Features

In tribute to the late Band legend, who died in April 2012, this week’s archive feature is a fascinating piece from October 2009’s Uncut (Take 149) – Barney Hoskyns travels to Levon Helm’s Woodstock barn for one of his Midnight Rambles, a musical hogroast-cum-celebration of the drummer’s life and legacy. “To me,” says Helm, “it’s just rock’n’roll…” ________________________________

Things may be different now but, when I was an NME staffer in the 1990s, we were forever being accused of building bands up, only to take delight in knocking them down soon after.

A lot of good things this week, and I should quickly mention that the new Uncut is now in the shops (in the UK at least). This link here has all the details of the issue contents, plus there’s a piece/interview by me about Bill Fay’s impending comeback.

To Café Oto, where a guy who goes by the name of Hitodama is making the sort of brutal avant-noise that a colleague is inspired to describe as “entropic deathwank”.

Sir Paul discusses the end of the Fab Four and a new group…

A while back, I read somewhere that Ben Chasny’s next Six Organs Of Admittance record would feature the heavy involvement of his old bandmates from Comets On Fire: it would be a kind of Comets reunion, was the speculation, albeit with Chasny in the driving seat rather than Ethan Miller.

This week I’m recommending, among other things, Sir Richard Bishop and the Michael Mayer Hauschka remix, but plenty more to get your teeth into here.

Things aren’t due to kick off for a couple of hours at the Pavilion Theatre where throughout this year’s Great Escape Festival Uncut is hosting a splendid line-up. So early Thursday evening I’m at the Dome, where Australian psyche rockers POND are making enough noise to wake the long-time dead.

For the current issue of Uncut, I interviewed Damon Albarn as part of my piece on his “Dr Dee” project (you can read it here). There wasn’t room for all of his answers in the mag, but today’s announcement of extra Blur dates prompted me to post the whole thing here.

What better way to kick off the final night of Club Uncut at The Great Escape than with a Brooklyn bar band – or indeed, a bar solo artist, the wily R'n'B raconteur Hans Chew.