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Watch Duran Duran’s hedonistic video for “ANNIVERSARY” featuring Elton John, Madonna and Stormzy lookalikes

Charlotte Krol
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Watch Duran Duran’s hedonistic video for “ANNIVERSARY” featuring Elton John, Madonna and Stormzy lookalikes
Duran Duran have released "ANNIVERSARY", another single from their forthcoming album FUTURE PAST, which comes with an extravagant music video. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue The pop legends, who release their new album on Friday (October 22), have sh...

Duran Duran have released “ANNIVERSARY”, another single from their forthcoming album FUTURE PAST, which comes with an extravagant music video.

The pop legends, who release their new album on Friday (October 22), have shared the Alison Jackson-directed, faux star-studded video for the single. In it we see Duran Duran perform as themselves – as well as opposite their younger incarnations – alongside lookalike stars including Elton John, Madonna, Stormzy, Brad Pitt, Daniel Craig and more.

The video was shot over three days at the historic 11th century Belvoir Castle in Leicestershire. It illustrates a hedonistic weekend bash in which the pop group throw pool parties, living room shows and party so hard that even Queen Elizabeth II passes out.

Duran Duran bassist and founding member John Taylor said: “’ANNIVERSARY’ is a special song for us. Obviously, we were conscious of our own impending 40th anniversary of making music together, but we wanted the song’s meaning to be inclusive in the broadest possible way.

“After playing and working together for so long, we very much appreciate what ‘being together’ and ’staying together’ can really mean, it’s not something we would have thought song-worthy 40 years ago but we do today! It was also fun to build a track with hints of previous Duran hits, they’re like Easter eggs, for the fans to find.”

The news comes ahead of a special livestream event via Dreamstage on Thursday (October 21) that will include an exclusive live Q&A with the band and renowned Billboard editor, Larry Flick, as they reveal untold stories about their time together.

BAFTA-winning filmmaker Jackson will also join the livestream for the global premiere of Double Take , a 30-minute documentary film by award-winning director, Gerry Fox, and Una Burnand, that provides exclusive behind-the-scenes look at the artistry and production work for “ANNIVERSARY”‘s music video.

Tickets for the livestream are available here. The performance will replay for US audiences at 1am BST, followed by a 72-hour VOD period.

It will be the first event to be broadcast from the Now Arcade at the Outernet in Soho, London, prior to the venue’s opening later this year.

Duran Duran
Duran Duran. Credit: Press

“ANNIVERSARY” follows the previously released “INVISIBLE”, the Chai collaboration “MORE JOY” and the Giorgio Moroder-produced “TONIGHT UNITED”.

The band have also worked with Tove Lo, Ivorian Doll, Erol Alkan and Blur’s Graham Coxon for their new album, which you can pre-order/pre-save here.

Ride announce Nowhere 30th anniversary UK tour for 2022

Sam Moore
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Ride announce Nowhere 30th anniversary UK tour for 2022
Ride have announced details of a UK tour for 2022 to celebrate the recent 30th anniversary of their debut album Nowhere. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue READ MORE: Introducing the Ultimate Genre Guide to Shoegaze The record was originally released ...

Ride have announced details of a UK tour for 2022 to celebrate the recent 30th anniversary of their debut album Nowhere.

The record was originally released on October 15, 1990 via Creation Records and featured songs including “Vapour Trail” and “Kaleidoscope”.

Following delays caused by the coronavirus pandemic, Ride will now celebrate 30 years of Nowhere by heading out on the road in April 2022.

Kicking off in Sheffield on April 21, Ride will then play in Norwich, Oxford, Bristol, Glasgow, Newcastle and Manchester before concluding the tour in London on April 29.

See Ride‘s upcoming UK tour dates below.

APRIL 2022
21 – Foundry, Sheffield
22 – Waterfront, Norwich
23 – O2 Academy, Oxford
24 – Marble Factory, Bristol
26 – SWG3, Glasgow
27 – Boiler Shop, Newcastle
28 – O2 Ritz, Manchester
29 – The Roundhouse, London

Tickets for Ride‘s Nowhere 30th anniversary UK tour go on general sale this Friday (October 22) at 10am BST from here.

For the Manchester date, tickets will go on sale here. Oxford tickets will be available here.

Ride‘s albums are set to be reissued by Wichita throughout 2022, with more details to follow.

Last week Ride‘s Andy Bell released his debut album, Pattern Recognition, under his electronic alias GLOK.

“GLOK is all about the push and pull between electronic and psych in my music,” Bell said of the alter ego in a statement earlier this year.

Prior to Pattern Recognition, Bell shared the GLOK track “Tories In Jail”, a collaboration with Daniel Avery, Roisin Murphy and Nitzer Ebb for a fundraiser for the Hackney pub The Gun Aid.

Taylor Swift, Paul McCartney among presenters for 2021 Rock & Roll Hall of Fame induction ceremony

Alex Gallagher
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Taylor Swift, Paul McCartney among presenters for 2021 Rock & Roll Hall of Fame induction ceremony
Taylor Swift and Paul McCartney are among those who'll present awards at this year's Rock and Roll Hall of Fame ceremony in October. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue Swift and Jennifer Hudson will induct Carole King, while McCartney will induct Foo Fig...

Taylor Swift and Paul McCartney are among those who’ll present awards at this year’s Rock and Roll Hall of Fame ceremony in October.

Swift and Jennifer Hudson will induct Carole King, while McCartney will induct Foo Fighters. Dr. Dre will induct LL Cool J, Drew Barrymore will induct the Go-Gos, Angela Bassett will induct Tina Turner and Lionel Ritchie will induct Clarence Avant.

Swift and Hudson will also perform to commemorate King‘s induction, while H.E.R., Christina Aguilera, Bryan Adams and Mickey Guyton will perform Turner‘s songs at the ceremony.

This year’s Rock and Roll Hall of Fame ceremony is set to take place on October 30 at the Rocket Mortgage FieldHouse arena in Cleveland, Ohio. This year’s inductees were announced back in May, with Jay-Z, Todd Rundgren, Gil Scott-Heron and Kraftwerk also set to be honoured.

At the time, chairman John Sykes said this year’s inductees marked the “most diverse class in the history” of the awards.

“It really represents the Hall’s ongoing commitment to honour the artists that have created not only rock and roll, but the sound of youth culture.”

Last month, Rundgren said he would not be attending the induction ceremony, despite his inclusion in this year’s list. The rocker, who has previously expressed disinterest in the awards (going as far as calling them a “scam” back in February) will be performing a show a few hours away in Cincinnati.

Friends and collaborators on Gil Scott-Heron’s legacy: “There seemed to be a part of him that could never really relax”

Sam Richards
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Friends and collaborators on Gil Scott-Heron’s legacy: “There seemed to be a part of him that could never really relax”
On April 19, 1971, Gil Scott-Heron and Brian Jackson were still essentially students in “ratty jeans”, being suspiciously eyeballed by the seasoned jazz and soul vets who had gathered to record their first album of proper songs at RCA Studios in New York City. On bass was Ron Carter of Miles Dav...

On April 19, 1971, Gil Scott-Heron and Brian Jackson were still essentially students in “ratty jeans”, being suspiciously eyeballed by the seasoned jazz and soul vets who had gathered to record their first album of proper songs at RCA Studios in New York City. On bass was Ron Carter of Miles Davis’s second great quintet; on drums was Aretha Franklin’s musical director Bernard “Pretty” Purdie; on flute, established bandleader Hubert Laws; and conducting them all was The Impressions’ arranger, Johnny Pate.

“Terrifying, that’s the best way I can describe it,” says Brian Jackson today. “I was like, ‘Wait a minute – who am I, what am I doing here?’ I hadn’t even turned 19 and here are some of my biggest heroes all assembled in one place to play the music that I wrote. I remember Ron Carter having a little joke with me, questioning me about one of the chord changes. I was so intimidated that I said, ‘Well, what do you think it should be?’ And he was like, ‘No, man, I’m just kidding ya!’ and they all laughed at me. Which broke the ice. More than that, it demonstrated to them that we knew what we wanted.”

And when Gil Scott-Heron opened his mouth, everyone listened. His was not a classic soul voice; instead you were struck by the offbeat phrasing, wise tone and lyrical concision, something akin to a black Bob Dylan – a man with his finger on the pulse of a jittery and divided but still optimistic nation. Saxophonist Carl Cornwell, who used to jam with Scott-Heron in the practice rooms at Lincoln University before joining his backing band later in the 1970s, says that his vocal style was always unconventional. “When ‘Winter In America’ came out, we would always joke about how it was such a great song but he still couldn’t sing! But with the message he was delivering, it really didn’t matter. He wasn’t trying to be Bill Withers, he was trying to be a messenger.”

Pieces Of A Man flew out of the traps with the unforgettable wake-up call of The Revolution Will Not Be Televised. But Scott-Heron also tackled the plight of the junkie
and the laid-off factory worker with hitherto unmatched empathy. Unafraid to point the finger directly at the white establishment, he also came armed with practical solutions for those at the sharp end: Lady Day And John Coltrane offered music as a balm for depression, while When You Are Who You Are was a rousing self-empowerment anthem.

Released in the slipstream of Marvin Gaye’s What’s Going On, Pieces Of A Man’s soulful street-level sermons were more specific, and have arguably proved to be more influential, with trailblazing rappers Chuck D and KRS-One directly citing Gil Scott-Heron as the founding father of hip-hop. When his fellow musical firebrands tired of the fight in the mid-’70s, Scott-Heron kept fearlessly hitting bigger and uglier targets: Watergate, apartheid, nuclear weapons.

Exclusive! Hear The Wedding Present’s new single, featuring Louise Wener

Sam Richards
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Exclusive! Hear The Wedding Present’s new single, featuring Louise Wener
As revealed in the new issue of Uncut, The Wedding Present are celebrating the 30th anniversary of their Hit Parade caper – where they released a 7" single every month throughout 1992 – by doing it all over again in 2022. The first instalment of their new 24 Songs project will be "We Should B...

As revealed in the new issue of Uncut, The Wedding Present are celebrating the 30th anniversary of their Hit Parade caper – where they released a 7″ single every month throughout 1992 – by doing it all over again in 2022.

The first instalment of their new 24 Songs project will be “We Should Be Together”, featuring Sleeper’s Louise Wener. Hear the single version exclusively below:

“We Should Be Together” will be released on 7″ vinyl in January, backed with a new track called “Don’t Give Up Without A Fight”. You can sign up for the 24 Songs subscription here. Individual singles and a collector’s box can be ordered from the same site or via all participating record shops.

You can read more about 24 Songs via an interview with The Wedding Present’s David Gedge in the December 2021 issue of Uncut – out now with David Bowie on the cover.

Julien Baker joins Phoebe Bridgers on stage during California show

Caleb Triscari
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Julien Baker joins Phoebe Bridgers on stage during California show
Julien Baker recently surprised Phoebe Bridgers fans by joining her Boygenius bandmate on stage, where they performed a number of songs together. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue Baker was the surprise opener for Bridgers' California gig on Saturday ni...

Julien Baker recently surprised Phoebe Bridgers fans by joining her Boygenius bandmate on stage, where they performed a number of songs together.

Baker was the surprise opener for Bridgers‘ California gig on Saturday night (October 16). To close out her set, Baker performed a cover of Loudon Wainwright III‘s “One Man Guy” with Bridgers. Watch footage of the cover below:

“One Man Guy” was also recorded for Loudon‘s son Rufus for his 2001 album Poses.

Later on during Bridgers‘ set, Baker returned to join her for Punisher tracks “Graceland Too” and “I Know The End”. Watch those performances below:

Bridgers released Punisher in June last year through Dead Oceans. Baker, on the other hand, released her third studio album Little Oblivions through Matador earlier this year.

Mick Jagger and Keith Richards celebrate the 60th anniversary of their first proper meeting

Sam Moore
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Mick Jagger and Keith Richards celebrate the 60th anniversary of their first proper meeting
The Rolling Stones’ Mick Jagger and Keith Richards have marked the 60th anniversary of their first proper meeting. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue READ MORE: Introducing the Ultimate Music Guide to The Rolling Stones The singer and the guitarist ...

The Rolling Stones’ Mick Jagger and Keith Richards have marked the 60th anniversary of their first proper meeting.

The singer and the guitarist engaged in conversation for the first time on platform two of Dartford station on October 17, 1961 – a blue plaque commemorating the moment was unveiled back in 2015 – before they formed the Stones the following year.

Jagger and Richards marked the 60th anniversary of that famous meeting during their gig at the SoFi Stadium in Inglewood, CA earlier this week (October 17).

Following the show, the Stones shared an image of a special plectrum which featured an image of Jagger and Richards along with the words “17 October 1961-2021 – 60 years on the same train.”

The Stones are currently on their rescheduled No Filter tour of North America.

Last week, Jagger responded to a recent jibe from Paul McCartney about the Stones while on stage.

Comparing The Beatles and the Stones, McCartney told the New Yorker: “I’m not sure I should say it, but they’re a blues cover band, that’s sort of what the Stones are. I think our net was cast a bit wider than theirs.”

Jagger addressed McCartney‘s comments while on stage in LA, saying: “There’s so many celebrities here tonight: Megan Fox is here, she’s lovely. Leonardo DiCaprio. Lady Gaga. Kirk Douglas.

“Paul McCartney is here, he’s going to help us – he’s going to join us in a blues cover later.”

Paul McCartney on the woman who inspired “Eleanor Rigby”: “Hearing her stories enriched my soul”

Patrick Clarke
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Paul McCartney on the woman who inspired “Eleanor Rigby”: “Hearing her stories enriched my soul”
Paul McCartney has shared an excerpt from his forthcoming book The Lyrics: 1956 To The Present, in which he remembers the inspiration for one of his best-known Beatles songs, "Eleanor Rigby". ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue READ MORE: Paul McCartney s...

Paul McCartney has shared an excerpt from his forthcoming book The Lyrics: 1956 To The Present, in which he remembers the inspiration for one of his best-known Beatles songs, “Eleanor Rigby”.

Writing about his childhood in Liverpool, McCartney recalled doing chores for local residents during the Scouts’ ‘Bob-a-job week’, during which he met an old lady who would go on to inspire the song.

“‘Eleanor Rigby’ is based on an old lady that I got on with very well,” McCartney wrote in an extract published by The New Yorker. “I found out that she lived on her own, so I would go around there and just chat, which is sort of crazy if you think about me being some young Liverpool guy.

“Later, I would offer to go and get her shopping. She’d give me a list and I’d bring the stuff back, and we’d sit in her kitchen. I still vividly remember the kitchen, because she had a little crystal-radio set […] So I would visit, and just hearing her stories enriched my soul and influenced the songs I would later write.”

McCartney also recounted the fact that his original name for “Eleanor Rigby” was Daisy Hawkins. “I can see that ‘Hawkins’ is quite nice, but it wasn’t right. Jack Hawkins had played Quintus Arrius in Ben-Hur. Then, there was Jim Hawkins, from one of my favourite books, Treasure Island. But it wasn’t right.”

Although there is a grave attributed to an Eleanor Rigby in the graveyard of St Peter’s Parish Church in Woolton, Liverpool, where McCartney and John Lennon had spent time sunbathing as teenagers, it is believed to be a coincidence.

“I don’t remember seeing the grave there, but I suppose I might have registered it subliminally,” McCartney wrote.

He has previously said that the name Eleanor was inspired by the actress Eleanor Bron, who starred in the 1965 Beatles film Help!, while Rigby is based on a shop called Rigby & Evens Ltd, Wine & Spirit Shippers that he saw in Bristol.

McCartney‘s two-volume book is published on November 2, and will recount the musician’s life through his earliest boyhood compositions, songs by The Beatles and Wings, and from his lengthy solo career. In August, he revealed the names of the 154 songs that are featured.

To accompany the release, the British Library has announced it will host a free display entitled Paul McCartney: The Lyrics between November 5, 2021 and March 13, 2022, while the musician himself will discuss the book live in conversation at Southbank Centre next month.

Jack White shares “Taking Me Back”, his first new solo single in three years

Will Lavin
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Jack White shares “Taking Me Back”, his first new solo single in three years
Jack White has shared his first new solo single in three years - you can listen to "Taking Me Back" below. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue READ MORE: The White Stripes to release Live At The Detroit Institute Of Arts album The full version of the t...

Jack White has shared his first new solo single in three years – you can listen to “Taking Me Back” below.

The full version of the track arrives after it was previewed in a new trailer for the video game Call of Duty: Vanguard over the weekend.

Produced by White – who also plays every instrument on the track – and recorded at his Third Man Studios in Nashville, “Taking Me Back” marks the former White Stripes frontman’s first new solo material since the release of Boarding House Reach in 2018.

Arriving alongside a stripped-back version of the track, you can listen to both below:

 

The arrival of “Taking Me Back” follows on from White’s surprise appearance last month at his Third Man Records store in London.

The guitarist appeared on a rooftop to play a short set, including renditions of “Dead Leaves And The Dirty Ground”, “Seven Nation Army” and The Raconteurs’ “Steady, As She Goes”. He also performed a seven-song set in the store’s basement.

In a recent interview with The Times, White spoke about feeling “scared and confused” if there isn’t any “struggle” in his life.

“It is this disease I have and I don’t know what started it, but if there is no struggle involved in my life I get scared and confused,” White said.

“If art is not being made in some way, I start worrying. I wish I could pinpoint why this is necessary for me. I can’t get away from it.”

White also recently launched a new website to showcase a host of his non-musical activities.

Jack White Art & Design shows off all of the musician’s creative endeavours, including his own furniture, graphic design, sculptures and more.

The website includes a number of creations never previously released to the public, and features sections including Industrial Design, Interior Design, Furniture & Upholstery, Graphic Design, Instruments & Hardware, Sculpture, Vinyl Concepts, Film Directing, and Photography.

The Waterboys on Room To Roam’s legacy: “We were a lot wilder and more exciting than the record conveyed”

Graeme Thomson
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The Waterboys on Room To Roam’s legacy: “We were a lot wilder and more exciting than the record conveyed”
Anyone lucky enough to see The Waterboys in 1989 was in for a wild ride. Building on the momentum of the Fisherman’s Blues album, released the previous year, the band had evolved into a supercharged roots-and-rock collective, tearing through Ireland, Britain, Europe and North America. On a good ni...

Anyone lucky enough to see The Waterboys in 1989 was in for a wild ride. Building on the momentum of the Fisherman’s Blues album, released the previous year, the band had evolved into a supercharged roots-and-rock collective, tearing through Ireland, Britain, Europe and North America. On a good night, and most of them were, the new seven-piece Waterboys seemed almost mystically attuned to a higher musical plane. The title of one new song summed it up: further up, further in.

“It was amazing to be part of,” says fiddler and longstanding Waterboy Steve Wickham. “I remember talking to Donal Lunny, the great Irish trad musician, who came to a gig we played way down the country in one of those funny little ballrooms. Donal came up to me afterwards and said it was like looking at a juggernaut heading straight down the road towards you. He meant it in a really good way. It was a powerful thing, all right.”

A Waterboys show at this time could include almost anything: reels, rockers, reshaped originals, new songs, ancient gospel numbers, jigs, jives, country tunes, Beatles and Dylan covers. Friends, pipe bands and waltzing couples were invited on stage. Off stage, in buses and planes, dressing rooms, pubs and hotels, the party continued. “We were dizzy with music,” says Waterboy-in-chief, Mike Scott. “Playing all the time. We were surrounded by music.” For John Dunford, the band’s veteran sound man, immortalised on Fisherman’s Blues’ Dunford’s Fancy: “It was some of the greatest music I’ve ever been involved in in my life.”

If the question was how to capture it all on record, then the answer – Room To Roam, released in October 1990 – hardly lacked ambition. “I know Mike saw Room To Roam as The Waterboys’ Sgt. Pepper’s,” says Dunford. “Anything was allowed. There were no rules.” The album is a kaleidoscopic swirl of sounds and styles – not just Celtic folk but rock, pop, Dixieland jazz, circus tunes, country-blues, psychedelia, cosmic koans, singalongs and spoken word samples. One track features a didgeridoo. Not even these carnivalesque attractions, however, could quite harness the full majesty of the seven-piece line-up. “I thought we were a lot wilder and more exciting than the record conveyed,” says Scott. “It’s something I can only really see now. When I listened to the DATs from the live concerts, it was very powerful – more powerful than I’d been aware of at the time.”

Prince estate shares previously unheard demo of “Do Me, Baby”

Elizabeth Aubrey
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Prince estate shares previously unheard demo of “Do Me, Baby”
Prince's estate have shared a previously unheard demo of "Do Me, Baby" - you can listen to it below. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue READ MORE: Inside the vault: Prince’s legendary lost albums The release coincides with the 40th anniversary celeb...

Prince‘s estate have shared a previously unheard demo of “Do Me, Baby” – you can listen to it below.

The release coincides with the 40th anniversary celebrations of the original release of Prince‘s fourth album from 1981, Controversy.

The 1979 demo is a complete song, performed entirely by Prince with multiple overdubs. The version is faster than the eventual album and live versions and without the ab-libs of the original song.

You can listen to it here:

A statement about the release explains: “‘Do Me, Baby’ is best known as the centre-piece of 1981’s Controversy album, but Prince first recorded the song years earlier. A demo featuring Prince and his best friend and creative collaborator André Cymone was initially recorded in 1978.

“Then a year later, Prince fully reimagined the track as a solo recording during the April 1979 recording sessions for Prince at Alpha Studios in North Hollywood, CA, with overdubs added in the same period at Hollywood Sound Records in Hollywood, CA.”

It continued: “From that 2″ multitrack master tape, a cassette rough mix – recently discovered in Prince’s legendary vault and labeled in the artist’s own handwriting – was rendered but ultimately shelved.

“…As was typical with Prince, he revisited the song afresh more than two years later when he created an entirely new solo recording of ‘Do Me, Baby’ at Sunset Sound in June 1981. That master recording was released on October 14, 1981, as the epic final song on Side A of Controversy. ”

The release of “Do Me, Baby (Demo)” has been newly mixed to match the original demo cassette specification by Prince’s Grammy-nominated engineer Chris James, and mastered by Prince’s longtime collaborator and multiple Grammy-winning engineer Bernie Grundman.

Back in July, Prince’s ‘lost’ Welcome 2 America album was finally released.

Recorded in 2010, the album was due to be released the following year alongside the legend’s US tour of the same name, which went ahead even without the album. After sitting in a vault for a decade, Welcome 2 America is now available to listen to via Legacy Recordings.

Simon Gallup confirms he has re-joined The Cure

Elizabeth Aubrey
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Simon Gallup confirms he has re-joined The Cure
Simon Gallup has seemingly confirmed that he has re-joined The Cure. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue READ MORE: Deluxe Ultimate Music Guide: The Cure Back in August, bassist Gallup said he left the band “with a slightly heavy heart,” writing t...

Simon Gallup has seemingly confirmed that he has re-joined The Cure.

Back in August, bassist Gallup said he left the band “with a slightly heavy heart,” writing that he’s “fed up of betrayal.”

Gallup joined the band in 1979 following a stint playing in Robert Smith‘s side-project Cult Hero. After leaving the band in 1982, he rejoined in 1984, and is The Cure’s second longest-serving member behind Smith.

“With a slightly heavy heart I am no longer a member of the Cure!” Gallup wrote in a public post on his personal Facebook account on August 14. “Good luck to them all …”

However, now, in a new social media post, Gallup has seemingly confirmed he’s back in the band. Replying to a fan who asked ‘Is Simon still a member of The Cure?’, Gallup said: “Yes I am”.

You can see the post below.

In a 2018 with The Irish Times, Robert Smith said that if Gallup were to leave the band, then “it wouldn’t be called The Cure.”

Speaking to NME in 2019, Smith added that he and Simon’s relationship is “without question” the most dangerous combination within The Cure.

“For me, the heart of the live band has always been Simon, and he’s always been my best friend,” Smith said. “It’s weird that over the years and the decades he’s often been overlooked. He doesn’t do interviews, he isn’t really out there and he doesn’t play the role of a foil to me in public, and yet he’s absolutely vital to what we do.

“We’ve had some difficult periods over the years but we’ve managed to maintain a very strong friendship that grew out of that shared experience from when we were teens. When you have friends like that, particularly for that long, it would take something really extraordinary for that friendship to break.

He added: “You’ve done so much together, you’ve so much shared experience, you just don’t want to lose friends like that.”

Elsewhere, Smith said he believes that The Cure’s next album will be their last. “I can’t think we’ll ever do anything else,” he told The Sunday Times. “I definitely can’t do this again.”

Listen to two previously unreleased versions of David Bowie’s “Karma Man” and “Silly Boy Blue”

Damian Jones
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Listen to two previously unreleased versions of David Bowie’s “Karma Man” and “Silly Boy Blue”
Two previously unreleased versions of David Bowie's "Karma Man" and "Silly Boy Blue" have been shared. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue READ MORE: Inside Uncut’s new free posterzine, Bowie Bulletin No. 2 The tracks are set to feature on the forthc...

Two previously unreleased versions of David Bowie‘s “Karma Man” and “Silly Boy Blue” have been shared.

The tracks are set to feature on the forthcoming David Bowie 5. Brilliant Adventure (1992-2001) and Toy boxsets, which are due out on November 26 and January 7.

“Karma Man” was initially recorded by Bowie in September 1967 and debuted on John Peel’s BBC Radio 1 show in 1968, but it was not officially released until 1970 on The World Of David Bowie album. In 2000 the song was re-tracked by Bowie, backed by his Glastonbury band for inclusion on the Toy album, which was shelved after a dispute between Bowie and his then-label Virgin.

The original mix has now been shared along with a new alternative ending mix of his 1967 track “Silly Boy Blue”. You can listen to both below.

The Brilliant Adventure box set comes in an 11-CD box and 18-piece vinyl set formats, before Toy is released next year, the day before Bowie‘s birthday. Toy will be available in three-CD and six 10″ vinyl versions.

Included in the LP box set of Brilliant Adventures will be vinyl versions of Bowie’s albums Black Tie White Noise, The Buddha Of Suburbia, 1. Outside, Earthling and hours…, alongside Toy, an LP of non-album singles, b-sides and more called Re: Call 5, a hardback book and more.

Meanwhile, a pair of David Bowie pop-up shops are opening in London and New York later this month to celebrate the late artist’s upcoming 75th birthday.

A year-long celebration of Bowie’s 75th – which will fall on January 8, 2022 – is being planned by his estate under the name ‘Bowie 75’.

Two special Bowie 75 locations are now set to open at 14 Heddon Street in London – the location where the cover of The Rise and Fall of Ziggy Stardust and the Spiders from Mars was shot – and 150 Wooster Street in New York City, close to where Bowie lived in the city.

Set to open to the public on October 25 until late January, the pop-ups will “offer visitors a unique and immersive career-spanning deep dive into the sound and vision of David Bowie“.

Elvis and Jerry Garcia Band drummer Ronnie Tutt has died

Rhian Daly
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Elvis and Jerry Garcia Band drummer Ronnie Tutt has died
Ronnie Tutt, a drummer for Elvis Presley, the Jerry Garcia Band and more, has died aged 83, it has been confirmed. The musician was born in Dallas, Texas in 1938 and was an original member of Presley’s TCB Band, which was formed in 1969. No cause of death has been made public at present. His...

Ronnie Tutt, a drummer for Elvis Presley, the Jerry Garcia Band and more, has died aged 83, it has been confirmed.

The musician was born in Dallas, Texas in 1938 and was an original member of Presley’s TCB Band, which was formed in 1969. No cause of death has been made public at present.

His daughter Terie Tutt confirmed her father’s death in a Facebook post yesterday (October 17), saying he had died at home surrounded by family. “It’s with deep sadness that my family and I share the loss of our beloved dad,” Terie wrote. “The Legendary Drummer, Ronnie Tutt, ‘has left the building.’”

On October 16, Elvis Presley Enterprises also paid tribute to the drummer on the Graceland website. “All of us with Elvis Presley Enterprises were deeply saddened to learn of the passing of Ronnie Tutt,” the message read. “In addition to being a legendary drummer, he was a good friend to many of us here at Graceland.

“We enjoyed each time he joined us here to celebrate Elvis Week, Elvis’ Birthday and many other special occasions. Ronnie was an amazing ambassador to Elvis’ legacy – sharing his memories of working with Elvis with fans – as well as bringing Elvis’ music to arenas around the globe through later Elvis in Concert shows and performances.”

As well as drumming for Presley in his 1968 comeback special, in the TCB Band and at his 1969 Las Vegas opening show and other residencies, Tutt also performed with the first line-up of the Jerry Garcia Band.

He also went on to become a coveted touring and session musician, backing the likes of Neil Diamond, Gram Parsons, Elvis Costello, and Johnny Cash. He also appeared on Lindsey Buckingham and Stevie Nicks’ only studio album as a duo, Buckingham Nicks.

Tributes have begun to be paid by friends, family and fans on social media. Actor and comedian Rob Brydon wrote: “So sad to hear that the great Ronnie Tutt has died. What a drummer. I was lucky enough to work with him on the Neil Diamond at The Palladium show we did for ITV. I still have the drumsticks he gave me as he came offstage.”

The Oak Ridge Boys called Tutt “one of the greatest drummers to have ever lived”, while musician Tanya Tucker added that the musician was “one of favourite touring drummers”.

See more tributes below.

 

 

Red Hot Chili Peppers nearly done with new album: “It’s different and new”

Anna Rose
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Red Hot Chili Peppers nearly done with new album: “It’s different and new”
Red Hot Chili Peppers are, according to drummer Chad Smith, "almost done" recording their next album. It will be the first to feature guitarist John Frusciante since 2006's Stadium Arcadium. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue In a new interview with Roll...

Red Hot Chili Peppers are, according to drummer Chad Smith, “almost done” recording their next album. It will be the first to feature guitarist John Frusciante since 2006’s Stadium Arcadium.

In a new interview with Rolling Stone, Smith said the band are “getting along great”, and that they are “really listening to each other in a new way”.

After a ten-year absence from the group, Frusciante re-joined in 2019, replacing Josh Klinghoffer. “John’s been back for a while now,” Smith said, “so it feels completely natural. He’s so into it. He’s working so hard. We’re all working hard, but he’s in there with all the overdubs and the magic that he brings.”

Frusciante appeared on the band’s studio albums Mother’s Milk, Blood Sugar Sex Magik, Californication, By the Way and Stadium Arcadium, all released between 1989 and 2006.

Smith said the group aren’t focusing on trying to live up to the success of any of those albums. “All of our records are just real good snapshots of where we’re at [at] that time,” he said. “You can’t really go, ‘Oh, gee, I hope it’s as good as…’ Then you’re starting to have preconceived notions about what you want to write.

“Look, John hasn’t been in our group in ten years. That’s a long time. So of course it’s going to sound different, but it’s gonna sound like the four of us because we do have this special chemistry together. It sounds like Red Hot Chili Peppers, but it’s different and new, and to me that’s great… We really like it and we’re proud of it and it has to start there.”

Though he didn’t reveal a release date for the band’s 12th studio album, Smith said that the as-yet-unnamed release would drop before the Peppers undertake their massive global stadium tour in mid-2022.

Announcing the mammoth undertaking last week, the Peppers will be supported by The Strokes, HAIM, St. Vincent and more.

Listen to Sea Power’s new “singalong apocalyptic anthem” “Folly”

Sam Moore
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Listen to Sea Power’s new “singalong apocalyptic anthem” “Folly”
Sea Power have shared their latest single "Folly" – you can hear the new track below. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue The song is the latest preview of the band's – who were formerly known as British Sea Power – upcoming new album Everything Was...

Sea Power have shared their latest single “Folly” – you can hear the new track below.

The song is the latest preview of the band’s – who were formerly known as British Sea Power – upcoming new album Everything Was Forever, which is set for release on February 11, 2022.

“’Folly’ is in the tradition of singalong Sea Power apocalyptic anthems – everyone ambling down the road to a multitude of catastrophes. Party on!” Sea Power guitarist Martin Noble said in a statement.

“You might find yourself standing up on the South Downs, up on the fells or the dales, looking down at the world, a world where we seem to avoid the decisions and changes to stop the rot. It’s all folly, but in this case set to some pretty life-affirming music – good stuff underpinning the donut vibes and maybe making you think it’s not all over, not quite, not yet.”

Vocalist/guitarist Neil Hamilton Wilkinson added: “I was thinking of things like greedy overlords playing fart games on the lawns of their great dominions, the enclosure of common lands, bodies, minds, the fantastical gusto of doom and frivolity that feeds the world, me included.

“I was feeling all on edge, paranoid like the old vampire in Nosferatu when I got into this song.”

Sea Power will head out on a UK tour in April 2022 in support of Everything Was Forever – you can see the band’s upcoming live dates below and find tickets here.

April 2022
Tuesday 12 – 1865, Southampton
Wednesday 13 – O2 Institute 2, Birmingham
Thursday 14 – Roundhouse, London
Tuesday 19 – O2 Academy, Bristol
Thursday 21 – Leadmill, Sheffield
Friday 22 – St Lukes, Glasgow
Saturday 23 – Albert Hall, Manchester

Damon Albarn shares love for South America on new song “The Tower Of Montevideo”

Will Richards
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Damon Albarn shares love for South America on new song “The Tower Of Montevideo”
Damon Albarn has shared a brand new solo track – listen to "The Tower Of Montevideo" below. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue READ MORE: Damon Albarn, Hot Chip: End Of The Road Festival 2021 – Day 2 The song is the latest preview of the Blur and ...

Damon Albarn has shared a brand new solo track – listen to “The Tower Of Montevideo” below.

The song is the latest preview of the Blur and Gorillaz singer’s second solo album The Nearer The Fountain, More Pure The Stream Flows, which is due to land on November 12 via Transgressive.

The new song is inspired by Albarn‘s love of South America, and named after Palacio Salvo, a 1920s building in the Uruguayan capital of Montevideo.

Alongside the new track, Albarn has also shared a live performance video as part of his ongoing Sublime Boulevards – Performance Films series.

Listen to the new track and watch the performance video below:

This is the fourth track to be shared from The Nearer The Fountain, More Pure The Stream Flows, following the title track, “Polaris”, “Particles” and “Royal Morning Blue” – all of which also received performance videos along with their releases.

The full album is due to land next month, marking Albarn‘s first release on Transgressive after signing to the label in June.

Cate Le Bon announces new album Pompeii with lead track “Running Away”

Tom Skinner
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Cate Le Bon announces new album Pompeii with lead track “Running Away”
Cate Le Bon has announced her sixth album Pompeii – you can listen to its lead single "Running Away" below. ORDER NOW: David Bowie is on the cover of Uncut’s December 2021 issue READ MORE: Cate Le Bon: “I hate everything I do right after I’ve done it!” The Welsh musician/produc...

Cate Le Bon has announced her sixth album Pompeii – you can listen to its lead single “Running Away” below.

The Welsh musician/producer will release the follow-up to 2019’s Reward on February 4, 2022 via Mexican Summer. You can pre-order it here.

“Pompeii was written and recorded in a quagmire of unease. Solo. In a time warp. In a house I had a life in 15 years ago,” Le Bon explained in a statement. “I grappled with existence, resignation and faith. I felt culpable for the mess but it smacked hard of the collective guilt imposed by religion and original sin.

“The subtitle is: You will be forever connected to everything. Which, depending on the time of day, is as comforting as it is terrifying. The sense of finality has always been here. It seems strangely hopeful. Someone is playing with the focus lens.”

She continued: “The world is on fire but the bins must go out on a Tuesday night. Political dissonance meets beauty regimes. I put a groove behind it for something to hold on to. The grief is in the saxophones.”

Le Bon performed every instrument on Pompeii (except drums and saxophones) while alone in an “uninterrupted vacuum”. Although she was mostly by herself, the artist was joined by her longtime collaborator/co-producer Samur Khouja for sessions in Cardiff.

An enforced period of downtime due to the coronavirus pandemic resulted in a “more extreme version” of Le Bon‘s studio process, making way for a collection of “playful, satirical and surreal” songs.

Pompeii also features the tracks “Dirt On The Bed”, “Moderation” and “Wheel” – check out the full tracklist below.

1.“Dirt On The Bed”
2.“Moderation”
3. “French Boys”
4. “Pompeii”
5. “Harbour”
6.“Running Away”
7. “Cry Me Old Trouble”
8. “Remembering Me”
9.“Wheel”

Cate Le Bon will take the record out on the road in 2022, with UK and Ireland dates set to kick off in Southampton on March 12. Tickets go on general sale here today (October 15) at 10am BST.

The full schedule is as follows:

March
12 – Engine Rooms, Southampton 
15 – Hackney Empire, London
16 – Albert Hall, Manchester
17 – Queen Margaret Union, Glasgow
18 – Empire Music Hall, Belfast, IE 
19 – The National Concert Hall, Dublin, IE 
21 – UK Arts Club, Liverpool 
22 – Irish Centre, Leeds
23 – The Mill, Birmingham

The Rolling Stones – The Ultimate Music Guide

Uncut
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The Rolling Stones – The Ultimate Music Guide
The definitive guide to the greatest rock’n’roll band in the world. Classic interviews rediscovered. Every album reviewed in depth. Satisfaction: guaranteed. Buy a copy here!...

The definitive guide to the greatest rock’n’roll band in the world. Classic interviews rediscovered. Every album reviewed in depth.

Satisfaction: guaranteed.

Buy a copy here!

Never Gonna Snow Again

Jonathan Romney
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Never Gonna Snow Again
For several years, director Małgorzata Szumowska and cinematographer Michael Englert have been the most productive force in Polish cinema, with an unpredictable and cosmopolitan output ranging from Juliette Binoche drama Elles to recent US-set religious-cult drama The Other Lamb. Their latest, Neve...

For several years, director Małgorzata Szumowska and cinematographer Michael Englert have been the most productive force in Polish cinema, with an unpredictable and cosmopolitan output ranging from Juliette Binoche drama Elles to recent US-set religious-cult drama The Other Lamb. Their latest, Never Gonna Snow Again, is among their most thoroughly Polish but may be the title that really marks their international breakthrough.

Alec Utgoff plays Zhenya, a young mystery man from the East – ominously near Chernobyl, in fact – who arrives at a Polish gated community to work as a masseur. He passes from household to household attending to the variously spoiled and disconsolate residents (including eco-conscious widow Ewa, played by Agata Kulesza, from Pawel Pawlikowkski’s Ida and Cold War). Everyone wants something different from the distant, gentle, oddly sexless Zhenya – absolution, calm, some kind of magic. But nuclear exposure seems to have left him with telekinetic powers, even made him an earthly angel of death.

What’s fascinating is how ambivalent the film remains throughout, sustaining a mood of hovering unease as it proceeds in deadpan fashion through its borderline-satirical vignettes – with brief eruptions of outright visual weirdness, like a show-stopping Halloween parade. Meanwhile, Utgoff – resembling a baby Patrick Swayze – has the sort of mysteriously absent presence that’s like a magnetic void at the film’s centre. Whether you view this as an eco-parable, a satire of an East that’s turned into a version of the bourgeois West, or a mystically tinged existential comedy about human need and folly, this elegantly executed number is Szumowska and Elgart’s most alluring film. Assuming the world is still open to the prospect of leftfield discoveries from Eastern Europe, this has the makings of a genuine cult success.

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