Advertisement

DVD, Blu-ray and TV

Austin Powers In Goldmember

Third time around for Mike Myers' sweaty secret agent send-up, and the scattergun approach means two flat jokes for every live one. Still, he knocks down your resistance through sheer quantity: part Benny Hill, part Peter Sellers (although losing the fat Scotsman would do us all a favour). Beyoncé Knowles is the leg interest; cameos from Tom Cruise to, well, every current Hollywood name.

John Q

This'll be the one Denzel didn't win the Oscar for. His factory-worker Everyman holds up a hospital when the nasty insurance company won't help his dying son. Shades of Dog Day Afternoon, but an astounding cast (Robert Duvall, James Woods, Ray Liotta) can't stop director Nick (son of John) Cassavetes from descending into trite, teary sentimentality.

Cheech & Chong—Get Out Of My Room

Influenced by Spinal Tap as much as it is by cannabis, this 1985 mockumentary was the last thing the duo wrote as a team. Supposedly following them as they record their last album, the best parts are the on-the-couch interviews in which Cheech improvises pretentious answers while Chong tries not to laugh. The songs themselves aren't too funny unless you're baked, but then that's the point.

Rollerball

Die Hard director John McTiernan remakes the '70s extreme-sports classic with a sledgehammer where the subtle social comment should be. Chris Klein, the poor man's Keanu, is the Rollerball superstar learning that league-owner Jean Reno has all the morals of a snake. Loud, brash and dumb, though cameos by LL Cool J and Pink might thrill pop completists.

Monster’s Ball

Halle Berry's blubbing Oscar win shouldn't obscure the fact that this is a brave, harrowing film, echoing the intimacy of '70s cinema's heyday. Billy Bob Thornton is uncannily intense as a Death Row prison guard who cracks up when his son Heath Ledger can't handle his job. An odd coupling with convict's wife Berry may or may not redeem him. Inspirational.

The Shipping News

Not as bad as they said, until you hit the magic realism. Lasse Hallström is safer on the brief establishing scenes, and Newfoundland is refreshingly unfamiliar Both sadsack Kevin Spacey and closed Judi Dench endure a near-Theban family history in rotten weather. Journalists will savour the local paper.
Advertisement

Editor's Picks

Advertisement