Features

God bless Rod Stewart Not even creepy celebrity horse-whisperer Alan Yentob could wholly ruin last week’s highly entertaining BBC Arena special on Rod Stewart. His contributions were laughably witless all the same. “You look just like brothers!” he exclaimed excitedly of Rod and long-time mucker Ronnie Woods, which may have been true 40 years ago. These days they don’t even look like cousins.

When unpleasant right-wing governments seize control by one means or another, a lot of wishful thinking often goes on among radical artists. Hard times, they speculate, will encourage a new counterculture; angry political art will flourish in the face of oppression. We heard a lot of this rhetoric from dissenters trying to put a positive gloss on the election of David Cameron in 2010. But as yet, a provocative cultural revolt against the Tories, if there is one, remains too underground to register on most radar.

We find ourselves in the wrong bar by mistake. Arriving at Hyde Park for this second London show on the Stones' 50 & Counting tour, we're issued with numerous coloured plastic wristbands that are intended to identify where we can travel around the site. There is this bar, that tier, this restaurant, these toilets... one of the first questions we're asked as we enter the site is whether we have a dinner reservation.

A couple of days late this week, thanks to an epic proofreading job on the next Uncut Ultimate Music Guide; this one’s on the subject of Depeche Mode, and will be in UK shops on the last day of July.

John Cale recalls his time working with Nico on her extraordinary 1969 album, The Marble Index, in the new issue of Uncut (dated August 2013 and out now). Here, in this archive feature from our April 2010 issue (Take 155), the former Velvet Underground man, solo artist and producer of such free-spirits as Patti Smith, The Stooges and Happy Mondays, picks nine pieces of music worthy of a new society… and one by Zappa! Interview: Nick Hasted

When The Rolling Stones appeared here in 1969, they played on a stage so ultimately flimsy it afterwards could have been towed away on the back of a truck or broken down on the spot and sold for scrap. Unlike the Stones, it was not built to last.

Nick Ferraro started out as an Elvis tribute act around his native Philadelphia in 1986. On October 19, 2009, wearing his full Vegas Elvis costume, he went to see Bruce Springsteen at the Spectrum in Philadelphia. Spotting Ferraro in the crowd, Springsteen launched into “All Shook Up” before pulling him on stage to join in. As the song finished, Ferraro – perhaps enjoying his moment of glory a little too much – started singing “Blue Suede Shoes” before Springsteen politely took the mic off him, ushering him off stage with the legend, “Elvis has left the building.”

We pay tribute to the late Ray Manzarek in the new issue of Uncut (dated August 2013, and out now) – in this archive piece from Uncut’s September 2011 issue (Take 172), Manzarek, Robby Krieger, John Densmore – the latter pair now reunited in the wake of Manzarek's death – Jac Holzman and more look back on the making of LA Woman, and the final days of Jim Morrison. “The damn thing,” says Ray Manzarek, “just rolls and rolls…” Words: David Cavanagh

Before we get onto the list, a big thank you to everyone who engaged with the Mumfords/class/hate/Glastonbury 2013/Stones/etc blog yesterday, and a quick plug for the new issue of Uncut, out tomorrow in the UK (Alongside all the marquee stuff, I’ve written a piece about the new Tropicalia doc). As for this week’s new music, I suspect a few of you might be interested in Number Two…

"They're bad people, they deserve to be punished," notes one character in Ben Wheatley’s second film, Kill List.