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Reviews

Sally Timms – In The World Of Him

Mekons singer from Venus takes on the men from Mars

Wheels On Fire

Confederate quintet follow last year's Decoration Day with strapping sixth LP

Sam Phillips – A Boot And A Shoe

Underrated US singer-songwriter employs appealing simplicity

Big & Rich

The new hick hop movement starts here

R.L. Burnside – A Bothered Mind

Mississippi bluesman remixed for the hip hop generation

Holy Smokers

Mystery Train director serves up series of caffeine-aided celebrity shorts

The Life And Death Of Peter Sellers

Oddly affecting portrait of an inadequate genius

Wire

Footage of the stern old art-rockers in their pomp is hideously rare. Wire On The Box counteracts this, a full-length show recorded for German TV before a few dozen polite hippies. The tension is delicious, the music (mainly from 154) fantastic. Best of all, there's the mystique-smashing vision of the young band: gawky, self-conscious, striving cutely for the froideur that only age would bring them.

Monster

Charlize Theron earns her Oscar as confused Florida serial killer Aileen Wuornos, not just for looking less attractive but because, after 20 minutes, you forget she's even a woman. So macho is her white-trash lesbian aggressor that you believe Christina Ricci is 'her' arm candy. Both excel as fuck-ups, and Patty Jenkins' script and direction are grim and gristly. Superb.

Page & Plant

The duo's 1994 take on Unplugged, which involved recording new material in Morocco and rearranging old Zep songs with Middle Eastern flavours and musicians, was a brave but preposterous conceit. Filmed in a Welsh valley, in a slate quarry and cross-legged with locals in Marrakesh, they're only really credible and incredible in their natural environment—a stage.
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