Young gods

Their post-punk early years, boxed...

44 films celebrating the folk customs, songs and dances of Great Britain...

One of those serendipitous music/environment moments this morning. As I was walking down Stamford Hill in a thickish mist, Colin Stetson’s fathomlessly deep saxophone came looming out of my headphones like a foghorn This is one of the first things you hear on “New History Warfare Vol. 2: Judges”, a pretty unusual and excellent record that I’ve been meaning to write about for a while.

Regal treasures of The People’s Band. Scoff at your peril...

Part Six of the transcripts from the Uncut Music Award 2010 judging sessions. Today, we reach The Gaslight Anthem...

British Blues mentor’s star-strewn first decade, over four discs...

'Let’s make a mess, lioness': the Monkeys stray a long way from Sheffield on lascivious third

It was with a degree of amazement that I received a new album by Liam Hayes & Plush a couple of weeks ago. Most people who’ve followed Hayes’ progress over the past 15 years didn’t expect “Bright Penny” to be finished for another few years, even though, technically, the last Plush album came out in 2002.

Final installment of Uncut's exclusive Tell Tale Signs online series!

Since, with a fairly grim inevitability, I'm the first of the Uncut massive to be up and about, the first highlights top ten of the festival falls to me, it seems.