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Greil Marcus re-evaluates his Self Portrait ‘what is this shit?’ Dylan review: “This is just terrific!”

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Greil Marcus has re-evaluated Bob Dylan’s Self Portrait in the new issue of Uncut, out now, over three decades after he wrote his infamous ‘what is this shit?’ review of the record for Rolling Stone. The critic explains that his review wasn’t nearly as negative as many like to make out – that it in fact reflected varying opinions on and responses to Dylan’s album – and states that some of the tracks on the new Bootleg Series release, Vol.10: Another Self Portrait, “will be real revelations to people”. “[Dylan’s manager, Jeff Rosen] started playing me some of the Dylan-David Bromberg collaborations [from Bootleg Series, Vol.10: Another Self Portrait],” says Marcus. “It’s just the two of them playing. And immediately, those songs just leapt out, they leapt out of all the overcoats that had been draped over them. You know: you suddenly saw people running through fields. “It was just alive in a remarkable way. And I said, ‘God. I have to write about this. This is just terrific.’” Also in the Dylan cover feature, Uncut editor Allan Jones takes an exclusive look at the new instalment in the Bootleg Series. The musicians who played on Dylan’s albums from the period, including Al Kooper and Charlie McCoy, tell of their varied experiences working with the singer-songwriter, while Low’s Alan Sparhawk reviews Dylan live in 2013. The new issue of Uncut, dated September 2013, is out now. Photo: Al Clayton

Greil Marcus has re-evaluated Bob Dylan’s Self Portrait in the new issue of Uncut, out now, over three decades after he wrote his infamous ‘what is this shit?’ review of the record for Rolling Stone.

The critic explains that his review wasn’t nearly as negative as many like to make out – that it in fact reflected varying opinions on and responses to Dylan’s album – and states that some of the tracks on the new Bootleg Series release, Vol.10: Another Self Portrait, “will be real revelations to people”.

“[Dylan’s manager, Jeff Rosen] started playing me some of the Dylan-David Bromberg collaborations [from Bootleg Series, Vol.10: Another Self Portrait],” says Marcus. “It’s just the two of them playing. And immediately, those songs just leapt out, they leapt out of all the overcoats that had been draped over them. You know: you suddenly saw people running through fields.

“It was just alive in a remarkable way. And I said, ‘God. I have to write about this. This is just terrific.’”

Also in the Dylan cover feature, Uncut editor Allan Jones takes an exclusive look at the new instalment in the Bootleg Series.

The musicians who played on Dylan’s albums from the period, including Al Kooper and Charlie McCoy, tell of their varied experiences working with the singer-songwriter, while Low’s Alan Sparhawk reviews Dylan live in 2013.

The new issue of Uncut, dated September 2013, is out now.

Photo: Al Clayton

Hear new Bill Callahan single, “Expanding Dub”

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Bill Callahan is to release a new single on August 19, featuring dub versions of two songs from his forthcoming album, Dream River. The single features "Expanding Dub" - a take on the song "Javelin Unlanding" - backed with "High In The Mid-40's Dub", a version of the album's closing track, "Winter ...

Bill Callahan is to release a new single on August 19, featuring dub versions of two songs from his forthcoming album, Dream River.

The single features “Expanding Dub” – a take on the song “Javelin Unlanding” – backed with “High In The Mid-40’s Dub“, a version of the album’s closing track, “Winter Road”.

Scroll down to hear “Expanding Dub”.

Dream River is released on September 16 on Drag City.

Dylan, Coppola, Springsteen, Scorsese, Neil Young, Polanski, The Clash, Joni Mitchell and the 1970s in music and movies

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You find us at that time in the month when things start getting more than a wee bit hectic, deadlines fast approaching as we head into the final week or so of work on the new issue, for which I am reviewing Roy Harper’s Man & Myth, his first album of new material since The Green Man, 13 years ago. There’s also the small matter of next month’s cover story, which I’m also writing, which means it’s all go at the moment. Meanwhile, as part of the special promotional feature in the current issue that we produced in association with hmv celebrating six decades of music and films, we have reached the 1970s, the era of stadium superstars, progressive rock, glam, punk, new wave and disco, for which I’ve compiled the following playlist. Have a great week. Music Joni Mitchell Blue 1971 http://www.youtube.com/watch?v=IAsXMlkwXgs Sly & The Family Stone There’s A Riot Goin’ On 1971 http://www.youtube.com/watch?v=c-sonJId90Y Can Tago Mago 1971 http://www.youtube.com/watch?v=8QLL2j8ZtxE&list=PLBC71D1E094A43EBB Roxy Music Roxy Music 1972 http://www.youtube.com/watch?v=HpSJVlDSlFY Dr Feelgood Down By The Jetty 1975 http://www.youtube.com/watch?v=QuvYL2AnSeE Neil Young & Crazy Horse Zuma 1975 http://www.youtube.com/watch?v=6GDIkb5CDUY Bob Dylan Blood On the Tracks 1975 http://www.youtube.com/watch?v=YwSZvHqf9qM Television Marquee Moon 1977 Bruce Springsteen Darkness On the Edge Of Town 1978 http://www.youtube.com/watch?v=XGGGZetEkz0 The Clash London Calling 1979 http://www.youtube.com/watch?v=aEuyLJKG_ac Films Dirty Harry The Godfather Directed by Francis Ford Coppola 1972 http://www.youtube.com/watch?v=ppjyB2MpxBU Badlands Terrence Malick 1973 http://www.youtube.com/watch?v=LsN2Eq7EW6Q Chinatown Roman Polanski 1974 http://www.youtube.com/watch?v=3aifeXlnoqY Jaws Steven Speilberg 1975 http://www.youtube.com/watch?v=ucMLFO6TsFM Dog Day Afternoon Sydney Lumet 1975 http://www.youtube.com/watch?v=ucMLFO6TsFM Taxi Driver Martin Scorsese 1975 http://www.youtube.com/watch?v=aVoSt1glAf4 The Deer Hunter Michael Cimino 1978 http://www.youtube.com/watch?v=3Gqit3zVmyc Manhattan Woody Allen 1979 http://www.youtube.com/watch?v=Dihjrm1Qk_0 Quadrophenia Franc Roddam 1979 http://www.youtube.com/watch?v=f6wq20cZosQ Apocalypse Now Francis Ford Coppola 1979 http://www.youtube.com/watch?v=Gz3Cc7wlfkI

You find us at that time in the month when things start getting more than a wee bit hectic, deadlines fast approaching as we head into the final week or so of work on the new issue, for which I am reviewing Roy Harper’s Man & Myth, his first album of new material since The Green Man, 13 years ago. There’s also the small matter of next month’s cover story, which I’m also writing, which means it’s all go at the moment.

Meanwhile, as part of the special promotional feature in the current issue that we produced in association with hmv celebrating six decades of music and films, we have reached the 1970s, the era of stadium superstars, progressive rock, glam, punk, new wave and disco, for which I’ve compiled the following playlist.

Have a great week.

Music

Joni Mitchell

Blue

1971

http://www.youtube.com/watch?v=IAsXMlkwXgs

Sly & The Family Stone

There’s A Riot Goin’ On

1971

Can

Tago Mago

1971

Roxy Music

Roxy Music

1972

http://www.youtube.com/watch?v=HpSJVlDSlFY

Dr Feelgood

Down By The Jetty

1975

Neil Young & Crazy Horse

Zuma

1975

http://www.youtube.com/watch?v=6GDIkb5CDUY

Bob Dylan

Blood On the Tracks

1975

Television

Marquee Moon

1977

Bruce Springsteen

Darkness On the Edge Of Town

1978

http://www.youtube.com/watch?v=XGGGZetEkz0

The Clash

London Calling

1979

http://www.youtube.com/watch?v=aEuyLJKG_ac

Films

Dirty Harry

The Godfather

Directed by Francis Ford Coppola

1972

Badlands

Terrence Malick

1973

Chinatown

Roman Polanski

1974

Jaws

Steven Speilberg

1975

Dog Day Afternoon

Sydney Lumet

1975

Taxi Driver

Martin Scorsese

1975

http://www.youtube.com/watch?v=aVoSt1glAf4

The Deer Hunter

Michael Cimino

1978

Manhattan

Woody Allen

1979

http://www.youtube.com/watch?v=Dihjrm1Qk_0

Quadrophenia

Franc Roddam

1979

Apocalypse Now

Francis Ford Coppola

1979

http://www.youtube.com/watch?v=Gz3Cc7wlfkI

Elvis Presley’s Stax Records sessions to be released as box set

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Elvis Presley's recording sessions at Stax Records will be released together as a box set for the first time today (August 6). Titled Elvis at Stax: Deluxe Edition, the three-CD box set also features outtakes and rare photos from the two July and December 1973 sessions, which resulted in three sep...

Elvis Presley‘s recording sessions at Stax Records will be released together as a box set for the first time today (August 6).

Titled Elvis at Stax: Deluxe Edition, the three-CD box set also features outtakes and rare photos from the two July and December 1973 sessions, which resulted in three separate albums.

As AP reports, the sessions started in 1973 when Presley was forced to head into the studio to record new material to fulfil his contract.

The box set includes a session recorded from July 20-23, during which he made “Raised On Rock”, “I’ve Got A Thing About You Baby” and “For Ol’ Time’s Sake”. Presley later returned to Stax in December for a week-long session to record tracks including “I Got A Feeling In My Body”.

It is the first time Presley’s songs recorded at Stax are together in the same release. “The dissipation of the Stax recordings across three albums over 18 months provided little or no creative kudos for such deserving artistic accomplishment,” ‘Elvis at Stax’ producer Roger Semon writes notes accompanying the release. “The objective of ‘Elvis at Stax’ is to reflect the true spontaneity and musicianship of Elvis’ sessions.”

Watch exclusive footage from Morrissey 25: Live concert film

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Uncut is delighted to host an exclusive clip from the upcoming concert film, Morrissey 25: Live. Filmed live by director James Russell during Morrissey’s show at the Hollywood High School in Los Angeles on 2 March 2013, Morrissey 25: Live is the artist's first authorised film for nine years and celebrates his 25th anniversary as a solo artist. Scroll down to watch Morrissey perform "Everyday Is Like Sunday" from the film. Morrissey 25: Live is in cinemas from August 24. Meanwhile, we celebrate Morrissey's quarter century as a solo artist in the current issue of Uncut, where collaborators including Stephen Street, Mike Joyce, Clive Langer and Steve Lillywhite remember working with Morrissey on his early solo albums. The tracklisting for Morrissey 25: Live is: Alma Matters Ouija Board, Ouija Board Irish Blood, English Heart You Have Killed Me November Spawned A Monster Maladjusted You're The One For Me Fatty Still Ill People Are The Same Everywhere Speedway That Joke Isn't Funny Anymore To Give Is The Reason I Live Meat Is Murder Please, Please, Please Let Me Get What I Want Action Is My Middle Name Everyday Is Like Sunday I'm Throwing My Arms Around Paris Let Me Kiss You The Boy With The Thorn In His Side We are sorry, but this clip is available to viewers in the UK & Eire only. Morrissey 25: Live is A Nineteen Fifteen and Eagle Rock Entertainment production, distributed to cinemas by More2Screen. For cinema listings and booking information, click here. Photo credit: Scott Uchida

Uncut is delighted to host an exclusive clip from the upcoming concert film, Morrissey 25: Live.

Filmed live by director James Russell during Morrissey’s show at the Hollywood High School in Los Angeles on 2 March 2013, Morrissey 25: Live is the artist’s first authorised film for nine years and celebrates his 25th anniversary as a solo artist.

Scroll down to watch Morrissey perform “Everyday Is Like Sunday” from the film.

Morrissey 25: Live is in cinemas from August 24. Meanwhile, we celebrate Morrissey’s quarter century as a solo artist in the current issue of Uncut, where collaborators including Stephen Street, Mike Joyce, Clive Langer and Steve Lillywhite remember working with Morrissey on his early solo albums.

The tracklisting for Morrissey 25: Live is:

Alma Matters

Ouija Board, Ouija Board

Irish Blood, English Heart

You Have Killed Me

November Spawned A Monster

Maladjusted

You’re The One For Me Fatty

Still Ill

People Are The Same Everywhere

Speedway

That Joke Isn’t Funny Anymore

To Give Is The Reason I Live

Meat Is Murder

Please, Please, Please Let Me Get What I Want

Action Is My Middle Name

Everyday Is Like Sunday

I’m Throwing My Arms Around Paris

Let Me Kiss You

The Boy With The Thorn In His Side

We are sorry, but this clip is available to viewers in the UK & Eire only.

Morrissey 25: Live is A Nineteen Fifteen and Eagle Rock Entertainment production, distributed to cinemas by More2Screen. For cinema listings and booking information, click here.

Photo credit: Scott Uchida

Bob Dylan’s paintings to go on display at National Portrait Gallery

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A series of Bob Dylan/'s paintings are to go on display at the National Portrait Gallery. The series of 12 pastel works are a mix of real and fictitious characters and will be displayed at the London museum from August. It will be the first time Dylan has exhibited his work in the UK since 2008, when The Halcyon Gallery showed a collection of Dylan's drawings from 1989 and 1992. The director of the National Portrait Gallery, Sandy Nairne, said: "Bob Dylan is one of the most influential cultural figures of our time. He has always created a highly visual world either with his words or music, or in paints and pastels." Bob Dylan: Face Value will be in the Contemporary Collection displays at the National Portrait Gallery, London, from August 24 2013 to January 5, 2014. You can read about Dylan's new album of rarities and previously unheard recordings - The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971) - in this month's Uncut, in shops now.

A series of Bob Dylan/‘s paintings are to go on display at the National Portrait Gallery.

The series of 12 pastel works are a mix of real and fictitious characters and will be displayed at the London museum from August. It will be the first time Dylan has exhibited his work in the UK since 2008, when The Halcyon Gallery showed a collection of Dylan’s drawings from 1989 and 1992.

The director of the National Portrait Gallery, Sandy Nairne, said: “Bob Dylan is one of the most influential cultural figures of our time. He has always created a highly visual world either with his words or music, or in paints and pastels.”

Bob Dylan: Face Value will be in the Contemporary Collection displays at the National Portrait Gallery, London, from August 24 2013 to January 5, 2014.

You can read about Dylan’s new album of rarities and previously unheard recordings – The Bootleg Series, Vol. 10 – Another Self Portrait (1969-1971) – in this month’s Uncut, in shops now.

Sign up to the Uncut newsletter!

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Every Tuesday, we send out a free email newsletter containing the highlights of our busy week on www.uncut.co.uk. That's the best news stories, features, reviews and blogs – as well as Allan's editor's letter. It brings you all you need to know about everything the stuff that matters in Uncut's world, from gig reviews to previews of new films, cuts from our dedicated features section and new album and reissues. Essentially, it means you can catch up with our Rolling Stones live reviews, find out what we thought of the Alan Partridge film, discover what we’ve been listening to in the office playlists or read a classic interview from the Uncut archives with everyone from Radiohead to David Bowie. It’s where you’ll find out, too, about what’s in the latest issue of Uncut, gets a heads up on our Ultimate Music Guides, or discover who’s in the hot-seat for An Audience With... So if you'd like to receive a copy, it's very simple: just sign up to the newsletter in the box on the right of this screen. See you on Tuesday, then.

Every Tuesday, we send out a free email newsletter containing the highlights of our busy week on www.uncut.co.uk.

That’s the best news stories, features, reviews and blogs – as well as Allan’s editor’s letter. It brings you all you need to know about everything the stuff that matters in Uncut’s world, from gig reviews to previews of new films, cuts from our dedicated features section and new album and reissues.

Essentially, it means you can catch up with our Rolling Stones live reviews, find out what we thought of the Alan Partridge film, discover what we’ve been listening to in the office playlists or read a classic interview from the Uncut archives with everyone from Radiohead to David Bowie. It’s where you’ll find out, too, about what’s in the latest issue of Uncut, gets a heads up on our Ultimate Music Guides, or discover who’s in the hot-seat for An Audience With

So if you’d like to receive a copy, it’s very simple: just sign up to the newsletter in the box on the right of this screen.

See you on Tuesday, then.

Cheap Trick – The Complete Epic Albums Collection

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Power pop-rock heaven tonight, with a few hiccups.... The story of Cheap Trick’s early days could feasibly be re-told by replacing the band’s name with Peter Frampton’s. A handful of albums garner critical acclaim but sell poorly, a jittery label wonders when and from where the breakthrough might come, before a game-changing live release provides the catapult to Top 10 glory. Ultimately, the multi-million sales and year-long chart residency of 1978’s Cheap Trick At Budokan (originally only intended for the Japanese market) was relatively small beer compared to the juggernaut of Frampton Comes Alive two years previously, but it was the making of this quartet of Illinois anglophiles. Like The Raspberries and Todd Rundgren before them, Cheap Trick worked from a power pop template; in thrall to The Beatles but imbuing their own music with the broader rock hues favoured by American FM radio. The past tense is misleading, as the band continue to tour and record today, but this box set is a celebration of their major label output, an impressively prolific dozen albums between 1977 and 1990. Road-hardened by a minimum of 200 gigs a year, the first few releases were recorded quickly, although attempts to capture their stage vitality on record brought mixed results; studio versions of “I Want You To Want Me” and “Clock Strikes Ten” merely whispered where the subsequent Budokan readings roared. Heaven Tonight remains the high watermark of the ‘70s albums, singer Robin Zander and the melodic power chords of guitarist Rick Nielsen forging radio-friendly anthems at will (“Surrender”, “Takin’ Me Back”). 1979’s Dream Police, recorded before Budokan but held back until after promotion of the live album, signalled the start of a change, the swathes of synths on the title track suggesting a shift from bars to arenas, although the minor chord splendour of “I’ll Be With You Tonight” kept a foothold in the group’s pure pop past. Perhaps ironically, the hiring of George Martin as producer for 1980’s All Shook Up took these Beatles fans further away from the sound that first inspired them (in the same year that Nielsen and drummer Bun E Carlos would take part in demo sessions for John Lennon’s Double Fantasy). Bombastic and overblown, Martin’s grandiose tricks were unsuited to the sprightly rock ‘n’ roll of “Just Got Back” and “I Love You Honey”, but strong songs were few and far between anyway. The rest of the decade saw Cheap Trick only intermittently catch sight of their earlier benchmarks. Producer Todd Rundgren gave their backsides a kick on Next Position Please (1983), “You Say Jump” and “Heaven’s Falling” recalling the fiery attitude of his own work with Utopia, but the albums that bookended it (One On One, The Doctor) suffered from weak material and coldly clinical period production. After six years away bassist Tom Petersson returned to the fold for 1988’s Lap Of Luxury, and although the band were initially unhappy about Epic persuading them to work with outside professional writers (including Diane Warren on the cheesy power ballad “Ghost Town”) the likes of “Let Go” and a flirtatiously camp cover of Elvis Presley’s “Don’t Be Cruel” contained enough echoes of what went before to keep the customers satisfied. Throughout the period covered by these albums, Cheap Trick’s bread-and-butter was the live stage, the goodwill earned from the energy and enthusiasm of the first few releases, the now iconic ...At Budokan especially, carrying the requisite clout to forgive them their missteps. Certainly, their 21st century set-lists are still dominated by songs from their first half-dozen years together, while not entirely saddling them with the tag of nostalgia act. It could be argued that theirs is a story of promise only partially fulfilled, a lack of consistency that saw their accomplishments dwarfed by those of contemporaries like Tom Petty, or even Huey Lewis. Some of these albums don’t warrant too intense a revisit, but others remain shining examples of how joyful guitar-based pop-rock can be. Terry Staunton

Power pop-rock heaven tonight, with a few hiccups….

The story of Cheap Trick’s early days could feasibly be re-told by replacing the band’s name with Peter Frampton’s. A handful of albums garner critical acclaim but sell poorly, a jittery label wonders when and from where the breakthrough might come, before a game-changing live release provides the catapult to Top 10 glory.

Ultimately, the multi-million sales and year-long chart residency of 1978’s Cheap Trick At Budokan (originally only intended for the Japanese market) was relatively small beer compared to the juggernaut of Frampton Comes Alive two years previously, but it was the making of this quartet of Illinois anglophiles. Like The Raspberries and Todd Rundgren before them, Cheap Trick worked from a power pop template; in thrall to The Beatles but imbuing their own music with the broader rock hues favoured by American FM radio.

The past tense is misleading, as the band continue to tour and record today, but this box set is a celebration of their major label output, an impressively prolific dozen albums between 1977 and 1990. Road-hardened by a minimum of 200 gigs a year, the first few releases were recorded quickly, although attempts to capture their stage vitality on record brought mixed results; studio versions of “I Want You To Want Me” and “Clock Strikes Ten” merely whispered where the subsequent Budokan readings roared.

Heaven Tonight remains the high watermark of the ‘70s albums, singer Robin Zander and the melodic power chords of guitarist Rick Nielsen forging radio-friendly anthems at will (“Surrender”, “Takin’ Me Back”). 1979’s Dream Police, recorded before Budokan but held back until after promotion of the live album, signalled the start of a change, the swathes of synths on the title track suggesting a shift from bars to arenas, although the minor chord splendour of “I’ll Be With You Tonight” kept a foothold in the group’s pure pop past.

Perhaps ironically, the hiring of George Martin as producer for 1980’s All Shook Up took these Beatles fans further away from the sound that first inspired them (in the same year that Nielsen and drummer Bun E Carlos would take part in demo sessions for John Lennon’s Double Fantasy). Bombastic and overblown, Martin’s grandiose tricks were unsuited to the sprightly rock ‘n’ roll of “Just Got Back” and “I Love You Honey”, but strong songs were few and far between anyway.

The rest of the decade saw Cheap Trick only intermittently catch sight of their earlier benchmarks. Producer Todd Rundgren gave their backsides a kick on Next Position Please (1983), “You Say Jump” and “Heaven’s Falling” recalling the fiery attitude of his own work with Utopia, but the albums that bookended it (One On One, The Doctor) suffered from weak material and coldly clinical period production.

After six years away bassist Tom Petersson returned to the fold for 1988’s Lap Of Luxury, and although the band were initially unhappy about Epic persuading them to work with outside professional writers (including Diane Warren on the cheesy power ballad “Ghost Town”) the likes of “Let Go” and a flirtatiously camp cover of Elvis Presley’s “Don’t Be Cruel” contained enough echoes of what went before to keep the customers satisfied.

Throughout the period covered by these albums, Cheap Trick’s bread-and-butter was the live stage, the goodwill earned from the energy and enthusiasm of the first few releases, the now iconic …At Budokan especially, carrying the requisite clout to forgive them their missteps. Certainly, their 21st century set-lists are still dominated by songs from their first half-dozen years together, while not entirely saddling them with the tag of nostalgia act.

It could be argued that theirs is a story of promise only partially fulfilled, a lack of consistency that saw their accomplishments dwarfed by those of contemporaries like Tom Petty, or even Huey Lewis. Some of these albums don’t warrant too intense a revisit, but others remain shining examples of how joyful guitar-based pop-rock can be.

Terry Staunton

“Honky chateau” where Bowie, Elton, Pink Floyd, Fleetwood Mac recorded put up for sale

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Château d'Hérouville, the French country house with studio where David Bowie, Pink Floyd, Elton John, Fleetwood Mac and more recorded, is up for sale. The house located 18 miles north of Paris in the Val d'Oise département, is on sale for €1.29m (£1.12m), according to a report in The Guardian...

Château d’Hérouville, the French country house with studio where David Bowie, Pink Floyd, Elton John, Fleetwood Mac and more recorded, is up for sale.

The house located 18 miles north of Paris in the Val d’Oise département, is on sale for €1.29m (£1.12m), according to a report in The Guardian.

The château was bought in 1962 by composer Michel Magne, who converted it into a residential recording studio seven years later. Elton John was among the first artists to use the premises, recording his 1972 album Honky Château there. David Bowie recorded Pin-Ups at Château d’Hérouville in 1973 and returned with Tony Visconti and Brian Eno to record Low there in 1976. Other artists who recorded there included T-Rex (The Slider), Pink Floyd (Obscured By Clouds), Iggy Pop (The Idiot) and Fleetwood Mac (Mirage). The Grateful Dead played an impromptu gig there on June 21, 1971.

The château is reportedly haunted by the ghost of Frédéric Chopin. While recording Low there, Bowie felt a supernatural presence. Tony Visconti later claimed, “There was certainly some strange energy in that château. On the first day, David took one look at the master bedroom and said, ‘I’m not sleeping in there!’ He took the room next door. The master bedroom had a very dark corner, right next to the window, ironically, that seem to just suck light into it. It was colder in that corner too.”

Black Flag’s Greg Ginn sues former bandmates

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Black Flag co-founder Greg Ginn has filed a lawsuit against his former bandmates for alleged copyright infringement. According to The Hollywood Reporter, Ginn believes the band FLAG, consisting of Keith Morris, Dez Cadena, Chuck Dukowski and Bill Stevenson, infringe on the Black Flag rights owned b...

Black Flag co-founder Greg Ginn has filed a lawsuit against his former bandmates for alleged copyright infringement.

According to The Hollywood Reporter, Ginn believes the band FLAG, consisting of Keith Morris, Dez Cadena, Chuck Dukowski and Bill Stevenson, infringe on the Black Flag rights owned by him and his label SST Records. Former member Henry Rollins, who is in neither of the two touring Black Flag reunion groups, is also named in the suit.

Ginn claims he and his label SST Records own the exclusive rights to the Black Flag Name – and FLAG variation – and the band’s logo, which Flag currently use on tour. Ginn issued the lawsuit on Friday (August 2) and is seeking an injunction against Flag’s current tour, which kicked off in May and will see the band, pending the outcome of the lawsuit, play Los Angeles’ FYF Fest on August 24.

The suit describes the alleged infringement of the logo and describes FLAG as “as “a colorable imitation” that’s “likely to cause confusion, mistake or deception among consumers”. Ginn alleges his former bandmates “of lying to the Trademark Office on registrations; using his own label’s record covers to feign as though they’ve been continuing to use Black Flag since 1979 and using bootleg SST t-shirts.”

Ginn’s Black Flag are currently touring and play Universum in Stuttgart, Germany tomorrow night (August 5).

Hear new PJ Harvey song, “Shaker Aamer”

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PJ Harvey has revealed a new song, her first since releasing her Let England Shake album in 2011. "Shaker Aamer" is a protest song designed to raise attention to the plight of a British national imprisoned by the US in Guantanamo Bay since 2002. Despite never being charged with a crime, Aamer has ...

PJ Harvey has revealed a new song, her first since releasing her Let England Shake album in 2011.

Shaker Aamer” is a protest song designed to raise attention to the plight of a British national imprisoned by the US in Guantanamo Bay since 2002. Despite never being charged with a crime, Aamer has spent 11 years in prison and was cleared for release in 2007 by President George W. Bush and again in 2009 by Barack Obama.

Scroll down to hear “Shaker Aamer”.

Speaking to The Guardian, Clive Stafford Smith, Aamer’s lawyer, said: “We hope people listen to this song and think about Shaker Aamer’s plight: detained for 11 years, without charge or trial – despite having been cleared for release by both Bush and Obama.”

“The UK government must do everything it can to bring Shaker back home to his wife and kids in London, where he belongs. PJ Harvey has written a wonderful song – I know Shaker will be deeply moved by it, and I only hope that, with the support of the public, he will one day be able to listen to it in freedom.”

The Civil Wars’ Joy Williams: “Writing and recording our new album has changed me”

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The Civil Wars’ Joy Williams explains how making the group’s new album transformed her in the new issue of Uncut, dated September 2013 and out now. Singer-songwriter Williams tells Uncut how she and bandmate John Paul White overcame obstacles to create the self-titled record. "John Paul was ...

The Civil Wars’ Joy Williams explains how making the group’s new album transformed her in the new issue of Uncut, dated September 2013 and out now.

Singer-songwriter Williams tells Uncut how she and bandmate John Paul White overcame obstacles to create the self-titled record.

“John Paul was more of the ilk that it would happen organically,” Williams explains. “I was more of a mind to push the envelope and get out of our comfort zone. But despite all the tension and struggle, I think we made something even more universal, honest and beautiful than Barton Hollow.”

Williams goes on to describe how the album has affected her, saying: “The process of writing and recording it changed me, and I’ll never be the same.”

The follow up to 2011’s Barton Hollow, The Civil Wars’ self-titled new album is released on August 5, 2013.

The new issue of Uncut, dated September 2013, which also features a review of the album, is out now.

Photo: Allister Ann

Jack White attacks Black Keys’ Dan Auerbach in leaked email

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A leaked email allegedly sent by Jack White to his ex-wife Karen Elson appears to show the former White Stripes frontman branding The Black Keys singer' Dan Auerbach a "copy" and an "asshole". Elson divorced White in 2011 but she took out a restraining order against her ex-husband on July 22 amid allegations of "harassment" and "bullying" behaviour. As part of her petition, Elson reportedly submitted a series of emails to a Nashville judge, and site TMZ claims to have obtained the emails. One of the emails allegedly finds White complaining that Elson has enrolled their two children, seven-year-old Scarlett and six-year-old Henry, into the same school as Auerbach's daughter, five-year-old Sadie. The email allegedly sent by White on July 16 reads: "My concern with Auerbach is because I don't want the kids involved in any of that crap ... That's a possible twelve fucking years I'm going to have to be sitting in kids chairs next to that asshole with other people trying to lump us in together. He gets yet another free reign to follow me around and copy me and push himself into my world." Meanwhile, White and Elson have a hearing on August 29 over a separate dispute involving their two children. The restraining order taken out on July 22 reveals Elson's belief that her ex-husband is not fit to be a parent. According to the restraining order, it is also claimed White has a violent temper and has sent Elson intimidating emails and text messages.

A leaked email allegedly sent by Jack White to his ex-wife Karen Elson appears to show the former White Stripes frontman branding The Black Keys singer’ Dan Auerbach a “copy” and an “asshole”.

Elson divorced White in 2011 but she took out a restraining order against her ex-husband on July 22 amid allegations of “harassment” and “bullying” behaviour.

As part of her petition, Elson reportedly submitted a series of emails to a Nashville judge, and site TMZ claims to have obtained the emails.

One of the emails allegedly finds White complaining that Elson has enrolled their two children, seven-year-old Scarlett and six-year-old Henry, into the same school as Auerbach’s daughter, five-year-old Sadie.

The email allegedly sent by White on July 16 reads: “My concern with Auerbach is because I don’t want the kids involved in any of that crap … That’s a possible twelve fucking years I’m going to have to be sitting in kids chairs next to that asshole with other people trying to lump us in together. He gets yet another free reign to follow me around and copy me and push himself into my world.”

Meanwhile, White and Elson have a hearing on August 29 over a separate dispute involving their two children. The restraining order taken out on July 22 reveals Elson’s belief that her ex-husband is not fit to be a parent. According to the restraining order, it is also claimed White has a violent temper and has sent Elson intimidating emails and text messages.

Roger Waters responds to accusations of anti-Semitism

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Roger Waters has responded to charges of anti-Semitism from a representative of the Jewish human-rights organisation, the Simon Wiesenthal Center. Waters recently came under fire after video of a July 18 performance in Belgium of The Wall tour circulated online showing an inflatable giant pig featu...

Roger Waters has responded to charges of anti-Semitism from a representative of the Jewish human-rights organisation, the Simon Wiesenthal Center.

Waters recently came under fire after video of a July 18 performance in Belgium of The Wall tour circulated online showing an inflatable giant pig featured in his show carried a Star of David on its side.

In an email to Jewish newspaper The Algemeiner, Rabbi Abraham Cooper, Dean of the Simon Wiesenthal Center, claimed that Waters “is an open hater of Jews” and urged other artists to “denounce his anti-Semitism and bigotry.”

Waters responded to the accusations in “An Open Letter From Roger Waters”, posted on his Facebook page, denouncing Cooper’s claims as “wild and bigoted”.

Waters refutes that he is anti-Semitic by pointing out that the Anti-Defamation League said they didn’t believe Waters had “anti-Semitic intent.” The crucifix, crescent and star, hammer and sickle, Shell Oil logo and McDonalds sign were also stamped on the pig.

As for being “Jew-hating”, Waters refers Cooper to his relationship with Simon Wiesenthal and his daughter-in-law, who he says is Jewish.

You can read Waters full post here.

Waters has previously been highly critical of the Israeli government, likening Israel’s occupation of the Palestinian territories of the West Bank and Gaza to South Africa’s apartheid policy segregating blacks and whites. “They are running riot,” Waters said in a March 2013 interview with The Electronic Intifada. He also called on Western acts to boycott playing Israel.

You can watch Waters address the United Nations on November 29 last year, where he addressed alleged violations of international law by Israel against the Palestinian people.

John Cooper Clarke: “Alex Turner’s a fantastic lyricist”

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John Cooper Clarke has said he thinks Alex Turner is a "fantastic lyricist". The poet's work, "I Wanna Be Yours", is put to music on the new Arctic Monkeys album AM, which will be released on September 9. When asked how the band's version compares to his own, Clarke told NME: "I think it's great ...

John Cooper Clarke has said he thinks Alex Turner is a “fantastic lyricist”.

The poet’s work, “I Wanna Be Yours”, is put to music on the new Arctic Monkeys album AM, which will be released on September 9.

When asked how the band’s version compares to his own, Clarke told NME: “I think it’s great the band have used it, because I think it was always kind of a song. It’s a poem that owes a great deal to popular music. I haven’t heard their version yet, but I know it’s gonna be great.”

He added: “I think he’s [Alex Turner] a fantastic lyricist. He’s always changing, and as a band they won’t be pinned down. I like that album they made when they’d been to the States for the first time, they were so obviously Americanised. I think things like that are a strength, where you can make every new experience uniquely you. That’s part of the secret of longevity.”

When asked if he would perform with the band if asked, he replied: “Yeah, if they asked me I’d get involved – of course I would! I love what they do. For sure! I don’t work with anybody I don’t like just for the attention. I suppose it’s not very surprising but all the people that have sort of latched onto us lately are all people that I really like. I include Plan B and the Alabama 3, people like that. It’s a pleasure to be involved with acts like that, and Arctic Monkeys, because these people are in for the long haul.”

Alex Turner has previously cited the poem as being a huge inspiration for him as a lyricist. “I was your typical teenager, trying to be cool and not interested and the teacher proceeded to read ‘I Wanna Be Yours’, doing an impression of Johnny. It made my ears prick up in the classroom because it was nothing like anything I’d heard, especially on this syllabus. Had I not seen him do his thing, I wouldn’t have started writing like that,” he said.

Read the full interview with John Cooper Clarke here.

The National to record Grateful Dead tribute album with Vampire Weekend, Bon Iver

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The National are planning on recording a Grateful Dead covers album in collaborations with the likes of Vampire Weekend, Bon Iver and Kurt Vile. Relix reports that Aaron and Bryce Dessner have also recruited members from the likes of The War On Drugs and The Walkmen for the project and hope to con...

The National are planning on recording a Grateful Dead covers album in collaborations with the likes of Vampire Weekend, Bon Iver and Kurt Vile.

Relix reports that Aaron and Bryce Dessner have also recruited members from the likes of The War On Drugs and The Walkmen for the project and hope to convince more high-profile musicians to take part, too, including Sonic Youth guitarist Lee Ranaldo and Yo La Tengo’s Ira Kaplan.

Although no tracklisting or release date has been revealed for the LP yet, proceeds from the album will be given to the not-for-profit organisation Red Hot, which is focused on raising AIDS-awareness. Speaking about their plans for the record, Aaron Dessner said: “We’ve done a lot of work talking to various artists and laying the groundwork. It is kind of an ambitious project both because of the legacy and the material. We are obsessed enough with the Grateful Dead that it is kind of a monumental idea.”

Bryce Dessner added: “There are all kind of corners of the musical world that are deeply influenced by the Dead that one wouldn’t expect. Lee Ranaldo is a crazy Deadhead. So that was part of the idea but I think it is broader than that now. Jerry Garcia was a total cat.”

The National recently released their sixth album Trouble Will Find Me, which debuted at Number Three in both the UK and the US. They are set to tour the UK this November, when they will play shows in Belfast, Manchester and London as well as Dublin, Ireland.

The National will play:

Belfast Odyssey Arena (November 9)

Dublin O2 Arena (10)

Manchester O2 Apollo (11, 12)

London Alexandra Palace (13, 14)

Levon Helm documentary released digitally today

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Ain't in It for My Health: A Film About Levon Helm is now available to by as a download. It is available on iTunes, Amazon Instant Video, Movies On Demand and other leading digital outlets. It will be released on DVD and Blu-ray on October 2. The documentary was directed by Jacob Hatley, who trai...

Ain’t in It for My Health: A Film About Levon Helm is now available to by as a download.

It is available on iTunes, Amazon Instant Video, Movies On Demand and other leading digital outlets.

It will be released on DVD and Blu-ray on October 2.

The documentary was directed by Jacob Hatley, who trailed Helm for two years during the recording of his Electric Dirt album.

In a statement reported on Rolling Stone, Helm’s collaborator and musical director Larry Campbell said, “Jacob was the perfect fly on the wall for many months as we experienced the ups and downs of a wonderful time in all our lives.”

The documentary premiered at New York’s Cinema Village on Friday, April 19 – the first anniversary of The Band drummer’s passing – before showing in select cities in America.

You can read all about Uncut’s 2009 trip to Helm’s Woodstock barn for one of his Midnight Rambles here.

The film trailers we’ve been watching this week…

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Taking my cue from John’s playlist blogs, I thought I’d compile something similar – a playlist (or, more accurately, a viewing list) of film trailers I’ve been watching in the office. Not all these films have UK release dates yet; and as with John’s music playlists, I’m not necessarily endorsing every trailer listed here. Anyway, let me know what you think. If you like it, I might start doing these regularly… Have a good weekend. Follow me on Twitter @MichaelBonner. American Hustle Directed by David O Russell http://www.youtube.com/watch?v=QhB6o3Dtwjs The Wolf Of Wall Street Directed by Martin Scorsese http://www.youtube.com/watch?v=iszwuX1AK6A Old Boy Directed by Spike Lee http://www.youtube.com/watch?v=ZrLcnrnEqyI Machete Kills Directed by Robert Rodriguez http://www.youtube.com/watch?v=cwARA6PW7Do Metallica: Through The Never Directed by Nimród Antal http://www.youtube.com/watch?v=fO4KEAv-R1U The Canyons Directed by Paul Schrader http://www.youtube.com/watch?v=b5uTtNLUmCA Mandela: Long Walk To Freedom Directed by Justin Chadwick http://www.youtube.com/watch?v=hmm-aazQQKA Twenty Feet From Stardom Directed by http://www.youtube.com/watch?v=tWyUJcA8Zfo Jayne Mansfield’s Car Directed by Billy Bob Thornton http://www.youtube.com/watch?v=VVgmLt6G4_0 The Secret Life Of Walter Mitty Directed by Ben Stiller http://www.youtube.com/watch?v=kGWO2w0H2V8

Taking my cue from John’s playlist blogs, I thought I’d compile something similar – a playlist (or, more accurately, a viewing list) of film trailers I’ve been watching in the office.

Not all these films have UK release dates yet; and as with John’s music playlists, I’m not necessarily endorsing every trailer listed here.

Anyway, let me know what you think. If you like it, I might start doing these regularly…

Have a good weekend.

Follow me on Twitter @MichaelBonner.

American Hustle

Directed by David O Russell

The Wolf Of Wall Street

Directed by Martin Scorsese

Old Boy

Directed by Spike Lee

Machete Kills

Directed by Robert Rodriguez

Metallica: Through The Never

Directed by Nimród Antal

http://www.youtube.com/watch?v=fO4KEAv-R1U

The Canyons

Directed by Paul Schrader

Mandela: Long Walk To Freedom

Directed by Justin Chadwick

http://www.youtube.com/watch?v=hmm-aazQQKA

Twenty Feet From Stardom

Directed by

Jayne Mansfield’s Car

Directed by Billy Bob Thornton

The Secret Life Of Walter Mitty

Directed by Ben Stiller

Unseen Beatles pictures discovered after 30 years to be sold at auction

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A set of 34 unpublished pictures of The Beatles is set to be sold at auction after it was discovered on undeveloped film previously belonging to the band's official photographer. Tony Burke was given the images by photographer Derek Cooper when he died in 1983. Burke recently found the undeveloped photos in the cameras he inherited, realising the images last a period of 13 years, from the band's early days in Liverpool up to their split in 1970. Included in the set of images are pictures of the band recording the video for "A Day In The Life" in 1967 and also making an appearance on BBC television show Jukebox Jury. The set of pictures is expected to sell for more than £2,000 when they are sold at Wolverhampton auctioneers Cuttlestones later this month (August). Speaking to the Daily Mail, sale room manager at Cuttlestones Tom Waldron said: "We are honoured to have the opportunity to sell such a rare collection. Due to the band’s massive fame most images of them have been extensively reproduced so when these negatives were originally discovered it was a real treasure trove." Waldron later adds: "You won’t find these images anywhere else in the world - they are completely unique. Beatlemania is still very much alive and the market for Beatles memorabilia is as good as it has ever been.They epitomised the sixties and their music is still relevant today. The photos cover everything from their humble beginnings at the Cavern to their psychedelic days before the band split. The collection is all-encompassing."

A set of 34 unpublished pictures of The Beatles is set to be sold at auction after it was discovered on undeveloped film previously belonging to the band’s official photographer.

Tony Burke was given the images by photographer Derek Cooper when he died in 1983. Burke recently found the undeveloped photos in the cameras he inherited, realising the images last a period of 13 years, from the band’s early days in Liverpool up to their split in 1970. Included in the set of images are pictures of the band recording the video for “A Day In The Life” in 1967 and also making an appearance on BBC television show Jukebox Jury.

The set of pictures is expected to sell for more than £2,000 when they are sold at Wolverhampton auctioneers Cuttlestones later this month (August). Speaking to the Daily Mail, sale room manager at Cuttlestones Tom Waldron said: “We are honoured to have the opportunity to sell such a rare collection. Due to the band’s massive fame most images of them have been extensively reproduced so when these negatives were originally discovered it was a real treasure trove.”

Waldron later adds: “You won’t find these images anywhere else in the world – they are completely unique. Beatlemania is still very much alive and the market for Beatles memorabilia is as good as it has ever been.They epitomised the sixties and their music is still relevant today. The photos cover everything from their humble beginnings at the Cavern to their psychedelic days before the band split. The collection is all-encompassing.”

Karen Elson granted restraining order against Jack White

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Karen Elson has taken out a restraining order against ex-husband, Jack White. The US singer married model and musician Elson in 2005, the couple divorced in 2011 and threw a 'divorce party' to celebrate the end of their marriage. However, it has been revealed that on July 22 Elson took out a restr...

Karen Elson has taken out a restraining order against ex-husband, Jack White.

The US singer married model and musician Elson in 2005, the couple divorced in 2011 and threw a ‘divorce party’ to celebrate the end of their marriage. However, it has been revealed that on July 22 Elson took out a restraining order against White amid allegations of “harassment” and “bullying” behaviour.

The Nashville City Paper reports that White and Elson are at odds over the custody of their two children with Elson currently caring for the children. The restraining order reveals Elson’s belief that her ex-husband is not fit to be a parent. The order also alleges that White contacted Elson’s lawyer in “an inappropriate and aggressive manner.” Adding, Elson “fears for her and the children’s safety as a result of this harassment.”

According to the restraining order, White has a violent temper and has sent Elson intimidating emails and text messages. Elson is believed to have contacted her former husband’s lawyer about the messages, which she alleges were “pressuring her about the settlement terms for divorce.”

It is also claimed that White attempted to have his and Elson’s children removed from a class they shared with the child of an unnamed musician who White sees as a rival. White is said to have felt the fellow musician “ripped off” his songs. Additionally, the order revealed that White contacted Elson’s manager and made derogatory comments about her. “This was done to harass and embarrass wife,” the order states. “This pattern of husband’s bullying wife into submission was a contributing factor in the demise of their marriage.”

White and Elson have a hearing August 29 over a separate dispute involving their two children.