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Inside the Fabs' original session secrets

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Watch Michael Chapman’s lockdown session for Uncut

From his home at the top of the Pennines

It’s so weird that they double-tracked them.
It is quite weird – I guess it’s what they did. They were incredibly tight at double-tracking, it’s incredibly hard to do. I said we’d mix them, but I tried to make it as much like we were pressing play on a tape machine. I really think they sound great.

There’s another version of “Let It Be” here – that hasn’t been out before has it?
I think it’s from the session of “Guitar Gently Weeps”. The other thing about The Beatles, they wrote songs all the time. Most bands have to think about their next album. The Beatles had to think about the next time they could get in the studio to record the songs they’ve already got.

Will there be more of this kind of thing?
I don’t know. It’s very disorganised the way we work. But I think that we’ll see how things go with this. With Sgt Pepper there was a mono-stereo question. With this there were all the studio outtakes and the Esher demos. I always think we have to find something that’s not just a repackage to make it worthwhile. I get people asking, “When are you going to remix Revolver?” It’s down to The Beatles. They ask me to do it, so I go off and do it.

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The January 2019 issue of Uncut is now on sale in the UK – with Jack White on the cover. Inside, White heads up our Review Of The Year – which also features the best new albums, archive releases, films and books of the last 12 months. Aside from White, there are exclusive interviews with Paul Weller, Elvis Costello, Stephen Malkmus, Courtney Barnett, Low and Mélissa Laveaux. Our 15-track CD also showcases the best music of 2018.

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