Features

The Making Of… Suede’s The Drowners

Brett Anderson, Bernard Butler, Ed Buller, Mat Osman and Simon Gilbert remember the creation of Suede’s debut single

An Audience With… John Lydon

The PiL leader discusses his record collection, Sid Vicious’ skin worries and the song he wrote for Kate Bush…

An interview with Paul Weller: “When I was younger, I was much more set in my ways…”

Weller on The Jam, solo and beyond...

The 38th Uncut Playlist Of 2014

Listening dominated by The Necks this week, and a couple of sets I bought from them at the show on Monday night (Read my review of The Necks live at Café Oto here…). But as you'll see, some significant action elsewhere on the playlist. Play ball! Follow me on Twitter: www.twitter.com/JohnRMulvey 1 Thom Yorke - Tomorrow's Modern Boxes (Bittorrent!)

Reviewed! Frazey Ford, “Indian Ocean”

As is the brutal way with deadlines on monthly magazines, yesterday afternoon I had to send out a request to all of Uncut's writers for their albums of the year lists, so that we can start the long and meticulous process of compiling a Best Of 2014 chart.

Reviewed! The Necks at London Cafe Oto, October 6, 2014

I hadn't planned to write about the Necks show last night: plenty of other things to do; a review of Frazey Ford's album ready to publish; a sense that, after my previous reviews of The Necks, I didn't have much else to say.

The 37th Uncut Playlist Of 2014

A bit frustrating this week, since I can't really talk about a couple of the most significant musical arrivals here, due to record label embargoes and so forth. Sorry, as ever, about the teasing: I'll reveal more as soon as I can.

Some thoughts on David Fincher’s Gone Girl

At the conclusion of Se7en, his second film as director, David Fincher memorably gave us Gwyneth Paltrow’s severed head in a box. In many respects, he has been producing heads from boxes ever since.

Belle And Sebastian – Album By Album

“We were like Fleetwood Mac without the drugs,” recalls Isobel Campbell…

Reviewed! Thom Yorke, “Tomorrow’s Modern Boxes”

Instant albums do not, as a rule, encourage reflection. There is surprise, sometimes indignation, a social media flame war, a lot of static about delivery systems. Once the 38 minutes of, say, Thom Yorke's "Tomorrow's Modern Boxes" have passed, it can all suddenly be over. What happens next?
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