Uncut Magazine

December 2012

Uncut - December 2012

As an alternative to my usual wittering, I'm handing over this column to Matt Allan, one of the many readers who were moved to write in response to our recent cover story on The Byrds, a band for whom Uncut readers clearly have an uncommon affection.

Every other email I've received over the last few weeks seems to have been about them, how great they were and what their music has meant to you over the years. The following letter arrived from Matt a little too late for inclusion in this month's Feedback, but Matt had such a good story to tell, I thought I'd let him tell it here.
Take it away, Matt.

"I have been a Byrds fan since I was 14, discovered them in 1967 and have loved them ever since. I was born and brought up in Grangemouth, a grey, little industrial town in central Scotland and had never been to a 'proper' gig before when The Byrds announced a tour of Britain in 1971. The nearest they were coming to me was Newcastle City Hall, on May 7, 1971. That will do for me, I thought, and my mate and I got tickets and set off on a big adventure. We arrived in Newcastle at around lunchtime and quickly found the City Hall venue.

"As we arrived, we found the roadies taking all the gear in the stage door and asked if they wanted a hand. To our delight they said yes and we started lugging the gear in. Once it was all in, we hung around and no-one told us to leave. A short while later, The Byrds arrived – Roger McGuinn, Clarence White, Gene Parsons and Skip Battin.

"I was absolutely gobsmacked. There was my favourite band right in front of me. We watched as they ran through a quick soundcheck and then disappeared backstage. I plucked up the courage to ask someone where they were and was directed to the dressing rooms, where I got all four Byrds to sign my programme.

"Eventually someone said we could sit on the stage behind the band and watch the show. There were various other friends and hangers-on there also. It was amazing watching the show from this vantage point. Rita Coolidge was the support act, I remember, and I loved the show, I felt like I was part of the live side of (Untitled), as that was the set they were doing at that time – fantastic memory.

"I've still got the signed programme in a frame on my wall together with the unused ticket for the show!
"We missed the last train back to Scotland and ended up sleeping on the platform at Newcastle station but I didn't care. In July of that year I moved to London and have been here ever since. I have since seen McGuinn and Gene Parsons solo and also attended the McGuinn, Hillman & Clark show at Hammersmith (where I, and many others, got a full refund as the show was so short and not very good!) but nothing will top Newcastle 1971."

Enjoy the issue!


In this issue


16 tracks of the best new music, including The Fresh & Onlys, John Hiatt, The Cairo Gang, Two Gallants, Ian Hunter, Tame Impala, Iris DeMent, Cheek Mountain Thief, Teen and Wovenhand

In our front section this month: autobiographies by Neil Young, Rod Stewart, Pete Townshend; plus John Peel, Tony Visconti on T.Rex, and Woods


…on old instruments, unreleased Radiohead songs, and burying chickens

The story of the troubled genius who should have been an English institution

Album by album with a country legend

Steely Dan’s cerebral frontman on why his past work is “all garbage”…

In the eye of the crossfire hurricane – the story of the Stones’ ’72 tour…
Plus, Mick Jagger speaks!

Going through Ch-ch-ch-ch-changes

The pop experimentalists on their fabulous inventions and uneven legacy

“It always got an extreme reaction…” The making of “Frankie Teardrop”

My Life In Music

New Albums – including: Scott Walker, Brian Eno, Allah-Las, Kris Kristofferson
The Archive – including: The Jam, Woody Guthrie, The Rolling Stones, Cockney Rebel

 Led Zeppelin, The Rolling Stones, The Master

BOOKS Leonard Cohen, Jimmy Page, Kraftwerk

 Wilco & Joanna Newsom, John Cale, Ray Davies


Editor's Letter

Revealed: The New Issue Of Uncut…

For many of us who came of age in the mid '80s, The Smiths probably provided the soundtrack to a political maturing as much as an emotional one. My epochal moment of teenage rebellion came on July 23, 1986, a day I had strategically reserved for the purchase of The Queen Is Dead, so as to...