Michael Bonner

Clooney, Pitt and Pacino — how Ocean’s 13 saves the multiplex this month

It ends, pretty much, with fireworks and Sinatra, somewhat appropriate, you would think, for a film series that privileges Vegas cool over substance like the Oceans movies do.

What’s hot from this year’s Cannes Film Festival

For your future consideration, here are Uncut's Top 10 movies from this year's Cannes Film Festival...

Keith Richards in Pirates Of The Caribbean: At World’s End – the UNCUT review

Keef, comedy monkeys and Keira’s chin.

Joy Division, the Coen Brothers and Michael Moore

In which Stephen Dalton files his first report from this year's Cannes Film Festival...

Waiting for the great leap forward

It's a very risky manoeuvre to pull off successfully -- that is, graduating from TV to the movies, from the relatively parochial world of the Channel 4 sitcom to the bright and shiny universe of multiplexes, ancilliary revenue streams and premiers at Leicester Square.

Why can’t a horror film just be a horror film..?

I've always been resistant to the notion that horror movies can in some way function as biting social comment.

Grindhouse for September

OK, so the damage limitation process is well under way. I’ve just received this email: “The Weinstein Co. today announced that Quentin Tarantino and Robert Rodriguez’s highly anticipated Grindhouse double bill will be released as two separate movies in the UK. Tarantino’s Death Proof will be released via Momentum Pictures/Dimension Films on September 21 with Robert Rodriguez’s Planet Terror released at a later date to be confirmed shortly.”

Is this the end for Spider-Man..? Or: Why the world really doesn’t need Web 3.0.

Coming from the same creative team behind the first two Spider-Man movies -- headed by director Sam Raimi -- the big question hanging over part 3 is: what the hell went wrong? Spider-Man 3 seems to have been willed into existence by the combined efforts of marketing departments, merchandise divisions and third-party licencees. The result is soulless and witless, a sequel too far.

It seems Tarantino isn’t Death Proof after all…

Coming in to work this morning and checking this weekend's US box office for Tarantino's Grindhouse made for a pretty grim start to the day.

Someone really needs to slap Quentin Tarantino

The opening weekend takings in America for Tarantino's new film, Grindhouse, were, frankly, a disaster of Krakatoa-eque proportions. It only took a measly $11 million – less than half the sum forecast by the film’s studio, the Weinstein Company.

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