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Anderson laurie

Lou Reed: “I’ve lied so much about the past, I can’t tell what is true any more”

In this archive piece from our March 2003 issue (Take 70), Uncut meets Lou Reed in his favourite Manhattan restaurant to discuss Edgar Allen Poe, Eminem, T’ai Chi, his illustrious career and his hatred of journalists: “I think in an interview what they essentially want to know is how big is your dick…” Words: Gavin Martin / Photo: Julian Schnabel

Lou Reed treated in hospital for severe dehydration

Lou Reed has been treated in hospital for severe dehydration. The 71-year old singer was released yesterday (Monday July 1) from Long Island's Southampton Hospital after an ambulance was called to his house early on Sunday morning. "Everything's fine," a source told the New York Post.

Lou Reed on liver transplant: ‘I am a triumph of modern medicine’

Lou Reed has said he is "feeling better and stronger than ever" following a life-saving liver transplant last month. On Saturday (June 1), Reed's wife Laurie Anderson revealed that her husband had been recovering since his operation but suggested that he might not "ever totally recover" from the surgery. However, Reed has since posted a message to fans on Facebook, where he described himself as a "triumph of modern medicine" and announced that he is looking forward to returning to the stage.

Bon Iver working on an album with Arcade Fire saxophonist Colin Stetson

Bon Iver frontman Justin Vernon has been in the studio working with a member of Arcade Fire's touring band Colin Stetson on his new solo album.

Antony Hegarty’s Meltdown festival: full line-up revealed

The line-up for Antony Hegarty's Meltdown festival at London's Southbank Centre has been revealed. The Antony And The Johnsons singer is curating the annual festival, following in the footsteps of Jarvis Cocker, David Bowie and, most recently, The Kinks' Ray Davies, by curating the 12-day festival which runs August 1-12.

Colin Stetson: “New History Warfare Vol. 2: Judges”

One of those serendipitous music/environment moments this morning. As I was walking down Stamford Hill in a thickish mist, Colin Stetson’s fathomlessly deep saxophone came looming out of my headphones like a foghorn This is one of the first things you hear on “New History Warfare Vol. 2: Judges”, a pretty unusual and excellent record that I’ve been meaning to write about for a while.
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