It's an odd time to evaluate Paul Simon's solo career in light of his successful 2004 reunion tour with Art Garfunkel. But maybe all that boomer nostalgia needs a little levity, and the sweep of his solo work proves Simon has never dwelled on the past. The Studio Recordings 1972-2000 is that rare bird—an attempt to collect an artist's entire oeuvre.
The Vietnam war had been over for three years by the time Hal Ashby made Coming Home in 1978. Those who'd survived the combat zones of South-East Asia had returned to find themselves shunned and quarantined, like lepers in their home towns; a living, breathing reminder of a shameful war many back home would rather forget had ever happened. Some of those who came back perhaps wished they'd died out there in the jungles—the paraplegics, the traumatised, forever dreading the nameless, shapeless things that whispered to them in the night.
From the all-star fable casting Ole Bob as Jack Fate—"a fallen rock legend well past his prime." They said that, not me. This includes several exotic covers of his songs, from an Italian folk version of "If You See Her, Say Hello" to a Japanese "My Back Pages". "One More Cup Of Coffee" is tackled, amusingly to some of us, by Turkey's recent Eurovision winner, Sertab Erener.
