Who'd have thought after the debacle of Velvet Goldmine that Todd Haynes' next film would be as clever, meaningful and powerfully resonant as this masterpiece of stylised social commentary? In the 1950s, the expatriate German director Douglas Sirk directed a series of Hollywood films that at the time were sniffily known as "women's pictures", which only later were recognised as brilliantly crafted satires, as sharply observed as novels like Revolutionary Road, Richard Yates' classic dissection of the Eisenhower years.

Six slightly funny films emerged from the Inspector Clouseau franchise through the '60s and '70s: they're not as hilarious as you recall. Peter Sellers is always looking for the humorous nugget, but pratfalls and silly accents do not make comedy gold. The Return Of... and ...Strikes Again are the high spots of the sextet. Nothing outshines Mancini's sexy theme tune.

William Friedkin's thriller casts Benicio Del Toro as a Special Forces killing machine running amok and Tommy Lee Jones as the man who trained him and now has to bring him in. Hokum, basically, but the knife fights are the best since David Carradine and James Remar went at each other with some gusto in The Long Riders.

The year is 2029, the city is Hong Kong, and the subject is a semi-naked cyborg supercop Major Kusanagi (Atsuko Tanaka). She's an animé fanboy's wet dream with improbably pert buttocks, muscular breasts, pneumatic nipples and a penchant for quoting Corinthians while questioning the nature of 'self' and simultaneously pursuing a mastermind cyber-hacker. Sublimely realised, intellectual ponderous, cheesy fun.

Already a by-word for meaningfully ambitious technical accomplishment, Alexander Sokurov's epic was shot in St Petersburg's Hermitage Museum in one unbroken steadicam shot. Moving through the rooms, we're tossed across history, from Peter the Great to Catherine the Great. And it IS great: saying much about Mother Russia then and now, but also visually gorgeous.

Brando stars in and directs whopping, overlooked 1961 western that cries out for iconic status

The seemingly ageless Chrissie Hynde storms her way through 26 songs on Pretenders Loose in LA EAGLE VISION , recorded at the Wiltern Theater in February this year. The run-in is particularly impressive as she turns the clock back almost a quarter of a century to the band's spectacular debut album with a sequence that includes "Tattooed Love Boys", "Precious", "Mystery Achievement" and the mighty "Brass In Pocket".

Pre-Star Wars, '70s Hollywood loved its post-apocalyptic sci-fi dystopias—think The Omega Man, Rollerball and Logan's Run. With a brilliant cast—Charlton Heston, Edward G Robinson in his final role—and a superbly ghoulish twist, few come bleaker or better than this.

A handsomely filmed 1976 comedy adventure from a Wilbur Smith novel set in Africa during WWI, Shout At The Devil fails to register. True Blue Brit Roger Moore hooks up with alcoholid Lee Marvin, and they take on the German Navy. Explosions follow. Marvin hams outrageously.