Features

Thurston Moore – My Life In Music

This week, Thurston Moore announced further details of his new solo album, The Best Day, featuring former Sonic Youth drummer Steve Shelley and My Bloody Valentine’s Debbie Googe. To whet your appetite for the new tracks, here’s a piece from Uncut’s December 2006 issue (Take 115) – judging by this, perhaps The Best Day will sound like a cross between John Coltrane, the Ramones and Yes…

Bootleggers, bounty hunters and gangsters: a handy guide to the films of Nick Cave

With a new Nick Cave documentary, 20,000 Days On Earth, due to open in the UK next month, I thought it a good time to dust down a piece I wrote on Cave's film career for our 2013 Ultimate Music Guide dedicated to Cave.

10 great Tom Waits clips

To celebrate the release of our Ultimate Music Guide on Tom Waits, we thought we'd compile a list of 10 great clips from Waits' formidable career.

The 29th Uncut Playlist Of 2014

After a week away, I've been catching up these past few days, and also trying to remember what I talked about before I went on holiday. Best place to start, maybe, is the Natalie Prass record that Matthew E White has been sitting on for well over a year (he played me some of it at Spacebomb in March 2013). Fantastic song, which I described on Twitter as a kind of nuts Anita Baker/Willie Mitchell/Feist/Charles Stepney thing with a beat that would've been samplefood for Dre 15 yrs ago. Sticking with that for now. Also the red kite feather we found on holiday in Avebury feels serendipitous.

10 great Robert Plant clips

We spoke exclusively to Robert Plant for our in-depth cover story in the new issue of Uncut.

First Look – Big Star: Nothing Can Hurt Me

It's a busy month for fans of Big Star and their mercurial leader, Alex Chilton. There is a new biography, Holly George-Warren's A Man Called Destruction: The Life And Music Of Alex Chilton, From Box Tops To Big Star To Backdoor Man, the news that the first two Big Star albums - for so many years, only available as a two-fer - are getting remastered and reissued and separate albums. And today this documentary, Big Star: Nothing Can Hurt Me, finally opens in UK cinemas two years on from its debut at South By South West in March 2012.

Jonny Greenwood: “What do I do? I just generally worry about things”

How does the most innovative guitarist of his generation spend his spare time? By writing masterful film scores and trying to reinvent how music sounds, it seems. Jonny Greenwood’s There Will Be Blood soundtrack is performed at London’s Roundhouse on August 6 and 7, and here, in this piece from Uncut’s April 2011 issue (Take 167), Rob Young penetrates Greenwood’s studio lair and discovers, among other things, what Radiohead have been up to of late...

If you liked True Detective, why not try Galveston?

The blood has barely dried on the first series of HBO's True Detective talk has already turned to Season Two. At the time of writing, it's hard to think of an A-list actor or actress who, at some point over the last few months, hasn't had their name bandied around in connection with future series of the show.

Eric Idle: “Monty Python came from the same generation as The Beatles and The Stones…”

We interviewed Eric Idle about the recent Monty Python's Total Rubbish: The Complete Collection for the August 2014 issue of Uncut. We only had room in the issue for a small chunk of the interview; so here it is in full... __________ Did making records allow Monty Python to express or try things out that you didn't do in your tv shows? Or was it a sensible marketing opportunity that you made the best of?

In praise of Nicolas Cage in Joe

For a time, both Nicolas Cage and filmmaker David Gordon Green have separately been drifting away from what they do best. Joe, however, reminds us what both men are capable when the gears are shifting in the right sequence.
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