Features

The 43rd Uncut Playlist Of 2012

Most important things first: apparently www.neilyoung.com will be streaming the whole of “Psychedelic Pill” today. Once you’ve had a listen, let me know what you think.

Six Organs Of Admittance/Red River Dialect/Colossal Yes, Dalston Birthdays, October 22, 2012

Usual excuses about too much work to do (currently: a forthcoming Ultimate Music Guide on The Kinks, and the dark mathematics of Uncut’s end-of-year charts, as well as the rest of the next issue) mean that I failed yesterday to write a review of the Six Organs Of Admittance show at Birthdays in Dalston.

Beasts Of The Southern Wild

In 2009, Uncut spoke to The Wire’s creator David Simon, shortly before the broadcast of his follow-up series, Treme. The show was set during the aftermath of 2005’s Hurricane Katrina in New Orleans, a city that Simon felt had effectively been abandoned by the rest of America since the storm. “The only thing that brought this city back was the people who understand its unique culture and who participate in that culture refused to give that up,” he told us.

Peter Gabriel: “You could feel the horror…”

The current issue of Uncut features a review of the lavish reissue of Peter Gabriel’s groundbreaking So album – to accompany that, it seemed like a perfect time to republish this great interview with the man himself, from Uncut’s July 2007 issue (Take 122). Gabriel joins Uncut for a look at his glorious career, and at those remarkable costumes… “You could feel the horror,” he remembers. “I thought, ‘Oh, this is exciting!’” Words: David Cavanagh ____________________

First Look – The Rolling Stones’ Crossfire Hurricane

For those who are disappointed not to have scored a ticket to see the Rolling Stones in 2012, then there is some slight consolation.

The 42nd Uncut Playlist Of 2012

A couple of weeks ago, I read an interview with Scott Litt about working on “Tempest”, in which he mentioned how Dylan’s voice now reminded him, positively, of Louis Armstrong. Dylan, Litt suggested, should have a go at “Hello Dolly” sometime (The full piece is stuck behind the paywall at http://www.newyorker.com/, unfortunately).

Squeeze Down Under

Did you see that terrific BBC4 Squeeze documentary, Take Me I’m Yours, on Friday night? I was more than a little taken aback by the currently be-whiskered Glenn Tilbrook, but I’m sure there’s a plausible explanation for wanting to look like that and otherwise the programme was a timely reminder of the many great songs he and Chris Difford have written over the years. It also put me in mind of an eventful few days I spent with the band in 1980, when they were rather unhappily touring Australia, where I caught up with them in inhospitable Brisbane before we headed for the sunny beaches of Surfer’s Paradise. Here’s a piece I wrote for my old Stop Me If You’ve Heard This One Before column in Uncut.
Advertisement

Editor's Picks

Advertisement