A few interesting posts turned up on the blogs these past few days. The Super Furry Animals love continues, and Harri writes, "On first listen it sounded good, but maybe little bland by SFA's lofty standards; by the 4th or 5th listen I realised how much depth it actually has. Another SFA classic then, in my opinion - here's hoping one of the two on the way is the long lost techno record!"
Reeling somewhat from the news that Bob Dylan has permitted Mark Ronson to remix "Most Likely You Go Your Way (And I'll Go Mine)", it occurs to me that there's not much time to file a blog today. Here, instead, is what we've played today in the Uncut office -
Seems my blog has been hijacked over the weekend by Steve Sutherland, who's clearly having the time of his life out at Coachella. Here's his second report, involving The Arcade Fire, Kings Of Leon, the mighty Roky Erickson and a few random Hollywood A-listers. God, it sounds great. . .
Hi, I’m Steve Sutherland and I’ve gatecrashed John's Blog because I’m out in California covering the Coachella Music & Arts Festival for Uncut.Coachella is just over two hours’ drive inland from LA and the Festival, now in its eighth year, has become a favourite with Brit music fans for four good reasons.
It seems a long time ago now, when I thought post-rock was the most exciting music in the world. The thing with those early records by Tortoise and such was that they made anything seem possible. Post-rock was never going to supersede rock, but in the mid-'90s it still felt like a fantastically open-minded scene. The bands weren't hung up on the old signifiers of rock, they had this voracious appetite for so much music: jazz, electronica, Krautrock, endlessly obscure diversions from the well-beaten path. There were no apparent rules, which made it all the more disappointing that it became so formulaic so fast.
