Ache

You find us at that time in the month when things start getting more than a wee bit hectic, deadlines fast approaching as we head into the final week or so of work on the new issue, for which I am reviewing Roy Harper’s Man & Myth, his first album of new material since The Green Man, 13 years ago. There’s also the small matter of next month’s cover story, which I’m also writing, which means it’s all go at the moment.

John Cooper Clarke has said he thinks Alex Turner is a "fantastic lyricist". The poet's work, "I Wanna Be Yours", is put to music on the new Arctic Monkeys album AM, which will be released on September 9.

Taking my cue from John’s playlist blogs, I thought I’d compile something similar – a playlist (or, more accurately, a viewing list) of film trailers I’ve been watching in the office.

Gospel legend and Jeff Tweedy rebond for sequel to 2010 Grammy winner...

The cover image of Promised Land Sound’s debut album, an old Nashville street map, clearly asserts the geographic and aesthetic loyalties of Sean Thompson, Joey Scala, Evan Scala and Ricardo Alesio, and their press biog has the requisite classy endorsement from local grandee Jack White's Third Man Records.

Revitalising re-release for classic 70's horror...

The new issue of Uncut should be in UK shops today, with an exclusive in-depth look at the new entry in Dylan’s Bootleg Series, plus Nilsson, Canned Heat, Morrissey, Armando Iannucci, Linda Thompson, Julianna Barwick and, I’m particularly pleased to say, Rocket From The Crypt. More here…

Bob Dylan’s on the cover of the new Uncut, which goes on sale tomorrow, July 31. The occasion? The release of The Bootleg Series, Volume 10 – Another Self Portrait (1969 – 1971) a typically fascinating glimpse behind the curtain of the Nashville Skyline, Self Portrait and New Morning sessions.

It’s not only who you know, it’s what you know, too...

Gearing up for the Atoms For Peace show tonight with this lot: please note (and in some cases listen to) new Forest Swords, Feral Ohms (another Ethan Miller band, this one very much in the Comets On Fire zone) and a reissue for Robbie Basho’s long-unavailable first Windham Hill album. The Desert Heat record sounds better with every play, too…