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Michelle Shocked tour evaporates; nearly all venues cancel post anti-gay rant

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Michelle Shocked will have a lot of free time to think about Sunday’s (March 17) anti-gay tirade. All but one show in her US tour have been cancelled. Billboard reports that 10 dates on her tour of the West Coast and Midwest have been vacated. It does not appear she should be too optimistic abou...

Michelle Shocked will have a lot of free time to think about Sunday’s (March 17) anti-gay tirade. All but one show in her US tour have been cancelled.

Billboard reports that 10 dates on her tour of the West Coast and Midwest have been vacated. It does not appear she should be too optimistic about the one hold out – a May 4jaunt at the Harmony Bar in Madison, Wisconsin, either. The person who answered their phone told Billboard “I won’t know a damn thing until the boss comes back in eight days.”

The Evanston [Illinois] SPACE, one of the first venues to cancel, posted this statement to Facebook. “Many of you have reached out already following an ugly rant given by Michelle Shocked at her show in San Francisco last night. After speaking with the promoter of that show about the nature of the remarks, it’s clear that this is no longer a show we’re willing to put our name on. The May 5th performance at SPACE has been cancelled and refunds will be issued at point of purchase.” A similar note was put on Twitter.

Shocked’s assumed surname became the source of many a pun when she told a San Francisco audience “When they stop Prop 8 [the California initiative that banned gay marriage] and force priests at gunpoint to marry gays, it will be the downfall of civilization and Jesus will come back.”

She later told the crowd “You are going to leave here and tell people ‘Michelle Shocked said God hates faggots.’”

Amid the fallout, Shocked has been silent.

Shocked’s cancelled dates, as compiled by Billboard are as follows:

March 23, McCabe’s – Santa Monica, CA

March 28, Moe’s Alley – Santa Cruz, CA

March 29, HopMonk – Novato, CA

April 24, the Palms Playhouse – Winter, CA

April 25, the Alberta Rose Theatre – Portland, OR

April 26, Meanders Kitchen – Seattle, WA

April 27, Cozmic – Eugene, OR

May 3, eTown Hall – Boulder, CO

May 5, S.P.A.C.E – Evanston, IL

June 23, Telluride Bluegrass Festival, Telluride CO.

Blondie announce UK and Ireland summer tour

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Blondie are set to embark on a tour of the UK and Ireland this summer. Of the jaunt, which kicks off at Nottingham’s Sherwood Pines Forest Park on June 14, frontwoman Debbie Harry said: "England will always have a special place in our hearts –we're all so excited about the forthcoming tour of t...

Blondie are set to embark on a tour of the UK and Ireland this summer.

Of the jaunt, which kicks off at Nottingham’s Sherwood Pines Forest Park on June 14, frontwoman Debbie Harry said: “England will always have a special place in our hearts –we’re all so excited about the forthcoming tour of the UK.”

The band will play the Isle of Wight Festival on June 16 as part of the tour and will also head up two London shows, at Camden’s Roundhouse July 7 and Kew Gardens on July 9.

Blondie released their last album, ‘Panic Of Girls’, in 2011. The follow up to 2003’s ‘The Curse Of Blondie’, it contained a cover of Beirut’s ‘Sunday Smile’. Beirut’s Zach Condon appeared on the album, providing guest vocals.

Blondie will play:

Nottingham Sherwood Pines Forest Park (June 14)

Thetford Forest (15)

Isle of Wight Festival (16)

Liverpool Academy (18)

Isle of Man Villa Marina (19)

Gloucestershire Westonbirt Arboretum (21)

Kent Bedgebury Pinetum (22)

Dublin Olympia (25)

Belfast Waterfront (26)

Yorkshire Dalby Forest (28)

Staffordshire Cannock Chase Forest (29)

Glasgow Clyde Auditorium (July 1)

Edinburgh Usher Hall (2)

Newcastle Academy (4)

Cheshire Delamere Forest (6)

London Roundhouse (7)

London Kew Gardens (9)

Smiths demo sees light of day online – listen

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A previously uncirculated Smiths demo tape has surfaced on a fan web forum. Listen below. User bellapintura, who posted the so-called “Pablo Cuckoo tape” on smithstorrents.co.uk on March 16, claims the tape was from 1983. “The Smiths ran through a selection of songs at a rehearsal in a room in manager Joe Moss' jeans warehouse,” bellapintura wrote. “The tape was recorded for Troy Tate, in order to give him something to work with before going into the studio.” “I was lent the master cassette by a source close to the band who made the recording - let's call him Pablo Cuckoo - in 1997, with a view to trying to put it out as a semi official release...” bellapintura continued. “But a combination of the poor sound quality and threats from Warner Bros, meant that the idea was shelved.” After the tape was posted to the forum, it was subsequently uploaded to YouTube. The track listing on the Pablo Cuckoo tape is as follows: You've Got Everything Now Accept Yourself What Difference Does It Make Reel Around The Fountain These Things Take Time I Don't Owe You Anything Hand In Glove Handsome Devil Miserable Lie http://www.youtube.com/watch?v=39qb3Q5mTmk Read more about The Smiths in our new Ultimate Music Guide: The Smiths.

A previously uncirculated Smiths demo tape has surfaced on a fan web forum. Listen below.

User bellapintura, who posted the so-called “Pablo Cuckoo tape” on smithstorrents.co.uk on March 16, claims the tape was from 1983.

“The Smiths ran through a selection of songs at a rehearsal in a room in manager Joe Moss’ jeans warehouse,” bellapintura wrote. “The tape was recorded for Troy Tate, in order to give him something to work with before going into the studio.”

“I was lent the master cassette by a source close to the band who made the recording – let’s call him Pablo Cuckoo – in 1997, with a view to trying to put it out as a semi official release…” bellapintura continued. “But a combination of the poor sound quality and threats from Warner Bros, meant that the idea was shelved.”

After the tape was posted to the forum, it was subsequently uploaded to YouTube.

The track listing on the Pablo Cuckoo tape is as follows:

You’ve Got Everything Now

Accept Yourself

What Difference Does It Make

Reel Around The Fountain

These Things Take Time

I Don’t Owe You Anything

Hand In Glove

Handsome Devil

Miserable Lie

http://www.youtube.com/watch?v=39qb3Q5mTmk

Read more about The Smiths in our new Ultimate Music Guide: The Smiths.

The Men premiere their first ever music video – watch

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The Men have unveiled their first ever music video for the track 'I Saw Her Face' – watch it below. Speaking about the video, singer Mark Perro told NME via email: "We were trying to make a video like Earth, Wind and Fire's 'Lets Groove Tonight'". Drummer Rich Samis added: "This was shot in Dece...

The Men have unveiled their first ever music video for the track ‘I Saw Her Face’ – watch it below.

Speaking about the video, singer Mark Perro told NME via email: “We were trying to make a video like Earth, Wind and Fire’s ‘Lets Groove Tonight'”. Drummer Rich Samis added: “This was shot in December 2012 at our friend Alexander Perrelli’s apartment. All video effects were generated through the use of commercial grade video mixers and enhancers. The raw video footage was shot entirely on VHS cameras. Our friend Brian Chillemi was nice enough to help us out in the painstaking process of editing this video. Brian and our buddy ZZ Ramirez helped out with the camera work. Nick’s [Chiericozzi – guitarist] guitar is actually on fire on some shots. We like it.”

The track is taken from the Brooklyn quintet’s fourth album ‘New Moon’, which was released earlier this month (March 5). The band will play London’s Garage tonight (March 19) along with fellow NYC rockers Parquet Courts.

The Men released their debut LP ‘Immaculada’ in 2010, which was followed by ‘Leave Home’ in 2011 and the critically acclaimed ‘Open Your Heart’ in 2012.

Paul Weller: “Wilko Johnson is unique, a one-off”

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Paul Weller has paid tribute to one of his musical heroes, Wilko Johnson, in the latest issue of Uncut, out now. Weller admits that he took elements of the Dr Feelgood guitarist’s playing into his work with The Jam after seeing the group perform live at Guildford Civic Hall. “I don’t think...

Paul Weller has paid tribute to one of his musical heroes, Wilko Johnson, in the latest issue of Uncut, out now.

Weller admits that he took elements of the Dr Feelgood guitarist’s playing into his work with The Jam after seeing the group perform live at Guildford Civic Hall.

“I don’t think I’d ever heard anyone play like Wilko before,” he says. “You could liken his playing to someone like Bo Diddley, but Wilko is unique, a one-off.

“He is also a great songwriter as well, especially on all those early tunes from Down By The Jetty and Malpractice. I thought they were very special songs… I took elements of his playing, that choppiness, into The Jam.”

Wilko Johnson has been diagnosed with cancer, which is expected to be terminal, and recently performed a set of sold-out farewell gigs.

To read an in-depth interview with Johnson, and more from Paul Weller on his hero, check out the latest issue of Uncut, out now.

Picture: Brian David Stevens

Bauhaus’ Peter Murphy arrested for suspected hit and run and drug possession

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Bauhaus' Peter Murphy was reportedly arrested on Saturday (March 16) on suspicion of causing injuries while driving under the influence of drugs or alcohol, and for hit-and-run offences. According to the Glendale News Press, the singer of the British goth rock group allegedly injured another drive...

Bauhaus’ Peter Murphy was reportedly arrested on Saturday (March 16) on suspicion of causing injuries while driving under the influence of drugs or alcohol, and for hit-and-run offences.

According to the Glendale News Press, the singer of the British goth rock group allegedly injured another driver after crashing a car in Glendale, Southern California before fleeing to Los Angeles, where he was held up by an eyewitness until police arrived. The passer by was “afraid [Murphy] would kill someone with his driving,” police told reporters.

Police officers in Glendale said Murphy, who now resides in Turkey, appeared to be “very confused” and had difficulty recalling what day and time it was, Police said. The singer denied he had been drinking alcohol, but said he had taken his regular medication for depression. He admitted he had been involved in a traffic collision, telling police he was jet-lagged after a recent flight.

Officers also report that they later found a small plastic bag inside the police patrol car where Murphy had been detained – which they believe may contain Methamphetamine (more commonly knows as crystal meth). Murphy denied the bag belonged to him, but police believe he was trying to get rid of the substance in the car.

The singer was arrested on suspicion of causing injuries while driving under the influence of drugs or alcohol, felony hit-and-run and possessing methamphetamine, police said. He remains in police custody awaiting bail.

Bauhaus released five albums over their career – the first being 1980’s ‘In The Flat Field’ before 1981’s ‘Mask’, 1982’s ‘The Sky’s Gone Out’ and 1983’s ‘Burning From The Inside’. Bauhaus first broke up in 1983, with Peter Murphy embarking on a solo career and other members forming Tones On Tail and then Love and Rockets. The band reunited for a 1998 tour, and again from 2005. They released their last album ‘Go Away White’ in 2008.

Earlier this year, Peter Murphy announced that he would be setting out to perform Bauhaus material on a 49-date US and European tour. He is due to play five dates in the UK in June.

Depeche Mode stream new album ‘Delta Machine’

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Depeche Mode are streaming their new album 'Delta Machine' in advance of its release on March 25. The album is the duos 13th and was recorded over the last year in in Santa Barbara, California and New York City and was produced by Ben Hillier and mixed by Flood. Speaking previously about the recor...

Depeche Mode are streaming their new album ‘Delta Machine’ in advance of its release on March 25.

The album is the duos 13th and was recorded over the last year in in Santa Barbara, California and New York City and was produced by Ben Hillier and mixed by Flood. Speaking previously about the record, frontman Dave Gahan insisted that he and the rest of the band never discuss the possibility of releasing another album.”We never know if we’re going to do another record together – we don’t really talk about it,” he said. “We’re planning a big tour that is going to go on towards the end of the summer of 2014. When I actually think about that now, it sounds daunting, but I want to enjoy it. You never know if there is going to be another one.”

The singer also said that the atmosphere in the band was currently positive. “We went through a lot together on the last tour, and probably the one before that and the one before that,” he said. “When you’re together with people for more than 30 years, there are bound to be ups and downs, things that bother you and things that you celebrate together. This one feels kind of like that. Martin [Gore]’s in a really great place; really in great shape, great health; excited about this record. He and I, we’re both in that place where we’re in awe of life at the moment, and what it is and what it still offers us.”

The tracklisting for ‘Delta Machine’ is as follows:

‘Welcome To My World’

‘Angel’

‘Heaven’

‘Secret To The End’

‘My Little Universe’

‘Slow’

‘Broken’

‘The Child Inside’

‘Soft Touch/Raw Nerve’

‘Should Be Higher’

‘Alone’

‘Soothe My Soul’

‘Goodbye’

You can listen to ‘Delta Machine’ on iTunes now.

Depeche Mode play two shows at London’s O2 Arena on May 28 and 29. These are currently the only UK dates the band have announced as part of 34-date European tour which will include appearances at Rock Werchter Festival in Belgium (July 7), BBK Festival in Spain (July 11) and Optimus Alive Festival in Portugal (July 13). A North American tour will follow later in the year.

Jarvis Cocker: ‘David Bowie makes me feel lazy’

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Pulp frontman Jarvis Cocker has said that Davie Bowie makes him feel lazy after viewing the new London exhibition documenting the iconic singer's life though costume. Speaking to the Evening Standard about the David Bowie Is exhibition which opens at London's V&A gallery on Saturday, March 2...

Pulp frontman Jarvis Cocker has said that Davie Bowie makes him feel lazy after viewing the new London exhibition documenting the iconic singer’s life though costume.

Speaking to the Evening Standard about the David Bowie Is exhibition which opens at London’s V&A gallery on Saturday, March 23, Cocker said that he was staggered by how many items from Bowie’s past were on display and just how much he had achieved in his career. “The main thing that will impress people as they go around the V&A is the sheer volume of stuff Bowie has done, it makes me feel very lazy,” he said. “He made a real impact on our culture: he brought a lot of those quite subversive and alternative ideas right into people’s living rooms. He had a very normal name – David Jones – and in a way he was a very typical person of his era, and yet he turned himself into a unique creature.”

Discussing his feelings for Bowie, both past and present, Cocker went on to say: “When I was growing up David Bowie was like the patron saint of the music scene, and then he disappeared for a while and I feel that now he is back like a benign force floating above us. I’m getting into his new album. Recycling the sleeve of the ‘”Heroes”‘ album with ‘The Next Day’ stuck over the front of it says interesting things about looking back. Maybe it’s saying that the latest idea to go forward is that you have to go back – that’s kind of what is happening in culture at the moment.”

David Bowie’s ‘The Next Day’ went straight to Number One this week following its release on March 10. The much-anticipated album becomes his first Number One in his native Britain since 1993’s ‘Black Tie White Noise’, and has also become the fastest-selling album so far this year, shifting 94,000 copies. Biffy Clyro’s ‘Opposites’ previously had that title, having sold 71,600 copies during its opening week in January.

Ian McCulloch records orchestral version of Echo & The Bunnymen hit – listen

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Ian McCulloch has recorded an album worth of orchestral versions of Echo And The Bunnymen songs as part of his new solo album. Scroll down to hear the new version of 'Bring On The Dancing Horses' now. McCulloch's latest solo album will be a double album with one disc dedicated to orchestral version...

Ian McCulloch has recorded an album worth of orchestral versions of Echo And The Bunnymen songs as part of his new solo album. Scroll down to hear the new version of ‘Bring On The Dancing Horses’ now.

McCulloch’s latest solo album will be a double album with one disc dedicated to orchestral versions of the Liverpool band’s greatest hits. The idea for the album came about following a show McCulloch played at the Union Chapel in London in May 2012. Producer Flood (PJ Harvey, The Killers) has re-recorded the tracks, which will be released under the title ‘Holy Ghosts’.

Speaking about the Union Chapel show which inspired the plan to re-record his bands songs in a new fashion, McCulloch said: “It was like, something’s happening here that you might want to document. The fact that it was so spontaneously decided we’d record it was lucky, because on the night I’d more or less forgotten. Usually you’re too aware of everything being mic’d up and all that, but this time, after the first chord had been hit, I was in a world of me own.”

Other songs which have been reworked by McCulloch and Flood include The Bunnymen’s ‘Lips Like Sugar’, ‘Rescue’, ‘Nothing Lasts Forever’, and ‘The Killing Moon’. Holy Ghosts is released on April 22 via Edsel Records and will come with McCulloch’s fourth solo studio album ‘Pro Patria Mori’.

Echo & The Bunnymen will support Primal Scream in London on Thursday (March 21) as part of the Noel Gallagher curated Teenage Cancer Trust concerts at London’s Royal Albert Hall.

Nine Inch Nails share ‘Self Destruct’ tour documentary featuring David Bowie – watch

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Nine Inch Nails: "Closure" part one: Self Destruct (1997) from Nine Inch Nails on Vimeo.

Nine Inch Nails have posted a full-length version of a documentary about their ‘Self Destruct’ tour online – scroll down to watch it.

As Spin reports, the 75-minute film chronicles the band’s tour from 1994 to 1996 and features appearances from David Bowie and Marilyn Manson. The footage was originally only available on 1997’s Closure video.

Trent Reznor recently revealed that Nine Inch Nails are working on two new songs, which they could play live when they perform at the Reading and Leeds Festivals this summer.

Reznor recently announced the return of Nine Inch Nails after spending time working on a number of film scores and also writing and recording an album with his other band, How To Destroy Angels. Nine Inch Nails will perform their only UK shows of 2013 at Reading and Leeds, performing directly before headliners Biffy Clyro.

Nine Inch Nails: “Closure” part one: Self Destruct (1997) from Nine Inch Nails on Vimeo.

Harry Taussig, Hiss Golden Messenger, Golden Gunn, Steve Gunn etc

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Reading about the South By Southwest festival tends to produce, in me at least, a mix of empathetic fatigue and terrible envy, and last week’s bombardment of tweets, blogs, news stories was no different. Amidst all the reports I read of Prince secret shows, buzz gigs by a selection of Britain’s next purportedly biggish things (on my visits to Austin, it always seemed sensible to avoid bands I could see most months in London, but whatever) and so on, one show stood out: the Tompkins Square label showcase at St David’s Episcopal Church. I remember once seeing a great gig there, organised by the Table Of The Elements label and featuring Tony Conrad and Jonathan Kane, and taking a pew in the cool old church provided a necessary meditative respite from the chaos that predominates at South By Southwest. This year’s Tompkins Square evening sounds like it worked in a similar way, according to a report in the Washington Post which discussed the performances there by Daniel Bachman and Hiss Golden Messenger. “I didn’t even want to come to this,” Hiss’ MC Taylor is quoted as saying. “I don’t feel like my music is really conducive to a situation like South by Southwest. . . . It’s hard to get people to listen to a songwriter with an acoustic guitar. But it’s hard anywhere.” Evidently, the Washington Post writer was elsewhere when one of the weirder and more noteworthy events of the evening took place: the first ever show by one of the surviving guitarists of the Takoma generation, Harry Taussig. Taussig is 71, and somehow avoided playing live in the mid ‘60s, when his first (and until recently, only) album was recorded. NPR have a great story about Taussig, including this prediction from him: "My great fear is that I'll be eating tomato salads for the next three weeks from what people throw at me. So I'll bring my own basil and mozzarella to make a nice insalata caprese." Unlikely, I imagine, but please let me know if you saw the show; I’m intrigued. As alluded to here many times, Taylor has a very fine new Hiss Golden Messenger album, “Haw”, due out on Paradise Of Bachelors pretty soon; it’s an indication of how strong his writing is right now that Taylor managed to leave off the standout new song from his recent sets, “Brother Do You Know The Road”, and save it up for what one assumes will be another record. In the slipstream of “Haw”, though, there’s yet another Taylor-related release pending: the debut album by Golden Gunn, his collaboration with the equally recommended guitarist – and, increasingly, singer – Steve Gunn. Gunn is busy at the moment, too: following a couple of Sandy Bull/Billy Higgins-style duo albums with the drummer John Truscinski, the pair have roped in a bassist and made a tremendous full band album, “Time Off”, due soon, in which Gunn shows that he’s as affecting a singer/songwriter as he is a dextrous American Primitive. Here’s an early version of my favourite track, the desert blues-inflected “Old Strange”, recorded with The Black Twig Pickers ANYHOW, Golden Gunn. “Golden Gunn” is ostensibly a bunch of cosmic porch jams, touching on Takoma folk, outlaw country and plenty of JJ Cale vibes (there’s an artist I need properly schooling in…). Easygoing virtuosity is a given, but the songs are pleasingly substantial (cf “The Sun Comes Up A Purple Diamond”, which loosely resembles a campfire Lou Reed), and there are touches of dub and funk hark back to earlier Hiss Golden Messenger outings, and to territory Taylor has neglected a little on recent sets: the standout “From A Lincoln Continental”’s slick gris-gris was first essayed on a live record released in 2010, “Root Work”. “A Couple Of Blackbirds”, meanwhile, reminds me of Shuggie Otis and, serendipitously, of next week’s new issue of Uncut, which features a lengthy review of the newly expanded “Inspiration Information” and an interview with the generally elusive guitarist. I shall be professionally coy about most of the other contents for a day or two, but I did recently take a trip to Richmond, Virginia to interview another SXSW player, Matthew E White, and you’ll be able to read about that in there. More of all this from Allan next week, if you can bear the suspense… Follow me on Twitter: www.twitter.com/JohnRMulvey

Reading about the South By Southwest festival tends to produce, in me at least, a mix of empathetic fatigue and terrible envy, and last week’s bombardment of tweets, blogs, news stories was no different.

Amidst all the reports I read of Prince secret shows, buzz gigs by a selection of Britain’s next purportedly biggish things (on my visits to Austin, it always seemed sensible to avoid bands I could see most months in London, but whatever) and so on, one show stood out: the Tompkins Square label showcase at St David’s Episcopal Church.

I remember once seeing a great gig there, organised by the Table Of The Elements label and featuring Tony Conrad and Jonathan Kane, and taking a pew in the cool old church provided a necessary meditative respite from the chaos that predominates at South By Southwest. This year’s Tompkins Square evening sounds like it worked in a similar way, according to a report in the Washington Post which discussed the performances there by Daniel Bachman and Hiss Golden Messenger. “I didn’t even want to come to this,” Hiss’ MC Taylor is quoted as saying. “I don’t feel like my music is really conducive to a situation like South by Southwest. . . . It’s hard to get people to listen to a songwriter with an acoustic guitar. But it’s hard anywhere.”

Evidently, the Washington Post writer was elsewhere when one of the weirder and more noteworthy events of the evening took place: the first ever show by one of the surviving guitarists of the Takoma generation, Harry Taussig. Taussig is 71, and somehow avoided playing live in the mid ‘60s, when his first (and until recently, only) album was recorded. NPR have a great story about Taussig, including this prediction from him: “My great fear is that I’ll be eating tomato salads for the next three weeks from what people throw at me. So I’ll bring my own basil and mozzarella to make a nice insalata caprese.” Unlikely, I imagine, but please let me know if you saw the show; I’m intrigued.

As alluded to here many times, Taylor has a very fine new Hiss Golden Messenger album, “Haw”, due out on Paradise Of Bachelors pretty soon; it’s an indication of how strong his writing is right now that Taylor managed to leave off the standout new song from his recent sets, “Brother Do You Know The Road”, and save it up for what one assumes will be another record.

In the slipstream of “Haw”, though, there’s yet another Taylor-related release pending: the debut album by Golden Gunn, his collaboration with the equally recommended guitarist – and, increasingly, singer – Steve Gunn. Gunn is busy at the moment, too: following a couple of Sandy Bull/Billy Higgins-style duo albums with the drummer John Truscinski, the pair have roped in a bassist and made a tremendous full band album, “Time Off”, due soon, in which Gunn shows that he’s as affecting a singer/songwriter as he is a dextrous American Primitive. Here’s an early version of my favourite track, the desert blues-inflected “Old Strange”, recorded with The Black Twig Pickers

ANYHOW, Golden Gunn. “Golden Gunn” is ostensibly a bunch of cosmic porch jams, touching on Takoma folk, outlaw country and plenty of JJ Cale vibes (there’s an artist I need properly schooling in…). Easygoing virtuosity is a given, but the songs are pleasingly substantial (cf “The Sun Comes Up A Purple Diamond”, which loosely resembles a campfire Lou Reed), and there are touches of dub and funk hark back to earlier Hiss Golden Messenger outings, and to territory Taylor has neglected a little on recent sets: the standout “From A Lincoln Continental”’s slick gris-gris was first essayed on a live record released in 2010, “Root Work”.

“A Couple Of Blackbirds”, meanwhile, reminds me of Shuggie Otis and, serendipitously, of next week’s new issue of Uncut, which features a lengthy review of the newly expanded “Inspiration Information” and an interview with the generally elusive guitarist. I shall be professionally coy about most of the other contents for a day or two, but I did recently take a trip to Richmond, Virginia to interview another SXSW player, Matthew E White, and you’ll be able to read about that in there. More of all this from Allan next week, if you can bear the suspense…

Follow me on Twitter: www.twitter.com/JohnRMulvey

Singer Michelle Shocked goes on homophobic rant at San Francisco show.

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Michelle Shocked lived up to her nom de plume on Sunday (March 17) by telling a San Francisco concert audience that gay marriage will lead to the apocalypse during a series of bizarre homophobic rants. According to the Bay Area Reporter, Shocked (nee Karen Michelle Johnston) played a two set show ...

Michelle Shocked lived up to her nom de plume on Sunday (March 17) by telling a San Francisco concert audience that gay marriage will lead to the apocalypse during a series of bizarre homophobic rants.

According to the Bay Area Reporter, Shocked (nee Karen Michelle Johnston) played a two set show at Yoshi’s. The former Grammy nominee completed the first set without a hitch. The second set, however, went awry as soon as she told the crowd it would be “all about reality.”

As detailed in the Reporter:

“‘When they stop Prop 8 [the California initiative that banned gay marriage] and force priests at gunpoint to marry gays, it will be the downfall of civilization and Jesus will come back,’ she said.

“Loud gasps were heard from the audience. Many fans walked out.

“’I believe the Bible is the word of God,’ Shocked continued.”

Shocked continued her rant, culminating in the line “You are going to leave here and tell people ‘Michelle Shocked said God hates faggots.'”

To the venue’s credit, the Reporter says it attempted to stop the disaster.

“A Yoshi’s manager announced, ‘Thank you for coming ladies and gentlemen. This show is over.’

“‘It’s not over,’ Shocked protested and she continued to sing.

“Management cut off her microphone and shut off the stage lights. Shocked continued to sing for her few remaining fans.”

Shocked, 51, came into prominence with a 1986 European bootleg of one of her shows, ‘The Texas Campfire Tapes.’ Her next three albums, ‘Short Sharp Shocked’, ‘Captain Swing’ and ‘Arkansas Traveler’ were Grammy nominees, each charting in the top 50 in the UK.

Shocked was at one point a hero of LGBT community. She left her sexuality up to question in the late ‘80s and early ‘90s. By the mid 90s, she announced being born again as a Christian.

In 2011, Shocked told the gay-friendly Christian audience of the Wild Goose Festival “Who drafted me as a gay icon? You are looking at the world’s greatest homophobe. Ask God what He thinks.”

Shocked’s scheduled upcoming appearances in Bolder, Colorado and Evanston, Illinois have been cancelled.

Vampire Weekend reveal new songs ‘Diane Young’ and ‘Step’

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Vampire Weekend debuted two new songs from their upcoming album late last night(March 18). Listen to them both below. The New York aired new tracks 'Diane Young' and 'Step', teasing fans with the news on Twitter. "We're dropping a double a-side single today – Diane Young/ Step. Get Ready" wrote the band. Both songs are taken from Vampire Weekend's forthcoming third studio album 'Modern Vampires Of The City', due for release via XL Recordings on May 6. Vampire Weekend appeared at this year's SXSW festival in Austin, Texas and performed a number of new songs during their set on Saturday (March 16). Among the new songs played by the band were 'Diane Young' and 'Ya Hey'. The tracklisting for 'Modern Vampires of the City' is as follows: 'Obvious Bicycle' 'Unbelievers' 'Step' 'Diane Young' 'Don't Lie' 'Hannah Hunt' 'Everlasting Arms' 'Finger Back' 'Worship You' 'Ya Hey' 'Hudson' 'Young Lion' http://www.youtube.com/watch?v=mX46e4GtlXM http://www.youtube.com/watch?v=_mDxcDjg9P4

Vampire Weekend debuted two new songs from their upcoming album late last night(March 18). Listen to them both below.

The New York aired new tracks ‘Diane Young’ and ‘Step’, teasing fans with the news on Twitter. “We’re dropping a double a-side single today – Diane Young/ Step. Get Ready” wrote the band. Both songs are taken from Vampire Weekend’s forthcoming third studio album ‘Modern Vampires Of The City’, due for release via XL Recordings on May 6.

Vampire Weekend appeared at this year’s SXSW festival in Austin, Texas and performed a number of new songs during their set on Saturday (March 16). Among the new songs played by the band were ‘Diane Young’ and ‘Ya Hey’.

The tracklisting for ‘Modern Vampires of the City’ is as follows:

‘Obvious Bicycle’

‘Unbelievers’

‘Step’

‘Diane Young’

‘Don’t Lie’

‘Hannah Hunt’

‘Everlasting Arms’

‘Finger Back’

‘Worship You’

‘Ya Hey’

‘Hudson’

‘Young Lion’

Bowie, Morrissey, T-Rex producer Tony Visconti to appear at Record Producers Live event

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David Bowie's producer will take part in a new stage show as part of The Record Producers Live series. The producer, who was behind Bowie's new album 'The Next Day' and has also worked with Paul McCartney, Morrissey, T Rex and Sparks, will feature as part of the event at London's O2 Shepherd's Bu...

David Bowie’s producer will take part in a new stage show as part of The Record Producers Live series.

The producer, who was behind Bowie’s new album ‘The Next Day’ and has also worked with Paul McCartney, Morrissey, T Rex and Sparks, will feature as part of the event at London’s O2 Shepherd’s Bush Empire on April 28, 2013. The show will be hosted by record producer Steve Levine and BBC Radio 2 presenter Richard Allinson – who are behind the BBC series The Record Producers, which looks at the recording process behind some of the world’s most influential albums. As well as discussing his recording techniques and showcasing recordings from Tony Visconti’s private collections, the event promises a series of “very special guests” later on in the evening, including Bernard Butler.

“As a record producer myself I have been an admirer of Tony’s incredible and varied production work over the years,” Steve Levine says in a statement. “I think I speak for everyone that we are all really honoured to share the stage with Tony, I’m looking forward to exploring the studio secrets behind the mixing desk.”

Tickets for the event go on general sale on Friday (March 22) priced at £32.50 and £25.00. An O2 Pre-Sale will take place on Wednesday (March 20) and Live Nation pre-sale on Thursday (March 21).

The Strokes stream ‘Comedown Machine’ ahead of release – listen

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The Strokes are streaming their brand new album, 'Comedown Machine', ahead of its official release on March 25. 'Comedown Machine' is The Strokes fifth studio album following 'Is This it?', 'Room On Fire', 'First Impressions of Earth' 'and 'Angles'. Listen to the album via Pitchfork Advance, bassi...

The Strokes are streaming their brand new album, ‘Comedown Machine’, ahead of its official release on March 25.

‘Comedown Machine’ is The Strokes fifth studio album following ‘Is This it?’, ‘Room On Fire’, ‘First Impressions of Earth’ ‘and ‘Angles’.

Listen to the album via Pitchfork Advance, bassist Nikolai Fraiture recently explained that the band have no current plans to perform but that he is hopeful of working something out soon.

“I don’t know. I would love to tour,” Fraiture said. Discussing the making of ‘Comedown Machine’ at New York’s Electric Lady studios, the bass player added: “We hashed it out all together like the good old days. It’s a legendary studio and it is not far away from us all, apart from Nick who lives in Los Angeles, but he made the trip out to record.”

The ‘Comedown Machine’ tracklisting is:

‘Tap Out’

‘All The Time’

‘One Way Trigger’

‘Welcome To Japan’

’80’s Comedown Machine’

’50 50′

‘Slow Animals’

‘Partners In Crime’

‘Chances’

‘Happy Ending’

‘Call It Fate Call It Karma’

Jason Molina of Songs: Ohia and Magnolia Electric Co. passes away of ‘natural causes’

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Jason Molina, the singer and guiding force behind Songs: Ohia and Magnolia Electric Company has passed away due to natural causes. He was 39 years old. "This is especially hard for us to share," his label, Secretly Canadian, wrote in a press release. "Jason is the cornerstone of Secretly Canadian....

Jason Molina, the singer and guiding force behind Songs: Ohia and Magnolia Electric Company has passed away due to natural causes. He was 39 years old.

“This is especially hard for us to share,” his label, Secretly Canadian, wrote in a press release. “Jason is the cornerstone of Secretly Canadian. Without him there would be no us — plain and simple.”

The singer had been mostly absent from the world of music since cancelling a tour with Will Johnson in 2009 to deal with alcoholism and related health issues.

Molina was born in Lorain, Ohio. Although he would make his name as a performer of far more delicate music, Molina’s musical career began playing bass in heavy metal bands around Cleveland, Ohio. However, Molina found his true calling as a singer-songwriter. He began distributing homemade albums under a variety of different names– Songs: Radix, Songs: Albian and Songs: Unitas. The end result was Songs: Ohia, with a breakthrough self-titled debut in 1997.

Songs: Ohia released eight albums, including the live Mi Sei Apparso Come Un Fantasma, before Molina halted the project in the wake of 2003’s Magnolia Electric Co. He continued to record solo music under his own name, including the collaboration with kindred spirit Oldham, before assembling a new, Crazy Horse-like band under the name of Magnolia Electric Company in 2005. They released five full lengths, the last being Josephina in 2009.

Molina’s struggles with alcoholism were made public in 2011, when his family solicited donations to help pay for medical bills stemming from several trips to rehab. In a post to the Magnolia Electric Co. website titled “Where is jason molia [sic]” the family expressed optimism that Molina, then “working on a farm in West Virginia raising chickens,” had been making progress towards “becoming healthy” and was “looking forward to making great music again.” Eight months later Molina posted a thank you note on his website for help of all sorts (“good vibes are worth more than you might think”), mentioning that he had written to 500 fans who had sent get well soon letters.

“Jason was incredibly humbled by his fans’ support through the years,” said Secretly Canadian in their release “and said that the two most important words he could ever say are ‘Thank you.'”

Molina’s last project, a 10” LP that accompanied a William Schaff art book, was released in September.

Beach Boys memorabilia to go on sale in London next month

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Rare archive material documenting the first 20 years of The Beach Boys' career will go up for auction in London next month. The treasure trove was discovered in a storage facility in Florida in 2000, and is thought to be one of the biggest collections of music memorabilia to ever be put up for sale. It features manuscripts and sheet music for around 150 songs, recording contracts, previously unseen photographs and handwritten lyrics and letters. There's a reserve price of almost £7m, ensuring whoever buys the lot will have to spend a record-breaking amount for a single collection of this kind. It was discovered during a blind auction at a storage facility in Florida in 2000 and later sold to a private company as part of a larger sale after several years of prolonged legal disputes. Alan Boyd, Beach Boys archivist and expert, said: "This historic collection, containing many of the Beach Boys' own publishing documents along with assorted handwritten musical pieces, vintage legal papers, and various promotional and personal items from their early years, presents a priceless look into the inner workings of this legendary group. "Historical artefacts like Brian Wilson and Mike Love's signatures on the original songwriter agreements for their 1968 classic 'Do It Again', for example, or the original publisher's lead sheet for 'Help Me, Rhonda', and even the Beach Boys' own copy of the Library of Congress copyright certificate for 'Good Vibrations' – these take on a significance that the people who generated them could scarcely have dreamed of back in the early 1960s." The Beach Boys themselves confirmed knowledge of the sale, but have declined to comment further. They're apparently unsure how so much archive material came to be in a remote storage unit, although it is believed to have been there since the early 1980s. Ted Owen, the chief executive of Fame Bureau which is auctioning off the archive, said: "The finding of this huge archive is probably one of the great rescue stories in contemporary music history. This written record of The Beach Boys' creativity represents the largest and most valuable collection of its kind ever to reach an auction room." The collection will be previewed in New York on April 15 and at the Hard Rock Café in London on April 18.

Rare archive material documenting the first 20 years of The Beach Boys’ career will go up for auction in London next month.

The treasure trove was discovered in a storage facility in Florida in 2000, and is thought to be one of the biggest collections of music memorabilia to ever be put up for sale. It features manuscripts and sheet music for around 150 songs, recording contracts, previously unseen photographs and handwritten lyrics and letters.

There’s a reserve price of almost £7m, ensuring whoever buys the lot will have to spend a record-breaking amount for a single collection of this kind. It was discovered during a blind auction at a storage facility in Florida in 2000 and later sold to a private company as part of a larger sale after several years of prolonged legal disputes.

Alan Boyd, Beach Boys archivist and expert, said: “This historic collection, containing many of the Beach Boys’ own publishing documents along with assorted handwritten musical pieces, vintage legal papers, and various promotional and personal items from their early years, presents a priceless look into the inner workings of this legendary group.

“Historical artefacts like Brian Wilson and Mike Love’s signatures on the original songwriter agreements for their 1968 classic ‘Do It Again’, for example, or the original publisher’s lead sheet for ‘Help Me, Rhonda’, and even the Beach Boys’ own copy of the Library of Congress copyright certificate for ‘Good Vibrations’ – these take on a significance that the people who generated them could scarcely have dreamed of back in the early 1960s.”

The Beach Boys themselves confirmed knowledge of the sale, but have declined to comment further. They’re apparently unsure how so much archive material came to be in a remote storage unit, although it is believed to have been there since the early 1980s.

Ted Owen, the chief executive of Fame Bureau which is auctioning off the archive, said: “The finding of this huge archive is probably one of the great rescue stories in contemporary music history. This written record of The Beach Boys’ creativity represents the largest and most valuable collection of its kind ever to reach an auction room.”

The collection will be previewed in New York on April 15 and at the Hard Rock Café in London on April 18.

David Bowie’s ‘The Next Day’ goes to the top of the album chart

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David Bowie has gone to the top of the album chart with 'The Next Day'. The much-anticipated album becomes his first Number One since 1993's 'Black Tie White Noise', and has also become the fastest-selling album so far this year, shifting 94,000 copies. Biffy Clyro’s 'Opposites' previously had ...

David Bowie has gone to the top of the album chart with ‘The Next Day’.

The much-anticipated album becomes his first Number One since 1993’s ‘Black Tie White Noise’, and has also become the fastest-selling album so far this year, shifting 94,000 copies. Biffy Clyro’s ‘Opposites’ previously had that title, having sold 71,600 copies during its opening week in January.

Earlier in the week it looked as if The Dame might have some competition for the top spot from Bon Jovi’s ‘What About Now’, which went in at Number Two, but he ended up outselling the New Jersey hair rocker by more than two copies to one.

Emeli Sande’s ‘Our Version Of Events’ slipped to Number Three, while last week’s chart-toppers Bastille fell to Number Four with ‘Bad Blood’. This week’s Top Five is completed by Bruno Mars’ ‘Unorthodox Jukebox’.

Hurts’ second album ‘Exile’ went in at Number Nine, while John Grant’s ‘Pale Green Ghosts’ entered the charts at Number 16, closely followed by the soundtrack to Foo Fighters frontman Dave Grohl’s new film, ‘Sound City’, which went in at Number 19.

The Beatles’ John Lennon and George Harrison get blue plaque in London

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The Beatles' John Lennon and George Harrison have received a Blue Plaque in London. The commemoration was at 94 Baker Street - the site of the Apple Boutique clothing shop, which was owned in the 60s by the band's company Apple Corps Ltd, the BBC reports. A plaque to Lennon was already on the site...

The Beatles’ John Lennon and George Harrison have received a Blue Plaque in London.

The commemoration was at 94 Baker Street – the site of the Apple Boutique clothing shop, which was owned in the 60s by the band’s company Apple Corps Ltd, the BBC reports. A plaque to Lennon was already on the site, but has now been replaced with one that also remembers Harrison, who died in 2001.

The plaque was unveiled by Rod Davis, the banjo player in Lennon’s first band, The Quarrymen, which formed in 1956 and would later become The Beatles.

Meanwhile, the world’s first major exhibition about the life of The Beatles drummer Ringo Starr is set to open this summer. Ringo: Peace & Love will open at the Grammy Museum in Los Angeles on June 12 and close in November 2013, before touring cities across the world in 2014.

The exhibit will look at “all aspects of Starr’s musical and creative life”, including his work as a musician, artist and actor and will, according to a statement, “aim to propel Starr’s universal message of peace and love”. On display will be never-been-seen photographs as well as letters, documents and original artefacts, including the drum kit Ringo played at Shea Stadium and on The Ed Sullivan Show as well as his ‘Sgt Pepper’ suit, ‘Help!’ cape and jacket worn during The Beatles’ famous London rooftop concert.

Morrissey cancels remainder of US tour due to illness

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Morrissey has cancelled the remainder of his US tour. A statement issued on behalf of the singer cited "medical mishaps" as the reason for the cancellation of the planned shows, reports BBC News. Morrissey has been suffering from mounting health issues over the past few months, including Barrett's ...

Morrissey has cancelled the remainder of his US tour.

A statement issued on behalf of the singer cited “medical mishaps” as the reason for the cancellation of the planned shows, reports BBC News. Morrissey has been suffering from mounting health issues over the past few months, including Barrett’s esophagus, a bleeding ulcer and double pneumonia.

The singer’s publicist, Lauren Papapietro, said in a statement: “Despite his best efforts to try to continue touring, Morrissey has to take a hiatus and will not be able to continue on the rest of the tour. Morrissey thanks all of his fans for their well wishes and thoughts.”

The 53-year-old was next due to perform at Liberty Hall in Kansas on Monday (March 18) but that gig along with a further 22 shows have been pulled. The singer has previously cancelled 21 gigs this year.

Morrissey has been affected by ill health throughout 2013 and spoke out following his recent health troubles, which saw him hospitalised at William Beaumont Hospital in Royal Oak, Michigan.

The singer issued a statement to fan site True To You, which he opened up by saying: “The reports of my death have been greatly understated.” The former frontman of The Smiths went on to explain that he was treated for concussion, a bleeding ulcer and Barrett’s esophagus, and as such had to cancel a number of shows.