The new issue of Uncut will be on sale from Friday. Subscribers, of course, those sensibly organised people who plan ahead and have their lives in probably perfect order, may already have started receiving their copies. Lucky them! We’re actually still waiting for ours, but not yet fretting that they’ve been re-routed, sent via some staging post on a distant tundra where passing yaks may end up feasting upon them, the chomp-chomp-chomp of their distracted munching the only sound in that vast space, the hairy ruminants quite indifferent, of course, to what’s actually in the issue. Which is a lot, and includes in the grand annual tradition of these things, our review of the year, a 30-page special, featuring our Top 75 Albums Of 2012, plus the best reissues and box sets, films, DVDs and books, as voted for by over 40 Uncut contributors.
One swift month ago, I wrote a blog about Ty Segall and White Fence’s excellent Hair album, repeating a story that Segall had another couple of albums in the pipeline. Well, one has already turned up; but before we get there, perhaps check this astounding live clip of Segall, Tim ‘White Fence’ Presley, Mikal Cronin et al going for it on “Scissor People”:
News from Phil King on the Jesus And Mary Chain tour in Texas, yesterday, that Ty Segall was due to support them at a show. A pretty cool gig, one would imagine, and a useful prompt to remind me to write something about the latest release from Segall, especially since he’s promising – and it would be rash to disbelieve him, given his fecundity in the past two or three years – another couple of albums in the next few months.
Among other things I’ve failed to blog about this year, it occurs to me I’ve been particluarly slack on the subject of garage rock. A quick attempt to make amends today, with three of my favourites, before I get round to putting together a 2010 chart of sorts.
