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Day Watch

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DIR: TIMUR BEKMAMBETOV | ST: KONSTANTIN KHABENSKY 2004’s Night Watch proved that Putin’s homeland was more than just a fertile breeding ground for pure, stately and often boringly excellent movies. Timur Bekmambetov’s action fantasy – with vampires in Red Square and shape-shifters on the streets of Moscow – was a punk-rock riot compared to the po-faced pace of his miserabilist peers. In a world composed of Light and Dark Others – supernaturally gifted humans working for the police forces of good and not so good – Light seer Anton (Konstantin Khabensky) was separated from his estranged son, whose latent Otherness could, it was warned, bloom in adulthood to destroy mankind. Thus Day Watch offers more bedlam and comes jam-packed with spectacle, where Anton is back working with Night Watch, unaware that he’s being framed for the murder of a Dark Other. Anton goes undercover, swapping bodies with his sidekick Olga, a former owl (yes, you read that right), while Dark supremo Zavulon is hosting a party for Anton’s son, to which all jaded evildoers are invited… Though bristling with kinetic energy, Day Watch comes as something of a disappointment. It feels too polished, and while the narrative comes to a neat and surprisingly satisfying close, it lacks the rough-and-ready salvo – and the power – of the original. DAMON WISE

DIR: TIMUR BEKMAMBETOV | ST: KONSTANTIN KHABENSKY

2004’s Night Watch proved that Putin’s homeland was more than just a fertile breeding ground for pure, stately and often boringly excellent movies. Timur Bekmambetov’s action fantasy – with vampires in Red Square and shape-shifters on the streets of Moscow – was a punk-rock riot compared to the po-faced pace of his miserabilist peers.

In a world composed of Light and Dark Others – supernaturally gifted humans working for the police forces of good and not so good – Light seer Anton (Konstantin Khabensky) was separated from his estranged son, whose latent Otherness could, it was warned, bloom in adulthood to destroy mankind. Thus Day Watch offers more bedlam and comes jam-packed with spectacle, where Anton is back working with Night Watch, unaware that he’s being framed for the murder of a Dark Other.

Anton goes undercover, swapping bodies with his sidekick Olga, a former owl (yes, you read that right), while Dark supremo Zavulon is hosting a party for Anton’s son, to which all jaded evildoers are invited…

Though bristling with kinetic energy, Day Watch comes as something of a disappointment. It feels too polished, and while the narrative comes to a neat and surprisingly satisfying close, it lacks the rough-and-ready salvo – and the power – of the original.

DAMON WISE

Verve Add Extra Date To UK Tour

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The Verve have added an extra Manchester date to their forthcoming UK tour, after the original date sold out in just two minutes. The new date will now take place at Manchester Central on December 21. The band comprising original band members Richard Ashcroft, Nick McCabe, Simon Jones and Pete Sailsbury will now play five shows in December - starting at London's 02 Arena on December 13. More information about the band's comeback shows and to join the mailing list, click here for www.theverve.tv. The band are now playing the following dates: Glasgow Academy (November 2,3) Blackpool Empress Ballroom (5,6) London Roundhouse (8,9) London O2 Arena (December 13) Glasgow SECC (15) Belfast Odyssey Arena (17) Manchester Central (20, 21) Pic credit: Dean Chalkley

The Verve have added an extra Manchester date to their forthcoming UK tour, after the original date sold out in just two minutes.

The new date will now take place at Manchester Central on December 21.

The band comprising original band members Richard Ashcroft, Nick McCabe, Simon Jones and Pete Sailsbury will now play five shows in December – starting at London’s 02 Arena on December 13.

More information about the band’s comeback shows and to join the mailing list, click here for www.theverve.tv.

The band are now playing the following dates:

Glasgow Academy (November 2,3)

Blackpool Empress Ballroom (5,6)

London Roundhouse (8,9)

London O2 Arena (December 13)

Glasgow SECC (15)

Belfast Odyssey Arena (17)

Manchester Central (20, 21)

Pic credit: Dean Chalkley

UNCUT’s Worst Gigs! – Online Exclusive

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In last month's UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs. Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen - including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie - with rare photos from the shows too. We're also going to publish one of the worst gigs every day, with online exclusives, so feast your eyes on this, and be glad you weren’t there! ***** FURNITURE Sale Polivalenta, Bucharest, Rumania April 2, 1988 Chris Roberts: Ceaucescu’s still in power. The Rumanians haven’t seen a British band live since The Boomtown Rats, seven years earlier. In a venue the size of Wembley Arena (where Ceaucescu has his rallying speeches), Furniture, brought here as “cultural exchange” by the British Council, play songs such as “Brilliant Mind”. This was the hit they had before Stiff Records collapsed and the band’s career momentum was thwarted by a three-year court wrangle. Here, no exaggeration, Beatle-mania is re-enacted. Yet there is to be no standing: it’s the law. So singer Jim Irvin announces that if everybody doesn’t stand, the band will stop playing. In the balconies, those furthest away from party officials stand. Emboldened, those on ground level start dancing. The police wade in and begin hitting people over the head. I am wandering around to soak in all this culture. Two guys the size of trucks lift me up by the underarms, carry me awhile, then hurl me outside on the concrete. Irate, I tell them I’m a British journalist. They pick me up again, lug me outside the perimeter, and dump me harder, their eyes saying much. I learn what fear is. Really, it shouldn’t have surprised us. From arrival we have been shadowed by men in overcoats from Cold War Movie central casting. We leave the hotel, they follow. We cross the road from the dumpling shop to the condensed milk store, they follow. As “press”, I am under surveillance 24/7. At least I’m not the photographer, who finds that carrying a camera is like waving an Uzi. On the last day, we get the hell out of Dodge and visit Dracula’s Castle, for relaxation, drinking so hard and fast that we throw up in Transylvania. People tell me Bucharest has changed since. I’ll take their word. ***** plus WERE YOU THERE? Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have. Email Allan_Jones@ipcmedia.com to share your memories, of the ones we've published or any which we have missed, and we’ll publish the best in a future issue!

In last month’s UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs.

Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen – including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie – with rare photos from the shows too.

We’re also going to publish one of the worst gigs every day, with online exclusives, so feast your eyes on this, and be glad you weren’t there!

*****

FURNITURE

Sale Polivalenta, Bucharest, Rumania

April 2, 1988

Chris Roberts:

Ceaucescu’s still in power. The Rumanians haven’t seen a British band live since The Boomtown Rats, seven years earlier. In a venue the size of Wembley Arena (where Ceaucescu has his rallying speeches), Furniture, brought here as “cultural exchange” by the British Council, play songs such as “Brilliant Mind”. This was the hit they had before Stiff Records collapsed and the band’s career momentum was thwarted by a three-year court wrangle. Here, no exaggeration, Beatle-mania is re-enacted. Yet there is to be no standing: it’s the law. So singer Jim Irvin announces that if everybody doesn’t stand, the band will stop playing. In the balconies, those furthest away from party officials stand. Emboldened, those on ground level start dancing. The police wade in and begin hitting people over the head.

I am wandering around to soak in all this culture. Two guys the size of trucks lift me up by the underarms, carry me awhile, then hurl me outside on the concrete. Irate, I tell them I’m a British journalist. They pick me up again, lug me outside the perimeter, and dump me harder, their eyes saying much. I learn what fear is.

Really, it shouldn’t have surprised us. From arrival we have been shadowed by men in overcoats from Cold War Movie central casting. We leave the hotel, they follow. We cross the road from the dumpling shop to the condensed milk store, they follow. As “press”, I am under surveillance 24/7. At least I’m not the photographer, who finds that carrying a camera is like waving an Uzi. On the last day, we get the hell out of Dodge and visit Dracula’s Castle, for relaxation, drinking so hard and fast that we throw up in Transylvania. People tell me Bucharest has changed since. I’ll take their word.

*****

plus WERE YOU THERE?

Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have.

Email Allan_Jones@ipcmedia.com to share your memories, of the ones we’ve published or any which we have missed, and we’ll publish the best in a future issue!

Nirvana’s Unplugged To Get Official DVD Release

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Nirvana are set to officially release their MTV Unplugged show from 1993 on DVD next month. According to the Nirvana Club fansite, record label Universal plan to release the DVD worldwide on November 19, and in the US and Canada on the 20th. The gig has only previously been available on VHS and Japanese Import DVD. The new Unplugged release will feature two tracks not broadcast in the show from November 18, 1993 - 'Oh Me' and 'Something In The Way'. The DVD will also come with a behind-the-scenes documentary with extended band interviews as well as four tracks recoreded during the pre-show rehearsals at Sony Music Studios. The full tracklisting is: 'About A Girl' 'Come As You Are' 'Jesus Doesn't Want Me For A Sunbeam' 'The Man Who Sold The World' 'Pennyroyal Tea' 'Dumb' 'Polly' 'On A Plain' 'Something In The Way' 'Plateau' 'Oh Me' 'Lake Of Fire' 'All Apologies' 'Where Did You Sleep Last Night'

Nirvana are set to officially release their MTV Unplugged show from 1993 on DVD next month.

According to the Nirvana Club fansite, record label Universal plan to release the DVD worldwide on November 19, and in the US and Canada on the 20th.

The gig has only previously been available on VHS and Japanese Import DVD.

The new Unplugged release will feature two tracks not broadcast in the show from November 18, 1993 – ‘Oh Me’ and ‘Something In The Way’.

The DVD will also come with a behind-the-scenes documentary with extended band interviews as well as four tracks recoreded during the pre-show rehearsals at Sony Music Studios.

The full tracklisting is:

‘About A Girl’

‘Come As You Are’

‘Jesus Doesn’t Want Me For A Sunbeam’

‘The Man Who Sold The World’

‘Pennyroyal Tea’

‘Dumb’

‘Polly’

‘On A Plain’

‘Something In The Way’

‘Plateau’

‘Oh Me’

‘Lake Of Fire’

‘All Apologies’

‘Where Did You Sleep Last Night’

Bloc Party Added To Electric Proms Bill

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Bloc Party have been announced as the latest headline addition for this month's BBC Electric Proms. They will play October 27 at the Roundhouse, supported by Mercury Prize nominees Maps. The same night also sees Breed 77 and Amplifier rock Camden's Barfly. Razorlight's Johnny Borrell is also now appearing for the Electric Proms' finale headed up by Ray Davies on October 28. The former Kinks songwriter will be showcasing material from his second solo album 'Working Man's Cafe' which is due for release the following day as well as classic hits from The Kinks' canon including the brilliant 'The Kinks are the Village Preservation Society'. Other artists previously confirmed to perform at the five day music event include Paul McCartney, Kaiser Chiefs, Mark Ronson and Siouxsie Sioux. More artists are still to be confirmed for the eight venue festival, but the line-up announced so far is: Wednesday, 24th October - The Roundhouse: Mark Ronson and the BBC Concert Orchestra and guests The Coral Editors Blanche Charlie Louvin Sigur Rós John Peel Night at the Electric Ballroom: Siouxsie Sioux Agaskodo Teliverek Thursday, 25th October - The Roundhouse: Paul McCartney SOIL & “PIMP” SESSIONS with Jamie Cullum Hadouken The Enemy The Chemical Brothers Justice Tribute to Lal Waterson Friday, 26th October - The Roundhouse Kaiser Chiefs via David Arnold Reverend and The Makers Cold War Kids The Metros Daler Mehndi and The Wolfmen Bishi Basquiat Strings with Seb Rochford, Ellery Eskelin and Simon H Fell Saturday, 27th October - Roundhouse Bloc Party Maps Saturday, 27th October - Barfly Breed 77 Amplifier Saturday, 27th October - Jazz Cafe Kano presents London Town Craig David Ghetto Sunday, 28th October - The Roundhouse: Ray Davies with The Crouch End Chorus and special guests Johnny Borrell Duke Special Ben Westbeech Estelle There will also be a BBC Electric Proms film programme showing films such as Daft Punk's Electroma, The Flaming Lips' UFOs At The Zoo and the brand new uncovered film of Bob Dylan Live At The Newport Festival. For details of all Electric Proms performances and to buy tickets, go to www.bbc.co.uk/electricproms here

Bloc Party have been announced as the latest headline addition for this month’s BBC Electric Proms.

They will play October 27 at the Roundhouse, supported by Mercury Prize nominees Maps.

The same night also sees Breed 77 and Amplifier rock Camden’s Barfly.

Razorlight‘s Johnny Borrell is also now appearing for the Electric Proms’ finale headed up by Ray Davies on October 28.

The former Kinks songwriter will be showcasing material from his second solo album ‘Working Man’s Cafe’ which is due for release the following day as well as classic hits from The Kinks’ canon including the brilliant ‘The Kinks are the Village Preservation Society‘.

Other artists previously confirmed to perform at the five day music event include Paul McCartney, Kaiser Chiefs, Mark Ronson and Siouxsie Sioux.

More artists are still to be confirmed for the eight venue festival, but the line-up announced so far is:

Wednesday, 24th October – The Roundhouse:

Mark Ronson and the BBC Concert Orchestra and guests

The Coral

Editors

Blanche

Charlie Louvin

Sigur Rós

John Peel Night at the Electric Ballroom:

Siouxsie Sioux

Agaskodo Teliverek

Thursday, 25th October – The Roundhouse:

Paul McCartney

SOIL & “PIMP” SESSIONS with Jamie Cullum

Hadouken

The Enemy

The Chemical Brothers

Justice

Tribute to Lal Waterson

Friday, 26th October – The Roundhouse

Kaiser Chiefs via David Arnold

Reverend and The Makers

Cold War Kids

The Metros

Daler Mehndi and The Wolfmen

Bishi

Basquiat Strings with Seb Rochford, Ellery Eskelin and Simon H Fell

Saturday, 27th October – Roundhouse

Bloc Party

Maps

Saturday, 27th October – Barfly

Breed 77

Amplifier

Saturday, 27th October – Jazz Cafe

Kano presents London Town

Craig David

Ghetto

Sunday, 28th October – The Roundhouse:

Ray Davies with The Crouch End Chorus and special guests

Johnny Borrell

Duke Special

Ben Westbeech

Estelle

There will also be a BBC Electric Proms film programme showing films such as Daft Punk’s Electroma, The Flaming Lips’ UFOs At The Zoo and the brand new uncovered film of Bob Dylan Live At The Newport Festival.

For details of all Electric Proms performances and to buy tickets, go to www.bbc.co.uk/electricproms here

CUT of The Day: Joe Strummer Does Junior Murvin

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Today, check out this video of live footage filmed at The Bridgewater Palace on November 17, 2002. Joe Strummer playing with his band the Mescalero's play a much changed rendition of Junior Murvin's great record 'Police And Thieves'. The same concert also saw Strummer and band cover The Stooges '1969'. Check out the brilliant five minute clip here: http://www.youtube.com/watch?v=RFsUqXoh1Vw

Today, check out this video of live footage filmed at The Bridgewater Palace on November 17, 2002.

Joe Strummer playing with his band the Mescalero‘s play a much changed rendition of Junior Murvin‘s great record ‘Police And Thieves’.

The same concert also saw Strummer and band cover The Stooges ‘1969’.

Check out the brilliant five minute clip here:

Inspiral Carpets Return!

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The Inspiral Carpets have announced a series of tour dates for next Spring. The band who completed a sold-out comeback tour earlier this year will now play again, starting in Glasgow on March 7. One of the original trio of successful madchester bands (the others being Stone Roses and Happy Mondays - the Inspirals achieved success between 1989 and 1994, earning 13 Top 40 singles with the likes of ‘Joe’, ‘Saturn 5’ and 'This Is How It Feels.’ The Inspiral Carpets will play the following live dates: Glasgow ABC (March 7) Oxford Academy (8) Sheffield Leadmill (9) Northants Roadmender (10) Frome Cheese and Grain (12) Notts Rescue Rooms (13) Manchester Academy (14) London Shepherd’s Bush Empire (15)

The Inspiral Carpets have announced a series of tour dates for next Spring.

The band who completed a sold-out comeback tour earlier this year will now play again, starting in Glasgow on March 7.

One of the original trio of successful madchester bands (the others being Stone Roses and Happy Mondays – the Inspirals achieved success between 1989 and 1994, earning 13 Top 40 singles with the likes of ‘Joe’, ‘Saturn 5’ and ‘This Is How It Feels.’

The Inspiral Carpets will play the following live dates:

Glasgow ABC (March 7)

Oxford Academy (8)

Sheffield Leadmill (9)

Northants Roadmender (10)

Frome Cheese and Grain (12)

Notts Rescue Rooms (13)

Manchester Academy (14)

London Shepherd’s Bush Empire (15)

UNCUT Worst Gigs! – Online Exclusive

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In last month's UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs. Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen - including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie - with rare photos from the shows too. We're also going to publish one of the worst gigs every day, with online exclusives, so feast your eyes on this, and be glad you weren’t there! ***** George Clinton and the P-Funk All Stars Shepherds Bush Empire, London Winter 2000 John Lewis: I had seen the latest incarnation of George Clinton's travelling Funkadelic circus at the 1996 Phoenix Festival, playing in the pouring rain in front of a huge crowd, and had a fantastic time. Grown men in nappies! A six-foot-six black bass player in a wedding dress! A backing singer sporting an enormous elephant trunk! Ha ha! It was also the heaviest funk band I'd ever seen at the time so, several years later when they visited London, myself and a large gang of friends turned up en masse to relive the experience. Unfortunately it was, from beginning to end, sheer torture. The visual gags seemed a bit tiresome, the liquid funk replaced by a tiresome brand of plodding metal. Then there were the dreary song introductions, the torturously extended versions of songs that weren't that good to start with, and the utterly excruciating guitar solos that went on and on and on. You'd take a piss, come back and he'd still be widdling away, you disappear for 15 minutes to get in a round, you come back and the guitarist's still just warming up, you nip out and write a few postcodes and return to find that he's still bloody chundering away, hitting the highest notes on his fretboard, hunched over the speaker stack while wanking the tremolo arm. Jesus Christ. I left half-way through a particularly interminable solo (just as it was entering its 12th minute, yes I did time it) and found that I'd missed the last tube home. I've never quite forgiven George Clinton since. ***** plus WERE YOU THERE? Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have. Email Allan_Jones@ipcmedia.com to share your memories, of the ones we've published or any which we have missed, and we’ll publish the best in a future issue!

In last month’s UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs.

Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen – including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie – with rare photos from the shows too.

We’re also going to publish one of the worst gigs every day, with online exclusives, so feast your eyes on this, and be glad you weren’t there!

*****

George Clinton and the P-Funk All Stars

Shepherds Bush Empire, London

Winter 2000

John Lewis:

I had seen the latest incarnation of George Clinton‘s travelling Funkadelic circus at the 1996 Phoenix Festival, playing in the pouring rain in front of a huge crowd, and had a fantastic time. Grown men in nappies! A six-foot-six black bass player in a wedding dress! A backing singer sporting an enormous elephant trunk! Ha ha! It was also the heaviest funk band I’d ever seen at the time so, several years later when they visited London, myself and a large gang of friends turned up en masse to relive the experience.

Unfortunately it was, from beginning to end, sheer torture. The visual gags seemed a bit tiresome, the liquid funk replaced by a tiresome brand of plodding metal. Then there were the dreary song introductions, the torturously extended versions of songs that weren’t that good to start with, and the utterly excruciating guitar solos that went on and on and on. You’d take a piss, come back and he’d still be widdling away, you disappear for 15 minutes to get in a round, you come back and the guitarist’s still just warming up, you nip out and write a few postcodes and return to find that he’s still bloody chundering away, hitting the highest notes on his fretboard, hunched over the speaker stack while wanking the tremolo arm. Jesus Christ. I left half-way through a particularly interminable solo (just as it was entering its 12th minute, yes I did time it) and found that I’d missed the last tube home. I’ve never quite forgiven George Clinton since.

*****

plus WERE YOU THERE?

Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have.

Email Allan_Jones@ipcmedia.com to share your memories, of the ones we’ve published or any which we have missed, and we’ll publish the best in a future issue!

Chris Rea Announces UK Comeback Tour

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Chris Rea has surprisingly announced a mammoth UK comeback tour, to take place next Spring. The singer/guitarist is back from 'early retirement' with a newly formed quintet, The Fabulous Hofner Blue Notes - and has prepared over 20 new songs in homage to iconic 60s blues music. Rea and his band will kick off the UK shows in Cardiff on March 13 - and the stint will also include a show at London's Royal Albert Hall. Serious illness which initially caused the singer to announce he would have to quit music two years ago has not stopped him from creating a new, looser, way of performing on stage - hence the quintet's formation. Rea said in a statement: “I love being on tour. That’s the best job in the world, if only I had a different body. My state of health can deteriorate any moment, however, which is why I simply had to find a different way of working.” In the past two years, the guitarist has written a new guitar book called 'The Return of The Fabulous Hofner Bluenotes' - dedicated to early 60s guitar - and also including 20 brand new songs, and a new album is due for release this December. Rea says of the bluesy tributes to his idol BB King: “That is the music that I have always wanted to play: real, genuine guitar music”. The band members are: Robert Ahwai (guitar), Neil Drinkwater (keyboards), Colin Hodgkinson (bass) and Martin Ditcham (drums). The band's full tour dates are as follows: Cardiff, St Davids Hall (March 13) Plymouth Pavilions (14) Bristol Colston Hall (16) Brighton Centre (17) Glasgow Royal Concert Hall (19) Edinbugh Playhouse (20) Birmingham Symphony Hall (23) Bournemouth BIC (24) Nottingham Centre (27) London Royal Albert Hall (28) Manchester Apollo (26) Oxford New Theatre (30) Liverpool Philharmonic Hall (31) Newcastle City Hall (April 2) Sheffield City Hall (5) Harrogate International Centre (6) Pic credit: PA Photos

Chris Rea has surprisingly announced a mammoth UK comeback tour, to take place next Spring.

The singer/guitarist is back from ‘early retirement’ with a newly formed quintet, The Fabulous Hofner Blue Notes – and has prepared over 20 new songs in homage to iconic 60s blues music.

Rea and his band will kick off the UK shows in Cardiff on March 13 – and the stint will also include a show at London’s Royal Albert Hall.

Serious illness which initially caused the singer to announce he would have to quit music two years ago has not stopped him from creating a new, looser, way of performing on stage – hence the quintet’s formation.

Rea said in a statement: “I love being on tour. That’s the best job in the world, if only I had a different body. My state of health can deteriorate any moment, however, which is why I simply had to find a different way of working.”

In the past two years, the guitarist has written a new guitar book called ‘The Return of The Fabulous Hofner Bluenotes’ – dedicated to early 60s guitar – and also including 20 brand new songs, and a new album is due for release this December.

Rea says of the bluesy tributes to his idol BB King: “That is the music that I have always wanted to play: real, genuine guitar music”.

The band members are: Robert Ahwai (guitar), Neil Drinkwater (keyboards), Colin Hodgkinson (bass) and Martin Ditcham (drums).

The band’s full tour dates are as follows:

Cardiff, St Davids Hall (March 13)

Plymouth Pavilions (14)

Bristol Colston Hall (16)

Brighton Centre (17)

Glasgow Royal Concert Hall (19)

Edinbugh Playhouse (20)

Birmingham Symphony Hall (23)

Bournemouth BIC (24)

Nottingham Centre (27)

London Royal Albert Hall (28)

Manchester Apollo (26)

Oxford New Theatre (30)

Liverpool Philharmonic Hall (31)

Newcastle City Hall (April 2)

Sheffield City Hall (5)

Harrogate International Centre (6)

Pic credit: PA Photos

Radiohead Album Gets Proper Release Date

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Radiohead managers Bryce Edge and Chris Hufford have revealed that the band’s new studio album, In Rainbows, will be available to buy in record shops from January, two months earlier than previous speculation. Speaking on Radio 4’s Today Programme this morning (October 4) about the decision to release In Rainbows as a digital download on October 10, Edge and Hufford confirmed that the record will be available in shops from January – quashing rumours it would in fact appear in March. At the time of In Rainbows download release, the band will still not be in a contract with any record label, they finished their EMI contract obligations with the release of 2003's Hail To The Thief. Hutton has now also confirmed that Radiohead definitely expect to sign a new record deal “within the next seven days”. He said: "We've got about seven days to sort it out. We tend to fly by the seat of our pants. The band think they [are] incredibly proud of this record and feel that it deserves to be brought into the mass marketplace. That's why we need a record company who have that infrastructure to deliver the CD." Responding to the previous announcement, that fans would be able to 'name their price' for their copy of the new album, Edge said that the band had faith people would not just download the album for free. "We're prepared to take a risk," he explained. "If your music is great, people will then pay for it." Hutton added: "The wonderful [thing] is that the consumer can decide how much a download is worth. I'm not sure how much just a digital download is worth. I'm not sure 79p - the iTunes price - is the right price." A 'discbox' with the double album on 12" vinyl and an extra CD is also available for £40. You can pre-order the digital download of In Rainbows from www.inrainbows.com Check back to www.uncut.co.uk for updates as they happen. Pic credit: PA Photos

Radiohead managers Bryce Edge and Chris Hufford have revealed that the band’s new studio album, In Rainbows, will be available to buy in record shops from January, two months earlier than previous speculation.

Speaking on Radio 4’s Today Programme this morning (October 4) about the decision to release In Rainbows as a digital download on October 10, Edge and Hufford confirmed that the record will be available in shops from January – quashing rumours it would in fact appear in March.

At the time of In Rainbows download release, the band will still not be in a contract with any record label, they finished their EMI contract obligations with the release of 2003’s Hail To The Thief.

Hutton has now also confirmed that Radiohead definitely expect to sign a new record deal “within the next seven days”.

He said: “We’ve got about seven days to sort it out. We tend to fly by the seat of our pants. The band think they [are] incredibly proud of this record and feel that it deserves to be brought into the mass marketplace. That’s why we need a record company who have that infrastructure to deliver the CD.”

Responding to the previous announcement, that fans would be able to ‘name their price’ for their copy of the new album, Edge said that the band had faith people would not just download the album for free.

“We’re prepared to take a risk,” he explained. “If your music is great, people will then pay for it.”

Hutton added: “The wonderful [thing] is that the consumer can decide how much a download is worth. I’m not sure how much just a digital download is worth. I’m not sure 79p – the iTunes price – is the right price.”

A ‘discbox’ with the double album on 12″ vinyl and an extra CD is also available for £40.

You can pre-order the digital download of In Rainbows from www.inrainbows.com

Check back to www.uncut.co.uk for updates as they happen.

Pic credit: PA Photos

The Uncut Playlist

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Could be a long day, since we've just embarked on the first CD of Miles Davis' "Complete On The Corner Sessions". Not sure we're going to make it through all six in a row, but a good start to the day. Here, though, is what we played yesterday. As usual, I can't pretend we're unequivocally behind every record on the list, but God, that Springsteen album gets better and better. 1. Om - Pilgrimage (Southern Lord) 2. Bruce Springsteen - Magic (Columbia) 3. Blood Red Shoes - I Wish I Was Someone Better (V2) 4. VietNam - VietNam (Kemado) 5. Two Friends - Two Friends (Motown) 6. Nick Cave & Warren Ellis - Music From The Motion Picture The Assassination Of Jesse James By The Coward Robert Ford (Mute) 7. Sightings - Through The Panama (Load) 9. Vampire Weekend - Mansard Roof (Abeano) 10. Abdel Hadi Halo & The El Gusto Orchestra Of Algiers - S/T (Honest Jon's) 11. Neil Young - Chrome Dreams II (Reprise) 12. Vernon Elliott - Ivor The Engine & Pogle's Wood (Trunk) 13. John Fahey - Fare Forward Voyager (Soldier's Choice) (Vanguard)

Could be a long day, since we’ve just embarked on the first CD of Miles Davis’ “Complete On The Corner Sessions”. Not sure we’re going to make it through all six in a row, but a good start to the day. Here, though, is what we played yesterday. As usual, I can’t pretend we’re unequivocally behind every record on the list, but God, that Springsteen album gets better and better.

Win Led Zeppelin Knebworth and Bath Festival Souvenirs!

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The world has seemingly gone crazy for Led Zeppelin, the legendary rock band - who in case you haven't heard, are reforming after 27 years to play a solitary one-night-only show in London next month. Whether you've been lucky enough to bag yourself a pair of tickets or not, Uncut.co.uk is rather pleased to be able to offer you a fantastic set of Led Zeppelin prizes! Teaming up with Rockmusicmemorabilia.com - run by the people who originally promoted the band's UK shows - we have 3 sets of souvenirs from Led Zeppelin's shows at the Bath Festival in 1969 and 1970 and Knebworth in 1979 to give away! Each set comprises 4 different replica t-shirts, made to the same design as the originals that were sold at the festivals, as well as replica 'crew' t-shirts. Each winner will also get a special Led Zeppelin commemorative set, which comprise the ticket, flyers and programmes from: *1969 Bath Festival (which featured Led Zeppelin fourth on the bill, as well as Fleetwood Mac, Ten Years After) *1970 Bath Festival (Headlined by Led Zeppelin, and also starring Pink Floyd, Frank Zappa, Jefferson Airplane, Johnny Winter, Steppenwolf,The Byrds, Santana, Hot Tuna, Dr John) *1979 Knebworth Festival with Led Zeppelin, New Barbarians, Todd Rundgren, Fairport Convention *12 photos from the Knebworth festival *A book by Freddy Bannister entitled There Must Be A Better Way that deals with all the problems promoting from the late fifties until 1979 *a DVD entitled Spirit of Knebworth... To win a set of all of the above, simply go to the competition here. This competition closes on October 30. All of the above items are available to buy from Rockmusicmemorabilia.com - the commemorative sets retail at 59.99 and the t-shirts at 11.95. Pic credit: Rex

The world has seemingly gone crazy for Led Zeppelin, the legendary rock band – who in case you haven’t heard, are reforming after 27 years to play a solitary one-night-only show in London next month.

Whether you’ve been lucky enough to bag yourself a pair of tickets or not, Uncut.co.uk is rather pleased to be able to offer you a fantastic set of Led Zeppelin prizes!

Teaming up with Rockmusicmemorabilia.com – run by the people who originally promoted the band’s UK shows – we have 3 sets of souvenirs from Led Zeppelin’s shows at the Bath Festival in 1969 and 1970 and Knebworth in 1979 to give away!

Each set comprises 4 different replica t-shirts, made to the same design as the originals that were sold at the festivals, as well as replica ‘crew’ t-shirts.

Each winner will also get a special Led Zeppelin commemorative set, which comprise the ticket, flyers and programmes from:

*1969 Bath Festival (which featured Led Zeppelin fourth on the bill, as well as Fleetwood Mac, Ten Years After)

*1970 Bath Festival (Headlined by Led Zeppelin, and also starring Pink Floyd, Frank Zappa, Jefferson Airplane, Johnny Winter, Steppenwolf,The Byrds, Santana, Hot Tuna, Dr John)

*1979 Knebworth Festival with Led Zeppelin, New Barbarians, Todd Rundgren, Fairport Convention

*12 photos from the Knebworth festival

*A book by Freddy Bannister entitled There Must Be A Better Way that deals with all the problems promoting from the late fifties until 1979

*a DVD entitled Spirit of Knebworth…

To win a set of all of the above, simply go to the competition here.

This competition closes on October 30.

All of the above items are available to buy from Rockmusicmemorabilia.com – the commemorative sets retail at 59.99 and the t-shirts at 11.95.

Pic credit: Rex

Even more on that ‘new’ Dylan album – plus ‘tracklisting’

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My recent post about what I’d heard via an email from someone calling himself Raul Spendliv has excited a lot of comment, a lot of people treating what I wrote, understandably, with some suspicion. More than a few correspondents wanted to know if what Raul had to say was actually true, while even more wanted to know, exactly, who this Raul actually is – although a couple of you seemed convinced it was an alias for Bob himself (I thought it sounded like a character from a Pynchon novel). I don’t know the answer to either of those questions, but was intrigued enough by Raul’s message to pass on what he’d told me. And while there were some blisteringly scornful dismissals of Raul’s email, I’ve had a few emails claiming to add more information about the alleged content of the unconfirmed album – which I’ll pass on here, without being able to vouch entirely for its veracity. According to one visitor to my blog, the album Dylan’s said to have been working on includes a version of Loretta Lynn’s “You’re The Reason Our Kids Are Ugly”, something that clocks in at least the length of “Highlands”, the 17-minute epic that closed Time Out Of Mind”, another song with the unlikely title of “George, I Miss You, Man” and another called “To Build A Fire”. Mr Frosty Mouth, meanwhile, claims to know the titles of up to 11 songs Dylan’s and has even provided a brief comment on the tracks. I again merely reprint it here, and make no claims for its accuracy. Be a hell of a thing if it was on the money, though. Anyway, here’s Mr F Mouth’s tracklisting; 1 The Third On The Wire (‘a slow-burner, Bettye Lavette said to be on backing vox) 2 Hard Lines And Soft Rhymes (‘doo-wop style, well kinda’) 3 Went To The Well And Got The Bell (Blues For Elmore James) (‘Garth Hudson on synth!’) 4 What Angel Fell 5 Coming In From The Cold (‘said to be in the vein of ‘Lonesome Day Blues’, nothing to do with Bob Marley’) 6 Talkin’ the Killin’ Floor Blues (‘Garth on synth again!’) 7 The Prince And The Warden (‘feels like some old folk tune’) 8 Down The Deep River Blues (loud and rockin’, the lyrics mention Katie Melua! Holy shit!’) 9 Somebody In My Coat (But Not Me) (‘weary piano blues, in the vein of ‘Working Man’s Blues’) 10 My Bad Brain (‘a waltz! Incredibly funny’) 11 Waiting For The Train Not To Stop Here Anymore (‘nine-minutes plus, makes this the long and lonesome album-stopper we’ve grown used to, ain’t we?’) If anybody’s got anything else to add, I’m all ears!

My recent post about what I’d heard via an email from someone calling himself Raul Spendliv has excited a lot of comment, a lot of people treating what I wrote, understandably, with some suspicion.

CUT of the Day: Check Out Hendrix Do Sgt Pepper

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Today's cut of the day is this great live clip of Jimi Hendrix covering The Beatles' classic 'Sgt Pepper's Lonely Hearts Club Band.' The video is followed with Beatles Sgt Pepper animation plus live concert footage. Check it out here!

Today’s cut of the day is this great live clip of Jimi Hendrix covering The Beatles’ classic ‘Sgt Pepper’s Lonely Hearts Club Band.’

The video is followed with Beatles Sgt Pepper animation plus live concert footage.

Check it out here!

Morrissey Cancels Hollywood Shows

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Morrissey has been forced to cancel two shows of his ten night stint at the Hollywood Palladium this week. The former Smith's frontman opened his residency with a hit-laden career spanning show on Monday night, but a burst water main has caused Tuesday's and Thursday's (October 4) shows to be cancelled. The show's promoters Live Nation have said that ticket holders can attend either the October 8 or 9 shows or return them for a refund. Friday's show will be the next to go ahead as scheduled at the 4,000 capacity venue. Morrissey's US tour also includes a five night residency at New York's Hammerstein Ballroom in New York later this month. The tour, now 18 months and 177 dates old will close on November 8 in Washington. A new solo record is planned for release next year.

Morrissey has been forced to cancel two shows of his ten night stint at the Hollywood Palladium this week.

The former Smith‘s frontman opened his residency with a hit-laden career spanning show on Monday night, but a burst water main has caused Tuesday’s and Thursday’s (October 4) shows to be cancelled.

The show’s promoters Live Nation have said that ticket holders can attend either the October 8 or 9 shows or return them for a refund.

Friday’s show will be the next to go ahead as scheduled at the 4,000 capacity venue.

Morrissey’s US tour also includes a five night residency at New York’s Hammerstein Ballroom in New York later this month. The tour, now 18 months and 177 dates old will close on November 8 in Washington.

A new solo record is planned for release next year.

UNCUT’s Worst Gigs! Online Exclusives

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In last month's UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs. Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen - including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie - with rare photos from the shows too. We're also going to publish one of the worst gigs every day, with online exclusives, so feast your eyes on this, and be glad you weren’t there! ***** Lenny Kravitz Edinburgh Playhouse December 1, 1991 Alastair McKay: It wasn’t really Lenny’s fault. When it comes to tight-trousered rock, played on analogue equipment, subtly blending the dullest aspects of Lennon and Hendrix with a side order of Prince and a rumour of Bob Marley, he is your man. That’s what it said on the tin, and that – on this clear winter’s night, is what he delivered. Actually, he was too kind. The guitar solos went on for eons, possibly because Lenny’s trousers were so tight that he was unable to rescue himself from his axe hero posture. The trouble was, my mind was elsewhere. I knew that at 10pm, ]Nirvana would be taking the stage at the Southern bar, a pub favoured by bikers on the Southside of Edinburgh. At this point, Nirvana were the best band in the world. Kurt’s demons hadn’t yet consumed him, and they were still at the stage where they would play in a bar to raise funds for a local hospital. At 10pm, Lenny was still warming up. In his catalogue of retro postures, he had barely reached 1966. Soon, I knew, he would discover the Summer of Love. When that happened, it would take an all-mighty effort to get him back to the present. The Playhouse felt like a prison with velveteen seating. Lenny was channelling Are You Experienced? Soon, the Beatles of his mind would split, and he would launch a bed-in for Bangladesh. It was too much. So I fled, running the length of the Bridges, and arriving at the Southern to discover the doors had been locked. The muffled sounds of an acoustic Nirvana were just about distinguishable from the street, where, moments later, the band emerged, looking bashful and bewildered. I said hello to Dave Grohl. If he said anything in return, I didn’t hear it. In my ears, Lenny Kravitz was approaching 1972. ***** plus WERE YOU THERE? Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have. Email Allan_Jones@ipcmedia.com to share your memories, of the ones we've published or any which we have missed, and we’ll publish the best in a future issue!

In last month’s UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs.

Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen – including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie – with rare photos from the shows too.

We’re also going to publish one of the worst gigs every day, with online exclusives, so feast your eyes on this, and be glad you weren’t there!

*****

Lenny Kravitz

Edinburgh Playhouse

December 1, 1991

Alastair McKay:

It wasn’t really Lenny’s fault. When it comes to tight-trousered rock, played on analogue equipment, subtly blending the dullest aspects of Lennon and Hendrix with a side order of Prince and a rumour of Bob Marley, he is your man. That’s what it said on the tin, and that – on this clear winter’s night, is what he delivered. Actually, he was too kind. The guitar solos went on for eons, possibly because Lenny’s trousers were so tight that he was unable to rescue himself from his axe hero posture.

The trouble was, my mind was elsewhere. I knew that at 10pm, ]Nirvana would be taking the stage at the Southern bar, a pub favoured by bikers on the Southside of Edinburgh. At this point, Nirvana were the best band in the world. Kurt’s demons hadn’t yet consumed him, and they were still at the stage where they would play in a bar to raise funds for a local hospital.

At 10pm, Lenny was still warming up. In his catalogue of retro postures, he had barely reached 1966. Soon, I knew, he would discover the Summer of Love. When that happened, it would take an all-mighty effort to get him back to the present. The Playhouse felt like a prison with velveteen seating. Lenny was channelling Are You Experienced? Soon, the Beatles of his mind would split, and he would launch a bed-in for Bangladesh.

It was too much. So I fled, running the length of the Bridges, and arriving at the Southern to discover the doors had been locked. The muffled sounds of an acoustic Nirvana were just about distinguishable from the street, where, moments later, the band emerged, looking bashful and bewildered. I said hello to Dave Grohl. If he said anything in return, I didn’t hear it. In my ears, Lenny Kravitz was approaching 1972.

*****

plus WERE YOU THERE?

Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have.

Email Allan_Jones@ipcmedia.com to share your memories, of the ones we’ve published or any which we have missed, and we’ll publish the best in a future issue!

The Who Inspire 60s Mod Clothing Range

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Formerly hellraising rockers The Who are to have their own range of clothing launched by British fashion brand Lambretta this Autumn. The 07 Collection will feature lovingly recreated items items based on the band's 60s Mod look, including the original US Army fishtail parka that appeared on the front cover of The Who's legendary Quadrophenia LP. Other recreations include Pete Townshend's Union Jack blazer, Keith Moon's fine gauge knitwear and the band's collection of matching ties. The Mod-inspired collection will also include jackets, jeans and a range of t-shirts with original 60s Who graphics. The Who will also be signing their original parkas for charity auction at a later date. For stockist information check the Lambretta website here: www.lambrettaclothing.co.uk or phone 020 8799 7900.

Formerly hellraising rockers The Who are to have their own range of clothing launched by British fashion brand Lambretta this Autumn.

The 07 Collection will feature lovingly recreated items items based on the band’s 60s Mod look, including the original US Army fishtail parka that appeared on the front cover of The Who’s legendary Quadrophenia LP.

Other recreations include Pete Townshend‘s Union Jack blazer, Keith Moon‘s fine gauge knitwear and the band’s collection of matching ties.

The Mod-inspired collection will also include jackets, jeans and a range of t-shirts with original 60s Who graphics.

The Who will also be signing their original parkas for charity auction at a later date.

For stockist information check the Lambretta website here: www.lambrettaclothing.co.uk or phone 020 8799 7900.

New Reviews Online Now

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Uncut.co.uk publishes a weekly selection of music reviews; including new, reissued and compilation albums. Find out about the best here. This week's new releases are the highly anticipated triple CD Bob Dylan retrospective Dylan. Read David Cavanagh's review here. Babyshambles also return this week with their second album. Can Shotter's Nation prove Pete Doherty's worthy of all the attention. Find out in Uncut Editor Allan Jones' review here. Clash man Mick Jones is back playing with Generation X's Tony James for Carbon/Silicon's back to basics debut album. Find out what's it like here. Also out this week is a comeback of sorts from Creedence Clearwater's John Fogerty. After playing an incredibly rare Glastonbury set earlier this year, Fogerty returns to the Creedence Fantasy label for his new album. Is he back on form? Find out here. Other recomended new releases you might have missed in the past couple of weeks are: 4*Steve Earle - Washington Square Serenade 4*Shack - Time Machine, The Best of Shack 5*Manu Chao - La Radiolina 4*Animal Collective - Strawberry Jam (includes MP3 streams) UNCUT's Music Reviews section now carries over 3000 archive reviews, check back every Tuesday for the latest opinion.

Uncut.co.uk publishes a weekly selection of music reviews; including new, reissued and compilation albums. Find out about the best here.

This week’s new releases are the highly anticipated triple CD Bob Dylan retrospective Dylan. Read David Cavanagh’s review here.

Babyshambles also return this week with their second album. Can Shotter’s Nation prove Pete Doherty‘s worthy of all the attention. Find out in Uncut Editor Allan Jones‘ review here.

Clash man Mick Jones is back playing with Generation X’s Tony James for Carbon/Silicon’s back to basics debut album. Find out what’s it like here.

Also out this week is a comeback of sorts from Creedence Clearwater’s John Fogerty. After playing an incredibly rare Glastonbury set earlier this year, Fogerty returns to the Creedence Fantasy label for his new album. Is he back on form? Find out here.

Other recomended new releases you might have missed in the past couple of weeks are:

4*Steve Earle – Washington Square Serenade

4*Shack – Time Machine, The Best of Shack

5*Manu Chao – La Radiolina

4*Animal Collective – Strawberry Jam (includes MP3 streams)

UNCUT’s Music Reviews section now carries over 3000 archive reviews, check back every Tuesday for the latest opinion.

Lily Allen To Make First Feature Film

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Lily Allen is to make her acting debut in a new spoof version of classic Jane Austen novel Pride And Prejudice. Following in the footsteps of her father Keith and brother Alfie who are both actors, the pop singer will play the role of Lydia Bennet in Jane Austen Handheld. Comedian Russell Brand is to star alongside playing the role of her lover, George Wickham, BBC News reports. Veteran Hollywood actress Carrie Fisher is set to play Lydia's mother Mrs Bennett, whilst Stephen Fry is to play Mr Bennett. The roles of Mr Darcy and Lizzie Bennett have yet to be cast in the £2.5 million production which is due to start production early next year. The film has been scripted by Robert Farrar, whose previous writing credits include the '99 comedy Bedrooms And Hallways starring Simon Callow and The Man Who Knew Too Little starring Bill Murray in 1997. Jane Austen Handheld will be directed by Tristam Shapeero, who has previously worked on Brass Eye and Peep Show.

Lily Allen is to make her acting debut in a new spoof version of classic Jane Austen novel Pride And Prejudice.

Following in the footsteps of her father Keith and brother Alfie who are both actors, the pop singer will play the role of Lydia Bennet in Jane Austen Handheld. Comedian Russell Brand is to star alongside playing the role of her lover, George Wickham, BBC News reports.

Veteran Hollywood actress Carrie Fisher is set to play Lydia’s mother Mrs Bennett, whilst Stephen Fry is to play Mr Bennett.

The roles of Mr Darcy and Lizzie Bennett have yet to be cast in the £2.5 million production which is due to start production early next year.

The film has been scripted by Robert Farrar, whose previous writing credits include the ’99 comedy Bedrooms And Hallways starring Simon Callow and The Man Who Knew Too Little starring Bill Murray in 1997.

Jane Austen Handheld will be directed by Tristam Shapeero, who has previously worked on Brass Eye and Peep Show.

Om’s “Pilgrimage”

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The third album by Om, a duo from San Francisco, took some pretty circuitous route to get to Uncut, or so it seemed: at least two copies of "Pilgrimage" disappeared en route, as I became more and more anxious to hear it. As it turned out, I might as well have brought in my copy of their last album, "Conference Of The Birds", and duped myself into believing it was the new one. Some bands progress, some change radically, but others - The Ramones, say - set their aesthetic parameters very early on, then ruthlessly adhere to them for the rest of their lives. This, I guess, is what Om do, and it works for me. For those of you who haven't experienced them - and listening to Om is quite a physical experience, if you turn the bass up as it should be - they're a duo consisting of Al Cisneros (vocals and bass) and Chris Hakius (drums). On the sleeve of my promo of "Pilgrimage", it describes the record as "Three songs featuring Om's unique use of riff, cadence and chant." Which is pretty good, but I'd also go for "Gregorian Metal", or maybe "How 'Set The Controls For The Heart Of The Sun' would sound if it was played by Geezer Butler and Bill Ward." They're a pretty remarkable band, actually, very much forefathers of a certain hipster doom strand of metal thanks to their earlier career as two-thirds of Sleep, whose legendary "Dopesmoker" track lasted about an hour, if memory serves, and set the template for any number of dirge-paced, cosmically-inclined psych metallers. It'd be easy to portray Om, consequently, as the natural end product of stoner rock, and that's fine. But what makes Om even more interesting is how they use the dynamics of heavy rock - slowed to a monolithic trudge - and extremely deep bass frequencies to create a kind of transcendental state. This is immensely high-minded music: "Lyrical themes," continue the sleevenotes, "address the processes of mind, psychic reality, astral and casual planes of being and the nature of the soul." In a certain mood, the devotional sludge that results from these ambitions - the stand-out track here is called "Unitive Knowledge Of The Godhead", snappily - can seem pretty daft. But there's something profoundly hypnotic about Cisneros' incantatory mutter, to the armour-plated drones that these two monastic rhythm masters conjure up. It's 9.50am, and I'm not quite levitating yet, but "Pilgrimage" is the audio equivalent of a long deep shower at the start of the day: flush out those toxins with a refreshing metal dirge, I guess. Works for me.

The third album by Om, a duo from San Francisco, took some pretty circuitous route to get to Uncut, or so it seemed: at least two copies of “Pilgrimage” disappeared en route, as I became more and more anxious to hear it.