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July 2012

The best I can say in pitiful mitigation of my frequently poor behaviour at the time is that in those days I was not easily embarrassed and usually up for anything, a sorry mix. Anyway, it's October 1976. Patti Smith's just released her new album, Radio Ethiopia. Because her relationship with the B...

The best I can say in pitiful mitigation of my frequently poor behaviour at the time is that in those days I was not easily embarrassed and usually up for anything, a sorry mix. Anyway, it’s October 1976. Patti Smith’s just released her new album, Radio Ethiopia.

Because her relationship with the British music press has deteriorated badly since Horses, she’s not doing any interviews but will instead be holding a press conference at the Intercontinental Hotel, near Hyde Park. At Melody Maker’s weekly editorial meeting some wag comes up with the fateful wheeze of sending me along with the intention of being as rowdily disruptive as possible, to see what kind of reaction such impoliteness might provoke. Seems like a plan to me. So off I go, getting there early and hitting the bar.

She arrives late, looking like she’s been dragged backwards by the heels through a hedge, her hand bandaged, the result of an accident the previous night at a gig in Paris. Said injury is evidence in her opinion that being in a rock band is like being in the army, which seems fairly preposterous to me. For reasons I can’t recall, we are soon arguing about Blue Öyster Cult, the very mention of whose name has me rolling my eyeballs theatrically and muttering loudly enough for her to hear vague obscenities about poodle-haired short-arses. “My boyfriend’s in Blue Öyster Cult,” she snaps. “So don’t start saying bad shit or I’ll throw my food at you. Except for my boyfriend, they ain’t the best-looking band in the world,” she concedes reluctantly. “But they got the most stamina and heart, and they’ve lived like dogs.”

This makes me laugh derisively and leads to a lot of fractious banter between us including some disparaging remarks about her guitar playing, my description of which as inept she takes raucous exception to. Seething, she picks up the plate of sandwiches in front of her and true to her earlier promise flings it at me. I duck and the plate bounces with an audible clang off the head of the guy sitting behind me, leaving a piece of lettuce on his forehead that he doesn’t notice until I peel it off and slap him with it when he threatens to have me thrown out.

Patti, meanwhile, is loudly defending her new LP. “What do you want from me?” she screeches. “Tell me who you write for and I’ll review the record. ‘Radio Ethiopia’, the cut itself, is a very sensitive, heartfelt and courageous voyage. It’s us improvising alone in a dark studio with a hurricane coming, with the moon shitting on us.”

This is colourful stuff… what else made her such a unique performer?
“Everything I have inside me, whether it’s cosmic or telepathic or my knowledge about Egyptology or having a baby or being raped or beaten up, everything wonderful or horrible that’s ever happened to me. The temple of my experience is my body, and that’s what I use onstage.” She then announces she’s declaring war, presumably on the music press, or that part of it that’s been recently so unkind to her, which makes us all sit up. “Call me the Field Marshall if it makes you feel better,” she shouts. “I’m the Field Marshall of rock’n’roll. And I’m fucking declaring war! My guitar is my machine gun.” And with this, she storms out, faithful retainers scampering in her turbulent slipstream. I’m back at the bar before she gets to the door.

As ever, enjoy the issue and if you want to get in touch you can email me at the usual address: allan_jones@ipcmedia.com

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Donna Summer dies

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Donna Summer, who was best known for a string of hit singles including "I Feel Love" and "Hot Stuff", died today aged 63. Born in Boston, Massachusetts, she released seventeen studio albums during a career which lasted over 30 years. Reports claim that she had been working on a new LP shortly befo...

Donna Summer, who was best known for a string of hit singles including “I Feel Love” and “Hot Stuff”, died today aged 63.

Born in Boston, Massachusetts, she released seventeen studio albums during a career which lasted over 30 years. Reports claim that she had been working on a new LP shortly before she passed away in Florida following a lengthy battle with cancer.

Inspired in her early teens by Motown girl groups such as The Supremes and later by the likes of Janis Joplin, Summer pursued a career in entertainment and landed roles in several musical productions in Europe as well as work as a studio session singer.

Although her debut single “Sally Go Round The Roses” – released under her birth name Donna Gaines in 1971 – wasn’t a hit, her solo career began to take shape after she met producers Giorgo Mordoer and Pete Bellote, the latter of whom produced her 1974 debut LP, Lady Of The Night.

She found chart success the following year with her single “Love To Love You Baby” – famed for its racy intro which featured her moaning suggestively – which was a Top 5 hit in the UK. It also paved the way for her US breakthrough when an extended version of the single reached No 2 in the US charts while the 1976 album of the same name sold over a million copies.

Summer released a slew of albums in quick succession throughout the ’70s and became one of disco’s most successful artists following the success of albums such as 1977’s “I Remember Yesterday” which included the iconic single “I Feel Love“, but she grew disillusioned with both the genre and her old record label Casablanca. In 1980 she signed a deal with Geffen Records with her first album for the label, ‘The Wanted’, embracing new sounds and movements such as new wave. She would go on to release several albums with the label before they parted ways in 1988.

Summer’s musical output became less frequent after the ’80s. Despite a series of compilations, her 2008 album Crayons was her first album of entirely original material since her 1991 effort Mistaken Identity. She married twice – firstly, to Austrian actor Helmuth Sommer, whose surname she kept and anglicized after their divorce, and later to Brooklyn Dreams singer Bruce Sadano.

Summer, who became a born-again Christian in 1979 – a decision which prompted to stop performing “Love To Love You Baby” for 25 years – had one daughter, Mimi, from her first marriage and two further children, Brooklyn and Amanda, from her marriage to Sadano.

Photo credit: Fin Costello/Redferns/Getty Images

My Bloody Valentine schedule live dates

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My Bloody Valentine have announced three live dates in Japan. According to Time Out Japan (via Pitchfork), the band will play three shows in February next year. The dates are: 02-06 Osaka, Japan - The Hatch 02-07 Tokyo, Japan - Studio Coast 02-08 Tokyo, Japan - Studio Coast Apart from an appea...

My Bloody Valentine have announced three live dates in Japan.

According to Time Out Japan (via Pitchfork), the band will play three shows in February next year.

The dates are:

02-06 Osaka, Japan – The Hatch

02-07 Tokyo, Japan – Studio Coast

02-08 Tokyo, Japan – Studio Coast

Apart from an appearance at 2008’s Fuji Rock Festival, this will be the first time My Bloody Valentine have played Japan in two decades.

The Band recently reissued remastered CDs of 1988’s Isn’t Anything and 1991’s Loveless, along with a compilation of the band’s early material, EP’s 1988-1991, and are reportedly working on new material.

PJ Harvey to premier two new songs

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PJ Harvey has contributed two new songs to a forthcoming documentary, What Is This Film Called Love? The songs are called "Horses" and "Bobby Don't Steal", and are the singer/songwriter's first new material since her 2011 album, Let England Shake. Described as a "poetic documentary about the natur...

PJ Harvey has contributed two new songs to a forthcoming documentary, What Is This Film Called Love?

The songs are called “Horses” and “Bobby Don’t Steal”, and are the singer/songwriter’s first new material since her 2011 album, Let England Shake.

Described as a “poetic documentary about the nature of happiness”, What Is This Film Called Love? is the debut feature by critic Mark Cousins.

An unfinished version of What Is This Film Called Love? will be shown on May 27 at this month’s ATP I’ll Be Your Mirror festival in London.

Meanwhile, Harvey has been awarded an Ivor Novello award for Album Of The Year at a ceremony this afternoon [May 17] in London.

Among the other nominees were Adele and Kate Bush.

Slash unveils video for new single, “You’re A Lie”

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Slash has unveiled the video to his brand new single, "You're A Lie". Scroll down to watch. Vocalist Myles Kennedy features on the track, which is the first single to be taken from Slash's forthcoming solo album, Apocalyptic Love, which is set for release on May 21. The tracklisting for Apocalyp...

Slash has unveiled the video to his brand new single, “You’re A Lie”. Scroll down to watch.

Vocalist Myles Kennedy features on the track, which is the first single to be taken from Slash’s forthcoming solo album, Apocalyptic Love, which is set for release on May 21.

The tracklisting for Apocalyptic Love is:

‘Apocalyptic Love’

‘One Last Thrill’

‘Standing in the Sun’

‘You’re a Lie’

‘No More Heroes’

‘Halo’

‘We Will Roam’

‘Anastasia’

‘Not for Me’

‘Bad Rain’

‘Hard & Fast’

‘Far and Away’

‘Shots Fired’

Yesterday Slash denied claims by former Velvet Revolver frontman Scott Weiland that he was set to re-join Velvet Revolver. Appearing on Minneapolis radio station 93x, the guitarist hit back at comments Weiland’s made at the weekend stating that the original band were getting back together.

“He’s out of his mind,” Slash said of Weiland’s claims. “There’s been a common rumour going around, I know that he’s been positive on that subject. Maybe they know something I don’t know.” He added: “I have absolutely no intention of going back to that… We have no intention of going backwards.”

The band, which includes former Guns N’ Roses members Slash, Matt Sorum, and Duff McKagan has been on the search for a new frontman since Weiland was kicked out of the band in 2008.

Uncut launches Bruce Springsteen iPad app

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Uncut have launched a new iPad app which tells the complete story of one of the greatest rock’n’roll icons of all time, Bruce Springsteen. 'Bruce Springsteen: The Ultimate Music Guide' gives an in-depth overview of The Boss’ entire career, including the release of this year's Wrecking Ball, through a host of fascinating archive features taken from classic issues of NME and Melody Maker, and new reviews of all of his studio albums. Uncut Springsteen iPad App Also included in the app are a bunch of classic photo galleries, video links and playable MP3 samples of every track on his studio albums. Uncut Springsteen iPad AppUncut Springsteen iPad App Other highlights include 'Introducing The E Street Band', a fully interactive guide to each member of one of the greatest rock groups ever, and a masterclass in Springsteen collectables and rarities. Uncut Springsteen iPad App The first chapter of 'Bruce Springsteen: The Ultimate Music Guide' is available now for free from iTunes – the other four chapters are available for 69p each. http://www.youtube.com/watch?v=2FWzN_jVA2M Uncut Springsteen App

The full contents of the app, available now on iTunes, is: CHAPTER 1 (FREE) WECOME TO E STREET (ARCHIVE FEATURE) Introducing Springsteen's players: greatest rock'n'roll band in the world! 1974 (ARCHIVE FEATURE) Britain meets rock's "next superstar" GREETINGS FROM ASBURY PARK (ALBUM BY ALBUM) A battle-hardened singer-songwriter emerges fromthe shoreline clubs. THE WILD, THE INNOCENT & THE E STREET SHUFFLE (ALBUM BY ALBUM) Sprinsteen hones his vision as the E Street band takes shape

CHAPTER 2: 1975-1978 1975 (ARCHIVE FEATURE) The Boss learns to deal with the hype as things get out of hand 1978 (ARCHIVE FEATURE) The NME's Tony Parsons is granted and audience with The Boss... BORN TO RUN (GALLERY) An exclusive look at Eric Meola's iconic photographic session for the cover of Springsteen's classic BORN TO RUN (ALBUM BY ALBUM) The runaway American dream begins in earnest DARKNESS ON THE EDGE OF TOWN (ALBUM BY ALBUM) Springsteen heads for gloomier territory on his fourth LP, tackling blue-collar troubles with resignation not rage

CHAPTER 3: 1980-1984 1981 (ARCHIVE FEATURE) Paolo Hewitt meets the man backstage to learn about growing up without selling out 1985 (ARCHIVE FEATURE) It's 1985, and Springsteen returns to Europe for the first time in four years for his biggest shows yet, at Slane Castle THE RIVER (ALBUM BY ALBUM) From joyous rock'n'roll to introspective bedsitter blues, Bruce's 20-track epic displays colossal ambition NEBRASKA (ALBUM BY ALBUM) Back to basics and then some: the sparse 1982 classic, recorded at home in Bruce's garage BORN IN THE USA (ALBUM BY ALBUM) The album that took over the world: 30 millions sales later, a fresh look at Springsteen's biggest-selling work

CHAPTER 4: 1987-2002 1996 (ARCHIVE FEATURE) Mid-life crisis? Springsteen - playing solo for the first time - gives NME one of his frankest interviews ever in 1996 2002 (ARCHIVE FEATURE) Uncut meets The Boss on his farm in New Jersey to talk terrorism, The Rising and the E Street reunion TUNNEL OF LOVE (ALBUM BY ALBUM) 1987: a deconstructed E Street Band and Springsteen's most personal album so far THE GHOST OF TOM JOAD (ALBUM BY ALBUM) Speed freaks, bank robbers, rent boys: Springsteen's '95 classic HUMAN TOUCH/LUCKY TOWN (ALBUM BY ALBUM) Following a long lay-off, The Boss returns, older and wiser, with two LPs THE RISING (ALBUM BY ALBUM) A passionate, affecting, intelligent response to 9/11

CHAPTER 5: 2005-2012 2008 (ARCHIVE FEATURE) Uncut follows the E Street Band on tour in their Mid-Western heartland, The Boss back at the peak of his powers DEVILS & DUST (ALBUM BY ALBUM) 2005: Dubya returns tp the White House, and Springsteen files an unflinching study of a nation on its knees WE SHALL OVERCOME (ALBUM BY ALBUM) The Seeger Sessions, 2006: one radical US patriot honours another MAGIC (ALBUM BY ALBUM) Bruce re-engaged with the world on the second of his three Noughties albums with the E Street Band WORKING ON A DREAM (ALBUM BY ALBUM) Springsteen celebrates the dawning of the age of Obama The Wrecking Ball (ALBUM BY ALBUM) An angry Boss attacks big business on his grim but brilliant 17th studio album The power and the glory! From live 1975-85 to Live in Dublin (THE LIVE ALBUMS) STOP ME... (ARCHIVE FEATURE) ...If you've heard the one about Uncut, Bruce Springsteen and Phil Spector...

Uncut have launched a new iPad app which tells the complete story of one of the greatest rock’n’roll icons of all time, Bruce Springsteen.

‘Bruce Springsteen: The Ultimate Music Guide’ gives an in-depth overview of The Boss’ entire career, including the release of this year’s Wrecking Ball, through a host of fascinating archive features taken from classic issues of NME and Melody Maker, and new reviews of all of his studio albums.

Uncut Springsteen iPad App

Also included in the app are a bunch of classic photo galleries, video links and playable MP3 samples of every track on his studio albums.

Uncut Springsteen iPad AppUncut Springsteen iPad App

Other highlights include ‘Introducing The E Street Band’, a fully interactive guide to each member of one of the greatest rock groups ever, and a masterclass in Springsteen collectables and rarities.

Uncut Springsteen iPad App

The first chapter of ‘Bruce Springsteen: The Ultimate Music Guide’ is available now for free from iTunes – the other four chapters are available for 69p each.

Uncut Springsteen App


The full contents of the app, available now on iTunes, is:

CHAPTER 1 (FREE)

WECOME TO E STREET (ARCHIVE FEATURE)

Introducing Springsteen’s players: greatest rock’n’roll band in the world!

1974 (ARCHIVE FEATURE)

Britain meets rock’s “next superstar”

GREETINGS FROM ASBURY PARK (ALBUM BY ALBUM)

A battle-hardened singer-songwriter emerges fromthe shoreline clubs.

THE WILD, THE INNOCENT & THE E STREET SHUFFLE (ALBUM BY ALBUM)

Sprinsteen hones his vision as the E Street band takes shape


CHAPTER 2: 1975-1978

1975 (ARCHIVE FEATURE)

The Boss learns to deal with the hype as things get out of hand

1978 (ARCHIVE FEATURE)

The NME’s Tony Parsons is granted and audience with The Boss…

BORN TO RUN (GALLERY)

An exclusive look at Eric Meola’s iconic photographic session for the cover of Springsteen’s classic

BORN TO RUN (ALBUM BY ALBUM)

The runaway American dream begins in earnest

DARKNESS ON THE EDGE OF TOWN (ALBUM BY ALBUM)

Springsteen heads for gloomier territory on his fourth LP, tackling blue-collar troubles with resignation not rage


CHAPTER 3: 1980-1984

1981 (ARCHIVE FEATURE)

Paolo Hewitt meets the man backstage to learn about growing up without selling out

1985 (ARCHIVE FEATURE)

It’s 1985, and Springsteen returns to Europe for the first time in four years for his biggest shows yet, at Slane Castle

THE RIVER (ALBUM BY ALBUM)

From joyous rock’n’roll to introspective bedsitter blues, Bruce’s 20-track epic displays colossal ambition

NEBRASKA (ALBUM BY ALBUM)

Back to basics and then some: the sparse 1982 classic, recorded at home in Bruce’s garage

BORN IN THE USA (ALBUM BY ALBUM)

The album that took over the world: 30 millions sales later, a fresh look at Springsteen’s biggest-selling work


CHAPTER 4: 1987-2002

1996 (ARCHIVE FEATURE)

Mid-life crisis? Springsteen – playing solo for the first time – gives NME one of his frankest interviews ever in 1996

2002 (ARCHIVE FEATURE)

Uncut meets The Boss on his farm in New Jersey to talk terrorism, The Rising and the E Street reunion

TUNNEL OF LOVE (ALBUM BY ALBUM)

1987: a deconstructed E Street Band and Springsteen’s most personal album so far

THE GHOST OF TOM JOAD (ALBUM BY ALBUM)

Speed freaks, bank robbers, rent boys: Springsteen’s ’95 classic

HUMAN TOUCH/LUCKY TOWN (ALBUM BY ALBUM)

Following a long lay-off, The Boss returns, older and wiser, with two LPs

THE RISING (ALBUM BY ALBUM)

A passionate, affecting, intelligent response to 9/11


CHAPTER 5: 2005-2012

2008 (ARCHIVE FEATURE)

Uncut follows the E Street Band on tour in their Mid-Western heartland, The Boss back at the peak of his powers

DEVILS & DUST (ALBUM BY ALBUM)

2005: Dubya returns tp the White House, and Springsteen files an unflinching study of a nation on its knees

WE SHALL OVERCOME (ALBUM BY ALBUM)

The Seeger Sessions, 2006: one radical US patriot honours another

MAGIC (ALBUM BY ALBUM)

Bruce re-engaged with the world on the second of his three Noughties albums with the E Street Band

WORKING ON A DREAM (ALBUM BY ALBUM)

Springsteen celebrates the dawning of the age of Obama

The Wrecking Ball (ALBUM BY ALBUM)

An angry Boss attacks big business on his grim but brilliant 17th studio album

The power and the glory! From live 1975-85 to Live in Dublin (THE LIVE ALBUMS)

STOP ME… (ARCHIVE FEATURE)

…If you’ve heard the one about Uncut, Bruce Springsteen and Phil Spector…

Six Organs Of Admittance, Comets On Fire, Purling Hiss…

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A while back, I read somewhere that Ben Chasny’s next Six Organs Of Admittance record would feature the heavy involvement of his old bandmates from Comets On Fire: it would be a kind of Comets reunion, was the speculation, albeit with Chasny in the driving seat rather than Ethan Miller. Amazing news, which makes it pretty ridiculous that I forgot all about it ‘til yesterday, when the first fruit of the sessions landed. The album is called “Ascent”, and you can hear/download the tremendous opening track, Waswasa, here. I’m not sure quite which Comets are along for the ride, but it sounds like Miller’s there, on day release from Howlin Rain, tracking Chasny’s needling leads with.some deeper rhythms behind the general foot-to-the-gas jamming vibes of it all. I’ve just got the whole album, which is excellent and deserves a proper listen before I write more. Don’t expect a return to the Comets’ early psych-hardcore thing, though (Chasny touches on some of that in Rangda, I guess; which reminds me there’s a new Richard Bishop album to write about): as “Waswasa” suggests, “Ascent” mostly feels like a continuation of the more classically-structured “Avatar” sound (you could see the overdriven choogle of “Waswasa” as being a sequel of sorts to “Sour Smoke”), obviously mixed with Chasny’s intricate, incantatory and pretty personal way with a song (I’m thinking “Sun Awakens” might be a good reference point). Playing right now is the monstrous “Close To The Sky”, which plants a fantastically edgy Chasny solo into terrain reminiscent of Crazy Horse, “Down By The River”. Something else reminded me of “LA Woman” yesterday, and a decent contemporary analogue might be Rick Tomlinson’s Voice Of The Seven Thunders. But I’ll write more soon: out in August, I believe. One more thing to check out today, though. I’ve written before at length about Purling Hiss and chucked about Comets On Fire references with regard to them and Mike Pollize’s parent band, Birds Of Maya – also root of another recent favourite, Spacin’ (click on the link) (Spacin’s “Sunshine, No Shoes” is on the next Uncut CD, by the way, issue out next Tuesday). Anyhow, Pollize has been guesting with War On Drugs before the current Purling Hiss tour with Wilco, and Adam Granduciel seems to have convinced the band to try a relatively hi-fi approach. You can download the superb result, “Lolita”, here. On a Blue Cheer>Mudhoney>Queens Of The Stone Age>Jeff The Brotherhood trajectory, I think. Great stuff. Follow me on Twitter: www.twitter.com/JohnRMulvey

A while back, I read somewhere that Ben Chasny’s next Six Organs Of Admittance record would feature the heavy involvement of his old bandmates from Comets On Fire: it would be a kind of Comets reunion, was the speculation, albeit with Chasny in the driving seat rather than Ethan Miller.

Amazing news, which makes it pretty ridiculous that I forgot all about it ‘til yesterday, when the first fruit of the sessions landed. The album is called “Ascent”, and you can hear/download the tremendous opening track, Waswasa, here. I’m not sure quite which Comets are along for the ride, but it sounds like Miller’s there, on day release from Howlin Rain, tracking Chasny’s needling leads with.some deeper rhythms behind the general foot-to-the-gas jamming vibes of it all.

I’ve just got the whole album, which is excellent and deserves a proper listen before I write more. Don’t expect a return to the Comets’ early psych-hardcore thing, though (Chasny touches on some of that in Rangda, I guess; which reminds me there’s a new Richard Bishop album to write about): as “Waswasa” suggests, “Ascent” mostly feels like a continuation of the more classically-structured “Avatar” sound (you could see the overdriven choogle of “Waswasa” as being a sequel of sorts to “Sour Smoke”), obviously mixed with Chasny’s intricate, incantatory and pretty personal way with a song (I’m thinking “Sun Awakens” might be a good reference point).

Playing right now is the monstrous “Close To The Sky”, which plants a fantastically edgy Chasny solo into terrain reminiscent of Crazy Horse, “Down By The River”. Something else reminded me of “LA Woman” yesterday, and a decent contemporary analogue might be Rick Tomlinson’s Voice Of The Seven Thunders. But I’ll write more soon: out in August, I believe.

One more thing to check out today, though. I’ve written before at length about Purling Hiss and chucked about Comets On Fire references with regard to them and Mike Pollize’s parent band, Birds Of Maya – also root of another recent favourite, Spacin’ (click on the link) (Spacin’s “Sunshine, No Shoes” is on the next Uncut CD, by the way, issue out next Tuesday).

Anyhow, Pollize has been guesting with War On Drugs before the current Purling Hiss tour with Wilco, and Adam Granduciel seems to have convinced the band to try a relatively hi-fi approach. You can download the superb result, “Lolita”, here. On a Blue Cheer>Mudhoney>Queens Of The Stone Age>Jeff The Brotherhood trajectory, I think. Great stuff.

Follow me on Twitter: www.twitter.com/JohnRMulvey

Dirty Projectors reveal new album details

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Dirty Projectors have announced the tracklisting to their forthcoming LP, Swing Lo Magellan, which will be released via Domino on July 9. The tracklisting is: Offspring Are Blank About to Die Gun Has No Trigger Swing Lo Magellan Just From Chevron Dance For You Maybe That Was It Impregnable ...

Dirty Projectors have announced the tracklisting to their forthcoming LP, Swing Lo Magellan, which will be released via Domino on July 9.

The tracklisting is:

Offspring Are Blank

About to Die

Gun Has No Trigger

Swing Lo Magellan

Just From Chevron

Dance For You

Maybe That Was It

Impregnable Question

See What She’s Seeing

The Socialites

Unto Caesar

Irresponsible Tune

You can hear “Gun Has No Trigger” here; http://soundcloud.com/dominorecordco/dirty_projectors-gun_has_no_trigger

The album was written, recorded, produced and mixed by frontman Dave Longstreth.

It will be their first full length studio album since 2009’s Bitte Orca.

Paul McCartney – Ram [reissue]

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Historically fascinating post-Beatles mish-mash... Recorded under a hostile gaze – Paul was The Man Who Split The Beatles, after all, and had even sued his bandmates – 1971’s Ram was McCartney’s real return to the pop arena after his demo-faced debut. The publicity for this latest reissue, full of extras and flummery, calls it “legendary” but it’s not that, just occasionally brilliant and historically fascinating. The main problem for listeners used to the coherence of the Beatles is that, from the brilliant (the anti-Lennon “Too Many People”, the mini-Abbey Road of “Admiral Halsey/Uncle Albert” to the ordinary (the boogie of “Smile Away”, the woogie of “Monkberry Moon Delight”), nothing quite gels. Even the single “Back Seat Of My Car”, which is better than 90% of Let It Be, seems to chase its tail for four minutes. That said, separated from its era and the defensiveness (“We believe that we can’t be wrong”) which spawned it, Ram sounds great (the remaster adds nothing) and we don’t have to compare it to Imagine or All Things Must Pass. EXTRAS: 7/10 This reissue also contains several decent unreleased or rare songs from the period, as well as the single “Another Day” (subject of Lennon’s imminent ire in “How Do You Sleep”), but also the bizarrely great Thrillington album, McCartney’s 1997 orchestral version of Ram. DAVID QUANTICK

Historically fascinating post-Beatles mish-mash…

Recorded under a hostile gaze – Paul was The Man Who Split The Beatles, after all, and had even sued his bandmates – 1971’s Ram was McCartney’s real return to the pop arena after his demo-faced debut.

The publicity for this latest reissue, full of extras and flummery, calls it “legendary” but it’s not that, just occasionally brilliant and historically fascinating. The main problem for listeners used to the coherence of the Beatles is that, from the brilliant (the anti-Lennon “Too Many People”, the mini-Abbey Road of “Admiral Halsey/Uncle Albert” to the ordinary (the boogie of “Smile Away”, the woogie of “Monkberry Moon Delight”), nothing quite gels. Even the single “Back Seat Of My Car”, which is better than 90% of Let It Be, seems to chase its tail for four minutes.

That said, separated from its era and the defensiveness (“We believe that we can’t be wrong”) which spawned it, Ram sounds great (the remaster adds nothing) and we don’t have to compare it to Imagine or All Things Must Pass.

EXTRAS: 7/10 This reissue also contains several decent unreleased or rare songs from the period, as well as the single “Another Day” (subject of Lennon’s imminent ire in “How Do You Sleep”), but also the bizarrely great Thrillington album, McCartney’s 1997 orchestral version of Ram.

DAVID QUANTICK

Leonard Cohen announces new UK date

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Leonard Cohen has announced an additional date to his UK show, A Day At The Hop Farm. Cohen will now play Sunday, September 9 in addition to the previously announced show on Saturday, September 8. Both shows are part of his world tour and will be Cohen’s only UK dates in 2012. Meanwhile, Bob Dy...

Leonard Cohen has announced an additional date to his UK show, A Day At The Hop Farm.

Cohen will now play Sunday, September 9 in addition to the previously announced show on Saturday, September 8.

Both shows are part of his world tour and will be Cohen’s only UK dates in 2012.

Meanwhile, Bob Dylan plays at Hop Farm Festival on Saturday June 30. Other acts include Peter Gabriel, Suede, Patti Smith and Ray Davies.

Doug Dillard dies

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Doug Dillard, the pioneering country rock banjo-player, has died aged aged 75, according to reports. Dillard had first found fame in the Dillards, a bluegrass group formed with his brother Rodney, who made regular appearances on successful American sitcom, The Andy Griffith Show, where they played ...

Doug Dillard, the pioneering country rock banjo-player, has died aged aged 75, according to reports.

Dillard had first found fame in the Dillards, a bluegrass group formed with his brother Rodney, who made regular appearances on successful American sitcom, The Andy Griffith Show, where they played a fictional band called ‘The Darlings’.

After leaving the Dillards in 1968, Doug Dillard teamed up with former Byrd, Gene Clark, to form Dillard & Clark.

Dillard & Clark released two albums – The Fantastic Expedition of Dillard & Clark (1968) and Through The Morning, Through The Night (1969) – which are both considered country rock classics.

The musicians who played on Dillard & Clark’s two albums reads like a Who’s Who of country rock’s A list: The Byrds‘ Chris Hillman and Michael Clark, The Eagles’ Bernie Leadon and Flying Burrito Brothers’ Sneaky Pete Kleinow.

Two tracks from Through The Morning, Through The Night – the title song itself and “Polly” – were later covered by Robert Plant and Alison Krauss on their 2007 album, Raising Sand.

In 2011, Dillard had been admitted to a Nashville hospital suffering from a collapsed lung.

According to country and bluegrass website The Boot, a family spokesperson confirmed that Dillard was taken to a Nashville emergency room on Wednesday night [May 16] and died shortly thereafter.

Jack White hits out at Guinness Book Of Records

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Jack White has delivered a bizarre rant against the compilers of the Guinness Book Of World Records. White, who released his debut solo album Blunderbuss last month, told Interview Magazine that he believes he holds the record for he shortest concert in history, but was denied his place in the reco...

Jack White has delivered a bizarre rant against the compilers of the Guinness Book Of World Records.

White, who released his debut solo album Blunderbuss last month, told Interview Magazine that he believes he holds the record for he shortest concert in history, but was denied his place in the record books by the company.

The singer revealed that he and former White Stripes bandmate Meg tried to make history by performing one single note, a clash of the cymbal, at a stop in Newfoundland, Canada. However, White revealed that the pair’s bid to have their names in the annual stocking filler failed and that he is convinced that the book’s compilers simply didn’t want to put him and Meg in the book.

Speaking about this, he said: “We were in Newfoundland and the idea that I came up with at breakfast was, ‘Let’s play one note today’. I told Meg as we were getting out of the car. I said, ‘Make sure you grab your cymbal and when you hit the cymbal, grab it so that the note only lasts a millisecond.'”

He continued: “I was thinking that afterwards we could contact the Guinness World Records people and see if we could get the record for shortest concert of all time. So we did it, but ultimately they turned us down.”

Then asked why, White said: “The thing is, though, that the Guinness book is a very elitist organisation. There’s nothing scientific about what they do. They just have an office full of people who decide what a record is and what isn’t. Most of the records in there – who has the biggest collection of salt-and-pepper shakers or whatever – are just whatever they want them to be.”

He went on: “So with something like the shortest concert of all time, they didn’t think whatever we did was interesting enough to make it a record. I don’t know why they get to decide that, but, you know, they own the book.”

Jack White returns to the UK next month for a series of live shows.

Leonard Cohen wins “Nobel Prize of the Arts”

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Leonard Cohen has been awarded the prestigious Glenn Gould Prize, dubbed the "Nobel Prize of the Arts". The award is presented biennially to "an individual for a unique lifetime contribution that has enriched the human condition through the arts." Cohen was selected by an international panel of ju...

Leonard Cohen has been awarded the prestigious Glenn Gould Prize, dubbed the “Nobel Prize of the Arts”.

The award is presented biennially to “an individual for a unique lifetime contribution that has enriched the human condition through the arts.”

Cohen was selected by an international panel of judges, which included film director Atom Egoyan and Stephen Fry.

Cohen accepted the award on Monday night [May 14] at Toronto’s Massey Hall, along with the $50,000 prize money, which he then donated to the Canada Council for the Arts.

The Glenn Gould Prize is named after the Canadian classical pianist. Previous recipients of the Glenn Gould Prize have included jazz legend Oscar Peterson, Venezuelan conductor José Antonio Abreu and French composer Pierre Boulez.

Leonard Cohen plays his only UK date at Hop Farm on Saturday, September 8.

Willie Nelson – Heroes

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Sepia-toned friends-and-family set from the living legend... Signing with Legacy, Sony’s the catalog label, in order to curate his own vast legacy, 78-year-old Willie Nelson kicks things off with a major new studio album. Populated by his old cronies, Merle Haggard, Kris Kristofferson, Ray Price and Billy Joe Shaver, as well as reverent younger artists like Jamey Johnson (capably filling in for the absent Waylon Jennings) and Sheryl Crow (at her most affectingly spontaneous), Heroes has the distinct feel of a last roundup. “The road ain’t gettin’ shorter/I think the weed is getting’ stronger”, Willie sings at the top of “No Place To Fly”, “And I’m tryin’ not to speak to no one who don’t care”, as if to make his intentions perfectly clear. The song was written not by Willie’s but by his sixth child, 22-year-old Lukas, one of three he penned for the record, while he trades verses with the old man on half of the 14 tracks, sounding uncannily like his dad at the same age. Lukas is very much the co-star of Heroes, suggesting that the album represents a passing of the torch. Heroes may be elegiac, but it’s as spirited as it is poignant. Snoop Dogg, an outlaw pothead from another idiom, sings a verse on Willie’s shit-kicking “Roll Me Up And Smoke Me When I Die”. The Son of God Himself shows up twice – on Tom Waits and Kathleen Brennan’s blues ballad “Come On Up To The House”, wherein Willie warbles, “Come down off the cross, we can use the wood”, and “Come On Back Jesus’ (co-written by Willie and another son, Micah), whose refrain continues, “…and pick up John Wayne on the way”. The first single, Pearl Jam’s “Just Breathe”, could have been written for him. It begins, “Yes I understand that every life must end/As we sit alone, I know someday we must go”, and ends, “Hold me till I die/Meet you on the other side”. Heroes ends with a burnished rendition of Coldplay’s “The Scientist,” Willie claiming it for himself, as he’s done so often during the last half century. BUD SCOPPA

Sepia-toned friends-and-family set from the living legend…

Signing with Legacy, Sony’s the catalog label, in order to curate his own vast legacy, 78-year-old Willie Nelson kicks things off with a major new studio album.

Populated by his old cronies, Merle Haggard, Kris Kristofferson, Ray Price and Billy Joe Shaver, as well as reverent younger artists like Jamey Johnson (capably filling in for the absent Waylon Jennings) and Sheryl Crow (at her most affectingly spontaneous), Heroes has the distinct feel of a last roundup.

“The road ain’t gettin’ shorter/I think the weed is getting’ stronger”, Willie sings at the top of “No Place To Fly”, “And I’m tryin’ not to speak to no one who don’t care”, as if to make his intentions perfectly clear. The song was written not by Willie’s but by his sixth child, 22-year-old Lukas, one of three he penned for the record, while he trades verses with the old man on half of the 14 tracks, sounding uncannily like his dad at the same age. Lukas is very much the co-star of Heroes, suggesting that the album represents a passing of the torch.

Heroes may be elegiac, but it’s as spirited as it is poignant. Snoop Dogg, an outlaw pothead from another idiom, sings a verse on Willie’s shit-kicking “Roll Me Up And Smoke Me When I Die”. The Son of God Himself shows up twice – on Tom Waits and Kathleen Brennan’s blues ballad “Come On Up To The House”, wherein Willie warbles, “Come down off the cross, we can use the wood”, and “Come On Back Jesus’ (co-written by Willie and another son, Micah), whose refrain continues, “…and pick up John Wayne on the way”.

The first single, Pearl Jam’s “Just Breathe”, could have been written for him. It begins, “Yes I understand that every life must end/As we sit alone, I know someday we must go”, and ends, “Hold me till I die/Meet you on the other side”. Heroes ends with a burnished rendition of Coldplay’s “The Scientist,” Willie claiming it for himself, as he’s done so often during the last half century.

BUD SCOPPA

Yeasayer reveal new track “Henrietta” – listen

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Yeasayer have debuted a brand new track titled "Henrietta", scroll down to the bottom of the page and click to listen to it. The track was sent out to members of the band's mailing list, with a physical CD containing the song sent to every person who had signed up to updates from Yeasayer. "Henrie...

Yeasayer have debuted a brand new track titled “Henrietta”, scroll down to the bottom of the page and click to listen to it.

The track was sent out to members of the band’s mailing list, with a physical CD containing the song sent to every person who had signed up to updates from Yeasayer.

Henrietta” is the first new material to emerge from the band since their 2010 second album Odd Blood and its announcement was accompanied by a brief tweet from the band, which said: “Yes, record number three is in the works! Keeping it brief because it should be.”

Speaking previously about “Henrietta”, the band’s singer and keyboardist Chris Keating had said that the song was inspired by Henrietta Lacks, a Baltimore woman who had a rare form of cancer which meant her tumours and cells continued to grow after she died in 1951.

He explained: “Her tumors were somehow used in the polio vaccine, too, so basically this woman’s cells still exist. It’s an interesting story. So we turned it into a dubbed-out pseudo-science-fiction song.”

Late last year, the band spoke about their new album and said that it is shaping up to be “like a demented R&B record.”

Keating said of it: “It’s like an Aaliyah album if you played it backwards and slowed it down. Or David Bowie‘s ‘Lodger’. Those two are major influences.”

Photo credit: Guy Aroch

The 20th Uncut Playlist Of 2012

This week I’m recommending, among other things, Sir Richard Bishop and the Michael Mayer Hauschka remix, but plenty more to get your teeth into here. Your guesses welcome, too, as regards the identity of the artists in the photo above. One clue: it’s not Joni Mitchell under the sheet. Follow me on Twitter: www.twitter.com/JohnRMulvey 1 Neneh Cherry & The Thing – Dream Baby Dream (Four Tet Remix) (Smalltown Supersound) 2 Brian Eno With Daniel Lanois And Roger Eno – Apollo: Atmospheres And Soundtracks (Virgin) 3 Twin Shadow – Confess (4AD) 4 Peter Schleicher – Singt Rolling Stones (Bear Family) 5 Crystal Syphon – Family Evil (Roaratorio) 6 Hauschka – Salon Des Amateurs Remix EPs 1&2 (FatCat) 7 Various Artists – Philadelphia International: 40th Anniversary Box Set (Harmless) 8 Sir Richard Bishop – Intermezzo (Ideologic Organ) 9 Go-Kart Mozart – On The Hot Dog Streets (West Midlands) 10 Cypress Hill x Rusko – EP (V2) 11 Sylvester Anfang II – Untitled (Latitudes) 12 Blues Control – Valley Tangents (Drag City) 13 Moebius + Tietchens - Moebius + Tietchens (Bureau B) 14 Peter Tosh – 1978-1987 (EMI) 15 The Ty Segall Band – Slaughterhouse (In The Red) 16 Joni Mitchell – Court And Spark (Asylum) 17 Suspensers - Too Dumb to Live, Too Stoned to Die (Soft Abuse)

This week I’m recommending, among other things, Sir Richard Bishop and the Michael Mayer Hauschka remix, but plenty more to get your teeth into here.

Your guesses welcome, too, as regards the identity of the artists in the photo above. One clue: it’s not Joni Mitchell under the sheet.

Follow me on Twitter: www.twitter.com/JohnRMulvey

1 Neneh Cherry & The Thing – Dream Baby Dream (Four Tet Remix) (Smalltown Supersound)

2 Brian Eno With Daniel Lanois And Roger Eno – Apollo: Atmospheres And Soundtracks (Virgin)

3 Twin Shadow – Confess (4AD)

4 Peter Schleicher – Singt Rolling Stones (Bear Family)

5 Crystal Syphon – Family Evil (Roaratorio)

6 Hauschka – Salon Des Amateurs Remix EPs 1&2 (FatCat)

7 Various Artists – Philadelphia International: 40th Anniversary Box Set (Harmless)

8 Sir Richard Bishop – Intermezzo (Ideologic Organ)

9 Go-Kart Mozart – On The Hot Dog Streets (West Midlands)

10 Cypress Hill x Rusko – EP (V2)

11 Sylvester Anfang II – Untitled (Latitudes)

12 Blues Control – Valley Tangents (Drag City)

13 Moebius + Tietchens – Moebius + Tietchens (Bureau B)

14 Peter Tosh – 1978-1987 (EMI)

15 The Ty Segall Band – Slaughterhouse (In The Red)

16 Joni Mitchell – Court And Spark (Asylum)

17 Suspensers – Too Dumb to Live, Too Stoned to Die (Soft Abuse)

Mani’s wife suggests Stone Roses are to blame for Manchester City’s Premier League title win

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Flair, grit and determination - not to mention a nine-figure outlay on players - have all been cited in recent days as the reasons why Manchester City won the Premier League over the weekend. However, fans of the club actually have one man to thank for their first title win in 44 years - and it's apparently not manager Roberto Mancini. Nope, ironically it's staunch Manchester United fan Mani - who infamously said The Stone Roses wouldn't reform until the Blues tasted major success. Reminding fans of his prediction ahead of the band's huge reunion shows next month, the bassist's wife Imelda Mounfield described her husband as a modern day Nostradamus, tweeting: City's win is all down to Mani , he predicted yrs ago the stone roses would play again after city won the league !!!! Nostradamus or what .. While Mani will have been cursing his prediction, musicians from the Blue half of the City were in jubilant mood after City's dramatic title-clinching 3-2 win over QPR on Sunday. Noel Gallagher admitted he cried while watching the match in a bar in Chile, while his brother and former Oasis bandmate Liam Gallagher sprayed champagne in a private box at the game, before aiming a jibe at United manager Sir Alex Ferguson on Twitter. Meanwhile, QPR captain Joey Barton - who is facing a 10 game ban after being sent off for violent conduct during the match - tweeted Smiths lyrics in the aftermath. The Stone Roses kick off their reunion gigs with two warm-up shows at Club Razzmatazz in Barcelona on June 8 and 9, before moving on to dates in Holland, Sweden, Denmark, Germany and France ahead of their trio of homecoming gigs at Heaton Park (29, 30 and July 1). Following the hometown shows, they'll then play at Dublin's Phoenix Park (5) and Spain's Benicassim (12-15), along with shows in Italy and the Far East. The Stone Roses are also playing at this year's T In The Park, which is taking place July 6-8 in Balado Park, Kinross.

Flair, grit and determination – not to mention a nine-figure outlay on players – have all been cited in recent days as the reasons why Manchester City won the Premier League over the weekend.

However, fans of the club actually have one man to thank for their first title win in 44 years – and it’s apparently not manager Roberto Mancini.

Nope, ironically it’s staunch Manchester United fan Mani – who infamously said The Stone Roses wouldn’t reform until the Blues tasted major success.

Reminding fans of his prediction ahead of the band’s huge reunion shows next month, the bassist’s wife Imelda Mounfield described her husband as a modern day Nostradamus, tweeting:

City’s win is all down to Mani , he predicted yrs ago the stone roses would play again after city won the league !!!! Nostradamus or what ..

While Mani will have been cursing his prediction, musicians from the Blue half of the City were in jubilant mood after City’s dramatic title-clinching 3-2 win over QPR on Sunday. Noel Gallagher admitted he cried while watching the match in a bar in Chile, while his brother and former Oasis bandmate Liam Gallagher sprayed champagne in a private box at the game, before aiming a jibe at United manager Sir Alex Ferguson on Twitter.

Meanwhile, QPR captain Joey Barton – who is facing a 10 game ban after being sent off for violent conduct during the match – tweeted Smiths lyrics in the aftermath.

The Stone Roses kick off their reunion gigs with two warm-up shows at Club Razzmatazz in Barcelona on June 8 and 9, before moving on to dates in Holland, Sweden, Denmark, Germany and France ahead of their trio of homecoming gigs at Heaton Park (29, 30 and July 1).

Following the hometown shows, they’ll then play at Dublin’s Phoenix Park (5) and Spain’s Benicassim (12-15), along with shows in Italy and the Far East.

The Stone Roses are also playing at this year’s T In The Park, which is taking place July 6-8 in Balado Park, Kinross.

Bill Ward will not take part in any forthcoming Black Sabbath gigs

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Estranged Black Sabbath drummer Bill Ward has confirmed that he will not be taking part in any of the three Black Sabbath shows set for this summer. The drummer has released a statement on his website, Billward.com, saying that he will not be playing with the band at their Birmingham show on May 19, nor with them at Download Festival on June 10 or at Lollapalooza in Chicago on August 3. Ward had previously revealed he was unhappy with the contract for the band's new album and tour and claimed he would not take part in the new album sessions and shows if a 'fair agreement' was not met. As a result of this, the remaining members of the band vowed to carry on without him. In his new statement, Ward writes that last month he was offered the chance to play just three songs with the band at Download. He wrote: "I was not willing to participate in that offer. I was not prepared to watch another drummer play a Sabbath set, while I was to play only three songs." Ward then said that he was invited to take part in the band's show in Birmingham this Saturday at the O2 Academy for free, but that there would be no guarantee that he could play the following two festival shows. He explained: "Again, for me, it's all or nothing. I had to say 'no' to Birmingham on the principle of wanting to play all the shows. Saying no to Birmingham is very difficult for me. My family grew up in Birmingham. Black Sabbath grew up in Birmingham." He added: "I hold no malice or resentment towards the other band members. I love them; I'm tolerant of them; I'm frustrated with them, as they may be with me. My fight has never been with them. I'll love them forever. In my opinion, nobody wins this time; the band doesnt win; the fans for an original lineup don't win. Nobody wins, nobody. Even the ones who thought they did."' Read the statement in full at Billward.com.

Estranged Black Sabbath drummer Bill Ward has confirmed that he will not be taking part in any of the three Black Sabbath shows set for this summer.

The drummer has released a statement on his website, Billward.com, saying that he will not be playing with the band at their Birmingham show on May 19, nor with them at Download Festival on June 10 or at Lollapalooza in Chicago on August 3.

Ward had previously revealed he was unhappy with the contract for the band’s new album and tour and claimed he would not take part in the new album sessions and shows if a ‘fair agreement’ was not met. As a result of this, the remaining members of the band vowed to carry on without him.

In his new statement, Ward writes that last month he was offered the chance to play just three songs with the band at Download. He wrote: “I was not willing to participate in that offer. I was not prepared to watch another drummer play a Sabbath set, while I was to play only three songs.”

Ward then said that he was invited to take part in the band’s show in Birmingham this Saturday at the O2 Academy for free, but that there would be no guarantee that he could play the following two festival shows. He explained: “Again, for me, it’s all or nothing. I had to say ‘no’ to Birmingham on the principle of wanting to play all the shows. Saying no to Birmingham is very difficult for me. My family grew up in Birmingham. Black Sabbath grew up in Birmingham.”

He added: “I hold no malice or resentment towards the other band members. I love them; I’m tolerant of them; I’m frustrated with them, as they may be with me. My fight has never been with them. I’ll love them forever. In my opinion, nobody wins this time; the band doesnt win; the fans for an original lineup don’t win. Nobody wins, nobody. Even the ones who thought they did.”‘

Read the statement in full at Billward.com.

Rare photo of The Beatles walking ‘backwards’ across Abbey Road to be auctioned

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A rare photograph showing The Beatles walking 'backwards' across Abbey Road is set to fetch up to £9,000 at auction. The snap, taken by late photographer Iain Macmillan, shows the band walking right to left across the zebra crossing outside the London studio where they made their 1969 album - the opposite direction to the picture which made it onto the sleeve. There are other notable differences, including the fact Paul McCartney is wearing sandals rather than walking with bare feet. The cigarette he's holding on the album version is also missing. The print is among a set of 25 being sold by a private collector. Sarah Wheeler of Bloomsbury Auctions in London explained the shot was composed in ten minutes while Macmillan was up a ladder. She told The Guardian: "The photo has been called an icon of the 1960s. I think the reason it became so popular is its simplicity. It's a very simple, stylised shot and is a shot people can relate to." The photo is going under the hammer on May 22. Beatles artefacts regularly fetch big prices at auctions - last year a document showing how the Fab Four refused to play to segregated crowds was sold for $23,000 (£14,407).

A rare photograph showing The Beatles walking ‘backwards’ across Abbey Road is set to fetch up to £9,000 at auction.

The snap, taken by late photographer Iain Macmillan, shows the band walking right to left across the zebra crossing outside the London studio where they made their 1969 album – the opposite direction to the picture which made it onto the sleeve.

There are other notable differences, including the fact Paul McCartney is wearing sandals rather than walking with bare feet. The cigarette he’s holding on the album version is also missing.

The print is among a set of 25 being sold by a private collector. Sarah Wheeler of Bloomsbury Auctions in London explained the shot was composed in ten minutes while Macmillan was up a ladder.

She told The Guardian: “The photo has been called an icon of the 1960s. I think the reason it became so popular is its simplicity. It’s a very simple, stylised shot and is a shot people can relate to.”

The photo is going under the hammer on May 22.

Beatles artefacts regularly fetch big prices at auctions – last year a document showing how the Fab Four refused to play to segregated crowds was sold for $23,000 (£14,407).

Ronnie Wood hints Rolling Stones will tour in “October

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The Rolling Stones are set to tour later this year after Ronnie Wood revealed he is "keeping October/November free". The band have long been rumoured to be playing live again this year to celebrate their 50th anniversary. Earlier this year, it appeared they would be delaying the celebrations until ...

The Rolling Stones are set to tour later this year after Ronnie Wood revealed he is “keeping October/November free”.

The band have long been rumoured to be playing live again this year to celebrate their 50th anniversary. Earlier this year, it appeared they would be delaying the celebrations until 2013 after guitarist Keith Richards suggested the band weren’t ready to go back on the road yet.

However, speaking earlier this week, Wood hinted the Stones could tour before the end of the year, telling The Sun:

“It looks like we are going to be doing more stuff. I am keeping October/November free, that’s what I’ve been told. I’m just awaiting more information.”

However, the guitarist scotched suggestions the band would be recording new material, adding: “New ones? Are you joking? We are familiarising ourselves with our back catalogue and have only scratched the surface.”

In April, Wood had to apologise to his bandmates after he was quoted as saying that the band will start recording new material later that month.

The Rolling Stones will release a new photo album to mark 50 years since their first ever gig this year. The tome – which is titled The Rolling Stones: 50 – will feature 700 shots and words from the band on their history, and will hit UK bookshelves on July 12.