Features

The 48th Uncut Playlist Of 2012, Bill Fay, plenty of links…

Sometime in the summer of 2011, I spent a pretty amazing Saturday morning at a small recording studio in Green Lanes, North London. When I walked in, a hesitant but beautiful piano line was coming through the speakers, and one of the most emotionally compelling voices I’ve encountered in the past few years was singing a song which, it transpired, would be called “Never Ending Happening”.

Getting ready to see the Stones. . .

I’m off to see the second of the Stones’ 50th anniversary shows at the O2 on Thursday, and pretty excited about it. This morning, rummaging through some back issues of Uncut, I came across something I’d written about going to see them at Wembley Stadium in 1982, when they were touring in celebration of their 20th anniversary, amid much speculation that surely this would be their last go-around, retirement their next stop, which is very much what people have thought every time since then that they’ve toured. And yet here they are, 30 years further down the line, and no hint yet that we have seen the last of them. Anyway, here’s the piece I came across earlier today. Have a good week.

“People drifted off…” Bryan Ferry on Roxy Music’s many bass players

In the current issue of Uncut, I spoke to Bryan Ferry for our An Audience With… feature. Among the reader questions was one from Rob Emery, who asked ‘Why do you think Roxy Music got through so many bass players?’

Neil Young: “I’m not ready to go yet”

In celebration of Neil Young’s triple appearance in our review of 2012 (Americana and Psychedelic Pill in our top 50 albums and Waging Heavy Peace in our top 20 books of the year), here’s a look back at an unusually revealing interview with Neil Young (from our September 2007 issue, Take 127) – taking in car graveyards, his mother’s ashes and the truth about Archives and Chrome Dreams… “The Great Spirit has been good to me,” he says. Words: Jaan Uhelszki _____________________

Ben Wheatley’s Sightseers

Apart from a rather undignified search on secondary ticketing websites for Rolling Stones tickets, I spent part of my weekend listening to Jim Williams’ folktronic score for Sightseers, a terrific black comedy from Ben Wheatley.

Sufjan Stevens – a Christmas Q&A

Sufjan Stevens' new Christmas compilation, Silver & Gold: Songs For Christmas, Vols. 6-10, is out now, and reviewed in the new issue of Uncut, dated January 2013. Graeme Thomson tackles the mammoth album in the reviews section of the new issue, in shops now, and also interviews Stevens about the project – a short excerpt can be found in the issue, but below is the pair's full conversation… ______________________________

The 47th Uncut Playlist Of 2012

The new issue of Uncut should be with subscribers imminently, and in UK shops on Friday. Of some interest, I suspect, will be our Top 75 new albums of 2012 rundown; feel free to talk to me here about that when you’ve had a look (or before, if you like).

Paul Weller: “Success does strange things to people”

The deluxe reissue of The Jam’s final album, The Gift, is reviewed in the new issue of Uncut (December 2012, Take 187) – so for this week’s archive feature, we’ve stepped back to Uncut’s December 2008 (Take 139) issue, to spend a year by Paul Weller’s side, as he celebrates his 50th birthday. We are invited into the Guv’nor’s inner sanctum, to his star-studded birthday party, and into dressing rooms across Britain and America. And we learn that, like any good mod, Weller remains “more interested in the future than the past”. Words: Paul Moody _____________________
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