One of the many privileges and occasional disorientations of working for a monthly music mag is that we hear some music so far ahead of release that it can be easy to forget when the albums actually come out. So while the world of Ty Segall-related projects might have moved on here to the monstrous Wand album (out on Segall's God imprint in late August), it's instructive to remember that Segall's own "Manipulator", which we've had for a while, isn't out 'til then, either.
After the Best Albums Of 2014: Halftime Report business earlier in the week, it’s good to push on today with a bunch of very fine new arrivals, many of which you can hear at least tracks from below.
I interviewed T Bone Burnett as part of a piece on Inside Llewyn Davis, the new Coen Brothers film, which ran in the issue of Uncut on sale in December. What was originally meant to be a brisk 10 minute chat about working with the Coens and the film's soundtrack evolved into a much longer conversation, the bulk of which, inevitably, I couldn't work into the feature. So I thought I'd post it here for anyone interested in reading T Bone's thoughts on the evolution of folk music, the music he was listening to when he was growing up, and of course his experiences working with the Coens. Other topics under discussion included the American Civil War, George Clooney and Bob Dylan...
Jack White has spoken out about his thoughts on digital versus analogue recording, saying that digital formats have "proven to be anything but fail-safe" when it comes to the preservation of music.
Speaking to The Atlantic, White commented: "A lot of the digital formats in the last 20 years have proven to be anything but fail-safe. The tapes break or the information can't be retrieved."
Jack White and T Bone Burnett are producing a documentary about the American recording industry during the 1920s and 1930s.
The film, which Burnett says is co-produced by Robert Redford and the BBC, will be called American Epic.
Seeing as how Matthew E White and his band are on tour in the UK this week (I’m seeing him play in London tomorrow), it seemed a good time to post the feature about my visit to Richmond a couple of months ago. I’ve put a few links to stuff in here, too, so you can get a taste of the really interesting music coming out of the scene that revolves around White. Long read, this one…
Iggy & The Stooges’ new album, Ready To Die, is reviewed in the new issue of Uncut, dated May 2013, and out now. In this archive feature from Uncut’s Take 146 issue (July 2006), Iggy talks us through the highlights of his 40-year career – including skiing trips with David Bowie and a cameo from Princess Margaret… Interview: Jaan Uhelszki____________________
A couple of weeks ago, I read an interview with Scott Litt about working on “Tempest”, in which he mentioned how Dylan’s voice now reminded him, positively, of Louis Armstrong. Dylan, Litt suggested, should have a go at “Hello Dolly” sometime (The full piece is stuck behind the paywall at http://www.newyorker.com/, unfortunately).
