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Mayall John

This month in Uncut

The Kinks, David Crosby, Bruce Springsteen and Robert Plant all feature in the new issue of Uncut, dated February 2014 and out now.

Fleetwood Mac, London O2 Arena, September 27, 2013

“Life is good,” reflects Mick Fleetwood. We are over two hours into Fleetwood Mac’s third and final show at the O2, and it has fallen to Fleetwood to introduce his fellow bandmates on stage.

Eric Clapton on Cream: “I was in a confrontational situation 24 hours a day…”

The director of a new film profiling Ginger Baker is interviewed in the new issue of Uncut (dated January 2013, and out now), explaining why the Cream drummer broke his nose during filming… As a companion piece, this week's archive feature finds Baker's former bandmate, Eric Clapton, providing a painfully frank account of his days in Cream – psychedelic drugs, 24-hour confrontations and their love of Pet Sounds included. From Uncut's May 2004 issue (Take 84). Interview: Nigel Williamson _____________________

Peter Gabriel: “You could feel the horror…”

The current issue of Uncut features a review of the lavish reissue of Peter Gabriel’s groundbreaking So album – to accompany that, it seemed like a perfect time to republish this great interview with the man himself, from Uncut’s July 2007 issue (Take 122). Gabriel joins Uncut for a look at his glorious career, and at those remarkable costumes… “You could feel the horror,” he remembers. “I thought, ‘Oh, this is exciting!’” Words: David Cavanagh ____________________

Reading. . .in the beginning

On Monday night, I went to the launch of the 2007 Reading Festival – or the Carling Weekend: Reading And Leeds Festivals, as the dual event is now called – which, as you’ll probably know is headlined this year by The Red Hot Chilli Peppers, Smashing Pumpkins and Razorlight, with Arcade Fire, Kings Of Leon and Nine Inch Nails featuring prominently among the supporting line-up.

Eric Clapton – Martin Scorsese Presents The Blues: Eric Clapton

If Scorsese skimps on the British blues in his box set, he compensates with a single spin-off disc focusing solely on Slowhand's contribution to the devil's music. Ten tracks trace Clapton's development through his days with John Mayall to Cream, Blind Faith and Derek And The Dominos. We also get "Rockin' Today" from the famous 1970 London sessions with Howlin' Wolf. There's nothing of more recent vintage, such as his 2001 collaboration with BB King. But it's still an impressive summary of Clapton's credentials as—surely—the greatest white blues man of them all.
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