Reissues of Ian Dury’s Lord Upminster and 4,000 Weeks Holiday albums are reviewed in the latest Uncut (dated July 2013, and out now) – and a new exhibition, Ian Dury – More Than Fair: Paintings, Drawings and Artworks 1961-1972, takes place at the Royal College Of Art, Kensington, from July 23-September 1, 2013.
Kevin Ayers, one of Britain’s most gifted and idiosyncratic singer-songwriters, has died at the age of 68.
Ayers was born in Kent in 1944. Though he spent his childhood in Malaysia – moving there with his mother and British district officer stepfather – he returned to London at 12, only to be told to leave the city by a magistrate five years later following a drug bust. Ayers always maintained the bust that sent him into exile (and more importantly, into Canterbury) was a set-up. Whether it was or wasn’t, it was certainly an act of fate.
This month’s issue of Uncut (September 2012, Take 184) features Joe Strummer on the cover – inside is an in-depth exploration of his secret history, after The Clash split up to his redemption in the late ’90s. To complement this, our archive feature this week finds Strummer looking at the demise of The Clash – from their epic Sandinista! album to their bitter disintegration. This excerpt is taken from a longer piece in the September 1999 (Take 28) issue of Uncut. Words: Gavin Martin
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What is Lawrence for? Given the acclaim for the recent “Lawrence Of Belgravia” documentary, you could be forgiven for thinking that his role as a British eccentric and pop star manqué is now much more important than the actual music he makes. That his character is more entertaining than his records.
Alex Chilton’s wild, idiosyncratic life after Big Star is examined in the new issue of Uncut (Take 180, May 2012), out now. But what happened before the demise of Chilton’s greatest group? They should have been rock superstars, but Rob Jovanovic explains how drugs, in-fighting and personal tragedy meant Big Star had to settle for being the biggest cult band of all time (from Uncut's Take 94, March 2005).
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Elvis Costello wasn’t himself 25 years ago, the musician credits on the two albums he released in 1986 listing him as Little Hands Of Concrete (King Of America) and Napoleon Dynamite (Blood & Chocolate). While the former was a self-mocking reference to his habit of breaking guitar strings, the latter was a more boastful persona who made his stage bow as the mad-eyed master of ceremonies at fairground-like live shows.
UNCUT GLASTONBURY FESTIVAL AWARDS 2009
THE WORST BEST KEPT SECRET
The KLAXONS’ surprise appearance on the Park Stage (Saturday). Superhero fancy dress and all.
SONG OF THE SUMMER
Florence & The Machine, ‘Rabbit Heart (Raise It Up’. The perfect Pagan anthem for the sunkissed Children Of Avalon (John Peel Stage, Saturday).
BEST GLASTO DEBUT
‘Saucy Jack’, SPINAL TAP’s theme to their legendary musical about Jack the Ripper received its world premier on the Main Stage (Saturday), eclipsing even the wee fellers jigging about to ‘Stonehenge’ and guest turns by Jarvis Cocker (bass on ‘Big Bottom’) and Jamie Cullum (keys on the jam).
