As The Felice Brothers tour the UK and perform at End Of The Road festival this weekend, it seems a good time to battle through the Uncut archives and see how the group were doing back in August 2009 (Take 147). Marc Spitz heads out to upstate New York to see how these self-mythologising drifters created a glorious new take on roots rock from the comfort of a chicken coop. Just don’t, whatever you do, mention Bob Dylan and The Band...
Tonight, August 26, Kate Bush returns to the stage for her first live shows in 35 years. To celebrate, here’s our cover story from the archives (June 2010, Take 157), in which Uncut takes a phantasmagorical trip into suburbia to learn the untold story of Kate Bush’s masterpiece, Hounds Of Love. "She ain’t daft. People shouldn’t be fooled by the mystical hippy stuff, this girl is very, very tough." Story by: Graeme Thomson__________
Kate Bush returns to the stage next week, at London’s Hammersmith Apollo, for her first live shows in 35 years! To mark the occasion, here’s a fascinating piece from the Uncut archives (January 2012, Take 176), in which musicians, engineers and producers who have helped Bush craft her remarkable oeuvre let us in on her secrets of the studio. “There were no rules or barriers, it was just pure creativity…” Interviews: Graeme Thomson
As The Kinks prepare to release a deluxe edition of Lola Versus Powerman And The Moneygoround Part One, packaged with soundtrack Percy, we take a trip back to Uncut’s November 2007 issue (Take 126), where Ray Davies talks Uncut through some of the best albums he’s made in his long career. “My songwriting has been my ally through life,” Davies muses, “because I ain’t got much else.” Words: Nick Hasted
This is the full text of my interview with Hurray For The Riff Raff in New Orleans, that appeared in the print edition of Uncut a couple of months ago. I've added a lot of music to listen to as you read; not just by Alynda and the Riff Raff, but by some of the other New Orleans musicians who are critical to the story.
This week, Thurston Moore announced further details of his new solo album, The Best Day, featuring former Sonic Youth drummer Steve Shelley and My Bloody Valentine’s Debbie Googe. To whet your appetite for the new tracks, here’s a piece from Uncut’s December 2006 issue (Take 115) – judging by this, perhaps The Best Day will sound like a cross between John Coltrane, the Ramones and Yes…
How does the most innovative guitarist of his generation spend his spare time? By writing masterful film scores and trying to reinvent how music sounds, it seems. Jonny Greenwood’s There Will Be Blood soundtrack is performed at London’s Roundhouse on August 6 and 7, and here, in this piece from Uncut’s April 2011 issue (Take 167), Rob Young penetrates Greenwood’s studio lair and discovers, among other things, what Radiohead have been up to of late...
We interviewed Eric Idle about the recent Monty Python's Total Rubbish: The Complete Collection for the August 2014 issue of Uncut. We only had room in the issue for a small chunk of the interview; so here it is in full...__________Did making records allow Monty Python to express or try things out that you didn't do in your tv shows? Or was it a sensible marketing opportunity that you made the best of?
John Fogerty is out on an extensive tour of the US right now, so it seems a good time to dip into the archives and remind ourselves of this great feature from Uncut’s February 2012 issue (177). At the dawn of the ’70s, Creedence Clearwater Revival were the biggest band in the world – a brilliant and driven hit machine with deep roots in American tradition. By 1972, though, it was all over, and the ex-bandmates embarked on a bitter war that still continues, 40 years later.
