Instant albums do not, as a rule, encourage reflection. There is surprise, sometimes indignation, a social media flame war, a lot of static about delivery systems. Once the 38 minutes of, say, Thom Yorke's "Tomorrow's Modern Boxes" have passed, it can all suddenly be over. What happens next?
As The Kinks prepare to release a deluxe edition of Lola Versus Powerman And The Moneygoround Part One, packaged with soundtrack Percy, we take a trip back to Uncut’s November 2007 issue (Take 126), where Ray Davies talks Uncut through some of the best albums he’s made in his long career. “My songwriting has been my ally through life,” Davies muses, “because I ain’t got much else.” Words: Nick Hasted
Enter The Slasher House, the debut album from Avey Tare’s Slasher Flicks, consisting of Dave Portner (aka Avey Tare), Angel Deradoorian and Jeremy Hyman, is released on April 7. Avey Tare’s psychedelic journey with Animal Collective, though, is also worth checking out – in this archive feature from Uncut’s September 2012 (Take 184) issue, Stephen Troussé chats to the band about their wide-ranging career so far. “We got terrible reviews…” Interview: Stephen Troussé
At some point on Sunday night, it seems as if quite a few restless people watching the BBC’s Glastonbury coverage started Googling “threw”, “bottle” and “Mumford & Sons”. For the past 36 hours, the most popular page on www.uncut.co.uk has been an old news story from 2010, in which The Fall’s Mark E Smith articulated his dislike for Mumford & Sons, mistook them for “a load of retarded Irish folk singers," and claimed he threw a bottle at them during a festival in Ireland.
From Uncut's September 2002 issue: In one of the most revealing interviews of his career, Bruce Springsteen talks exclusively to Adam Sweeting about his new album, The Rising, much of which was written in the aftermath of September 11, and which reunites him with the E Street Band for their first studio album since Born In The USA.
