Audience

One of the things I wrote about in the new issue of Uncut is a review of the latest vinyl reissues from what was the BBC Radiophonic Workshop. For a panel to accompany the review, I had the good fortune to speak to composer Paddy Kingsland, one of the legendary studio boffins currently touring in the live iteration of the Workshop.

New documentary Pulp (A Film About Life, Death & Supermarkets) hits UK cinemas on June 7 – in anticipation, we delve back to August 2010’s Uncut (Take 159) to discover the origins of Jarvis Cocker and co’s greatest hit. From three chords on a cheap Casio keyboard, via a headline slot at Glastonbury, to the huge summer anthem of 1995… Interview: Nick Hasted

Ray Davies made an appearance at the Hay Festival on Tuesday, May 26. During the interview, Davies discussed his forthcoming induction into the American Songwriters' Hall of Fame on June 12 and his ongoing relationship with the US. According to The Telegraph Davies told the Hay Festival audience that the honour was "a big deal because it means that America has finally accepted the Kinks".

Queen drummer Roger Taylor has discussed forming a Queen tribute band.

There’s plenty to shout about in the new UNCUT, which goes on sale this Friday, May 23. First of all, we have an exclusive new interview with PAUL WELLER, as he prepares for the release of MORE MODERN CLASSICS, a compilation drawing on tracks from the last 15 years of his illustrious career, a period during which his music has become increasingly more adventurous and unpredictable.

What the director of Easy Rider did next

In the same way that Marshall amps revolutionised rock music, allowing heavy rock and metal to flourish, loop pedals have changed the state of play for solo performers. No longer having to rely on real-time performing, the first two acts on tonight at the final night of Club Uncut at The Great Escape have been able to take folk to stranger, new climes.

After last night's Hold Steady-headlined first night, Uncut's stage at The Great Escape continues tonight (May 10) with an opening set from Serafina Steer.

The storms battering the South Coast have blown themselves out by the time Club Uncut reconvenes for another year at The Great Escape festival. It’s after midnight and very nearly pitch-black in the Dome Studio just before our first night’s headliners, The Hold Steady, dramatically hit the lights, then the stage. “As the song says,” Craig Finn promises, “we’re gonna have a real good time together.”

I was reminiscing with an old friend over the weekend about The Specials, his favourite band. Our chat brought us to the great 1979 2-Tone Tour that featured The Specials, supported by Madness and The Selecter, a snapshot of which now duly follows.