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Robbie Basho, Danny Paul Grody, Desert Heat reviewed

Of all the guitarists associated with the Takoma School, it’s hard to think of one who imbued folk music with quite as much mystical portent as Robbie Basho. 1978’s “Visions Of The Country”, his tenth album, is a fantastic case in point: “I would paint for you a portrait of North America as a beautiful woman,” he wrote in the original sleevenotes, “when she was young and untamed.”

The 32nd Uncut Playlist Of 2013

As I mentioned in yesterday’s blog, a big backlog of music to work through here. And while I try and offer some fractionally different recommendations away from the usual media pile-ons (Oh look, Haim etc), this Janelle Monáe album is terrific and I totally recommend having a listen on The Guardian’s stream: very much in the zone of “The Miseducation Of Lauryn Hill” (especially “Victory”).

End Of The Road, Matthew E White, the New Age revival, some other stuff…

I guess there are probably worse jobs to return to after a fortnight’s holiday. I arrived back in the Uncut office yesterday to be greeted by a big pile of new releases, which I’m still picking my way through. Currently playing: Track Two of Damon’s reissued “Song Of A Gypsy” – “Generally regarded,” it says here in the press release, “as one of the finest privately-pressed psychedelic rock records” of the late ‘60s. We shall see.
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