Features

With the remastered “fictional documentary” Feast Of Friends set to be released properly for the first time on November 11, here’s a piece from the Uncut archives (February 2007 issue, Take 117) – a look at how The Doors created the epic closer to their final studio album, LA Woman, which would prove to be Jim Morrison’s haunted, spiritual swansong. Ray Manzarek, Robby Krieger and John Densmore tell the story… Words: Mick Houghton

Weird serendipities aplenty this week: versions of "O, Death" on two albums I downloaded one after another, by Mike & Cara Gangloff and Bessie Jones; dovetailing into Sea Island overlap between Jones and Loscil. It makes for a nice blurring between time and genre with, say, the Gangloffs using esoteric strategies to achieve a similar kind of transcendence that Jones and the Georgia Sea Island Singers reach through more orthodox, albeit uncommonly raw, Gospel routes in these Lomax recordings from the early '60s.

All Leonard Cohen wants for his 80th birthday is a cigarette. He smoked, he estimates, for around 50 years, before he gave up a decade or so ago. “I think a lot about smoking,” he reflects. “I’m thinking about it right now.”

When Sinéad O’Connor tore up a picture of Pope John Paul II on Saturday Night Live in 1992, she brought into focus her gifts for music, controversy and self-publicity in one fairly explosive package.

Among my post last week, I received a nice care package from Ace Records that included one quite weird Duke Ellington album ("My People"); Volume 3 of their "Where Country Meets Soul" series (I cannot recommend Ralph ''Soul'' Jackson's version of ''Jambalaya'' highly enough); and, maybe best of all, "Cracking The Cosimo Code", a collection of extraordinary music originating from Cosimo Matassa's New Orleans studio in the 1960s.

The director talks glaciers, No Wave and The Sons Of Lee Marvin

U2’s shock-released new album, Songs Of Innocence, is largely themed around the band’s childhoods and adolescence in Dublin, according to Bono. Well, here’s what came next… This is the full story, as told by those who were there, of U2’s rise from indie hopefuls to becoming the Biggest Rock Band On The Planet. Written by Stephen Dalton, and originally published in Uncut’s December 1999 issue (Take 31).

Thanks for all the nice feedback about the Liam Hayes/Plush piece I wrote earlier in the week. Lots of other good new arrivals in the list here, and you could do worse than start off by listening to the Cool Ghouls from San Francisco, especially if you're interested in the Allah-Las, the Ty Segall axis, Nuggets ad nauseam and so on.

I received an email last week from an old college friend, with a link to the Souncloud page of Liam Hayes & Plush, and an amused/irate message along the lines of, "One of your two jobs in life was meant to be to flag me when he releases anything/makes any move out of his lair."

Robert Plant on Led Zeppelin, his solo career and more...