Features

First of all this week, let me quickly plug our most recent Ultimate Music Guide, which is dedicated to Depeche Mode. As with previous specials in the Ultimate Music Guide series on David Bowie, the Stones, Bruce Springsteen, Led Zeppelin, Pink Floyd, The Beatles, John Lennon, Paul Weller, The Clash, Nick Cave, The Kinks, U2, REM and The Smiths – all of which you can order online at www.uncut.co.uk/store or order digitally at www.uncut.co.uk/download – Depeche Mode – The Ultimate Music Guide features brand new reviews of all Depeche’s albums, written by a stellar team of Uncut scribes, plus a ton of vintage interviews from the archives of Melody Maker and NME, reprinted for the first time in years and covering the whole of the band’s career from their first stirrings in deepest Basildon in the early 80s. Depeche Mode – The Ultimate Music Guide is on sale now.

For all his flailing locks and dazed expression, Ty Segall does not make a particularly convincing slacker. In a short promotional clip for his new album, released on Youtube back in May, he pretends to be asleep in bed, on his couch, in a garden and then, preposterously, up a tree and at the wheel of a moving van.

Reading a magazine this morning, I noticed that there are a bunch of tribute shows to Elliott Smith coming up; ostensibly I guess to commemorate the fact that, horrifyingly, the tenth anniversary of his death is coming up in a couple of months.

As the Manics gear up to release their latest album – the predominantly acoustic, pastoral and Motown-tinged Rewind The Film – it seems a good time to revisit the Manics bassist and lyricist’s October 2006 (Take 113) grilling from fans and famous names. Topics include Cuba post-Castro, Live8, aircraft leg-room and winning Wimbledon… Interview: Stephen Trousse

Nuts week. A lot to recommend and check out here, including plenty of Youtube and Soundcloud links. Among the auspicious comebacks, one that’s slightly obscured is Cavern Of Anti-Matter, who feature Tim Gane and his old bandmate from the first Stereolab lineup, Joe Dilworth.

I was reading this interesting Wilco piece a few days ago, which talks about how Jeff Tweedy has parlayed cult success into what appears to be a viable business model. It made me think of the strategies used by Mark Kozelek these past few years: how he keeps a steady stream of music, predominantly live albums, coming through his Caldo Verde label to satisfy his obsessive fans (and I suspect Kozelek fans tend to be by nature obsessive; I know I am).

You find us at that time in the month when things start getting more than a wee bit hectic, deadlines fast approaching as we head into the final week or so of work on the new issue, for which I am reviewing Roy Harper’s Man & Myth, his first album of new material since The Green Man, 13 years ago. There’s also the small matter of next month’s cover story, which I’m also writing, which means it’s all go at the moment.

Prefab Sprout have recently announced their long-awaited return with a new album, Crimson/Red – to tide you over until its release on October 7, here's a piece from Uncut's September 2009 (Take 148) issue, where Paddy McAloon tells us about the music that changed his world, including Dylan, Bowie and Puccini. Interview: Sharon O'Connell

The cover image of Promised Land Sound’s debut album, an old Nashville street map, clearly asserts the geographic and aesthetic loyalties of Sean Thompson, Joey Scala, Evan Scala and Ricardo Alesio, and their press biog has the requisite classy endorsement from local grandee Jack White's Third Man Records.

The new issue of Uncut should be in UK shops today, with an exclusive in-depth look at the new entry in Dylan’s Bootleg Series, plus Nilsson, Canned Heat, Morrissey, Armando Iannucci, Linda Thompson, Julianna Barwick and, I’m particularly pleased to say, Rocket From The Crypt. More here…