White lies

St Vincent releases her self-titled fourth album on Monday (February 24) – here, from the Uncut archives (October 2012, Take 185), is a reminder of Annie Clark’s last project – Love This Giant, created with David Byrne. Gather round, then, as Byrne and Clark reveal the secrets of a successful art-rock team-up, swish parties at the French Ambassador’s residence, and being “allergic to cymbals”... Words: Peter Shapiro ___________________

After Lou Reed died on October 27 last year we began discussing how best we could commemorate the man and his tremendous body of work. The natural solution presented itself in the form of an Ultimate Music Guide.

Early on in Lawrence Of Arabia, the head of the Arab bureau, Mr Dryden, calls Lawrence into his office and invites him to investigate the progress of the Arab Revolt against Constantinople and to appraise the strength of the Arab tribes.

To get to the Clyde Auditorium - the 3,000-seat venue crouched on the riverbank beside the SECC, which Glaswegians only ever refer to as The Armadillo - you have to traverse a long, wormy, weather-beaten covered walkway that bridges a motorway.

In an archive piece taken from Uncut’s January 2005 issue (Take 92), we look back at Dylan in 1975, when he turned the crisis of a deteriorating relationship into one of rock’s most compelling dramas. This is the story of Blood On The Tracks, the album that marked the demise of Dylan’s marriage – and his artistic rebirth. Words: Nick Hasted

Last year, I interviewed the film director Peter Strickland about Berberian Sound Studio, his tribute to the Heath Robinson-style endeavours of analogue sound designers. Strickland and I chatted about the influences for his main character, a tweedy sound engineer called Gilderoy; Strickland mentioned pioneering figures like Adam Bohman, Vernon Elliott and Basil Kirchin.

Here's what you might not find in Autobiography… wrestling matches with Vini Reilly! Ouija boards, sauna sessions and extravagant pastries! A secret love of Black Box’s “Ride On Time”!... 25 years on, in this week’s archive feature, from our September 2013 issue, Uncut takes a forensic look at Morrissey’s first acts as a solo artist: Viva Hate, Bona Drag, Kill Uncle, Your Arsenal and Vauxhall And I. The bandmates, songwriters and producers tell all. Story: Rob Hughes _______________ VIVA HATE Released: March 1988 Label: HMV