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Kurt Vile: “Like Neil Young says, your past is your worst enemy”

The War On Drugs’ new album, Lost In The Dream, is out on Monday (March 17). Here, in this feature from Uncut’s November 2011 issue (Take 174), Sam Richards joins Adam Granduciel’s friend and collaborator Kurt Vile on tour in California to uncover the blood ties between Vile’s Violators and The War On Drugs…

Kings Of Leon: “We never even considered being rock stars”

With Kings Of Leon’s sixth album, Mechanical Bull, set for release on September 23, we thought it would be time to take a trip through the archives into November 2010 (Take 162), when we joined the Followill clan on the road in America – we hear of uncanny robberies, an army of Kings lookalikes, whiskey-fuelled anxieties and a new power struggle within this most volatile of bands. Do they want to be rootsy outlaws or modern rock superstars? Words: Jaan Uhelszki

Bruce Springsteen: “I think I just wanted to be great” – Part 1

From Uncut's September 2002 issue: In one of the most revealing interviews of his career, Bruce Springsteen talks exclusively to Adam Sweeting about his new album, The Rising, much of which was written in the aftermath of September 11, and which reunites him with the E Street Band for their first studio album since Born In The USA.

The Rise And Fall Of Glam

The new April issue of Uncut, out now, features David Bowie peering from the cover in his guise as sleazy space-star Ziggy Stardust. To celebrate this look at Bowie’s greatest creation 40 years on, here’s a fantastic piece from Uncut’s 18th issue, in November 1998, in which Chris Roberts looks back at the glammed-up, transgressive superstars who changed his adolescent world.

The Rolling Stones – Some Girls 1978 Reissue

Fired up by disco and punk, Jagger’s swagger returns, with a disc of unreleased songs...Wrongly or rightly, the allegations against the Stones came thick and fast in 1977. They’d lost their edge. They’d become gluttonised, lazy, too rich and bored to care. Some of them had the temerity to be in their mid-thirties (NME called them “The Strolling Bones”). The urgent sound of punk had made their jet-set rock seem passé.
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