Pulse

A grand - sometimes cacophonous - inquisition into what comes next...

The outsider no more - Harper's first album in 13 years is a magnificent, ambitious rejuvenation...

With Arcade Fire’s new album, Reflektor, due for release on October 28, this week’s archive feature looks back to December 2005, when Uncut awards Album Of The Year to Arcade Fire’s debut, Funeral. Adored by everyone from David Bowie and David Byrne to Chris Martin and Bono, Funeral is a spectacular word-of-mouth success, and suggests whole new futures for rock music. Stephen Troussé meets the band on the eve of their Riviera Theatre set in Chicago…

The final conflict? Roots revivalists find harmony in discord on self-titled second album...

“Life is good,” reflects Mick Fleetwood. We are over two hours into Fleetwood Mac’s third and final show at the O2, and it has fallen to Fleetwood to introduce his fellow bandmates on stage.

In this archive piece from our March 2003 issue (Take 70), Uncut meets Lou Reed in his favourite Manhattan restaurant to discuss Edgar Allen Poe, Eminem, T’ai Chi, his illustrious career and his hatred of journalists: “I think in an interview what they essentially want to know is how big is your dick…” Words: Gavin Martin / Photo: Julian Schnabel

Everyone knows the mythical image of The Man In Black. But the truth about Johnny Cash was a whole lot more complicated. A “folk hero for the world”, and a humble man who struggled with addiction for his entire life. In this archive feature from Uncut’s February 2009 issue (Take 141), we present a revelatory new portrait of Cash’s life. We talk to many of the people who knew him best – the children, the bandmates, the managers, the peers – and discover the unexpurgated truth about this titan of American music. “He survived,” says his one-time son-in-law, “what Elvis didn’t…” Words: Alastair McKay

We find ourselves in the wrong bar by mistake. Arriving at Hyde Park for this second London show on the Stones' 50 & Counting tour, we're issued with numerous coloured plastic wristbands that are intended to identify where we can travel around the site. There is this bar, that tier, this restaurant, these toilets... one of the first questions we're asked as we enter the site is whether we have a dinner reservation.

John Cale recalls his time working with Nico on her extraordinary 1969 album, The Marble Index, in the new issue of Uncut (dated August 2013 and out now). Here, in this archive feature from our April 2010 issue (Take 155), the former Velvet Underground man, solo artist and producer of such free-spirits as Patti Smith, The Stooges and Happy Mondays, picks nine pieces of music worthy of a new society… and one by Zappa! Interview: Nick Hasted

The "English Joni" ruthlessly dissects her love life on confessional fourth...