The Black Keys

We're after your questions for the Black Key...

As Dan Auerbach and Patrick Carney prepare to release their new album, Turn Blue, on Monday, we delve back into the Uncut archive and take a look at this album by album from the Ohio duo (originally printed in January 2013, Take 188). “We’ve always left things relatively unadorned,” Auerbach tells Uncut, “so this is warts’n’all music. We’re pretty blessed that things have worked out the way they have. Ever since we’ve started it’s never stopped building.” Interview: Rob Hughes ______________________ The Big Come Up

Dan Auerbach of The Black Keys explains how the group recorded their new album, Turn Blue, in the new issue of Uncut, out on Friday (April 25).

We've got reviews in this issue of two Wreckless Eric albums that you may have missed when they were originally released, and which are now being re-released to coincide with Eric's 60th birthday in May,

The Black Keys' Dan Auerbach has revealed that he didn't lose a lock of Bob Dylan's hair in his divorce last year, despite reports.

The Black Keys have filed another lawsuit accusing companies of ripping off their music in advertising jingles.

The Black Keys have said they never feel entitled to success, no matter how hard they've worked for it.

The Black Keys shed light on the making of their greatest albums in the new issue of Uncut, out on Friday (November 23). The duo, who are set to play two dates at London’s O2 Arena in December, explain how they moved from recording on four-track in drummer Patrick Carney’s basement for their first few albums to holing up in more luxurious studios with producer Danger Mouse on last year’s El Camino.

This is the last Uncut of 2012, rather unbelievably. It barely seems 12 months since I sat down to write the column that introduced our final issue of 2011. How much faster can time go by?

Pizza Hut and Home Depot have denied that they produced adverts that used songs by The Black Keys without their permission. In June of this year, Dan Auerbach and drummer Patrick Carney, as well as producer Danger Mouse, submitted a lawsuit alleging that Pizza Hut and its advertising agency used "significant portions" of 'Gold On The Ceiling' in an ad for Cheesy Bites Pizza while Home Depot used the track 'Lonely Boy' in an advert for power tools.