Ten years after

Uncut's discovery of the year bring their mournful, articulate brand of country to London's Borderline

She was the First Lady of UK Punk who later became the Godmother of Goth.

The legendary guitarist on his first musical steps and how the blues came to Surbiton.

All thirty tracks from Uncut Take 92. Tracks that inspired and tracks inspired by Bob Dylan.

Patti Smith takes time out to chat to Uncut about her recent recordings, being American in this post-911 era, Todd Rundgren and more...

Uncut catches up with Eric Goulden. The man behind 1977's anthemic 'Whole Wide World', the 80's Captains Of Industry, garage-punksters The Len Bright Combo and now, 'Bungalow Hi'.

Outspoken actor-director Tim Robbins talks to Uncut about Clint, the Clash and raging against the Iraqi war machine...

UK hip-hop hope's promising debut offering

Fifth solo outing for fiftysomething Nashville maestro MILLER'S MORE ILLUSTRIOUS work as guitarist/musical director with Emmylou Harris and Steve Earle has sometimes put his solo output in the shade. A pity, because there's much to discover in the Ohio native's back pages. Earle swears he's "the best country singer working today", while Robbie Fulks calls him country's only living auteur.

Leaving aside for a moment the issue of whether an unshown TV special from '68 could capture, as the opening credits suggest, "the spontaneity, aspirations and communal spirit of an entire era" any more accurately than, say, Catweazle or Do Not Adjust Your Set, and regardless of whether you think Beggars Banquet and Let It Bleed are the fulcrum points of a generation or just something that music critics of a certain age should learn to get over, the portents of this cryogenically preserved moment in rock time are undeniable. Look!