Features

What better way to kick off the final night of Club Uncut at The Great Escape than with a Brooklyn bar band – or indeed, a bar solo artist, the wily R'n'B raconteur Hans Chew.

The weather has turned out glorious in Brighton on the second day of The Great Escape – but Friday's bill at Club Uncut is of a decidely darker bent.

Relentless! High end Martial Arts action flick...

May comes round again, and with it another Great Escape, one of the year's most satisfying festivals – not only because of its setting in Brighton's many beautiful venues, but because we at Uncut are again putting on our own three nights of some of the most interesting new bands around.

A week somewhat overshadowed by the Dexys show that I wrote about yesterday. Apologies for banging on about this some more, but the comments on my blog are definitely worth reading, and I’ve embedded below some unusually high-quality clips of “This Is What She’s Like”, “Lost” and “Come On Eileen”…

A couple or so weeks ago, Jack White requested that no photos to be taken at his London show: the audience should put down their phones and concentrate on the gig in a different way, was his implied suggestion.

Jerry Scheff is surely not an unfamiliar name to readers of Uncut. I’d wager a horse most of you have more than one album in your collection that feature him on bass. Among the highlights of a lengthy and illustrious CV, he can count gigs with Elvis Presley, The Doors, Bob Dylan, Elvis Costello, Todd Rundgren, Richard Thompson, Bette Midler, Crowded House, Johnny Cash, T-Bone Burnett, Roy Orbison, Suzanne Vegas and Jimmie Dale Gilmour.

Already, this year has provided plenty of good gear for fans of music documentaries. We've had Kevin McDonald's Bob Marley film and more recently, Lawrence Of Belgravia has capped a resurgence of interest in the idiosyncratic career of the Felt singer.