Features

“Thank you, Boston,” deadpans Thurston Moore as the audience at tonight’s gig show their appreciation for “Speak To The Wild”. Of course, we’re in east London – Dalston to be precise, at Café Oto, which has become a regular hang out for Moore since he moved up the road to Stoke Newington.

As The Kinks prepare to release a deluxe edition of Lola Versus Powerman And The Moneygoround Part One, packaged with soundtrack Percy, we take a trip back to Uncut’s November 2007 issue (Take 126), where Ray Davies talks Uncut through some of the best albums he’s made in his long career. “My songwriting has been my ally through life,” Davies muses, “because I ain’t got much else.” Words: Nick Hasted

This is the full text of my interview with Hurray For The Riff Raff in New Orleans, that appeared in the print edition of Uncut a couple of months ago. I've added a lot of music to listen to as you read; not just by Alynda and the Riff Raff, but by some of the other New Orleans musicians who are critical to the story.

Another issue in the bag yesterday, which'll be in UK shops on August 26, and which features, if you're in the mood for guessing games, someone who's never been on our cover before.

As you've hopefully seen now, this month's issue of Uncut has a revealing piece about Richard & Linda Thompson's "I Want To See The Bright Lights Tonight", timed to tie in with that great album's 40th anniversary and its vinyl reissue, plus a burst of Thompson activity that includes a show at the End Of The Road Festival at the end of the month. "It is what it is and I like what it is," he calls the album in the piece, somewhat self-effacingly, "and there's a lot of stuff out there that I've done that I like less. That being said, it sold about 30 copies."

Sad news this morning about the death of Robin Williams, aged 63. Of course, Williams had been a dynamic and prolific screen presence since the late 1970s, from early contributions to The Richard Pryor Show to his sitcom breakthrough in Mork & Mindy and beyond into a hugely successful film career. In tribute, we've compiled below 10 clips that we hope do justice to his prodigious talents.

This week, Thurston Moore announced further details of his new solo album, The Best Day, featuring former Sonic Youth drummer Steve Shelley and My Bloody Valentine’s Debbie Googe. To whet your appetite for the new tracks, here’s a piece from Uncut’s December 2006 issue (Take 115) – judging by this, perhaps The Best Day will sound like a cross between John Coltrane, the Ramones and Yes…

With a new Nick Cave documentary, 20,000 Days On Earth, due to open in the UK next month, I thought it a good time to dust down a piece I wrote on Cave's film career for our 2013 Ultimate Music Guide dedicated to Cave.

To celebrate the release of our Ultimate Music Guide on Tom Waits, we thought we'd compile a list of 10 great clips from Waits' formidable career.

After a week away, I've been catching up these past few days, and also trying to remember what I talked about before I went on holiday. Best place to start, maybe, is the Natalie Prass record that Matthew E White has been sitting on for well over a year (he played me some of it at Spacebomb in March 2013). Fantastic song, which I described on Twitter as a kind of nuts Anita Baker/Willie Mitchell/Feist/Charles Stepney thing with a beat that would've been samplefood for Dre 15 yrs ago. Sticking with that for now. Also the red kite feather we found on holiday in Avebury feels serendipitous.