutes before he asked a passerby where the town centre was.“This is the town centre.” We found the Forum by following the police vans. A rain-streaked cattle shed, surrounded by ranks of tired-looking cops and a growing, restless army of “disenfranchised youth” without tickets, all sweaty stares and evil haircuts. Going in, two hopelessly out-of-it guys were being forcibly ejected, one covered in vomit. Inside, the toilets had overflowed through the foyer where the burger stands had set up, meaning you had wade through piss-beer and brownish-grey floating things that might have been meat, I hope. When Black Grape hit the stage, the sound was like listening to a bootleg from 1983 through a wall. Shaun Ryder was slurred and incoherent between songs and on autopilot when singing. We were pressed against the back wall of the sweat-box, and I realised we were leaning on climbing bars that stretched to the ceiling. I made the mistake of looking up, to discover a 6-foot, 16-stone psychopath hanging pissed and precarious from the top bars, 30 feet directly above our necks. When it finished, we made the mistake of trying to get out the back doors, to be met by a line of cops trying to hold back a rioting army of local bastards who had bust the door from its hinges and were, insanely, trying to break in even through the gig was over. At the bus station, around 30 lost souls cowered in the shadows, desperate to get the hell out. After about 45 minutes, news spread there were no more buses out of Livingston at this time of night. You could hear the shouts and howls – and was that screams? – coming from the Forum’s darkened carpark now. The cops had all gone home. My partner and I eventually resolved to start walking. We set out three times, in three different directions. Three times, we wound up back at the now deserted bus station. It was like being in the fucking Prisoner. There was no escape. Finally, we struck out along another road. After about twenty minutes, we realised we were actually walking along the empty motorway itself, although we had no idea what direction we were going in. Did I mention it had started snowing? A real, stinging Scottish fucking white-out blinding blizzard? At this point, Black Grape’s tour bus swished passed us. You could just see them through the steamed-up windows. The seemed to be having a good time. This was when my partner started crying. About 20 minutes later – it must have been well after one in the morning now - we found a Hilton roadside motel and staggered in, two fearful, wretched creatures out of the night trailing snow, to the astonishment of the skeleton staff. They kindly allowed us to phone a cab. It cost £115 just to get home. 1996 money. ***** plus WERE YOU THERE? Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have. Email Allan_Jones@ipcmedia.com to share your memories, of the ones we've published or any which we have missed, and we’ll publish the best in a future issue!

In last month’s UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs.

Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen – including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie – with rare photos from the shows too.

We’re also going to publish one of the worst gigs every day, so feast your eyes on this, and be glad you weren’t there!

*****

BLACK GRAPE

The Forum, Livingston

February, 1996

DAMIEN LOVE:

For one reason and another, I saw Black Grape five times in 1996-97. Four times, they were fantastic, like Dylan fronting Sly and the Rolling Stones. This was the other time.

The evening started badly, running late from Glasgow the only way to get to Livingston on time on a Sunday was to take a taxi from Edinburgh. Turned out the driver had less clue than we had where the place was. We drove increasingly lost around some desolate industrial estate for about 30 minutes before he asked a passerby where the town centre was.“This is the town centre.”

We found the Forum by following the police vans. A rain-streaked cattle shed, surrounded by ranks of tired-looking cops and a growing, restless army of “disenfranchised youth” without tickets, all sweaty stares and evil haircuts. Going in, two hopelessly out-of-it guys were being forcibly ejected, one covered in vomit. Inside, the toilets had overflowed through the foyer where the burger stands had set up, meaning you had wade through piss-beer and brownish-grey floating things that might have been meat, I hope. When Black Grape hit the stage, the sound was like listening to a bootleg from 1983 through a wall. Shaun Ryder was slurred and incoherent between songs and on autopilot when singing.

We were pressed against the back wall of the sweat-box, and I realised we were leaning on climbing bars that stretched to the ceiling. I made the mistake of looking up, to discover a 6-foot, 16-stone psychopath hanging pissed and precarious from the top bars, 30 feet directly above our necks. When it finished, we made the mistake of trying to get out the back doors, to be met by a line of cops trying to hold back a rioting army of local bastards who had bust the door from its hinges and were, insanely, trying to break in even through the gig was over.

At the bus station, around 30 lost souls cowered in the shadows, desperate to get the hell out. After about 45 minutes, news spread there were no more buses out of Livingston at this time of night. You could hear the shouts and howls – and was that screams? – coming from the Forum’s darkened carpark now. The cops had all gone home. My partner and I eventually resolved to start walking. We set out three times, in three different directions. Three times, we wound up back at the now deserted bus station. It was like being in the fucking Prisoner. There was no escape.

Finally, we struck out along another road. After about twenty minutes, we realised we were actually walking along the empty motorway itself, although we had no idea what direction we were going in. Did I mention it had started snowing? A real, stinging Scottish fucking white-out blinding blizzard? At this point, Black Grape’s tour bus swished passed us. You could just see them through the steamed-up windows. The seemed to be having a good time. This was when my partner started crying. About 20 minutes later – it must have been well after one in the morning now – we found a Hilton roadside motel and staggered in, two fearful, wretched creatures out of the night trailing snow, to the astonishment of the skeleton staff. They kindly allowed us to phone a cab. It cost £115 just to get home. 1996 money.

*****

plus WERE YOU THERE?

Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have.

Email Allan_Jones@ipcmedia.com to share your memories, of the ones we’ve published or any which we have missed, and we’ll publish the best in a future issue!

Acropolis Now — Uncut at Athens Film Festival, Blog the Second

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UNCUT's Stephen Dalton reports from the Athens Film Festival... The closing weekend of the Athens Film Festival and your Uncut reporter is still working hard on your behalf. On Friday night I do a live interview with Theo Ioannou on Athens International Radio. He grills me about pop, politics, the music business and Uncut’s editorial policy. I bluff and waffle for over an hour, but Theo is polite enough not to laugh in my face. A gruelling weekend schedule follows. I mooch around the Acropolis in sweltering heat and slip away to the beach on the swish new post-Olympics tram. All over Athens I encounter packs of stray dogs and cats which the city authorities have neutered, vaccinated, tagged and set free again. An inspired idea. No wonder these people invented civilisation. The demanding task of choosing the festival’s best music documentary now looms for me and my fellow jurors in the Music & Film section. Actually, it’s not exactly Twelve Angry Men, more like a landslide decision. We all have our favourites – Rani Singh’s The Old, Weird America, a portrait of legendary freak-folk archivist Harry Smith, is full of rich characters and great music. Likewise Love Story by the British directors Mike Kerry and Chris Hall, a homage to the crazed genius of Arthur Lee, which comes to selected UK cinemas later this month. But the jury’s unanimous vote gives the Music & Film prize to Swiss director Stefan Schwietert for Echoes Of Home, a remarkable documentary about modern musicians reviving and re-imagining Switzerland’s yodelling tradition. Unlikely as it sounds, this is a moving and profound piece of audio-visual art, full of beautiful and arresting images. One of my fellow jurors is the celebrated movie producer Christine Vachon, whose long list of prestige credits includes Kids, Velvet Goldmine and Boys Don’t Cry. She stays onstage after Sunday night’s prize-giving to introduce a gala screening of I’m Not There, the much-discussed journey into Bob Dylan mythology by director Todd Haynes, which Vachon produced. The film has been previewed in Uncut before after last month’s Venice premiere, but it merits a few extra remarks here. I’m Not There is thick with ideas, formally daring, sometimes confusing, and not always entertaining - but it stays with you long afterwards. Cate Blanchett’s transformation into a Virtual Dylan in his wired, arrogant, druggy, electric-beatnik mid 1960s prime is stunning. Packed with direct quotes and knowing distortions from the singer’s many lives, it may well anger Dylan fundamentalists. But open-minded scholars will be unpicking this dense, dreamlike poem of a film for years. After the screening, the festival’s closing party takes place in an opulent bar in an open-air courtyard. All human life is here, plus the odd stray Alsatian, snoozing in the middle of the floor. This being Athens, rowdy celebrations go on until dawn, but sleeping dogs are left to lie. It’s been a long, strange, sometimes even stressful week. But would I come back again? You bet. STEPHEN DALTON

UNCUT’s Stephen Dalton reports from the Athens Film Festival…

The closing weekend of the Athens Film Festival and your Uncut reporter is still working hard on your behalf. On Friday night I do a live interview with Theo Ioannou on Athens International Radio. He grills me about pop, politics, the music business and Uncut’s editorial policy. I bluff and waffle for over an hour, but Theo is polite enough not to laugh in my face.

Ask John Lydon A Question!

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Uncut is interviewing John Lydon for a forthcoming An Audience With... feature -- and we're after your questions! Is there anything you've wanted to ask the great man? About his days as Public Enemy No 1 in the Sex Pistols? His PiL years? Or munching on witchettygrubs in the Austalian bush? Want to discuss the punk's latest reunion? Send us your questions by this Friday, October 5 to: uncutaudiencewith@ipcmedia.com Pic credit: PA Photos

Uncut is interviewing John Lydon for a forthcoming An Audience With… feature — and we’re after your questions!

Is there anything you’ve wanted to ask the great man?

About his days as Public Enemy No 1 in the Sex Pistols?

His PiL years?

Or munching on witchettygrubs in the Austalian bush?

Want to discuss the punk’s latest reunion?

Send us your questions by this Friday, October 5 to:

uncutaudiencewith@ipcmedia.com

Pic credit: PA Photos

More on that ‘new’ Dylan album – including a title!

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I don’t know how he’s come by the information, but I’ve had an email from the splendidly-named Raul Spendliv, who has more news on the ‘new’ Bob Dylan album I mentioned in this space recently. While a few readers thought reports of a new Bob album, to be produced by Rick Rubin, were merely rumours with not much to them, Raul has details of an actual album title and three of the tracks either recorded or at least written for the album. According to Raul, the record has the tentative title of Anchor, and the three tracks so far worked on are: “What Angel Fell”, “Hard Lines” and “Coming In From The Cold”. If anyone has any more news on this, let me know.

I don’t know how he’s come by the information, but I’ve had an email from the splendidly-named Raul Spendliv, who has more news on the ‘new’ Bob Dylan album I mentioned in this space recently.

CUT of the Day: Check Out The New Radiohead Album

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Today's clips are a preview of what the forthcoming, highly anticipated new Radiohead album will sound like. As reported this morning, Radiohead are going to sell their seventh album directly to fans via their website, with fans able to pay what they think it should cost for a copy of the download version. Uncut's sister title NME has trawled through YouTube today to find live video clips of the band previewing the forthcoming album material. Check out the preview of the whole of the new album 'In Rainbows' - HEREbarring one track, 'Faust Arp' which has not been played live yet.

Today’s clips are a preview of what the forthcoming, highly anticipated new Radiohead album will sound like.

As reported this morning, Radiohead are going to sell their seventh album directly to fans via their website, with fans able to pay what they think it should cost for a copy of the download version.

Uncut‘s sister title NME has trawled through YouTube today to find live video clips of the band previewing the forthcoming album material.

Check out the preview of the whole of the new album ‘In Rainbows’ – HEREbarring one track, ‘Faust Arp’ which has not been played live yet.

Bob Dylan covered by Vedder, Sonic Youth, Calexico, Cat Power, Yo La Tengo, Malkmus, McGuinn, Tweedy, Willie Nelson,Sufjan, Verlaine, The Hold Steady. . . Is the title long enough yet?

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I've been spending the past hour or so working my way through this soundtrack to Todd Haynes' Dylan movie, I'm Not There. I must admit to a bit of scepticism about the film, having actively despised Haynes' Velvet Goldmine, and been faintly terrified by the convoluted plotting and detail that was reported here. Good soundtrack, mind. Dylan has been better served by cover versions than most great artists, of course, and while I can't immediately spot anything here that bears comparison with the best efforts of, say, The Byrds and Fairport Convention, there's a very good feel to a lot of the music here; a nice mixture between wild mercury reverence and sensitive,imaginative reinvention. What's immediately apparent is the good taste of whoever corralled these musicians. The closest analogue is that Stu Sutcliffe movie, Backbeat, and the all-star band focused around Sonic Youth, Eddie Vedder and so on who provided Beatles covers on the soundtrack. They return for "I'm Not There", alongside friends in a wily bar band agglomeration called The Million Dollar Bashers. Vedder and the band's take on "All Along The Watchtower" is a bit windy, but Stephen Malkmus proves a likeably idiosyncratic frontman on a clutch of sinewy tracks, notably a pinched, organ-heavy take on "Ballad Of A Thin Man". And Karen O from The Yeah Yeah Yeahs steps up for a mighty "Highway 61 Revisited", very much in the vein of PJ Harvey's version of the same song. The other house band on these two CDs, it seems, is the estimable Calexico, who back up a terrific bunch of frontmen: gilded Dylan interpreter Roger McGuinn ("Cold Irons Bound"); Charlotte Gainsbourg ("Just Like A Woman", a bit arch); Iron & Wine ("Dark Eyes"); My Morning Jacket's Jim James (a quite lovely "Goin' To Acapulco"); and best of all, Willie Nelson taking "Senor" deep into border country. What else? The Hold Steady's "Can You Please Crawl Out Of Your Window?" sounds uncharacteristically stiff on first listen, while some of the gentler hands (Mira Billotte from the undervalued White Magic, Yo La Tengo, Sufjan Stevens in customary indie-baroque mode for "Ring Them Bells") handle the weight of Bobness more gracefully. This is turning into more of a list than a review, isn't it? Well Jeff Tweedy is stripped and dignified on "Simple Twist Of Fate", Cat Power is pretty boisterous on "Stuck Inside Of Mobile. . ." (I wonder if Chan Marshall's upcoming second covers album will be as swinging and conventional as this?), and Rambling Jack Elliot outDylans Dylan on "Just Like Tom Thumb's Blues". As he should. Tom Verlaine's po-faced, crepuscular and rather good "Cold Irons Bound" has just finished. Jack Johnson is still cobblers, and maybe when I've listened to all this properly a few more times I might have more cogent critical thoughts. Forgive me, I've just moved house these past few days and discovered many powerful things, not least that 1)The Smiths' "Hatful Of Hollow" is excellent for checking your incompetently unpacked turntable is playing at the right speed; 2) the first Stooges album is superb for unpacking in general, even "We Will Fall", as is "Hot Charity" by Rocket From The Crypt; and 3) this new Bruce Springsteen/E Street Band album is really good, and historically I don't even like Springsteen much. I think I've changed, not him, though. . .

I’ve been spending the past hour or so working my way through this soundtrack to Todd Haynes’ Dylan movie, I’m Not There. I must admit to a bit of scepticism about the film, having actively despised Haynes’ Velvet Goldmine, and been faintly terrified by the convoluted plotting and detail that was reported here.

Led Zeppelin Ticket Ballot Results Are Due

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Rock fans hoping to attend next month's Led Zeppelin one-off reunion show - will find out by 11pm tonight if they have been successful in the ballot to obtain tickets. The concert is to take place on November 26 at London's 02 Arena as a tribute show to Atlantic records' founder Ahmet Ertegun. Fans who wanted to go had to register their details to be in a lottery to be able to purchase the £125 tickets. Unprecendented demand from around the world saw the dedicated concert website www.ahmetttribute.com crash under weight of internet traffic. On closing, the ballot had attracted over 1000,000,000 page impressions chasing just 20,000 tickets. Led Zeppelin's last full concert took place in Berlin in July 1980, shortly before the death of the band's original drummer John Bonham. It was announced on September 12 by Harvey Goldsmith that he'd persuaded the band to reunite for the one-off performance in honour of Ertegun. Bonham's position will be taken up by his son Jason, also an accomplished drummer. Proceeds from the show will pay for student's scholarship funds set up in Ertegun's memory. Despite speculation that the band would tour if the show went well, Robert Plant has told Uncut that this is definitely the only performance they will do. See the full news report here. Pic credit: Rex Features

Rock fans hoping to attend next month’s Led Zeppelin one-off reunion show – will find out by 11pm tonight if they have been successful in the ballot to obtain tickets.

The concert is to take place on November 26 at London’s 02 Arena as a tribute show to Atlantic records’ founder Ahmet Ertegun. Fans who wanted to go had to register their details to be in a lottery to be able to purchase the £125 tickets.

Unprecendented demand from around the world saw the dedicated concert website www.ahmetttribute.com crash under weight of internet traffic. On closing, the ballot had attracted over 1000,000,000 page impressions chasing just 20,000 tickets.

Led Zeppelin‘s last full concert took place in Berlin in July 1980, shortly before the death of the band’s original drummer John Bonham.

It was announced on September 12 by Harvey Goldsmith that he’d persuaded the band to reunite for the one-off performance in honour of Ertegun. Bonham’s position will be taken up by his son Jason, also an accomplished drummer.

Proceeds from the show will pay for student’s scholarship funds set up in Ertegun’s memory.

Despite speculation that the band would tour if the show went well, Robert Plant has told Uncut that this is definitely the only performance they will do. See the full news report here.

Pic credit: Rex Features

The National Add Extra Date To UK Jaunt

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US indie band The National have announced an extra show in London next month. They will now play a second night at London's Shepherd's Bush Empire on November 8, in addition to their previously announced show on the 7th. The band have been touring the US since the release of 'The Boxer' album for Beggars Banquet in May this year. The band fronted by Matt Berninger have performed only four shows in the UK this year, including a great show at the Latitude Festival this July. Catch the band at the following venues next month: Glasgow, ABC (November 2) Sheffield, Leadmill (3) Manchester, Academy 2 (4) Birmingham, Irish Centre (6) London, Shepherd's Bush Empire (7 / 8) Bristol, Anson Rooms (9) Portsmouth, Pyramids (10) For more information visit The National's official website here.

US indie band The National have announced an extra show in London next month.

They will now play a second night at London’s Shepherd’s Bush Empire on November 8, in addition to their previously announced show on the 7th.

The band have been touring the US since the release of ‘The Boxer’ album for Beggars Banquet in May this year. The band fronted by Matt Berninger have performed only four shows in the UK this year, including a great show at the Latitude Festival this July.

Catch the band at the following venues next month:

Glasgow, ABC (November 2)

Sheffield, Leadmill (3)

Manchester, Academy 2 (4)

Birmingham, Irish Centre (6)

London, Shepherd’s Bush Empire (7 / 8)

Bristol, Anson Rooms (9)

Portsmouth, Pyramids (10)

For more information visit The National’s official website here.

Uncut’s Worst Gigs!

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In last month's UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs. Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen - including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie - with rare photos from the shows too. We're also going to publish one of the worst gigs every day, so feast your eyes on this, and be glad you weren’t there! ***** Swans Town & Country Club, London 14 October 1987 JOHN LEWIS: One of those gigs where you're not entirely sure whether it's the coolest or the most horrific thing you've ever seen. I wasn't sure at the time and, nearly 20 years on, I'm still not sure. Performances from Michael Gira's Swans around the time of "Children Of God" have since gone down in history as arse-quaking noise-fests so intense that people were shitting themselves, vomitting, crying, running for the exits, etc. Anyone from the Guinness Book Of Records who insists that The Who's gig at Charlton's football ground was the loudest of all time should have been stationed somewhere near the speakers during their set. I tried to convince myself that I was enjoying myself until my liver started vibrating oddly and I started to feel sick. My mate thought I was being soft when I left the moshpit, but then he threw up outside the tube station on the way home. Queasy listening, eh? Oddly, the rest of the evening was quite pleasant - I seem to remember the support acts were The Dave Howard Singers (you know, "my name is Yon Yonson/I live in Wisconsin/I work in the lumber mill there") and the Sugarcubes (possibly their first ever UK gig). But Mr Gira and vomit-inducing blow-out has all but erased the memory from my neural paths. ***** plus WERE YOU THERE? Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have. Email Allan_Jones@ipcmedia.com to share your memories, of the ones we've published or any which we have missed, and we’ll publish the best in a future issue!

In last month’s UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs.

Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen – including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie – with rare photos from the shows too.

We’re also going to publish one of the worst gigs every day, so feast your eyes on this, and be glad you weren’t there!

*****

Swans

Town & Country Club, London

14 October 1987

JOHN LEWIS:

One of those gigs where you’re not entirely sure whether it’s the coolest or the most horrific thing you’ve ever seen. I wasn’t sure at the time and, nearly 20 years on, I’m still not sure. Performances from Michael Gira‘s Swans around the time of “Children Of God” have since gone down in history as arse-quaking noise-fests so intense that people were shitting themselves, vomitting, crying, running for the exits, etc.

Anyone from the Guinness Book Of Records who insists that The Who‘s gig at Charlton’s football ground was the loudest of all time should have been stationed somewhere near the speakers during their set. I tried to convince myself that I was enjoying myself until my liver started vibrating oddly and I started to feel sick. My mate thought I was being soft when I left the moshpit, but then he threw up outside the tube station on the way home. Queasy listening, eh?

Oddly, the rest of the evening was quite pleasant – I seem to remember the support acts were The Dave Howard Singers (you know, “my name is Yon Yonson/I live in Wisconsin/I work in the lumber mill there”) and the Sugarcubes (possibly their first ever UK gig). But Mr Gira and vomit-inducing blow-out has all but erased the memory from my neural paths.

*****

plus WERE YOU THERE?

Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have.

Email Allan_Jones@ipcmedia.com to share your memories, of the ones we’ve published or any which we have missed, and we’ll publish the best in a future issue!

Radiohead Reveal Shock Album Release Tactics

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Radiohead have officially confirmed that their seventh studio album has been completed, and that it will be available for download in just ten days' time. The announcement that the album, entitled 'In Rainbows' is ready comes after previous speculation by fans last week, when a series of hieroglyphic codes appeared on a hoax websiteclaiming to be by the band and saying the LP was ready. A message posted yesterday by Radiohead guitarist Jonny Greenwood on the official band read: "Hello everyone. Well, the new album is finished, and it's coming out in 10 days; We've called it 'In Rainbows'. Love from us all. Jonny." The website links to the album release's pre-order form - where details are given that the new release will be available as a download purchase from October 10 - while a 'discbox' containing two 12" vinyl records plus CD will be available for shipping from December 3. The band who have been without a record label since completing their EMI contract have also announced that they are to leave it up to their fans to decide how much to pay for the highly anticipated new album via the download only format. They will leave the price field blank on the pre-order form. The heavyweight vinyl set will cost £40. The album will for now only be available via the band's official website. A 'traditional CD release' is being planned for early 2008. The tracklisting for 'In Rainbows' is: '15 Step' 'Bodysnatchers' 'Nude' 'Weird Fishes/Arpeggi' 'All I Need' 'Faust Arp' 'Reckoner' 'House Of Cards' 'Jigsaw Falling Into Place' 'Videotape' Plus a further eight new Radiohead tracks will be available on the second CD, included in the discbox: 'MK 1' 'Down Is The New Up' 'Go Slowly' 'MK 2' 'Last Flowers' 'Up On The Ladder' 'Bangers And Mash' '4 Minute Warning' Pic credit: PA Photos

Radiohead have officially confirmed that their seventh studio album has been completed, and that it will be available for download in just ten days’ time.

The announcement that the album, entitled ‘In Rainbows‘ is ready comes after previous speculation by fans last week, when a series of hieroglyphic codes appeared on a hoax websiteclaiming to be by the band and saying the LP was ready.

A message posted yesterday by Radiohead guitarist Jonny Greenwood on the official band read: “Hello everyone. Well, the new album is finished, and it’s coming out in 10 days; We’ve called it ‘In Rainbows’. Love from us all. Jonny.”

The website links to the album release’s pre-order form – where details are given that the new release will be available as a download purchase from October 10 – while a ‘discbox’ containing two 12″ vinyl records plus CD will be available for shipping from December 3.

The band who have been without a record label since completing their EMI contract have also announced that they are to leave it up to their fans to decide how much to pay for the highly anticipated new album via the download only format.

They will leave the price field blank on the pre-order form.

The heavyweight vinyl set will cost £40.

The album will for now only be available via the band’s official website. A ‘traditional CD release’ is being planned for early 2008.

The tracklisting for ‘In Rainbows’ is:

’15 Step’

‘Bodysnatchers’

‘Nude’

‘Weird Fishes/Arpeggi’

‘All I Need’

‘Faust Arp’

‘Reckoner’

‘House Of Cards’

‘Jigsaw Falling Into Place’

‘Videotape’

Plus a further eight new Radiohead tracks will be available on the second CD, included in the discbox:

‘MK 1’

‘Down Is The New Up’

‘Go Slowly’

‘MK 2’

‘Last Flowers’

‘Up On The Ladder’

‘Bangers And Mash’

‘4 Minute Warning’

Pic credit: PA Photos

John Lennon Festival Begins In The Scottish Highlands

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The John Lennon Northern Lights Festival has begun in remote north-west Scotland today. The three-day event, which features a mixture of music and poetry, takes place in the village of Durness, in an area where Lennon used to go on holiday as a child. As well as featuring a talk by the late Beatle’s half-sister Julia Baird, the weekend boasts performances from King Creosote, John Cooper Clarke and Carol Ann Duffy. German Beatles tribute act Lucy In The Sky are also set to perform at the event, which has a capacity of only 1,100 people.

The John Lennon Northern Lights Festival has begun in remote north-west Scotland today.

The three-day event, which features a mixture of music and poetry, takes place in the village of Durness, in an area where Lennon used to go on holiday as a child.

As well as featuring a talk by the late Beatle’s half-sister Julia Baird, the weekend boasts performances from King Creosote, John Cooper Clarke and Carol Ann Duffy.

German Beatles tribute act Lucy In The Sky are also set to perform at the event, which has a capacity of only 1,100 people.

Joy Division Praise ‘Control’ But Regret Not Helping Curtis More

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The remaining members of Joy Division - Peter Hook, Bernard Sumner and Stephen Morris - have praised Anton Corbijn's biopic of frontman Ian Curtis. They say "Control" is an overwhelmingly positive thing, despite the dark subject matter of the film. Speaking to The Sun, bassist Peter Hook said: "I'm glad "Control" shows how important Ian's role was in the band. He was the driving force who held it together when we were upset or down. He'd always inspire us to keep trying." The group also expressed their regrets at not addressing the late frontman's problems with epilepsy and depression. Drummer Stephen Morris said: "Looking back, I wish I'd helped him more. I think that all the time... But we were having such a good time, and you're very selfish when you're young. Epilepsy wasn't understood then. People would just say, 'He's a bit of a loony - he has fits.'" "Control" is out on October 5 - the film made its US debut in New York this week watched by a host of stars.

The remaining members of Joy DivisionPeter Hook, Bernard Sumner and Stephen Morris – have praised Anton Corbijn‘s biopic of frontman Ian Curtis.

They say “Control” is an overwhelmingly positive thing, despite the dark subject matter of the film.

Speaking to The Sun, bassist Peter Hook said: “I’m glad “Control” shows how important Ian‘s role was in the band. He was the driving force who held it together when we were upset or down. He’d always inspire us to keep trying.”

The group also expressed their regrets at not addressing the late frontman’s problems with epilepsy and depression.

Drummer Stephen Morris said: “Looking back, I wish I’d helped him more. I think that all the time… But we were having such a good time, and you’re very selfish when you’re young. Epilepsy wasn’t understood then. People would just say, ‘He’s a bit of a loony – he has fits.'”

“Control” is out on October 5 – the film made its US debut in New York this week watched by a host of stars.

Sex Pistols Warm Up For Tour With LA Club Gig

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Sex Pistols have announced a gig at a tiny Los Angeles club, which will act as a warm-up show for the group's dates back in the UK. The gig takes place on October 25 at Los Angeles Roxy and is organised by LA radio station Indie 103.1, which counts guitarist Steve Jones among its DJs. Tickets are available through the station – visit their website here. The band's dates are as follows: Los Angeles Roxy (October 25) London Brixton Academy (November 8-10, 12) Manchester MEN Arena (November 17)

Sex Pistols have announced a gig at a tiny Los Angeles club, which will act as a warm-up show for the group’s dates back in the UK.

The gig takes place on October 25 at Los Angeles Roxy and is organised by LA radio station Indie 103.1, which counts guitarist Steve Jones among its DJs.

Tickets are available through the station – visit their website here.

The band’s dates are as follows:

Los Angeles Roxy (October 25)

London Brixton Academy (November 8-10, 12)

Manchester MEN Arena (November 17)

Athens Film Festival — blog the first

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Stephen Dalton is currently at the Athens Film Festival, where he's serving on the jury. Here's his first report... Greetings from the strangely wonderful parallel universe of the Athens Film Festival, where your Uncut reporter is serving on the jury of the Music & Film section. A very bizarre experience, being on the other side of the fence for once, doing press conferences and interviews instead of asking the questions. Especially surreal here in Greece, where Uncut appears to be some kind of unofficial religion. “You must feel like a god,” people keep telling me. “Uncut is The Bible!” No kidding. I can’t help feeling something has been lost in translation, or I am simply the butt of some collective Borat-style joke. But hey - a week in a five-star hotel with unlimited films, food, booze, parties and ego massage? That’s my kind of joke. Athens is a late night city, teeming with open-air bars and sleazy-rowdy street life. Drinking is obligatory, and a punky disregard for rules spans the spectrum from facial hair to driving habits. Most locals don’t even think about going out until midnight, while heading home before 3am is for wimps and foreigners only. Film screenings here are boisterous public affairs too, with an obligatory intermission for cigarettes. Often randomly applied by the projectionist mid-scene. Wussy British-style anti-smoking rules clearly have not reached Greece yet. Athens is one of Europe's younger film festivals, just 13 years old but cosmopolitan in its range and reach (see www.aiff.gr). The Music & Film section is a brand new addition with a similarly eclectic brief: this year’s selection includes documentaries on thrash metal, Swiss yodelling, African blues and New York disco. One standout so far is Heima, a stunningly beautifully tour film featuring Icelandic ambi-rockers Sigur Ros. There is plenty of music-themed work in the wider programme line-up too. Julien Temple’s Joe Strummer documentary The Future Is Unwritten screened earlier this week, and the festival ends on Sunday with a gala screening of Todd Haynes’ Bob Dylan biodrama I’m Not There. Meanwhile, last night saw a packed house for Anton Corbijn’s elegant Ian Curtis epitaph Control. New Order’s Peter Hook flew into Athens for a Q&A session after the screening. Afterwards, he manned the decks at a nearby upstairs club, which was rammed to the roof with 200 drunken Greek kids roaring along to the Clash, the Pistols and every single word of "Love Will Tear Us Apart". Exhilarating. As the festival shuts down over the weekend, there will be more films to recommend and more loud, punky gatherings under the stars to report. But right now, my hotel rooftop pool overlooking the Acropolis is calling - did I mention the pool? A bit flash, but then again I am a god here in Athens. I don’t want to disappoint my public. STEPHEN DALTON

Stephen Dalton is currently at the Athens Film Festival, where he’s serving on the jury. Here’s his first report…

Greetings from the strangely wonderful parallel universe of the Athens Film Festival, where your Uncut reporter is serving on the jury of the Music & Film section. A very bizarre experience, being on the other side of the fence for once, doing press conferences and interviews instead of asking the questions.

Cut Of The Day: PJ Harvey Amazes Us With ‘The Mountain’

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As we're giving away all of PJ Harvey's back catalogue and her great new album "White Chalk"click here to enter – we thought we'd check out one of her mesmerising performances for our Cut Of The Day. In this clip, filmed while Harvey was recording for Norwegian radio, we see PJ performing "The Mountain", the final cut from "White Chalk". Check it out here: http://www.youtube.com/watch?v=0xsddqZ8yTU

As we’re giving away all of PJ Harvey‘s back catalogue and her great new album “White Chalk”click here to enter – we thought we’d check out one of her mesmerising performances for our Cut Of The Day.

In this clip, filmed while Harvey was recording for Norwegian radio, we see PJ performing “The Mountain”, the final cut from “White Chalk”.

Check it out here:

Robert Plant: ‘There’ll Only Be One Led Zep Show’

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Robert Plant has flatly denied rumours that Led Zeppelin will play a full tour following their benefit gig at London's O2 Arena on November 26. Speaking to Uncut, the singer said: "There'll be one show and that'll be it. We need to do one last great show. Because we've done some shows and they've been crap." When asked if he thought he would be tempted to play more shows if the O2 Arena gig goes well, Plant replied: "Not for me. But I can't speak for anyone else." Led Zeppelin are set to release a new greatest hits set, "Mothership", on November 12. Millions of fans registered for the ballot to get a seat at the O2 Arena show, of which it's expected one in fifty will get tickets. To read the full interview with Robert Plant, get this month's issue of Uncut, also featuring Mick Jagger, Joy Division, Neil Young, Captain Beefheart and The Smiths.

Robert Plant has flatly denied rumours that Led Zeppelin will play a full tour following their benefit gig at London‘s O2 Arena on November 26.

Speaking to Uncut, the singer said: “There’ll be one show and that’ll be it. We need to do one last great show. Because we’ve done some shows and they’ve been crap.”

When asked if he thought he would be tempted to play more shows if the O2 Arena gig goes well, Plant replied: “Not for me. But I can’t speak for anyone else.”

Led Zeppelin are set to release a new greatest hits set, “Mothership”, on November 12.

Millions of fans registered for the ballot to get a seat at the O2 Arena show, of which it’s expected one in fifty will get tickets.

To read the full interview with Robert Plant, get this month’s issue of Uncut, also featuring Mick Jagger, Joy Division, Neil Young, Captain Beefheart and The Smiths.

Happy birthday to The Band’s Garth Hudson. . .

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When on July 28, 1973, The Band played the Summer Jam festival at Watkins Glen, New York, on a bill that also included The Grateful Dead and The Allman Brothers, Garth Hudson, if he’d been so inclined, could have looked out from the stage onto a crowed of more than 600,000 – at the time, I think, the largest-ever audience for a rock show. Last night, in London, at the 100 Club, in the company of Goldrush - the Oxfordshire band who have put on tonight’s show with Loose Records and are also among the organisers of the Truck Festival, at which the keyboard legend recently appeared – Garth, here celebrating his 70th birthday, would have looked out from the stage at a somewhat smaller, but perhaps no less enthusiastic crowd. The Magic Numbers’ Romeo Stoddart’s onstage when I arrive, playing to a noticeably sparse congregation, and I wince utterly as he closes his set with an unfortunately clunky version of Guy Clark’s “Anyhow, I Love You”. There’s a bit of a stir not long after Romeo’s departed, when Hudson, white-whiskered and resplendent in a snappy Stetson and Los Lobos tour jacket, makes his way through a by-now healthy turn-out, with his wife, Maud, whose wheelchair he guides through the crowd and onto the stage, Maud looking no less natty in a hat as cool as the one Dylan sported on the cover of Desire. They’re joined by Goldrush, whose playing over the next couple of hours makes you wonder if they have done anything else in what appears to be their relatively young lives apart from listening to The Band, and groups like them. They certainly make all the right noises on an opening quartet of songs that features surprisingly authentic versions of “It Makes No Difference” and “The Shape I’m In” from The Band’s illustrious back catalogue. Later, there are great takes on other Band classics, among them “King Harvest”, “Ophelia” and, inevitably, “The Weight” and “Chest Fever”, and it’s a testament to the sturdy brilliance of these songs that they sound even in this odd setting so enduringly potent and wholly stirring. More unexpected, and wholly spellbinding, is a version, sung quite brilliantly by Maud, of one of Bob Dylan’s greatest songs, “Blind Willie McTell”, which reduces the house to a dazzled hush. There’s quickly an outing for “You Ain’t Goin’ Nowhere”, which lifts the evening’s mood to boisterous new levels, almost as many people now onstage, including a horn section who’ve breezed in from somewhere, as there were watching Romeo earlier on, and even more people for the gig’s climax, a roaring version of “I Shall Be Released”. Garth and Maud are by the end visibly moved by the whole event and the uncomplicated affection of the people here whose lives his music has lit up down the years. Happy birthday, man.

When on July 28, 1973, The Band played the Summer Jam festival at Watkins Glen, New York, on a bill that also included The Grateful Dead and The Allman Brothers, Garth Hudson, if he’d been so inclined, could have looked out from the stage onto a crowed of more than 600,000 – at the time, I think, the largest-ever audience for a rock show.

Michael Clayton

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DIR: TONY GILROY | ST: GEORGE CLOONEY As the titular flawed hero, George Clooney is a “fixer” for a New York corporate law firm, whose boss (Sydney Pollack) uses him for dirty work. Despite being a master of charm, spin and damage limitation, Clayton has hit middle age jaded, divorced and, thanks to a gambling habit, in debt. When a top litigator (Tom Wilkinson) has a breakdown, threatening a multi-million dollar settlement, Clayton is sent to straighten him out. A clinical careerist (Tilda Swinton) would rather he didn’t. Clayton finds himself in the novel position of addressing his conscience, and doing the “right” thing. Steady and slow, Gilroy’s debut (after writing two parts of the Bourne trilogy) aspires to the Pakula/Lumet school of resonantly understated drama, which clearly appealed to Clooney. Yet it never quite takes off. The message that big law firms do callous things is hardly new. It was handled better in the similar Erin Brockovich, and Gilroy, who takes ages to get from A to B, already visited it (rather floridly) in his script for The Devil’s Advocate. He lingers longingly on Clooney and Swinton, to the stage where even such fine actors flinch. The flashback structure galls, and despite some sharp lines, relished by Clooney, it’s all a bit John Grisham. CHRIS ROBERTS

DIR: TONY GILROY | ST: GEORGE CLOONEY

As the titular flawed hero, George Clooney is a “fixer” for a New York corporate law firm, whose boss (Sydney Pollack) uses him for dirty work. Despite being a master of charm, spin and damage limitation, Clayton has hit middle age jaded, divorced and, thanks to a gambling habit, in debt. When a top litigator (Tom Wilkinson) has a breakdown, threatening a multi-million dollar settlement, Clayton is sent to straighten him out. A clinical careerist (Tilda Swinton) would rather he didn’t. Clayton finds himself in the novel position of addressing his conscience, and doing the “right” thing.

Steady and slow, Gilroy’s debut (after writing two parts of the Bourne trilogy) aspires to the Pakula/Lumet school of resonantly understated drama, which clearly appealed to Clooney. Yet it never quite takes off. The message that big law firms do callous things is hardly new. It was handled better in the similar Erin Brockovich, and Gilroy, who takes ages to get from A to B, already visited it (rather floridly) in his script for The Devil’s Advocate. He lingers longingly on Clooney and Swinton, to the stage where even such fine actors flinch. The flashback structure galls, and despite some sharp lines, relished by Clooney, it’s all a bit John Grisham.

CHRIS ROBERTS