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Reviews
Amanda Shires – Take It Like A Man
Texan songwriter carves a bold new path on searingly honest seventh album
5th August 2022
Little Feat – Waiting For Columbus: Super Deluxe Edition
Forty-five years later, an expanded revisitation of the Feat at their live best
5th August 2022
Lee Bains & The Glory Fires – Old-Time Folks
Southern discomfort from the gifted country rocker
5th August 2022
Sam Prekop & John McEntire – Sons Of
Captivating electronics from seasoned Chicago post-rockers
29th July 2022
The Good Boss
Bardem's Blanco is at once loathsome, cosy and seductive in this black comedy by Fernando León de Aranoa
29th July 2022
Andrew Tuttle – Fleeting Adventure
Banjo-wielding Aussie experimentalist broadens his soundscape
29th July 2022
Grateful Dead – Europe ’72: 50th Anniversary Edition / Lyseum Theatre – May 26, 1972
The Dead’s definitive statement, 50 years on
29th July 2022
Ty Segall – Hello, Hi
Indie-rock’s great restless spirit gets back to basics. Just don’t call it a lockdown album
22nd July 2022
The Walkmen – You & Me: The Sun Studio Edition
The NY-based quintet’s magnum opus, recorded at Sun Studios in Memphis with a five-piece horn section
22nd July 2022
David Michael Moore – Flatboat River Witch
“Traditional but perverted” folk-jazz played on home-made instruments by the banks of the Mississippi
22nd July 2022
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