Isolation

Bit of a mixed bag here: let me enthusiastically flag the Secret Sisters, Wooden Wand, Dean McPhee, Imaad Wasif and The Fresh And Onlys, and maintain a dignified silence about a few of the other records on the playlist this week.

Early days with this Bill Fay CD as yet, and I can’t help thinking that two or three listens is in no way enough to get an angle on, what, 43 songs spread across two CDs. “Still Some Light” consists of a bunch of full band demos from 1970-71, plus a home album (“Still Some Light” itself) recorded last year.

We count down from 150 to 101...see our choices here

…his orchestral soundtrack, for a film about a road

Some promo CDs come with a serious layer of security to prevent piracy and leaks: a special watermark which means the music can be traced back to a specific numbered disc if it finds its way onto the internet. You can often see the point of these heavy manners, especially when an album that may well sell millions arrives early in the Uncut office.

A self-bootleg? With a “visual narrative” by David Lynch

Annual Eurosonic festival indicates the future festival circuits hits coming your way

Spellbinding restoration of the Gibb masterpiece

You might assume that Encounters At The End Of The World could be an agreeably apposite subtitle for many of Werner Herzog’s best known films. You could think, for instance, of Brian Sweeney Fitzgerald taking Verdi’s music to the Peruvian jungles in Fitzcarraldo; the Conquistadors lost in the Andes in Aguirre: The Wrath Of God; Grizzly Man’s activist Timothy Treadwell and his bears in the wilds of Alaska.

Over the past year or so, the Drag City label have quietly embarked on a series of reissues whose provenance is so obscure that I’ve briefly suspected them of being exquisite fakes: my favourite reissue of this year, Suarasama’s “Fajar Di Atas Awan” from Sumatra; the incredible Gary Higgins album; JT IV and so on.