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LG have recently debuted their latest nano projector, care of a video campaign that sees the device used to engage an unassuming audience by using the city as a backdrop. The LED powered device boasts an estimated lifespan of 30,000 hours and connectivity options including HDMI, USB 2.0 and WiDi.
When I first started reading what used to be Melody Maker, in a time now shrouded not so much in what are usually called the mists of time as they are in a fog as dense as anything that might gather over Dogger Bank, I used to accept its weekly delivery in the manner of some kind of jackal, cur or otherwise fanged and ravenous critter.
The Stones’ new compilation, GRRR!, is reviewed in the new issue of Uncut (December 2012, Take 187), out now, so for this week’s archive feature we head back to Uncut’s April 2008 issue (Take 131). Mick Jagger is micro-managing the release of their new, Scorsese-directed concert movie, Shine A Light. Keith Richards is lounging on a Caribbean beach with his dogs. They both find time, however, to tell Uncut about pet hygiene, “fucking crap” modern music and having rebellion thrust upon them. Words: Andrew Mueller
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This month’s issue of Uncut (September 2012, Take 184) features Joe Strummer on the cover – inside is an in-depth exploration of his secret history, after The Clash split up to his redemption in the late ’90s. To complement this, our archive feature this week finds Strummer looking at the demise of The Clash – from their epic Sandinista! album to their bitter disintegration. This excerpt is taken from a longer piece in the September 1999 (Take 28) issue of Uncut. Words: Gavin Martin
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The more-than-extensive ‘Immersion’ edition of Pink Floyd’s opus The Wall (the box includes a scarf and marbles!) is reviewed in our latest issue, out now – so we thought we’d revisit John Lewis’ excellent feature from June 2011 (Take 169). As the extravaganza arrives in Europe, Uncut meets the obsessive fans, stoners, bloggers and military advisors who’ll follow Waters and his lavish production to the ends of the globe…
The line-up for this year’s London Film Festival has now been announced - which means it’s time for me to give you a quick heads-up on some of the films we’re most looking forward to seeing during the festival. Apart from the new Mike Leigh and other festival die-hards, there’s plenty of promising stuff – docs on Lemmy, Mott the Hoople and Creation records plus Darren Aronofsky’s Black Swan, Patrick Keiller’s Robinson In Ruins and Anton Corbijn’s The American.
