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Love—The Forever Changes Concert

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Back in January, Arthur Lee sold out two nights at the Royal Festival Hall. They were magical shows, Lee performing '67's classic Forever Changes in its entirety, complete with horns and strings. Some complained on the night about the sound balance, but there's no problem with the quality here. Lee's in celebratory mood, as he and his backing band LA psychedelicists Baby Lemonade storm through classics like "Bummer In The Summer" in a blur of brass and strings. Superlative stuff.

Back in January, Arthur Lee sold out two nights at the Royal Festival Hall. They were magical shows, Lee performing ’67’s classic Forever Changes in its entirety, complete with horns and strings. Some complained on the night about the sound balance, but there’s no problem with the quality here. Lee’s in celebratory mood, as he and his backing band LA psychedelicists Baby Lemonade storm through classics like “Bummer In The Summer” in a blur of brass and strings. Superlative stuff.

Depeche Mode—101

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In June 1988, Depeche Mode took their stadium techno roadshow to ground-breaking heights by filling the 65,000-capacity Pasadena Rose Bowl near LA. Captured by the legendary rock-doc maestro DA Pennebaker and his long-term partner Chris Hegedus, the show became a fine concert film, incorporating reality TV-style coverage of fans travelling to the gig. Repackaged with extra footage, audio commentaries and updated interviews, it's a handsome historical record of Wagnerian electro-pop and hair gel abuse.

In June 1988, Depeche Mode took their stadium techno roadshow to ground-breaking heights by filling the 65,000-capacity Pasadena Rose Bowl near LA. Captured by the legendary rock-doc maestro DA Pennebaker and his long-term partner Chris Hegedus, the show became a fine concert film, incorporating reality TV-style coverage of fans travelling to the gig. Repackaged with extra footage, audio commentaries and updated interviews, it’s a handsome historical record of Wagnerian electro-pop and hair gel abuse.

Brian Wilson Presents Pet Sounds—Live In London

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In January 2002, Brian Wilson and a nine-piece band, including The Wondermints and Carl Wilson-alike Jeffrey Foskett, performed The Beach Boys' 1966 album Pet Sounds in its entirety, and in sequence, over six nights at London's Royal Festival Hall. And now the best of those concerts have been remixed and remastered in 5.1 surround sound. This means you can now own the original LP in mono and stereo, the Pet Sounds Sessions box set, the Pet Sounds Live CD from 2002, and the Pet Sounds Live DVD!

In January 2002, Brian Wilson and a nine-piece band, including The Wondermints and Carl Wilson-alike Jeffrey Foskett, performed The Beach Boys’ 1966 album Pet Sounds in its entirety, and in sequence, over six nights at London’s Royal Festival Hall. And now the best of those concerts have been remixed and remastered in 5.1 surround sound. This means you can now own the original LP in mono and stereo, the Pet Sounds Sessions box set, the Pet Sounds Live CD from 2002, and the Pet Sounds Live DVD!

TV Roundup

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You can't move these days for quality American TV dramas?Six Feet Under, The Badge, Boomtown, 24, the increasingly amazing Alias?so it says a lot for the enduring genius of David Chase's Mob epic that it remains the most compelling of the current generation of TV imports. Series Four was as frightening and funny as anything that preceded it, and was especially notable for its treatment of the darkening relationship between James Gandolfini and Edie Falco. The episode where Tony snuffs Ralphy is unbelievable.

You can’t move these days for quality American TV dramas?Six Feet Under, The Badge, Boomtown, 24, the increasingly amazing Alias?so it says a lot for the enduring genius of David Chase’s Mob epic that it remains the most compelling of the current generation of TV imports. Series Four was as frightening and funny as anything that preceded it, and was especially notable for its treatment of the darkening relationship between James Gandolfini and Edie Falco. The episode where Tony snuffs Ralphy is unbelievable.

Suspicious River

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The controversial director of Kissed, Lynne Stopkewich, throws the fearlessly versatile Molly Parker into another harrowing role. Here she's running a seedy Nowheresville motel, selling her body to guests and drifters. She wants out, and the latest stranger may have the ticket. But in this director's world, nothing's tender and most things are brutal. Mesmeric and coldly Lynch-like.

The controversial director of Kissed, Lynne Stopkewich, throws the fearlessly versatile Molly Parker into another harrowing role. Here she’s running a seedy Nowheresville motel, selling her body to guests and drifters. She wants out, and the latest stranger may have the ticket. But in this director’s world, nothing’s tender and most things are brutal. Mesmeric and coldly Lynch-like.

Castle In The Sky

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Magic spells, a crystal pendant and eco-friendly robots all figure in this animated new age fable from Hayao Miyazaki (creator of Spirited Away) as two children search for a legendary flying city. Not a patch on the director's later work, and the comedy material is tiresome; still, it's streets ahead of Disney, and the flying sequences are just incredible.

Magic spells, a crystal pendant and eco-friendly robots all figure in this animated new age fable from Hayao Miyazaki (creator of Spirited Away) as two children search for a legendary flying city. Not a patch on the director’s later work, and the comedy material is tiresome; still, it’s streets ahead of Disney, and the flying sequences are just incredible.

The Recruit

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Al Pacino is in workaday Mad Mentor mode (see Donnie Brasco and Devil's Advocate) as the CIA talent scout who lures the brooding, intense? Colin Farrell into the fold while director Roger Donaldson tries to rekindle memories of his definitive '80s paranoia thriller No Way Out by inserting a screamingly obvious twist into a 'mole in the agency' finale.

Al Pacino is in workaday Mad Mentor mode (see Donnie Brasco and Devil’s Advocate) as the CIA talent scout who lures the brooding, intense? Colin Farrell into the fold while director Roger Donaldson tries to rekindle memories of his definitive ’80s paranoia thriller No Way Out by inserting a screamingly obvious twist into a ‘mole in the agency’ finale.

Shout At The Devil

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A handsomely filmed 1976 comedy adventure from a Wilbur Smith novel set in Africa during WWI, Shout At The Devil fails to register. True Blue Brit Roger Moore hooks up with alcoholid Lee Marvin, and they take on the German Navy. Explosions follow. Marvin hams outrageously.

A handsomely filmed 1976 comedy adventure from a Wilbur Smith novel set in Africa during WWI, Shout At The Devil fails to register. True Blue Brit Roger Moore hooks up with alcoholid Lee Marvin, and they take on the German Navy. Explosions follow. Marvin hams outrageously.

Nowhere In Africa

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The 2003 Oscar-winner as Best Foreign Language Film, this sees a German-Jewish family flee to a farm in Kenya to escape the rise of Nazism. Naturally, problems abound as the rural life turns tough, relationships disintegrate, locusts swarm and so do anti-Semites. Viewed through a child's eyes, the importance of each event is intensified, making for a visually impressive and emotionally testing experience.

The 2003 Oscar-winner as Best Foreign Language Film, this sees a German-Jewish family flee to a farm in Kenya to escape the rise of Nazism. Naturally, problems abound as the rural life turns tough, relationships disintegrate, locusts swarm and so do anti-Semites. Viewed through a child’s eyes, the importance of each event is intensified, making for a visually impressive and emotionally testing experience.

Sympathy For Mr Vengeance

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This Korean thriller is arrestingly stylised, impeccably directed and occasionally very beautiful, but jeesh, it's nasty stuff. A deaf-mute tries to kidnap a rich man's daughter to pay for his sister's operation. Naturally, it all goes horribly wrong. The torture of a young woman with electrical cables and the blade attack on a family of organ traffickers are especially gruesome, but beyond that, there's a withering examination of urban alienation and loneliness at play.

This Korean thriller is arrestingly stylised, impeccably directed and occasionally very beautiful, but jeesh, it’s nasty stuff. A deaf-mute tries to kidnap a rich man’s daughter to pay for his sister’s operation. Naturally, it all goes horribly wrong. The torture of a young woman with electrical cables and the blade attack on a family of organ traffickers are especially gruesome, but beyond that, there’s a withering examination of urban alienation and loneliness at play.

Charlie’s Angels 2: Full Throttle

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With barely a nod to the notion of storyline, this is another loud, brash series of MTV sketches, big on energy, little on brain. Somehow the idea of three scantily-clad chicks getting along okay with each other is pitched as pop-feminist empowerment. Diaz, Barrymore and Liu kick ass and chew scenery; Demi Moore is freakish; the (great) soundtrack rides roughshod over everything. Candy floss.

With barely a nod to the notion of storyline, this is another loud, brash series of MTV sketches, big on energy, little on brain. Somehow the idea of three scantily-clad chicks getting along okay with each other is pitched as pop-feminist empowerment. Diaz, Barrymore and Liu kick ass and chew scenery; Demi Moore is freakish; the (great) soundtrack rides roughshod over everything. Candy floss.

Cowboy Bebop

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Feature-length spin-off from the Japanimated sci-fi TV show about a group of bounty hunters in the late 21st century. Here, they're battling renegade bio-terrorist commandos from Mars and a nanobyte virus. Innovative ideas and gizmos a-go-go, and though a tad predictable, its energy keeps you watching.

Feature-length spin-off from the Japanimated sci-fi TV show about a group of bounty hunters in the late 21st century. Here, they’re battling renegade bio-terrorist commandos from Mars and a nanobyte virus. Innovative ideas and gizmos a-go-go, and though a tad predictable, its energy keeps you watching.

Halloween—25th Anniversary Edition

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John Carpenter was 24 when he shot one of the most influential films in movie history in just 20 days, on a budget of just over $300,000, for the apparently meagre salary of $10,000, a cut of the profits and his name above the title. Looking back, a quarter of a century on, it was probably the best deal he ever made. After a faltering opening run, Halloween quickly became a critically acclaimed box-office smash that went on to gross over $50 million and spawned a raft of sequels and an entire industry of mostly inferior slasher movies. It also made Carpenter the hottest young director in Hollywood, although the relationship quickly soured after a series of costly flops. Halloween, of course, is a masterpiece of sustained tension and looming terror, notable for its pioneering use of Steadicam, brilliant simplicity?baby-sitters in peril!!?and the sheer audacity of the direction. There's plenty of violent incident, but no lashings of pointless gore or dripping guts. What Carpenter at his best did better than anyone was create atmospheres of dread in which lurked suggestions of even worse things to come. He kept you in a state of permanent fright, in other words. Genius.

John Carpenter was 24 when he shot one of the most influential films in movie history in just 20 days, on a budget of just over $300,000, for the apparently meagre salary of $10,000, a cut of the profits and his name above the title. Looking back, a quarter of a century on, it was probably the best deal he ever made. After a faltering opening run, Halloween quickly became a critically acclaimed box-office smash that went on to gross over $50 million and spawned a raft of sequels and an entire industry of mostly inferior slasher movies. It also made Carpenter the hottest young director in Hollywood, although the relationship quickly soured after a series of costly flops. Halloween, of course, is a masterpiece of sustained tension and looming terror, notable for its pioneering use of Steadicam, brilliant simplicity?baby-sitters in peril!!?and the sheer audacity of the direction. There’s plenty of violent incident, but no lashings of pointless gore or dripping guts. What Carpenter at his best did better than anyone was create atmospheres of dread in which lurked suggestions of even worse things to come. He kept you in a state of permanent fright, in other words. Genius.

Bowling For Columbine—Special Edition

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Corporate exploitation, US foreign policy, K-Mart, small-town rednecks, the NRA and Charlton Heston are all in the firing line as shaggy documentarian, and now best-selling author, Michael Moore tackles America's self-destructive gun culture. Mostly witty and irreverent, it's also sporadically profound?see the terrifying slow-mo security footage of the Columbine massacre and Chuck Heston's final broken and bewildered interview.

Corporate exploitation, US foreign policy, K-Mart, small-town rednecks, the NRA and Charlton Heston are all in the firing line as shaggy documentarian, and now best-selling author, Michael Moore tackles America’s self-destructive gun culture. Mostly witty and irreverent, it’s also sporadically profound?see the terrifying slow-mo security footage of the Columbine massacre and Chuck Heston’s final broken and bewildered interview.

Auto Focus

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Paul Schrader deals with intriguing, uncomfortable issues here, but with, for him, a slightly saddening conservatism. Telling the story of Bob Crane, the '50s star of Hogan's Heroes, whose career nosedived as he became increasingly addicted to filming his own sexploits, it's initially vibey and buzzing, with a terrific turn from Greg Kinnear, but later lapses into soggy moralising and mopey depression.

Paul Schrader deals with intriguing, uncomfortable issues here, but with, for him, a slightly saddening conservatism. Telling the story of Bob Crane, the ’50s star of Hogan’s Heroes, whose career nosedived as he became increasingly addicted to filming his own sexploits, it’s initially vibey and buzzing, with a terrific turn from Greg Kinnear, but later lapses into soggy moralising and mopey depression.

Terminator 3: Rise Of The Machines

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Impossible to watch this already without wondering how Arnie must've calculated it'd boost his electoral campaign. The Governor of California returns in a shiny sequel to T2 which borrows much of that film's story and dynamics. Jonathan Mostow helms explosively, Nick Stahl and Kristanna Loken stand up strong, and it's loudly functional. But thank God he can't be Prez.

Impossible to watch this already without wondering how Arnie must’ve calculated it’d boost his electoral campaign. The Governor of California returns in a shiny sequel to T2 which borrows much of that film’s story and dynamics. Jonathan Mostow helms explosively, Nick Stahl and Kristanna Loken stand up strong, and it’s loudly functional. But thank God he can’t be Prez.

Let It Ride

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You would have thought that Richard Dreyfuss might have analysed his own contribution to the wretched Krippendorf's Tribe. Yet here he is again, hamming wildly from start to fin, as a perennial loser enjoying one startlingly successful day at the races. David Johansen and the adorable Jennifer Tilly provide brief but inspired moments of comic brilliance, but it's dear, dear Dickie's show. More's the pity.

You would have thought that Richard Dreyfuss might have analysed his own contribution to the wretched Krippendorf’s Tribe. Yet here he is again, hamming wildly from start to fin, as a perennial loser enjoying one startlingly successful day at the races. David Johansen and the adorable Jennifer Tilly provide brief but inspired moments of comic brilliance, but it’s dear, dear Dickie’s show. More’s the pity.

The Happiness Of The Katakuris

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Truly wonderful Japanese black comedy about a nice family who open a quiet B&B in the mountains, only to watch all their guests accidentally perish in increasingly macabre ways. Utterly barking stuff, this has something for everyone?surreal musical numbers with dancing zombies, claymation sequences and an exploding volcano! With movies like this around, who needs drugs?

Truly wonderful Japanese black comedy about a nice family who open a quiet B&B in the mountains, only to watch all their guests accidentally perish in increasingly macabre ways. Utterly barking stuff, this has something for everyone?surreal musical numbers with dancing zombies, claymation sequences and an exploding volcano! With movies like this around, who needs drugs?

Kid Galahad

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As boxing movies go, it's not exactly Raging Bull. As Elvis movies go, it's not exactly King Creole either (though Michael Casablanca Curtiz directed both). Even so, Presley's 10th movie is no turkey, aided by some half-decent tunes and solid support from a youngish Charles Bronson.

As boxing movies go, it’s not exactly Raging Bull. As Elvis movies go, it’s not exactly King Creole either (though Michael Casablanca Curtiz directed both). Even so, Presley’s 10th movie is no turkey, aided by some half-decent tunes and solid support from a youngish Charles Bronson.

Soylent Green

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Pre-Star Wars, '70s Hollywood loved its post-apocalyptic sci-fi dystopias?think The Omega Man, Rollerball and Logan's Run. With a brilliant cast?Charlton Heston, Edward G Robinson in his final role?and a superbly ghoulish twist, few come bleaker or better than this.

Pre-Star Wars, ’70s Hollywood loved its post-apocalyptic sci-fi dystopias?think The Omega Man, Rollerball and Logan’s Run. With a brilliant cast?Charlton Heston, Edward G Robinson in his final role?and a superbly ghoulish twist, few come bleaker or better than this.

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