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The 28th Uncut Playlist Of 2012

Following music on Twitter, it sometimes feels as if a hyped album or a track is listened to for, at best, six hours now before it becomes in some way obsolete: if it’s not trending, it must be passé. Playing “Channel Orange” the day after the event, then, is a weird experience, not least because it’s a subtle, insidious record that repays close and multiple listens. My engagement with R&B has been pretty tangential for the past few years, so I might not be the best person to make recommendations in this sector, but I do like it a lot: there’s something fractionally dislocated, washed-out, other-worldly about the way Frank Ocean channels the vintage soul of Stevie Wonder, Marvin Gaye etc. And while the fuss about Ocean’s sexuality is notable and justifiable, let’s hope “Channel Orange” is celebrated for its quality, not just its backstory. Have a listen to the stream linked below, and let me know what you think. Moving on, plenty of other gold this week. The photo above is of Sic Alps, and is rather incongruous given that their new one is substantially mellower than most of their earlier work, and also maybe their best yet: some Alex Chilton vibes in places, I think. One of the mystery records can now be revealed, too: yet again, it’s Ty Segall, with his third excellent album of the year. Love, too, for the harmonious triumvirate of Fennesz, Evan Caminiti and Nico Muhly… Follow me on Twitter: www.twitter.com/JohnRMulvey 1 Josephine Foster – Blood Rushing (Fire) 2 The Jon Spencer Blues Explosion – Meat & Bone (Shove!/Bronze Rat) 3 Sic Alps – Sic Alps (Drag City) 4 Samara Lubelski – Wavelength (De Stijl) 5 King Tuff – King Tuff (Sub Pop) 6 Tussle – Tempest (Smalltown Supersound) 7 Fennesz – Aun: the Beginning & the End of All Things (Ash International) 8 Jeff The Brotherhood – Hypnotic Nights (WEA) 9 Nico Muhly – Drones & Viola (Bedroom Community) 10 The Fresh & Onlys – Long Slow Dance (Souterrain Transmissions) 11 Evans Pyramid - Evans Pyramid (Cultures Of Soul) 12 Various Artists – All Kinds Of Highs: A Mainstream Pop-Psych Compendium 1966-70 (Big Beat) 13 Frank Ocean – Channel Orange (Listen here) 14 Timmy’s Organism – Raw Sewage Roq (In The Red) 15 Los Lobos – Kiko: 20th Anniversary Edition (Shout Factory) 16 Lee Ranaldo Band & J Mascis – Albatross (Listen here) 17 18 Evan Caminiti – Dreamless Sleep (Thrill Jockey) 19 Ty Segall – Twins (Drag City) 20 Marty Marquis - Switched-On Goodbye Bread (Listen here) 21 Dead Rat Orchestra – The Guga Hunters Of Ness (Critical Heights)

Following music on Twitter, it sometimes feels as if a hyped album or a track is listened to for, at best, six hours now before it becomes in some way obsolete: if it’s not trending, it must be passé.

Playing “Channel Orange” the day after the event, then, is a weird experience, not least because it’s a subtle, insidious record that repays close and multiple listens. My engagement with R&B has been pretty tangential for the past few years, so I might not be the best person to make recommendations in this sector, but I do like it a lot: there’s something fractionally dislocated, washed-out, other-worldly about the way Frank Ocean channels the vintage soul of Stevie Wonder, Marvin Gaye etc. And while the fuss about Ocean’s sexuality is notable and justifiable, let’s hope “Channel Orange” is celebrated for its quality, not just its backstory. Have a listen to the stream linked below, and let me know what you think.

Moving on, plenty of other gold this week. The photo above is of Sic Alps, and is rather incongruous given that their new one is substantially mellower than most of their earlier work, and also maybe their best yet: some Alex Chilton vibes in places, I think. One of the mystery records can now be revealed, too: yet again, it’s Ty Segall, with his third excellent album of the year. Love, too, for the harmonious triumvirate of Fennesz, Evan Caminiti and Nico Muhly

Follow me on Twitter: www.twitter.com/JohnRMulvey

1 Josephine Foster – Blood Rushing (Fire)

2 The Jon Spencer Blues Explosion – Meat & Bone (Shove!/Bronze Rat)

3 Sic Alps – Sic Alps (Drag City)

4 Samara Lubelski – Wavelength (De Stijl)

5 King Tuff – King Tuff (Sub Pop)

6 Tussle – Tempest (Smalltown Supersound)

7 Fennesz – Aun: the Beginning & the End of All Things (Ash International)

8 Jeff The Brotherhood – Hypnotic Nights (WEA)

9 Nico Muhly – Drones & Viola (Bedroom Community)

10 The Fresh & Onlys – Long Slow Dance (Souterrain Transmissions)

11 Evans Pyramid – Evans Pyramid (Cultures Of Soul)

12 Various Artists – All Kinds Of Highs: A Mainstream Pop-Psych Compendium 1966-70 (Big Beat)

13 Frank Ocean – Channel Orange (Listen here)

14 Timmy’s Organism – Raw Sewage Roq (In The Red)

15 Los Lobos – Kiko: 20th Anniversary Edition (Shout Factory)

16 Lee Ranaldo Band & J Mascis – Albatross (Listen here)

17

18 Evan Caminiti – Dreamless Sleep (Thrill Jockey)

19 Ty Segall – Twins (Drag City)

20 Marty Marquis – Switched-On Goodbye Bread (Listen here)

21 Dead Rat Orchestra – The Guga Hunters Of Ness (Critical Heights)

Johnny Depp co-editing unpublished Woody Guthrie novel

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Johnny Depp is co-editing a unpublished Woody Guthrie novel, House Of Earth, according to reports in Rolling Stone and The New York Times. Inspired by his own experiences living during the Dust Bowl era, the story follows two west Texas farmers, Tike and Ella May Hamlin and their run ins with a ban...

Johnny Depp is co-editing a unpublished Woody Guthrie novel, House Of Earth, according to reports in Rolling Stone and The New York Times.

Inspired by his own experiences living during the Dust Bowl era, the story follows two west Texas farmers, Tike and Ella May Hamlin and their run ins with a bank and lumber company. Depp is co-editing the novel with Douglas Brinkley. Depp and Brinkley wrote an essay in The New York Times about the project, saying the book is a “meditation about how poor people search for love and meaning in a corrupt world, one in which the rich have lost their moral compasses. Even though the backdrop is the washed-out agricultural fields of Texas, the novel could just as easily be set in a refugee camp in Sudan or a shantytown in Haiti.”

Guthrie finished the novel in 1947, but set it to one side to concentrate on his songwriting.

House Of Earth will be published next year.

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Watch Tom Waits perform “Chicago” on Letterman

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Tom Waits appeared on Monday evening's edition of Late Night With David Letterman, where he performed "Chicago", from his most recent album, 2011's Bad As Me, live for the first time. Musicians joining Waits on stage included his son Casey Waits on drums, long time bassist Larry Taylor, guitarist D...

Tom Waits appeared on Monday evening’s edition of Late Night With David Letterman, where he performed “Chicago”, from his most recent album, 2011’s Bad As Me, live for the first time.

Musicians joining Waits on stage included his son Casey Waits on drums, long time bassist Larry Taylor, guitarist David Hidalgo, keyboardist Augie Myers and guitarist Big Bill Morganfield.

You can watch Waits’ performance on the CBS show below.

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Rolling Stones to officially release Tokyo 1990 bootleg

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The Rolling Stones are set to release a new bootleg from their archives this morning [July 11] Recorded at the Tokyo Dome in 1990, on the Steel Wheels tour, this is the fourth bootleg the Stones have officially released, following on from 1975's LA Friday, the Hampton Coliseum show in 1981 and 1973...

The Rolling Stones are set to release a new bootleg from their archives this morning [July 11]

Recorded at the Tokyo Dome in 1990, on the Steel Wheels tour, this is the fourth bootleg the Stones have officially released, following on from 1975’s LA Friday, the Hampton Coliseum show in 1981 and 1973’s legendary Brussels Affair set.

The Stones toured Japan for the first time in February, 1990, taking up a 10-date residence at the Tokyo Dome.

Tokyo 1990 is available to buy from www.stonesarchive.com at 11am GMT.

You can watch Mick Jagger and Keith Richards discuss the release here.

Meanwhile, A new photography exhibition called The Rolling Stones: 50 is set to open at London’s Somerset House this week.

The free exhibition will be held from July 13 – August 27 in the landmark venue’s East Wing Galleries and will coincide with the release of a book of the same time. The book will feature 700 shots and words from the band on their history, and will hit UK bookshops on July 12.

The exhibition will show a host of unseen and rare photographs, including more than 70 prints, with live shots, studio images and reportage pictures on display as well as contact sheets and negative strips.

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The Gaslight Anthem extend their October UK tour

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The Gaslight Anthem have extended their UK tour, which takes place in October. The New Jersey band, who will release their new album Handwritten on July 23, have added another show at London's O2 Academy Brixton on October 17 to the their tour. They will now play five dates, two of which will be at...

The Gaslight Anthem have extended their UK tour, which takes place in October.

The New Jersey band, who will release their new album Handwritten on July 23, have added another show at London’s O2 Academy Brixton on October 17 to the their tour. They will now play five dates, two of which will be at O2 Academy Brixton. Support on the tour will come from Blood Red Shoes.

Earlier this month, The Gaslight Anthem played a one-off show at London’s KOKO. They will return to the UK for appearances at Reading & Leeds Festivals at the end of August.

The Gaslight Anthem will play:

O2 Academy Brixton (October 15, 17)

O2 Apollo Manchester (October 18)

O2 Academy Glasgow (October 19)

O2 Academy Birmingham (October 20)

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Pulp to play Christmas homecoming gig in Sheffield

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Pulp have announced details of a one-off Christmas homecoming show. It will be the band's first UK date since a performance at London's Royal Albert Hall in March. After reuniting last year, Pulp are currently on a brief European festival tour, which will conclude with an appearance at Fiera della...

Pulp have announced details of a one-off Christmas homecoming show.

It will be the band’s first UK date since a performance at London’s Royal Albert Hall in March. After reuniting last year, Pulp are currently on a brief European festival tour, which will conclude with an appearance at Fiera della Musica in Italy on Friday (July 13).

Earlier today (July 10), the reunited five-piece posted the date and venue of the Sheffield show on their Twitter page, writing:

Pulp come home for Christmas. Sheffield Arena, Saturday 8 December 2012. Tissues optional. Presale starts now!

Meanwhile, a series of cryptic messages have appeared on the band’s official website. They tease: “The day that (almost) never happened… A journey back to where it all began… May the circle be unbroken – tissues optional… Sheffield 8 December 2012.”

Last month (June), Pulp frontman Jarvis Cocker spoke to NME and revealed that the band had yet to decide on whether to record new material. “It’s a hard one. We haven’t been in the studio or anything. I don’t know what will happen in the future,” he said.

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Ernest Borgnine RIP

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With the death of Ernest Borgnine, aged 95, it feels like yet another precious link back to a golden era of Hollywood film making has gone. Borgnine - a salty, stocky presence in films from 1951 right up to the present day - played opposite Randolph Scott, Frank Sinatra, Sterling Hayden, Tony Curtis, Kirk Douglas, Lee Marvin, Rod Steiger and Spencer Tracy. He was, as they say, the supporting actor's supporting actor - a reliably terrific bad guy in movies like From Here To Eternity, Bad Day At Black Rock, Vera Cruz and Nic Ray's Johnny Guitar. Conversely, he ended up winning his only Best Actor Oscar for Marty, playing a lonely, self-concious butcher from the Bronx. Borgnine appeared in many of our favourite films, from The Dirty Dozen to Escape From New York. We loved how he swaggered through The Vikings, playing a 9th century Viking chieftain with a thick Bronx accent. Or the way he and Lee Marvin corralled volatile, larger-than-life figures like Telly Savalas, Donald Sutherland and John Cassavettes in The Dirty Dozen. But it'll be for his role as Dutch Engstrom, William Holden's sweaty, nasty right hand man in The Wild Bunch, that we'll best remember him here at Uncut. As they say, "Let's go." The Dirty Dozen http://www.youtube.com/watch?v=pYGButhFF34 The Vikings http://www.youtube.com/watch?v=ZqJHqXERslM The Wild Bunch http://www.youtube.com/watch?v=nOTkmO23k7I Please fill in our quick survey about Uncut – and you could win a 12 month subscription to the magazine. Click here to see the survey. Thanks!

With the death of Ernest Borgnine, aged 95, it feels like yet another precious link back to a golden era of Hollywood film making has gone.

Borgnine – a salty, stocky presence in films from 1951 right up to the present day – played opposite Randolph Scott, Frank Sinatra, Sterling Hayden, Tony Curtis, Kirk Douglas, Lee Marvin, Rod Steiger and Spencer Tracy. He was, as they say, the supporting actor’s supporting actor – a reliably terrific bad guy in movies like From Here To Eternity, Bad Day At Black Rock, Vera Cruz and Nic Ray’s Johnny Guitar. Conversely, he ended up winning his only Best Actor Oscar for Marty, playing a lonely, self-concious butcher from the Bronx.

Borgnine appeared in many of our favourite films, from The Dirty Dozen to Escape From New York. We loved how he swaggered through The Vikings, playing a 9th century Viking chieftain with a thick Bronx accent. Or the way he and Lee Marvin corralled volatile, larger-than-life figures like Telly Savalas, Donald Sutherland and John Cassavettes in The Dirty Dozen.

But it’ll be for his role as Dutch Engstrom, William Holden’s sweaty, nasty right hand man in The Wild Bunch, that we’ll best remember him here at Uncut. As they say, “Let’s go.”

The Dirty Dozen

The Vikings

The Wild Bunch

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First Look – Searching For Sugar Man

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There’s a batch number of high-profile music documentaries out this year – Kevin Macdonald’s Marley and Joe Berliner’s Paul Simon films have already arrived, with the Rolling Stones, the Stone Roses and Fillmore East projects yet to come. But truffle a little deeper and you’ll find some less well-known but equally rich stories deserving attention. Chief among these is Searching For Sugar Man, a fascinating unscrambling of a thirty year old mystery about Sixto Rodriguez, a Dylan-y singer-songwriter from Detroit who disappeared after his two albums tanked in the early Seventies, but unwittingly became an unlikely icon for white liberals during Apartheid in South Africa. Malik Bendjelloul’s film loops through a number of strands – who was Rodriguez, why he became so big in South Africa, and what happened to royalties from the 500,000 copies he sold there of his debut album, Cold Fact. Each gives up fascinating moments – reports that he’s committed suicide on stage; a difficult interview with his former label boss (and one time Motown chairman) Clarence Avant regarding the whereabouts of the royalties; a revealing tour of the Archive of Censored Material in Johannesburg. But the pay-off is a present day interview with Rodriguez. Now aged 69 and looking like a Mexican Johnny Cash, he lives modestly in downtown Detroit, where he still works “hard labour, demolition, restoration… it keeps the blood circulating.” Frustratingly, Bendjelloul’s film spends too long on Rodriguez’ South African success – the first hour is almost all interviews with enthusiastic SA musicians and industry professionals testifying to the artist’s brilliance – that could have been judiciously edited to have the length. You sense the sketchy but evocative accounts of Rodriguez in his absent years as “a wondering spirit round the city… not much more than a homeless person” merited much deeper investigation. Searching For Sugar Man opens in the UK on July 27 Please fill in our quick survey about Uncut – and you could win a 12 month subscription to the magazine. Click here to see the survey. Thanks!

There’s a batch number of high-profile music documentaries out this year – Kevin Macdonald’s Marley and Joe Berliner’s Paul Simon films have already arrived, with the Rolling Stones, the Stone Roses and Fillmore East projects yet to come. But truffle a little deeper and you’ll find some less well-known but equally rich stories deserving attention.

Chief among these is Searching For Sugar Man, a fascinating unscrambling of a thirty year old mystery about Sixto Rodriguez, a Dylan-y singer-songwriter from Detroit who disappeared after his two albums tanked in the early Seventies, but unwittingly became an unlikely icon for white liberals during Apartheid in South Africa.

Malik Bendjelloul’s film loops through a number of strands – who was Rodriguez, why he became so big in South Africa, and what happened to royalties from the 500,000 copies he sold there of his debut album, Cold Fact. Each gives up fascinating moments – reports that he’s committed suicide on stage; a difficult interview with his former label boss (and one time Motown chairman) Clarence Avant regarding the whereabouts of the royalties; a revealing tour of the Archive of Censored Material in Johannesburg. But the pay-off is a present day interview with Rodriguez. Now aged 69 and looking like a Mexican Johnny Cash, he lives modestly in downtown Detroit, where he still works “hard labour, demolition, restoration… it keeps the blood circulating.”

Frustratingly, Bendjelloul’s film spends too long on Rodriguez’ South African success – the first hour is almost all interviews with enthusiastic SA musicians and industry professionals testifying to the artist’s brilliance – that could have been judiciously edited to have the length. You sense the sketchy but evocative accounts of Rodriguez in his absent years as “a wondering spirit round the city… not much more than a homeless person” merited much deeper investigation.

Searching For Sugar Man opens in the UK on July 27

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Beach Boys children form a new band

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Following in their parents footsteps, members of the Wilson, Love and Jardine families have formed a new band, according to Rolling Stone. The line-up for the band, called California Saga, features Brian Wilson's daughters, Carnie and Wendy, Carl Wilson's son, Justyn, Dennis Wilson's son, Carl B. Wilson, Mike Love's son and daughter, Christian and Ambha and Al Jardine's sons, Matt and Adam. The lineup will also include guitarist Billy Hinsche, Carl Wilson's brother-in-law, who toured with the Beach Boys for decades. Carnie and Wendy Wilson had already enjoyed success in the 1990s as members of Wilson Phillips, alongside Chynna Phillips, daughter of John and Michelle Phillips, from The Mamas And The Papas. California Saga are named after a track of the Beach Boys' 1973 album, Holland. Please fill in our quick survey about Uncut – and you could win a 12 month subscription to the magazine. Click here to see the survey. Thanks!

Following in their parents footsteps, members of the Wilson, Love and Jardine families have formed a new band, according to Rolling Stone.

The line-up for the band, called California Saga, features Brian Wilson’s daughters, Carnie and Wendy, Carl Wilson’s son, Justyn, Dennis Wilson’s son, Carl B. Wilson, Mike Love’s son and daughter, Christian and Ambha and Al Jardine’s sons, Matt and Adam. The lineup will also include guitarist Billy Hinsche, Carl Wilson’s brother-in-law, who toured with the Beach Boys for decades.

Carnie and Wendy Wilson had already enjoyed success in the 1990s as members of Wilson Phillips, alongside Chynna Phillips, daughter of John and Michelle Phillips, from The Mamas And The Papas.

California Saga are named after a track of the Beach Boys’ 1973 album, Holland.

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Missing Stone Roses fan Chris Brahney found dead

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Christopher Brahney, who went missing after The Stone Roses' first show at Heaton Park last Friday (June 29), has been found dead. A body was recovered by police from the Manchester Ship Canal at 9.35am (GMT) this morning (July 9) and Great Manchester Police have now confirmed that they formally id...

Christopher Brahney, who went missing after The Stone Roses’ first show at Heaton Park last Friday (June 29), has been found dead.

A body was recovered by police from the Manchester Ship Canal at 9.35am (GMT) this morning (July 9) and Great Manchester Police have now confirmed that they formally identified the body as Brahney’s.

Earlier this afternoon, a statement was also posted on the Chris Brahney Facebook page, which reads as follows: “It is with great sadness that on behalf of the Brahney family I am writing to you all. The police will be issuing a formal statement soon regarding the body that was found in the canal this morning. At this time we believe that it is Chris, however formal identification has still to take place.”

They continued: “The family would like to thank everyone for all the kind words, thoughts and prayers that you have sent our way. Thank you for all the support, it has given them immense strength and courage. Please respect the family’s wishes and ensure that they are left alone during this difficult time.”

An extensive search has taken place throughout last week and this weekend to find Brahney, with The Stone Roses themselves even appealing for people to come forward with information.

Tributes to Brahney from the music world have been plentiful, with Primal Scream, who supported The Stone Roses that night, among those to offer one. They wrote: “RIP Chris Brahney”.

The Courteeners frontman Liam Fray joined them in paying tribute, he wrote: “So sad about Chris Brahney. The Courteeners send their love to his family and all of his friends.”

He was joined in offering condolences by The View, who dedicated their show in Manchester last night to Brahney, they wrote: “The View dedicate their Manchester gig to 22 yr old Chris Brahney who was found dead in a Mcr canal 2day. RIP.”

Inspiral Carpets man Clint Boon wrote: “Police have just confirmed that the body found in Salford Quays earlier today was that of Chris Brahney. So sad for him and his family.”

Brahney was 22 and from Timperley in Manchester. A full post-mortem examination will take place today (July 10).

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Band Of Horses announce November UK tour

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Band Of Horses have announced a four-date UK tour for later this year. The band, who recently completed work on their fourth studio album, Mirage Rock, will play four shows on the tour in November. The trek begins at Birmingham's HMV Institute on November 15, before moving on to Glasgow's O2 Acade...

Band Of Horses have announced a four-date UK tour for later this year.

The band, who recently completed work on their fourth studio album, Mirage Rock, will play four shows on the tour in November.

The trek begins at Birmingham’s HMV Institute on November 15, before moving on to Glasgow’s O2 Academy on November 16, Manchester Academy on November 19 and finally London’s HMV Hammersmith Apollo on November 20.

The band’s new album, which is the follow-up to 2010’s Infinite Arms, has been produced by Glyn Johns, who has previously worked with the likes of The Who, Bob Dylan and The Clash. It is due for release in September.

You can watch a video preview of the album, which includes a snippet of new song “Dumpster World”, at the bottom of the page.

Band Of Horses will play:

Birmingham HMV Institute (November 15)

O2 Academy Glasgow (16)

Manchester Academy (19)

London HMV Hammersmith Apollo (20)

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Photo: Andy Willsher/NME

LCD Soundsystem to reform for one-off cover version?

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LCD Soundsystem could reunite for a one-off cover version, James Murphy has revealed. The US dance-punk band - whose singer and primary songwriter was Murphy - released three acclaimed albums before announcing their disbandment in February 2011. Two months later, Murphy and his bandmates played the...

LCD Soundsystem could reunite for a one-off cover version, James Murphy has revealed.

The US dance-punk band – whose singer and primary songwriter was Murphy – released three acclaimed albums before announcing their disbandment in February 2011. Two months later, Murphy and his bandmates played their farewell show at New York City’s Madison Square Garden.

The band’s final night has been preserved in an upcoming concert film, Shut Up And Play The Hits, which will play in US cinemas for one night only on July 18, before being released digitally and on DVD.

However, Murphy has now told The New York Times that a director friend has asked him to reform LCD Soundsystem to record a cover version for a film soundtrack. Murphy declined to name the director or the film, but revealed that the project is something everyone in the band “seems to want to do”.

As well as preparing the film for release and playing DJ sets, Murphy revealed that he has also been working on new music of his own – albeit in a casual way. “Lately I’ve been making little synth songs at other people’s studios,” he said.

He also insisted that, whatever happens next, he will always feel connected to LCD Soundsystem. He said: “That band was me. Even if I go make a record and it says James Murphy, it’s still me. There’s a line through that stuff that I don’t feel like it’s in my past. I will be very happy if I make a bunch more records, and 15 years from now someone asks me about LCD Soundsystem because they feel like that’s the important thing. I’ve watched too many artists in my life forget how good the things they used to do were.”

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Grizzly Bear name their new album

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Grizzly Bear have revealed that their new studio album will be titled Shields. The Brooklyn indie band will release the album on Warp Recordings on September 17 in the UK and September 18 in the US and you can hear the opening track "Sleeping Ute" now at the bottom of the page. It is the fourth rec...

Grizzly Bear have revealed that their new studio album will be titled Shields.

The Brooklyn indie band will release the album on Warp Recordings on September 17 in the UK and September 18 in the US and you can hear the opening track “Sleeping Ute” now at the bottom of the page. It is the fourth record of their career to date.

Grizzly Bear will tour the UK in support of the album in the autumn, with dates booked in both August and October.

They will first play shows in Cambridge and Nottingham in August ahead of their co-headline slot at this year’s End Of The Road Festival. They will then return to play gigs in Gateshead, Manchester, Glasgow, Warwick and London in October.

The tracklisting for Shields is as follows:

‘Sleeping Ute’

‘Speak In Rounds’

‘Adelma’

‘Yet Again’

‘The Hunt’

‘A Simple Answer’

‘What’s Wrong’

‘Gun-shy’

‘Half Gate’

‘Sun In Your Eyes’

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We want your questions for Michael Nesmith

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Ahead of his first UK live shows in over 30 years, country rock pioneer, film producer, MTV 'creator' and former Monkee, Michael Nesmith, is set to answer your questions in Uncut as part of our regular Audience With… feature. So is there anything you’ve always wanted to ask the Nez..? As the author of "Different Drum", does he prefer the Linda Ronstadt or Evan Dando version? What does he remember of working with Bert Jansch, on LA Turnaround? Does he still have that woolly hat he wore in The Monkees? Send your questions to us by noon, Monday July 16 to uncutaudiencewith@ipcmedia.com. The best questions, and Michael's answers, will be published in a future edition of Uncut magazine. Please include your name and location with your question. Please fill in our quick survey about Uncut – and you could win a 12 month subscription to the magazine. Click here to see the survey. Thanks!

Ahead of his first UK live shows in over 30 years, country rock pioneer, film producer, MTV ‘creator’ and former Monkee, Michael Nesmith, is set to answer your questions in Uncut as part of our regular Audience With… feature.

So is there anything you’ve always wanted to ask the Nez..?

As the author of “Different Drum”, does he prefer the Linda Ronstadt or Evan Dando version?

What does he remember of working with Bert Jansch, on LA Turnaround?

Does he still have that woolly hat he wore in The Monkees?

Send your questions to us by noon, Monday July 16 to uncutaudiencewith@ipcmedia.com.

The best questions, and Michael’s answers, will be published in a future edition of Uncut magazine.

Please include your name and location with your question.

Please fill in our quick survey about Uncut – and you could win a 12 month subscription to the magazine. Click here to see the survey. Thanks!

Paul McCartney teams up with ‘Halo’ video game makers for new project

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Paul McCartney is working on a new project with the makers of the Halo video game series. The Beatle announced he is composing music with developers Bungie on his Twitter page. He wrote: I'm really excited to be working on writing music with Bungie, the studio that made Halo. Although, it is uncl...

Paul McCartney is working on a new project with the makers of the Halo video game series.

The Beatle announced he is composing music with developers Bungie on his Twitter page.

He wrote: I’m really excited to be working on writing music with Bungie, the studio that made Halo.

Although, it is unclear what he will be composing music for at this stage, it is unlikely to be on the next Halo game because Bungie concluded its work on the series in 2010 with ‘Halo’s Reach’.

Halo 4‘, which is currently in development, is being made by 343 Industries.

McCartney said earlier this year that he wanted write music for computer games because he thinks it’s easier to make money through gamers than it is by selling CDs.

He said: “It’s a fascinating market. A new computer game sells so much better than a new CD these days. Young people will hear my music for the first time in a game.”

McCartney’s likeness was used in the computer game The Beatles: Rock Band, which allowed users to play through their favourite tracks by the Fab Four using their consoles.

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Ringo Starr holds “peace and love” moment to celebrate his 72nd birthday

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Ringo Starr celebrated his 72nd birthday in Nashville, Tennessee, on Saturday night (7 July) by holding a "peace and love" moment at midday. Hundreds of fans joined Starr at Hard Rock Café, holding two fingers in the air and shouting "peace and love". The Beatles drummer also asked people around t...

Ringo Starr celebrated his 72nd birthday in Nashville, Tennessee, on Saturday night (7 July) by holding a “peace and love” moment at midday.

Hundreds of fans joined Starr at Hard Rock Café, holding two fingers in the air and shouting “peace and love”. The Beatles drummer also asked people around the world to do the same thing at 12 o’clock in their own time zones. He told his fans:

“Wherever you are — on a bus, in the office, in the studio, hanging out … whatever you’re doing, at noon, just go, ‘Peace and love.’ That’s all I ask for my birthday. Peace and love.”

Starr was also joined by the likes of Toto’s Steve Lukather and Eagles guitarist Joe Walsh, while the crowd sang “Happy Birthday” and the chorus of “Give Peace A Chance”.

Recently, Ringo shot down reports that the sons of The Beatles are set to form a band together. His son, Zak Starkey, (who previously played with both Oasis and The Who), according to his father, isn’t keen on the idea.

When asked if he had ever thought about forming a band with the rest of the Beatles’ children, he replied: “I don’t think it’s something that Zak wants to do. Maybe Jason [drummer and one of Starr’s other sons] would want to do it. I’d be up for it. Sean seemed to be into it, Dhani seemed to be into it. I’d be happy to do it.”

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Johnny Marr to receive honorary doctorate from the University of Salford

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Johnny Marr will receive an honorary doctorate from the University of Salford, at a ceremony at The Lowry on July 19. The Smiths guitarist, who has been a visiting professor in popular music at the university since 2007, said: "I'm very pleased to be given an honorary degree by Salford University....

Johnny Marr will receive an honorary doctorate from the University of Salford, at a ceremony at The Lowry on July 19.

The Smiths guitarist, who has been a visiting professor in popular music at the university since 2007, said:

“I’m very pleased to be given an honorary degree by Salford University. I’ve enjoyed working with the students in my capacity as visiting professor and hopefully we can find some more opportunities for creative work in the future.”

He also quipped on Twitter:

Am being given an honorary doctorate by Salford Uni. Dr Johnny. Was being fitted for a gown. They say it’s a gown but it’s not. It’s a cape.

The former Smiths guitarist and drummer Mike Joyce recently denied rumours that The Smiths were set to reunite . In a short post on his official Facebook page, Marr commented: “The rumour of The Smiths reunion is untrue. It’s not happening.”

Back in February, Marr jokingly told NME that he would reform The Smiths only if the current coalition government stepped down, commenting:

“We won’t be reforming this week. Maybe if the government stepped down. If this government stepped down, I’ll reform the band. How’s that? That’s a fair trade, isn’t it? I think the country would be better off, don’t you?”

When asked if he had been tempted to speak to Morrissey about the prospect of a reunion, he told NME: “I don’t not speak to him, because that implies a certain standoff or whatever.” He continued: “He’s doing his thing and I’m doing mine, and we go through periods of time when we’re in communication and at times when we’re not. I’m not sure he wants to communicate, so I’ll just carry on doing what I’m doing, and live my life and be a musician.”

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Queen’s Brian May: ‘I’d rather be remembered for saving animals’

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Brian May of Queen has turned his estate in Surrey into a wildlife refuge. The guitarist told The Sunday Times: "When I'm gone, people will no doubt remember me for Queen, but I would much rather be remembered for attempting to change the way we treat our fellow creatures." He added: "I suppose I'...

Brian May of Queen has turned his estate in Surrey into a wildlife refuge.

The guitarist told The Sunday Times: “When I’m gone, people will no doubt remember me for Queen, but I would much rather be remembered for attempting to change the way we treat our fellow creatures.”

He added: “I suppose I’ve lived a crazy life, and watching wildlife brings back a sense of tranquility.” May’s grounds, which he bought more than thirty years ago when Queen were at the height of their fame, are home to a collection of injured and orphaned animals which stay in May’s estate until they are ready for release.

Just some of the animals on the estate include thirty-six hedgehogs, seven badger cubs and two tawny owls, which form part of May’s Save Me organisation, for which May received an International Fund for Animal Welfare (IFAW) award.

The Queen guitarist said: “Queen is a huge part of my life, but I do have other interests. People know about the astrophysics, but I love gardening, too, and I’ve always been passionate about the welfare of our wonderful British wildlife.”

May, who recently spoke about bringing the band’s late frontman Freddie Mercury to life as an ‘optical illusion’ , in a special 10th anniversary performance of the band’s own musical We Will Rock You, said that: “Freddie was a huge animal lover” and that “He loved his cats more than anything.”

Queen are currently on tour with former American Idol contestant Adam Lambert on vocals. The band had been due to headline Sonisphere festival earlier this summer, though the rock bash was cancelled, with organisers citing, “a very challenging year [that] was more difficult than anticipated”.

Photo credit: Getty Images

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Bonnie ‘Prince’ Billy – reissues

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Six core, transitional works of Will Oldham's canon remastered... How do you solve a problem like Will Oldham? His guarded public persona seems to shelter both a shyness and a singular self-confidence; he’s obsessed with wolves and European monarchy; his songs make uneasy bedfellows of Christian ecstasy and private desolation; and he’s recorded with everyone from Björk to Johnny Cash, Tortoise, Current 93 and Kanye West. A wariness with the press means precious little of this crazy trajectory has been satisfactorily explained, although he comes much further out of his shell than usual in Faber’s recent, highly recommended book of autobiographical interviews with writer Alan Licht. Now these six albums, delineating the core of Oldham’s music to date, have been remastered and put out to graze again. In fact they marked the transition from the restless aliases of his early years (Palace, Palace Brothers, Palace Music, Will Oldham, etc) to the more stable Bonnie ‘Prince’ Billy, and have all now been retrospectively released under that name. Arise Therefore (8/10) was Oldham’s fourth album, originally credited to Palace Music, though no name actually appeared on the front cover. Steve Albini recorded it at Pachyderm Studios in Minnesota, an establishment notable for lying in the middle of an ancient forest next to a trout stream. All of Oldham’s distinctive traits are here: the loose-knit, studiedly unrehearsed ensemble playing; the maudlin romanticism of the lyrics; his bleak, lupine whimper. ‘Maya Tone’, an analogue rhythm box, chuffs and pops in time in a half-dead sort of way. The provocatively titled “You Have Cum In Your Hair And Your Dick Is Hanging Out” has none of the pornographic content sggested by the title, but is a maudlin meditation on the presence and loss of a loved one. A starker, more alienating opening line than “How could one ever think anything’s permanent?” is hard to imagine. From its opener “O Let It Be”, Joya (9/10; originally by ‘Will Oldham’) is a spunkier affair: live drums and the post-rock guitar of Papa M’s David Pajo – plus some groovy clavinet on “Be Still And Know God (Don’t Be Shy)” – let in a mess of fresh air. But would it have been too much to bundle in the Little Joya EP included with the original? With I See A Darkness (10/10), he crowned himself Bonnie ‘Prince’ Billy, a permanent alias that allowed him to maintain a distance from the songs. Because the key to understanding Oldham is to recall his early years as a film actor. Looking for autobiographical truths in these songs is a red herring: you will not find the man here, but a series of masks, usually tragic but occasionally the smiling one, portraying intense emotional states and psychological dramas. Johnny Cash picked up on the title track, easily among his finest compositions, but most of Darkness is disaffected and depressive, hiding from the sun in a roomful of fetid air. Ease Down The Road (8/10) and Master And Everyone (8/10) sound more mature, both in content and in the expanded line-ups, including country fiddles, organs and guest singers. Tracks like “Grand Dark Feeling Of Emptiness” and “Master And Everyone” rope the barest song-elements together, tossed in a basket and hung out to dry. “Just To See My Holly Home” is unapologetically ragged country rock. The folky “Three Questions” is exquisite and eerie, with Oldham doubletracking himself with a second, chorus-effected vocal line. By the time he got to revisit his own back catalogue in 2004, the masks were starting to take on a life of their own. Some find Sings Greatest Palace Music (5/10) High Conceptopolis, Illinois; but for me it’s Dullsville, Tennessee. His royal highness gets the full Nashville session treatment, lacquering his great youthful songbook with a kitsch veneer. His is a music that suits the pretender, not the king. Rob Young Please fill in our quick survey about Uncut – and you could win a 12 month subscription to the magazine. Click here to see the survey. Thanks!

Six core, transitional works of Will Oldham’s canon remastered…

How do you solve a problem like Will Oldham? His guarded public persona seems to shelter both a shyness and a singular self-confidence; he’s obsessed with wolves and European monarchy; his songs make uneasy bedfellows of Christian ecstasy and private desolation; and he’s recorded with everyone from Björk to Johnny Cash, Tortoise, Current 93 and Kanye West. A wariness with the press means precious little of this crazy trajectory has been satisfactorily explained, although he comes much further out of his shell than usual in Faber’s recent, highly recommended book of autobiographical interviews with writer Alan Licht.

Now these six albums, delineating the core of Oldham’s music to date, have been remastered and put out to graze again. In fact they marked the transition from the restless aliases of his early years (Palace, Palace Brothers, Palace Music, Will Oldham, etc) to the more stable Bonnie ‘Prince’ Billy, and have all now been retrospectively released under that name. Arise Therefore (8/10) was Oldham’s fourth album, originally credited to Palace Music, though no name actually appeared on the front cover. Steve Albini recorded it at Pachyderm Studios in Minnesota, an establishment notable for lying in the middle of an ancient forest next to a trout stream.

All of Oldham’s distinctive traits are here: the loose-knit, studiedly unrehearsed ensemble playing; the maudlin romanticism of the lyrics; his bleak, lupine whimper. ‘Maya Tone’, an analogue rhythm box, chuffs and pops in time in a half-dead sort of way. The provocatively titled “You Have Cum In Your Hair And Your Dick Is Hanging Out” has none of the pornographic content sggested by the title, but is a maudlin meditation on the presence and loss of a loved one. A starker, more alienating opening line than “How could one ever think anything’s permanent?” is hard to imagine.

From its opener “O Let It Be”, Joya (9/10; originally by ‘Will Oldham’) is a spunkier affair: live drums and the post-rock guitar of Papa M’s David Pajo – plus some groovy clavinet on “Be Still And Know God (Don’t Be Shy)” – let in a mess of fresh air. But would it have been too much to bundle in the Little Joya EP included with the original?

With I See A Darkness (10/10), he crowned himself Bonnie ‘Prince’ Billy, a permanent alias that allowed him to maintain a distance from the songs. Because the key to understanding Oldham is to recall his early years as a film actor. Looking for autobiographical truths in these songs is a red herring: you will not find the man here, but a series of masks, usually tragic but occasionally the smiling one, portraying intense emotional states and psychological dramas. Johnny Cash picked up on the title track, easily among his finest compositions, but most of Darkness is disaffected and depressive, hiding from the sun in a roomful of fetid air.

Ease Down The Road (8/10) and Master And Everyone (8/10) sound more mature, both in content and in the expanded line-ups, including country fiddles, organs and guest singers. Tracks like “Grand Dark Feeling Of Emptiness” and “Master And Everyone” rope the barest song-elements together, tossed in a basket and hung out to dry. “Just To See My Holly Home” is unapologetically ragged country rock. The folky “Three Questions” is exquisite and eerie, with Oldham doubletracking himself with a second, chorus-effected vocal line.

By the time he got to revisit his own back catalogue in 2004, the masks were starting to take on a life of their own. Some find Sings Greatest Palace Music (5/10) High Conceptopolis, Illinois; but for me it’s Dullsville, Tennessee. His royal highness gets the full Nashville session treatment, lacquering his great youthful songbook with a kitsch veneer. His is a music that suits the pretender, not the king.

Rob Young

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The Hunter

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Willem Dafoe burns brightly in pursuit of rare tiger... Such is the lot of the jobbing actor, it’s sometimes hard for to audiences to remember what is what they liked about you in the first place. For too long now, Willem Dafoe has made presumably lucrative but seemingly undemanding forays into Hollywood studio movies like Sam Raimi’s Spider Man and the dismal John Carter. In The Hunter, he plays Martin, a mercenary dispatched by a pharmaceutical company to the Australian wilds to track the rare Tasmanian tiger, thought to have been extinct since the 1930s. Martin watches grainy, black and white footage of the last known specimen, with its elongated jaw and strange, dog-like face and striped body it looks unnatural, alien. He takes digs with the family of a missing eco-activist, Jarrah, and there’s run ins with unfriendly locals – there’s the tacit suggestion they have might been responsible for Jarrah’s disappearance. The film’s at its best in a series of long, near-silent sections when it’s just Dafoe out in the wilderness, tracking his prey. Now in his mid-fifties, Dafoe’s rugged features mirror the craggy landscape he navigates so purposefully. It reminds us of how engrossing Dafoe can be on screen – something that seems to have been forgotten under the latex and special effects of his recent movies. Michael Bonner Please fill in our quick survey about Uncut – and you could win a 12 month subscription to the magazine. Click here to see the survey. Thanks!

Willem Dafoe burns brightly in pursuit of rare tiger…

Such is the lot of the jobbing actor, it’s sometimes hard for to audiences to remember what is what they liked about you in the first place. For too long now, Willem Dafoe has made presumably lucrative but seemingly undemanding forays into Hollywood studio movies like Sam Raimi’s Spider Man and the dismal John Carter.

In The Hunter, he plays Martin, a mercenary dispatched by a pharmaceutical company to the Australian wilds to track the rare Tasmanian tiger, thought to have been extinct since the 1930s. Martin watches grainy, black and white footage of the last known specimen, with its elongated jaw and strange, dog-like face and striped body it looks unnatural, alien. He takes digs with the family of a missing eco-activist, Jarrah, and there’s run ins with unfriendly locals – there’s the tacit suggestion they have might been responsible for Jarrah’s disappearance.

The film’s at its best in a series of long, near-silent sections when it’s just Dafoe out in the wilderness, tracking his prey. Now in his mid-fifties, Dafoe’s rugged features mirror the craggy landscape he navigates so purposefully. It reminds us of how engrossing Dafoe can be on screen – something that seems to have been forgotten under the latex and special effects of his recent movies.

Michael Bonner

Please fill in our quick survey about Uncut – and you could win a 12 month subscription to the magazine. Click here to see the survey. Thanks!