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Spector phil

Manic Street Preachers: “There’s just so much hate within this band. Why are we still like this?”

The Manics release their 12th album, Futurology, on Monday (July 7) – here, we head back to the November 2011 issue of Uncut (Take 174) to hear James Dean Bradfield, Nicky Wire and Sean Moore talk us through their history, and introduce us to their next stage, “the third and final great leap forward…” Words: David Quantick

Jenny Lewis: “Ryan Adams is like a whirling dervish in the studio”

Jenny Lewis reveals what it was like to work with Ryan Adams and Beck on her new album, in the new issue of Uncut, dated August 2014 and out now.

John Lennon letter blaming Harry Nilsson and Keith Moon for urinating in studio up for auction

A letter from John Lennon to Phil Spector blaming The Who drummer Keith Moon and singer-songwriter Harry Nilsson for urinating on a console at an LA recording studio is up for auction in London tomorrow (March 21), with an estimated value of £6,000.

Glyn Johns – Album By Album

The Heartbreakers’ Benmont Tench is about to release a solo album, You Should Be So Lucky, produced by the legendary Glyn Johns. In this star-studded archive piece from Uncut’s December 2011 issue (Take 175), Johns takes us through producing and engineering The Beatles, the Stones, The Who, Bob Dylan, Led Zeppelin and more – not a bad CV, you could say… Interview: Graeme Thomson

George Harrison “was an easy touch… he had a load of Krishnas living at his house”

The making of George Harrison’s debut solo single, “My Sweet Lord”, is examined in the new issue of Uncut, dated December 2013, and out tomorrow (October 29).

Kings Of Leon: “We never even considered being rock stars”

With Kings Of Leon’s sixth album, Mechanical Bull, set for release on September 23, we thought it would be time to take a trip through the archives into November 2010 (Take 162), when we joined the Followill clan on the road in America – we hear of uncanny robberies, an army of Kings lookalikes, whiskey-fuelled anxieties and a new power struggle within this most volatile of bands. Do they want to be rootsy outlaws or modern rock superstars? Words: Jaan Uhelszki
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