Features

As you've hopefully seen now, this month's issue of Uncut has a revealing piece about Richard & Linda Thompson's "I Want To See The Bright Lights Tonight", timed to tie in with that great album's 40th anniversary and its vinyl reissue, plus a burst of Thompson activity that includes a show at the End Of The Road Festival at the end of the month. "It is what it is and I like what it is," he calls the album in the piece, somewhat self-effacingly, "and there's a lot of stuff out there that I've done that I like less. That being said, it sold about 30 copies."

Sad news this morning about the death of Robin Williams, aged 63. Of course, Williams had been a dynamic and prolific screen presence since the late 1970s, from early contributions to The Richard Pryor Show to his sitcom breakthrough in Mork & Mindy and beyond into a hugely successful film career. In tribute, we've compiled below 10 clips that we hope do justice to his prodigious talents.

This week, Thurston Moore announced further details of his new solo album, The Best Day, featuring former Sonic Youth drummer Steve Shelley and My Bloody Valentine’s Debbie Googe. To whet your appetite for the new tracks, here’s a piece from Uncut’s December 2006 issue (Take 115) – judging by this, perhaps The Best Day will sound like a cross between John Coltrane, the Ramones and Yes…

With a new Nick Cave documentary, 20,000 Days On Earth, due to open in the UK next month, I thought it a good time to dust down a piece I wrote on Cave's film career for our 2013 Ultimate Music Guide dedicated to Cave.

To celebrate the release of our Ultimate Music Guide on Tom Waits, we thought we'd compile a list of 10 great clips from Waits' formidable career.

After a week away, I've been catching up these past few days, and also trying to remember what I talked about before I went on holiday. Best place to start, maybe, is the Natalie Prass record that Matthew E White has been sitting on for well over a year (he played me some of it at Spacebomb in March 2013). Fantastic song, which I described on Twitter as a kind of nuts Anita Baker/Willie Mitchell/Feist/Charles Stepney thing with a beat that would've been samplefood for Dre 15 yrs ago. Sticking with that for now. Also the red kite feather we found on holiday in Avebury feels serendipitous.