Ocean

According to someone nearby, Richard Swift’s band look like they’ve just come off a trawler – the sort of image I aspire to, obviously. They sound, however, quite different: at this point, uncannily like a soul harmony group, somewhere between The Miracles and The Stylistics.

It’s beginning to look as if, in certain online circles, there’s going to be quite a fuss around the new Grizzly Bear album, “Veckatimest” – comparable perhaps to the heat around the Animal Collective record at the end of last year. Security’s comparably tight around “Veckatimest” – ironic considering it was Grizzly Bear themselves who benignly leaked a couple of “Merriweather Post Pavilion” tracks – but we did manage to sneak one listen yesterday.

US folk siren adds muscle to her delicate songcraft

A combination of deadlines and a vile cold served to shut down Wild Mercury Sound these past few days, but thanks for all your blog recommendations last week. When I get a chance, I’ll follow all your links and put together a decent blogroll. In the interim, please keep your suggestions coming.

You might assume that Encounters At The End Of The World could be an agreeably apposite subtitle for many of Werner Herzog’s best known films. You could think, for instance, of Brian Sweeney Fitzgerald taking Verdi’s music to the Peruvian jungles in Fitzcarraldo; the Conquistadors lost in the Andes in Aguirre: The Wrath Of God; Grizzly Man’s activist Timothy Treadwell and his bears in the wilds of Alaska.

The Excitable Boy's 1976 classic reissued, plus disc of unreleased flotsam

Ocean Colour Scene and Weller guitarist readies his debut solo album

Pop princess to open Dubai's Atlantis resort this week

A bumper list this week, as the 2009 releases start arriving in the Uncut office. Not everything here is going down ecstatically, but a first listen to the new Fennesz album today suggests that one was well worth waiting for. In the continuing absence of those My Bloody Valentine reissues, let alone any unreleased material from Kevin Shields’ archives, “Black Sea” really deserves to bring Christian Fennesz to a wider audience, I think.

Paul McCartney soars out of his comfort zone